Hat Figurative Prints

Promenade is an original offset and lithograph print realized by George Grosz. The artwork is the plate n.28 from the portfolio Ecce Homo published between 1922/1923, edition of De...

Etching and aquatint, 1998, on Somerset Satin White paper, signed and dated in pencil, numbered 69th from the edition of 100 (there were also 15 artist’s proofs), printed by Maurice ...

Françoise GILOT (1921) The Reading, 1951 Original lithograph On Marais vellum 28 x 22.5 cm (c. 11 x 9 inches) REFERENCES : Catalog raisonne "Stone Echoes, Original Prints by Franco...

With flat planes of rich color, Alex Katz’s landscapes and portraits evoke the smooth aesthetics of advertising billboards and film. The prolific artist is especially well known for ...

Jean Cocteau (1889-1963) Lovers under the sun - Innamorati Lithograph in colors, 1961 Signed in the plate On vellum size 67 x 52 cm Printed in Mourlot worksho...

PKZ Reprint - 1981 - Official 1981 reprint for Kunstgewerbemuseum, Zurich Printer: JE Wolfensberger Niklaus Stoecklin – PKZ – 1935 PKZ Burger-Kehl & Co. AG, Zurich, C Switerland Lit...

This artwork titled "Listen" 1998 is an original color lithograph on paper by noted American artist David Hollowell, b.1951. It is hand signed and num...

Hand signed, dated, and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition: PP of 5, aside from edition of 30 plus 10 artist's p...

"Goethe" is a silkscreen in colors made by Andy Warhol in 1982. The work is signed and editioned in graphite, lower left, "70/100 Andy Warhol". The artwork size is 38 x 38 inches. Th...

Eva Fleigen (1575-c1628), was a German woman said to have lived off nothing more than the scent of flowers. Lithograph after a stipple engraving by Robert Cooper from Henry Wilson ...

Mexican is an original woodcut print realized by an unknown artist of early 20th century. Very good condition on a brown cardboard. No Signature.

This artwork titled "The Trail Ends at the Sea" c.1980 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signe...

BON SOIR is an original hand pulled color lithograph by the Russian-born French artist Romain de Tirtoff (23 November 1892 – 21 April 1990) known by the pseudonym Erté. Erté, who is...

Vintage poster by Henri Privat-Livemont created for the Exposition Universelle (the 1900 Paris Exposition) before the lettering was added on the upper portion of the image. Palais d...

In Mexico is an original lithograph on paper realized by French artist Alfred Darjou (1932-1874). Signed on the plate on the lower left. Titled at the top center in French, print o...

My Summer Vacation Serigraph 1984 33 × 24 in 83.8 × 61 cm Edition of 59 VERY RARE Billy Schenck has been known internationally for 44 years as one of the originators of the contemp...

Poster of Stowackiego theater is an original offset print realized in 1975 for "Ulani". Signed on the lower right " M. Gorowski 75". Good conditions except for light and small cutt...

Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 28x39. Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...

Created circa 1975 and stamped, verso, with certification of authenticity for Jane Voitle Mellin (American, born 1952). Paper dimensions: 13.25 x 19.75 inches A atmospheric, sugar-...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful draftsmanship and precocious insight into the human condition. Part of the first wave of Austrian Modernism, he was swept away by the Viennese fascination with the tension between Life and Death (known in the works of Freud and his later interpreters as Eros and Thanatos). Life, identified with attraction, love, sexuality, and reproduction, and Death, represented by distortion, disease, repulsion, and hysteria, often appeared in the same composition, thereby suggesting the frightening life cycle of the human mind and body. Young throughout his career, Schiele universalized his childhood traumas, thriving libido, insecurities, fears, and longings. His contorted line, jarring contrasts, and flat areas of color, demonstrate an early alliance with Expressionist philosophy and artists who were relentlessly frustrated by conventionality in all its forms. Schiele’s work embodied man’s disorientation and confusion in a seemingly absurd world, a world plagued by disease and war. It continues to be astonishingly relevant today, not just because it helped define Modernism but also because it revealed the dark and immutable aspects of the human condition. Zeichnungen is a fine art print portfolio published by Verlag der Buchhandlung Richard Lanyi, Vienna, 1917, printed by Max Jaffe...

Louise BRESLAU Young Girl with an Orange, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograp...

Limited Edition Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her pai...

This artwork titled "Summer Queen" c.1980 is an original color lithograph on wove paper by American artist Robert Raymond Anderson, 1945-2010. ...

"John Wayne" original etching by Al Hirschfeld. Caricature portrait of John Wayne in "She Wore A Yellow Ribbon." Hand pulled from an edition of 200 plus 15 artist's proofs in 1982. H...

Screen print cutout on Saunders Waterford 425gm HP Hi-White paper. Hand signed, dated and numbered by the artist. Artwork size 10.5 x 8 inches. Custom framed as pictured. Frame si...

"Stand Strong" is a digital illustration by Samantha Viotty, a Washington DC-based artist. This piece, similar to her others, is an exploration into ac...

"Goethe" is a silkscreen in colors made by Andy Warhol in 1982. The work is signed and editioned in graphite, lower left, "70/100 Andy Warhol". The artwork size is 38 x 38 inches. Th...

Le banc de jardin (The Garden Bench) Mezzotint and engraving on cream chine collé laid down on ivory wove paper, 1883 Signed in the plate (see photo) Condition: Brilliant impression...

Red Rodeo Rider 1981 Bill Schenck Serigraph, edition of 75 Image size 35 x 25 inches UNFRAMED Billy Schenck has been known internationally for 44 years as one of the originators ...

The Journey to India Jan Peter Tripp German (1945) Date: 1986 Etching, signed, numbered, dated, and titled in pencil Edition of 46/300 Image Size: 15 x 18 inches Size: 21.5 x 24.5 in...

Artist: Philippe Noyer (1917-1985) Title: The Crocodile Year: circa 1969 Medium: Lithograph on Arches paper Edition: 111/220, plus proofs Size: 29.75 x 22 inches Condition: Good Insc...

For sale is a captivating giclee art print titled "CHARLOTTA, 2017" by the renowned artist Audrey Kawasaki. This limited edition print showcases Kawasaki's distinctive style and meti...

Alfred Pierre AGACHE (1843-1915) Imperia (Caprices of Verlaine), 1899 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) ...

Cavalier is a reproduction of Picasso’s artwork depicting a horseman on horseback, originally created in 1954. This piece is featured in the publication Toros y Toreros, which includ...

The Little Puppy is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” b...

Les Amants is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La F...

An intimate portrait of his second son, Jean Renoir (1894 – 1979), evokes a childlike sentiment and love that Renoir had for his children. Most likely no more than age 3, Jean is shown here with a cookie, beneath a frilly bonnet characteristic of late 19th century French society. His pink, rosy cheeks are defined with rich, glowing hues that contrast from the pale yellow and grey background in which he rests. Jean was also featured in a family portrait of the Renoirs, titled La Famille de l’Artiste (1896). Created in 1899, this Color Lithograph on Cream Laid Paper is from the edition of 100, from the unpublishedL’Album d’estampes originales de la Galerie Vollard; printed by Auguste Clot, Paris. Catalogue Raisonné: It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work): 1. Delteil, Loys. Pierre-Auguste Renoir, l’œuvre grave...

Suite of 4 prints. Each hand signed, dated, and numbered by the artist. Each print measures 33.5 x 24 inches. Hand numbered TP 3/5 (there was a manin edition of 30 plus 10 artist'...

Portrait of William I King of Prussia and Emperor of Germany is an artwork realized by William Holl (1807-1871). Lithograph, printed in 1872 by Milliam Mackenzie, London. Good cond...

Hand signed and numbered by the artist. From the edition of 250. Screenprint in colors on paper. Commissioned to commemorate the opening of The Severin Wunderman Foundation in Ir...

Composition is an original etching made by Giuseppe Guerreschi in 1974. Hand-signed with pencil on lower right by the artist. Numbered 63 of 99 p...

Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...

The Little Puppy is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” b...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

This artwork titled "The King of the Masque" c.1980 is an original color lithograph on wove paper by American artist Robert Raymond Anderson, 1...

Lithograph on vélin du Marais paper. Paper Size: 11 x 8.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the volume, Poèmes 1923-1958. Dix dessins d...

Rodeo Queen, 1981 Edition 36/50 Signed lower left, Inscribed: for the "Rose" 82. Provenance: Print was a gift to Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". Lithograph on paper 42 ½ × 29 in. (107.3 × 73.7 cm) Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Norman Rockwell Title: Convention. Year: 1976 Medium Type: 7-Color Collotype on Rives BFK paper Size-Width Size-Height: 25" x 31" Signed Edition Size: Signed by the artist 9/200 ...

"Young Girl With Hat" is a classical Victorian portrait etching. It is signed in graphite in the lower right by the artist, F.M. Spiegle. It depicts a Victorian girl with curly hair ...

Edition of 30 & hand signed by the artist

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, . Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Déco...

Magda Bolumar (Spain, 1936) "Verano" (Summer), from "Serie 4 Seasons", 1995 Screenprint on Guarro paper 250 g. image: 19.5 x 14 in. (49.7 x 35.5 cm.) sheet: 27.75 x 20 in. (70.5 x 51...

The British Evacuate Boston - 1932 Etching on Paper by Allen Lewis. From the portfolio "The Bicentennial Pageant of George Washington." In this piece George Washington is front and ...

"Beautiful Lies" Photography 24" x 36" inch Edition of 7 by Brendan North Available sizes: Edition of 15: 16" x 24" inch Edition of 7: 24" x 36" inch Edition of 3: 40" x 60" inch ...

Limited edition Photographic Mosaic. Edition of 30 The same incredible artwork on a slightly smaller scale. Joel creates these contemporary pieces by adding lots of tiny images of ...

The Hat Trick is a lithograph on paper, 9.5 x 9" image size. From the edition of 395, numbered 92/275 (there were also 100 Roman and 20 AP). Robert Deyber’s lithographs were created...

Paul Gavarni (1804-1866), Fashion Plates (a collection of 12), lithographs, c. 1840, as published in Le Charivari, with the letterpress verso. [Some are ...