Decor Figurative Prints

Artist: Ernest Joseph Laurent (French, 1859-1929) Title: "Sicile (Sicily)" Portfolio: Gazette Des Beaux-Arts *Issued unsigned, though monogram signed by Laurent in the plate (printed...

Pendant Lamp Made of Bronze is an Etching realized by Lorenzo Mangini (18th century). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “L...

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that seem...

Composition is an original print in etching and drypoint on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through conf...

Hand Fans is an Original Linocut Print realized by Mino Maccari in 1951. Very good condition, not signed. Mino Maccari (1898-1989) was an Italian writer, pa...

Picador et taureau 25.09.1953 Few copies produced White earthenware with oxidized paraffin decoration and white and black enamel. D. 27 cm I D. 33 cm (with frame) Stamped on the back...

Ex Libris - PF is an original xilograph artwork realized by Michel Fingesten in the 1930s Hand-signed on the lower center. Hand-written note on the lower center. Good conditions. Includes passepartout: 30 x 24 cm Ex Libris is a Latin phrase meaning a bookplate that identifies the owner of the book into which it is pasted. Michel Fingesten (Butzkowitz, 1884 - Cerisano, 1943) was a Czech painter...

Pablo PICASSO (1881-1973) Diurnes: Jacqueline Through the Fabric, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 ...

Color silkscreen with enamel inks, flocking, and over printed flocking on Somerset 500 gsm Satin Radiant White with deckle edges. Edition of 60

This framed advertising poster for Hatamen Cigarettes from the late 1920s melds the meticulous detail of traditional Chinese painting with the nuanced color and fine resolution of color lithography. Ensconced in a filigree frame, a woman peers out alluringly, caressing the fur trim of her luxurious robe. Discreetly positioned on the lower corners, an open pack of Hatamen cigarettes makes a more subtle appeal to the senses. These advertisements, depicting fashionable women and influenced by the Art Deco movement in the west, recall the economic boom of early 20th-century Shanghai, an international center of business and trade. Today, these lithograph tobacco posters...

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

Three Flowers by Lizzie Wheeler, 2023 Additional information: Medium:collograph 20 x 87.5 cm 7 7/8 x 34 1/2 in signed, titled, and numbered in pencil Lizzie studied Graphic Communications at Bath...

In the Beginning, 2019 6-colour lithograph printed with Marinoni lithographic press, hand cut on BFK Rives 300 g paper 93 cm x 75 cm Edition of 99 Signed by the artist, numbered and ...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 11.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Matisse, Jazz, Special Edition...

An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 24 1/2" x 11," sheet measures 29"...

From the Paintings series. Woodcut, Lithograph, screen print and collage on Arches 88 paper. Hand signed, dated and numbered by Roy Lichtenst...

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

"Orange Leaves" (2000) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel that depicts a vase of wilted plants with orange leave...

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

Keith Haring Into 84/Keith Haring Painted Man 1983: Announcement card for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New Y...

Jacques Camus The Grey City, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" portfolio ...

Venise sauvee, play in five acts by Thomas Otway. 1895. Lithograph on simili Japan Framed. .Very good condition with the exception of a slight center fold. Framed. Rare Ref: Artis...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

Cats of All Nations Unite is a whimsical yet deeply symbolic work by Pedro Friedeberg, celebrating his distinctive blend of surrealism, satire, and architectural fantasy. Known for t...

Jean Cocteau ( 1889 - 1963 ) " L'arlequin masqué " . 1960 . coupe 30cm . signé JC 60 by jean Cocteau . " early work handmade " Edition originale Atelier Madeline - jolly au dos ...

Jacques Camus Pink Tulips, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" portfolio pr...

"Sierra Madre" is a color woodblock signed by Carol Summers. As suggested by the title, the print teeters the line between Summers' fanciful landscapes an...

Color silkscreen with enamel inks, flocking, and over printed flocking on Somerset 500 gsm Satin Radiant White with deckle edges. Edition of 60

Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Roger de la Fresnaye, III, Col...

Multicolored 2013 Technique: Silkscreen on paper Artwork numbered and limited to 100 copies / artist's proof Dimensions: 45 x 32 cm Signed and numbered in pencil by the artist. With ...

Jean Cocteau (1889-1963) Signé Jean Cocteau.sample « Exemplaire d’auteur. « . Conçu en 1958. Partially glazed white earthenware plate. From an edition of 20. Littérature : Annie Guéd...

With 15 (8 signed) coloured original etchings and aquatints by C. E. Uphoff. Original vellum with gilt cover vignette in private linen case with gilt title on spine (stained due to m...

An image that originally appeared in an astrological calendar for the year 1766. Tokyo: Shuei-Sha, 1766. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 in...

Max Ernst - Birds - Original Lithograph Birds, 1962 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

From an edition of 150 (matching numbered pair). Each hand signed by Damien Hirst and stamped with the artist's seal on the backing board. Silkscreen print with glitter.

"En Salada" Salad Fixings Etching on Paper by Joseph C. MaCarthy This Intaglio print, titled "En Salada," by San Francisco Bay area artist Joseph C. McCarthy (American, 20th C), cre...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Artist: Ben Shahn, American (1898 - 1969) Title: The Sea Itself from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 22.5 x 17.75 ...

Justin Pollmann "Lighted Cushion" 2022 Inkjet Transfer Collage, Monotype 25"x34" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, . Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Déco...

Justin Pollmann "Vessel Confetti" 2022 Inkjet Transfer Collage, Monotype 26"x20" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s...

Black and white figurative nude linocut by contemporary artist Karin Broker. The work features a central headless female nude figure surrounded by stereotypically "girl" icons such a...

"EROTIC DREAM" (1976) by Norbert Matzdorf Woodcut print on paper Limited Edition, numbered (10.3), dated and hand-signed by the artist 27,9 x 38,3 cm Norbert Matzdorf (1951 – 2013) ...

Ting Shao Kuang (b. 1939) Harp 1999 color screen print, signed on the lower right side and numbered AP40/50A on the left in pencil, ...

44" x 30" Unframed 3 Ink Woodcut Print on Paper Hand Signed by Iván Bautista

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

Medium: Limited Edition Print. Paper: Velin Arches 300 g.

Yvon TAILLANDIER A World at Altitude Original screen print Handsigned in pencil Numbered / 12 copies On paper 38 x 28 cm (c. 14.9 x 11 in) Excellent condition

This artwork titled "Liliana" c.1990 in an original color serigraph by Bolivian artist Marion Ferrer (Mario) Cespedes, b.1942It is hand signed, titled and numbered 157/290 in pencil ...

Elizabeth Peyton (American, b. 1965) E (Self-Portrait), 2019 Medium: Linocut on colored paper Dimensions: 30 x 22 cm Edition of 30: Hand-signed and numbered Condition: Excellent

Decorative Motifs - Byzantine Styles is a print on ivory-colored paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on the lower. Vintage Chromolithogra...

HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...

Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...

Vintage poster realized by Galleria Rondanini in 1978. Offset print. Excellent condition.

Artist Name: Barbara Kwasniewska Title: L'Ete Year: 1969 Medium Type: etching Size-Width Size-Height: 22.5'' x 30" inches Signed Edition Size: Signed, Titled, and Numbered 2/75 ...

Artist Name: Barbara Kwasniewska Title: Belles de nuit - ladies of the Night Year: 1969 Medium Type: etching Size-Width Size-Height: 22.5'' x 30" inches Signed Edition Size: Signe...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Vallier, Dora, et al. Braque, the Complete ...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

Shalom Moskovitz (Israel, 1895 - 1980) - Elijah Ascending to Heaven, Year: 1973, Medium: Screenprint, signed and numbered in pencil, and titled on verso, Edition: 143/300, Image Size...

Artist Name: Barbara Kwasniewska Title: Attente Year: 1969 Medium Type: etching Size-Width Size-Height: 22.5'' x 30" inches Signed Edition Size: Signed, Titled, and Numbered 69/7...