Skip to main content

Building Figurative Prints

to
166
972
214
176
47
24
Overall Width
to
Overall Height
to
762
182
148
15
12
11
9
9
8
5
2
1
146
88
37
22
20
243
543
550
97
2
6
23
33
26
28
18
155
42
24
226
926
489
16
26,920
14,878
10,785
8,952
7,695
7,165
4,788
4,166
2,347
2,030
1,906
1,842
1,603
1,468
1,403
1,385
1,302
1,259
1,103
672
538
174
70
66
89
865
884
332
Art Subject: Building
Klimt, Kirche am Wolfgangsee, Gustav Klimt, Eine Nachlese (after)
Located in Auburn Hills, MI
Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.01 x 12.09 inches. Inscription: Signed in the plate and unnumbered, as issued....
Category

1930s Symbolist Figurative Prints

Materials

Lithograph

'Rain at Shinagawa, Ryoshimachi' — lifetime impression
Located in Myrtle Beach, SC
A fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe 6mm round seal indicating a lifetime impression printed between 1945 - 1957. Archivally sleeved, unmatted. Image size 14 1/4 x 9 3/8 inches (362 x 238 mm); sheet size 15 1/2 x 10 3/8 inches (391 x 264 mm). An impression of this work is in the permanent collection of the Fine Arts Museum of San Francisco, Achenbach Foundation. ABOUT THE ARTIST “I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui Hasui Kawase (1883–1957) is the most celebrated Japanese print designer of the shin-hanga ('new prints') movement. His prints, produced under the guidance and discerning eye of his publisher, Watanabe Shozaburo, represent the modern legacy of the renowned 19th-century Ukiyo-e masters Hiroshige and Hokusai. Hasui was able to evoke the fleeting beauty of Japan during the interwar period as no other printmaker of his time could. Hasui's work enjoyed huge popularity upon producing his first print in 1918. Watanabe recognized and developed the enormous potential of the American market, resulting in Hasui's prints achieving high prices at auctions in New York as early as the 1920s. After the Second World War, his prints became highly sought-after collectible works among the American occupying forces in Japan. Hasui designed more than 600 prints during the 40-year span of his artistic career, and in 1956, he was named a 'Living National Treasure' of Japan. Hasui’s woodblock...
Category

1930s Showa Figurative Prints

Materials

Woodcut

American Bulgarian original 1975 poster Galeria Ciento show Barcelona Spain
Located in Miami, FL
Christo (Bulgaria, 1935-2020) 'Galería Ciento', 1975 lithograph on paper 28 x 22.1 in. (71 x 56 cm.) Unframed Ref: CHR1038-P001 Condition: Not previously owned, and no signs of use....
Category

1970s Abstract Figurative Prints

Materials

Lithograph

'Public Building' — American Modernism, WPA
Located in Myrtle Beach, SC
Fred Becker, 'Public Building', wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. A superb, richly-inked impression, on cream wove Japan...
Category

1930s Modern Figurative Prints

Materials

Woodcut

The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Mosque of the Sultan Bayazid, Constantinople — Vintage Realism
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...
Category

1920s American Realist Figurative Prints

Materials

Drypoint

Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence. This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art. This magnificent etching is presented in a brown-colored wood frame and a tan French...
Category

1750s Old Masters Landscape Prints

Materials

Etching

Up And Down - Lithograph by M.C. Escher - 1947
By M.C. Escher
Located in Roma, IT
Hand Signed. Printed in black ink, and part of a limited edition thought to be of 400 specimen. Image Dimensions : 51 x 20 cm  Reference: Bool n. 352 Locher 146.  Very good conditio...
Category

1940s Modern Figurative Prints

Materials

Lithograph

'Financial District', New York City — American Modernism
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category

1930s American Modern Figurative Prints

Materials

Lithograph

Notre Dame de Paris
Located in Middletown, NY
A superb, dark impression of a well known scene by Arms. Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...
Category

1920s American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

The Temple of Asclepius with the Chariot - Etching by Giuseppe Vasi - 1753
Located in Roma, IT
The architect is Paolo Posi, and the image is engraved by Giuseppe Vasi.  The title:  Prospetto della prima machina de fuochi d'artifizio, rappresentante il Tempio di Esculapio figl...
Category

1750s Modern Landscape Prints

Materials

Etching

The Enchanted Doorway; Venezia
Located in Middletown, NY
Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching, Drypoint

Al Dolo - Etching by Giovanni Antonio Canal - 1735/44
By Giovanni Antonio Canal (Canaletto)
Located in Roma, IT
Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768). Original Etching on Laid paper...
Category

1730s Modern Figurative Prints

Materials

Etching

Piazza della Minerva - Rome - Etching by Giuseppe Malandrino - 1970
Located in Roma, IT
Piazza della Minerva - Rome  is an artwork realized in the  1970s  by  Giuseppe Malandrino . Original B.W. etching print. Hand-signed by the artist in pencil on the lower right cor...
Category

1970s Contemporary Landscape Prints

Materials

Etching

City Scene I — Mid-Century Modernism, Precisionism
Located in Myrtle Beach, SC
Bernard Brussel-Smith, 'City Scene I', wood engraving, 1949, edition 100. Signed, titled, and numbered '93/100' in pencil. A superb, richly-inked impression, on white wove paper, wi...
Category

1940s American Modern Figurative Prints

Materials

Woodcut

Church - Screen print by Franco Gentilini - 1970s
Located in Roma, IT
Screen print realized by Franco Gentilini in 1970s. Edition of 125. Hand signed and numbered. Belongs to the Series "Churches".
Category

1970s Contemporary Figurative Prints

Materials

Lithograph

Ponte dei Baratteri, Venice
Located in Middletown, NY
Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...
Category

Early 20th Century French School Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Old Brownstones -- New York
Located in Storrs, CT
Old Brownstones-- New York. c. 1985. Etching and drypoint. 8 7/ 8 x 12 1/3 (sheet 16 5/8 x 16 1/4). Fourth state. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted. Provenance: the artist's estate. Signed, titled, and annotated 'Fourth state -- wheel changed to left' and 'Steves' in pencil. A dramatic view of a Manhattan neighborhood. Painter and printmaker Lawrence Nelson Wilbur...
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

'Chion-in Temple Gate' from 'Eight Scenes of Cherry Blossoms' — Jizuri Seal
By Hiroshi Yoshida
Located in Myrtle Beach, SC
Hiroshi Yoshida, 'Chion-in Temple Gate (Sunset)' from the series 'Eight Scenes of Cherry Blossoms (Sakura hachi dai: Sakura mon)', color woodblock print, 1935. Signed in brush 'Yoshida' and in pencil 'Hiroshi Yoshida'. A superb, early impression, with fresh colors; the full sheet with margins, on cream Japan paper; an area of slight toning in the top right sheet corner, not affecting the image, otherwise in excellent condition. Marked with a jizuri (self-printed) seal, upper left margin. Self-published by the artist. Image size 9 5/8 x 14 3/4 inches (444 x 375 mm); sheet size 10 7/8 x 16 inches (276 x 406 mm). Archivally sleeved, unmatted. Provenance: M. Nakazawa, Tokyo. Literature: Japanese Landscapes of the 20th Century (Hotei Publishing calendar), 2001, May. Collections: Honolulu Museum of Art, Museum of Fine Arts, Boston. ABOUT THE IMAGE Located in Kyoto, Chionin is the main temple of the Jodo sect of Japanese Buddhism, one of the most popular Buddhist sects in Japan, having millions of followers. The Sanmon Gate, Chionin's entrance gate, standing 24 meters tall and 50 meters wide, it is the largest wooden temple gate in Japan and dates back to the early 1600s. Behind the gate, a broad set of stairs leads to the main temple grounds. ABOUT THE ARTIST Painter and printmaker Yoshida Hiroshi (1876-1950) is regarded as one of the greatest artists of the Japanese 'shin hanga' (New Print) movement. Yoshida was born as the second son of Ueda Tsukane in Kurume, Fukuoka Prefecture, a schoolteacher from an old samurai family. In 1891 he was adopted by his art teacher Yoshida Kasaburo in Fukuoka and took his surname. In 1893 he went to Kyoto to study painting, and the following year to Tokyo to join Koyama Shotaro's Fudosha private school; he also became a member of the Meiji Fine Arts Society. These institutions taught and advocated Western-style painting, greatly influencing Yoshida’s artistic development. In 1899 Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art), making the first of many visits to the US and Europe. In 1902 he helped reorganize the Meiji Fine Arts Society, renaming it the Taiheiyo-Gakai (Pacific Painting...
Category

1930s Showa Figurative Prints

Materials

Woodcut

'Coenties Slip' — Lower Manhattan, Financial District
Located in Myrtle Beach, SC
Luigi Kasimir, 'Coenties Slip', color etching with aquatint, 1927, edition 100. Signed in pencil. Dated in the plate, lower right. Annotated 'NEW YORK HANOVER SQUARE (COENTIES SLIP)'...
Category

1920s American Modern Landscape Prints

Materials

Etching, Aquatint

Sunlight on Stone; Caudebec-en-Caux
Located in Middletown, NY
Etching on antique laid Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signed, dated and inscribed "Ed. 100 II" in pencil in the lower margin. One of 100 impressio...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching, Handmade Paper

The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category

Early 20th Century American Modern Landscape Prints

Materials

Etching, Drypoint

Samuel Chamberlain, The Public Gaol, Williamsburg (Virginia)
Located in New York, NY
Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...
Category

1930s American Modern Figurative Prints

Materials

Drypoint

Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category

1820s Old Masters Landscape Prints

Materials

Etching

Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category

1750s Old Masters Landscape Prints

Materials

Etching

Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Category

1770s Old Masters Interior Prints

Materials

Etching

Versailles (France) original lithograph vintage SNCF travel poster
Located in Spokane, WA
Original Versailles, France vintage lithograph French travel poster. Printed by the French National Railroad, SNCF in the 1938's. Printer: Goossens. A poster fit for a king since he once resided here at Versailles. Transform your living space with the elegance and grandeur of the Versailles Original Poster. This exquisite piece captures the breathtaking beauty of the iconic Palace of Versailles, showcasing its majestic fountains and lush gardens. The vibrant colors and intricate details bring to life the opulence and historical significance of one of the world's most renowned landmarks. The grand fountains had a chariot and horses...
Category

1930s Expressionist Landscape Prints

Materials

Lithograph

Une rue de Rouen
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category

Late 19th Century French School Landscape Prints

Materials

Laid Paper, Etching, Drypoint

An Election Day in New Orleans - Original Lithograph by H.-T. Hildibrand - 1880
Located in Roma, IT
Image dimensions: 18 x 14.9 cm. An Election Day in New Orleans is a wonderful black and white lithograph on paper, realized in 1880 by Henry Théophile Hildibrand...
Category

1880s Modern Figurative Prints

Materials

Lithograph

Stanwick Churchyard
Located in Middletown, NY
Etching on cream wove paper, 2 3/8 x 3/14 inches (61 x 83), full margins. Signed, dated and inscribed "IV" in the artist's hand. In very good condition. Fletcher states only two tria...
Category

Mid-20th Century American Modern Interior Prints

Materials

Handmade Paper, Etching, Aquatint

Central Synagogue Lexington Avenue Looking North Etching and aquatint S/N Framed
Located in New York, NY
Richard Haas Central Synagogue - Lexington Avenue Looking North, 1991 Etching and aquatint on wove paper Signed, dated and numbered 8/35 in graphite pencil on the front; bears the or...
Category

1990s Realist Landscape Prints

Materials

Etching, Aquatint

Veduta di Tivoli mista d'Antico, e moderno (...) - Etching by L. Rossini - 1824
Located in Roma, IT
Veduta di Tivoli mista d'Antico, e moderno (...) From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano...
Category

1820s Modern Landscape Prints

Materials

Etching

Under the Bridge
Located in Storrs, CT
Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame. Painter and printmaker Lawrence Nelson Wilbur...
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category

Early 20th Century Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Ann Nooney, (Demolition with Windows, NYC)
Located in New York, NY
The dimensions are for the image; there are large margins. This lithograph is signed in pencil. A native New Yorker, Ann Nooney (1900-1970) recorded the urban scene while on the Wo...
Category

1930s American Realist Figurative Prints

Materials

Lithograph

"Roma (from Urban Landscapes III)" Richard Estes, Photorealist Screenprint
Located in New York, NY
Richard Estes Roma (from Urban Landscapes III), 1981 Signed and numbered "33/250" in pencil, lower margin Color screenprint on white wove paper 14 x 20 inches Edition 33/250 Richar...
Category

1980s Photorealist Figurative Prints

Materials

Screen

Church of Bolzano - Lithograph - 1990
Located in Roma, IT
This lithograph from the portfolio "Egon Schiele" is a reproduction of " Kirche von Bozen ", an original artwork realized by Egon Schiele in 1907. The portfolio, that includes 10 lit...
Category

1990s Modern Landscape Prints

Materials

Lithograph

Sepolcro dè tre fratelli Curazj in Albano - Etching by G. B. Piranesi
Located in Roma, IT
Image dimensions: 39.8x60.4 cm. Sepolcro de’ tre fratelli Curazj in Albano (Tomb of the three brothers Curazj in Albano) is a wonderful etching on thick laid paper with watermark (a...
Category

1750s Landscape Prints

Materials

Etching

Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...
Category

1760s Old Masters Figurative Prints

Materials

Etching

Klimt, Kirche in Cassone, Das Werk von Gustav Klimt (after)
Located in Auburn Hills, MI
Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.65 x 11.69 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...
Category

1910s Symbolist Figurative Prints

Materials

Lithograph

THE BURRO STATION - Large Etching with Incredible Detail. One of a Pair
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985) THE BURRO STATION, 1946, Etching and drypoint on paper, Signed and titled in pencil from an edition of unknown size. Plate: 17" x 13": Sheet: 20.75" x 15.75". One of a pair of large format Mexican etchings...
Category

1940s American Realist Figurative Prints

Materials

Etching

Dorothy and John Taylor Arms M.D. MCMXXV
Located in Middletown, NY
Etching on cream wove paper 5 7/8 x 3 3/8 inches (150 x 86 mm). Signed and dated in pencil in the lower margin. First state (of 2), before the removal of the inscription in the lowe...
Category

1920s Landscape Prints

Materials

Handmade Paper, Etching

Decorative Motifs- Greek - Chromolithograph after A. Alessio
Located in Roma, IT
Decorative Motifs - Greek Stylesis a print on ivory-colored paper realized after Andrea Alessio in the early 20th Century. Signed on the plate on t...
Category

Early 20th Century Modern Figurative Prints

Materials

Lithograph

Buitenzijde Van Het Colosseum (Exterior of the Colosseum)
Located in Middletown, NY
The Hague: circa 1799. Engraving with burin on cream laid paper, 7 7/8 x 13 inches (198 x 330 mm) full margins. Octavo fold with additional hard creases with an associated loss in t...
Category

Late 18th Century Dutch School Figurative Prints

Materials

Laid Paper, Engraving

Présence de Paris, A La gloire à Paris, Jean Gabriel Daragnès
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category

1930s Modern Landscape Prints

Materials

Etching

Piazza Navona in Rome: A Framed Original 18th Century Etching by Barbault
Located in Alamo, CA
This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...
Category

Mid-18th Century Old Masters Figurative Prints

Materials

Etching

St. Stephen's Cathedral in Vienna - Hand Colored Cityscape Lithograph
Located in Soquel, CA
Detailed and dramatic hand-colored etching by Luigi Kasimir (Austrian, 1881-1962). St. Stephen's cathedral towers above the streets of Vienna, with people going about their daily bus...
Category

1920s Photorealist Landscape Prints

Materials

Paper, Watercolor, Lithograph

Giovanni Piranesi Etching of Ancient Roman Architecture, 18th Century
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category

Early 18th Century Old Masters Figurative Prints

Materials

Etching, Engraving, Drypoint

Prag / Prague
Located in Middletown, NY
An atmospheric view of the Charles Bridge and Old Town Bridge Tower. Dresden: Max Sinz, 1928. Etching and aquatint in colors on cream wove paper, 11 1/2 x 9 inches (292 x 227 mm) f...
Category

Early 20th Century Modern Landscape Prints

Materials

Etching, Aquatint

THE LAST PRIVATE PERSON - DER LETZIE PRIVATIER
Located in Santa Monica, CA
ANDREAS PAUL WEBER (German 1893-1980) THE LAST PRIVATE PERSON - DER LETZIE PRIVATIER Lithograph signed in pencil and with the artist's Clan Press Stamp l...
Category

1950s Surrealist Figurative Prints

Materials

Lithograph

Richard Haas, Downtown Los Angeles MOCA, Etching & Aquatint, Signed/N, Framed
Located in New York, NY
Richard Haas Downtown Los Angeles MOCA (Museum of Contemporary Art), 1991 Etching and aquatint on paper with printers blind stamp SIgned, dated '91 and numbered 14/35 in graphite pen...
Category

1990s Realist Landscape Prints

Materials

Etching, Aquatint

Column of Trajan in Rome: A Framed Original 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it. The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints. Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...
Category

1820s Old Masters Figurative Prints

Materials

Etching

Alington in Wiltshire (The First Swallow).
By Robin Tanner
Located in Storrs, CT
Alington in Wiltshire (The First Swallow). 1927. Etching. Garton 2.iv. 6 3/4 x 8 7/8 (sheet 10 1/2 x 13 1/2). Final state published by in an editon of 12 by Garton & Cooke in 1982 (Nicolson published an edition of 40 in 1927). In states iii and iv, the swallow of the title was removed. In state iv, the sky was re-etched and the cross-hatching was slightly finer. Signed in pencil. Garton writes, page 11: "The design was based on the Anglican chapel-of-ease is the farmyard of Bulisge at Allinston near Chippenham....The print was originally entitled The First Swallow, but the swallow was burnished out before the 1927 edition....Fifty years later new work was effected in the worn-out areas of the sky and distance to produce prints which, in his opinion, were better than those of the original edition." Robin Tanner was an English artist, etcher, and printmaker. He followed the visionary tradition of Samuel Palmer and English neo-romanticism. His etchings began following night-school classes at Goldsmiths College, London. He had been inspired by the major Samuel Palmer retrospective exhibition organized by Martin Hardie...
Category

1920s Modern Landscape Prints

Materials

Etching

College of Physicians, from Ackermann's "Microcosm of London."
Located in Middletown, NY
Pugin, Augustus Charles & Rowlandson, Thomas (after). College of Physicians, from Ackermann's "Microcosm of London." London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...
Category

Early 19th Century English School Interior Prints

Materials

Watercolor, Handmade Paper, Lithograph

Rainy Night in Rome.
Located in Storrs, CT
Rainy NIght in Rome.. 1913. Drypoint. Dodgson 299.x. 12 x 9 (sheet 16 x 11 1/4). Edition 125 in 10 states. A rich impression with burr and tonal wiping. Pr...
Category

1910s Modern Landscape Prints

Materials

Drypoint, Etching

"CALMA" contemporary surrealist print with intricate colorful city landscape
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category

21st Century and Contemporary Surrealist Figurative Prints

Materials

Gold Leaf

Saint Catherine's Belfry, Honfleur
Located in Middletown, NY
Etching on elaborately watermarked, antique, cream laid Dard Hunter paper, 13 5/8 x 7 1/78 inches (347 x 181 mm), full margins. Signed, titled, dated and inscribed "Ed. 100 II." From...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Recently Viewed

View All