Hat Figurative Prints

Image dimensions: 24.3 x 17.5 cm. Single sheet with passepartout. "...The unhappy man had approached that mysterious spot where, amid a thousand aquatic plants, the Water-arrow gr...

I Puritani Di Sinistra is an original artwork realized in the 1870s by Antonio Manganaro. Original colored lithograph. Good conditions, except for the yellowed paper due to time an...

I Puritani Di Sinistra is an original artwork realized in 1871 by Antonio Manganaro. Original colored lithograph. Good conditions except for yellowing of paper due to the time and ...

I Ministri is an original artwork realized in 1872 by Antonio Manganaro. Original colored lithograph. Good conditions except for a light yellowing of paper due to the time and some...

"Le Printemps" is an original color lithograph by Francois Batet. The artist signed the piece in the lower right and wrote the edition number (184/200) in the lower left. This piece ...

Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 28x39. Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...

“Testa quasi colossale di Marco Aurelio” (Almost colossal head of Marco Aurelio) is a beautiful black and white burin on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini delineò./ Pietro Fontana incise a bollino Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXV" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roman philosopher and writer and one of the "good Roman Emperor" (according to Edward Gibbon) Marco Aurelio, represented in neoclassical style and with the traditional iconography with a thick hair and a long beard. In excellent conditions with a usual yellowing of the paper on the lower margin and some light signs of the time with an imperceptible weaving of the paper on the lower right corner, this wonderful burin preserved his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...

Signed and numbered from the edition of 20. This is the second in a series of 4 prints. David Avery continues to explore the expressive and technical possibilities inherent in black and white line...

Emil Orlik (1870-1932), Market in Grodek, etching and aquatint, 1898, signed in pencil lower right, in very good condition, trimmed just outside of the platemark and so with a small ...

"Les Parisiennes" is an original color lithograph by Francois Batet. The artist signed the piece in the lower right and wrote the edition number (71/20...

Printer's Proof /2 Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. H...

"Paddock" is an original color lithograph by Francois Batet. The artist signed the piece in the lower right and wrote the edition number (110/200) in the lower left. This piece depic...

Edition of 100 Digital print on paper Hand signed by the artist

JEAN VICTOR DESMEURES - Paris International Colonial Exhibition - 1931 Robert Lang Paris Imp. 1931 Canvas and framed Good condition 100 x 62 cm 800 ...

Edition of 30 & hand signed by the artist

Night at Bistro David Azuz, Israeli/French (1942–2014) Date: circa 1980 Lithograph, numbered in pencil Edition of 217/300 Image Size: 25.5 x 19.5 inches Size: 32.5 x 26 in. (82.55 x ...

TECHNICAL INFORMATION Alex Katz White Visor 2003 Etching Aquatint 33 3/8 x 66 7/8 in. Edition of 75 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum Fine Art ...

Image Size: 17" x 17.5" Unframed Limited Edition Fine Art Print of 195 Hand Signed by Annora Spence

Sailing in the Mist Nils Obel, Danish/American (1937–2018) Date: 1981 Lithograph, signed and numbered in pencil Edition of 200 Image Size: 18 x 24.5 inches Size: 22 in. x 30 in. (55....

Lon Megargee 1883-1960 "The Sheepherder" Wood block print Signed in plate, lower right Image size: 10 x 10 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Silkscreen on canvas with diamond dust. Hand signed, dated, and numbered on verso by the artist. Edition of 25. Canvas is stretched. Artwork is in excellent condition. Certificate ...

An intimate portrait of his second son, Jean Renoir (1894 – 1979), evokes a childlike sentiment and love that Renoir had for his children. Most likely no more than age 3, Jean is shown here with a cookie, beneath a frilly bonnet characteristic of late 19th century French society. His pink, rosy cheeks are defined with rich, glowing hues that contrast from the pale yellow and grey background in which he rests. Jean was also featured in a family portrait of the Renoirs, titled La Famille de l’Artiste (1896). Created in 1899, this Color Lithograph on Cream Laid Paper is from the edition of 100, from the unpublishedL’Album d’estampes originales de la Galerie Vollard; printed by Auguste Clot, Paris. Catalogue Raisonné: It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work): 1. Delteil, Loys. Pierre-Auguste Renoir, l’œuvre grave...

16 x 12 inches - Edition 4 of 7 with 2 APs framing is an additional $265. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien)....

16 x 16 - Edition 5 of 7 with 2 APs framing is an additional $265. Shot in 2013 in Amsterdam Inspired by Metsys’ Moneylenders, 1514 Photography and acting are kindred spirits in t...

Eduardo Arroyo - Greek Homage - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel.

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Issey Miyake from the Homage to Andy Warhol Portfolio Year: 1989 Medium: Screenprint on...

ANJA VAN HERLE "Kiss and Tell" Hand-Embellished Giclee on Canvas 48 x 34 in Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork with an...

Eduardo Arroyo - Jeanne d'Arc - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

The lithograph features a woman with a hat in backlight. The artist gave to its subject a meditative posture. The overall impression leans towards a calm and thoughtful environment t...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Alysha Grace Marko Queen on Queen 2020 20 x 26 in Acrylic Paint Queen on Queen contemporary modern figurative Silkscreen Print edition of 20. Dimensions of the silkscreen work on paper are 20 x 26 inches. This colorful figurative Work is part of Alysha Grace Markos...

A charming 19th-century engraving titled “The Little Gleaner”, published in 1877 by C. Klackner in New York. The piece depicts a young girl walking through a wheat field, holding a b...

Serigraph in colors on paper. Hand signed and numbered by Peter Max. From the edition of 125 (there are also Artist Proofs). Sheet size 48 x 36 inches. Image size approx 41.5 x 3...

Lee Wells Swan Song Soirée (EOW L15) End of the World Party Series 2023 Archival pigment print Edition of 5 Signed, dated and numbered by the artist Caption: Swan Song Soirée: In a ...

Lee Wells Swinging Soirée at the Edge (EOW L12) End of the World Party Series 2023 Archival pigment print Edition of 1 Signed, dated and numbered by the artist Caption: Swinging Soi...

Lee Wells Refined Reverie (EOW L5) End of the World Party Series 2023 Archival pigment print Edition of 5 Signed, dated and numbered by the artist Caption: Refined Reverie: As the L...

Silkscreen on canvas with diamond dust. Hand signed, dated, and numbered on verso by the artist. Edition of 25. Canvas is not stretched. Artwork is in excellent condition. Certific...

Hand signed, dated and numbered screenprint on Somerset paper. Image size 29.5 x 23.25 inches. Sheet size 33 x 26 inches. From the edition of 200. Certificate of Authenticity Includ...

Offset lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 500. Artwork is in excellent condition. Certificate of authenticity included. Al...

Silkscreen on canvas with diamond dust. Hand signed, dated, and numbered on verso by the artist. Edition of 25. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Carole A. Feuerman is an American Hyper-Realist sculptor. Along with artists like Duane Hanson...

The painting is being offered with a work and authenticity certificate

The Nomads by Orovida Pissarro (1893-1968) Etching and aquatint, final state 21/42 27 x 41 cm (10 ⁵/₈ x 16 ¹/₈ inches) Signed, Orovida, and dated 1925 Orovida was a gifted printmake...

Gerald Brockhurst, L’Eventail (The Fan), etching, 1926, signed in pencil, from the edition of 76. Reference: Fletcher 22, Wright 22. In good condition, on cream laid paper with margins (a thin spot inherent in paper lower margin near edge), the matrix pristine, archival matting. A fine impression of this small but impressive demonstration of Brockhurst’s mastery of etching. The woman carrying the fan is of course Brockhurst’s favorite model, at least at this time, his wife Anais. She wears an embroidered coat which allows Brockhurst to display his capacity to capture complex textures with the etching needle – much as his predecessor Wenzel Hollar used women’s furs...

the painting is being offered with a work and authenticity certificate

Hand signed & numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Giclee on canvas. Edition of 250. All reasonable offers will be consid...

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

"Love" Black & White Photography 24" x 24" inch Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a t...

24 x 24 inches - Edition 1 of 5 with 2 APs framing is an additional $420. Shot in 2013 in Amsterdam Inspired by Metsys’ Moneylenders, 1514 Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld...

Magnificent original and unique work by Yvon Taillandier _ 2015 his emblematic character that he calls "Capitipède" ("Capi" for the head and "pède" for the foot) Screen printing...

Silkscreen on canvas with diamond dust. Hand signed, dated, and numbered on verso by Carole A Feuerman. Edition of 25. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Carole A. Feuerman (American, born 1945) is a Hyper-Realist sculptor. Along with artists like Duane Hanson...

Soody Sharifi, Archival Inkjet Print, Middle Eastern Artist. Framed artwork in excellent condition. Edition of 3. Signed and numbered by artist on verso.

Agent X 50 Cent (Gold) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper ...

Agent X Eminem (Gold) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2...

Technical Information: Alex Katz Straw Hat 3 2022 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 75 1/2 x 42 in. Edition of 100 P...

Technical Information: Alex Katz Sunrise 1 2022 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 54 x 40 1/2 in. Edition of 100 Pencil signed and numbered

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

TECHNICAL INFORMATION: Alex Katz Vivien with Hat 2021 Archival pigment ink on Innova Etching Cotton Rag fine art paper 36 x 48 in. Edition of 150 Pencil signed & numbered Accompani...

A mezzotint by Samuel Arlent Edwards after the 1439 oil on wood painting by the Early Netherlandish master Jan van Eyck, titled, Portrait of Margaret van Eyck. The print is signed to the lower right margin. The image depicts the van Eyck’s wife, clothed in a red robe lined in squirrel fur...

This screenprint in colors was created in 1993/94. Hand-signed by the artist and numbered, from the edition of 150 measuring 36 x 20 in. (91.5 x 51 cm.).

Presenting a wonderful vintage print by American artist Hans Burkhardt. "Man and the Universe", is an original vintage print, signed, dated 1989, with an image dimension of 11.75 ...