Hat Figurative Prints

Uses and Customs -Ziller Village is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the go...

Wistful Love (Mono-omoi koi) is a beautiful colored print realized after Kitagawa Utamaro, printed in 1956 by Edizioni Beatrice d'Este, a publishing house in Milan. Screen print on ...

General of the Emperor’s Guards is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "General des garde...

Rodeo Queen, 1981 Edition 36/50 Signed lower left, Inscribed: for the "Rose" 82. Provenance: Print was a gift to Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". Lithograph on paper 42 ½ × 29 in. (107.3 × 73.7 cm) Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Gaucho des Environs de Buenos-Aires is a hand colored lithographs realized by Auguste Wahlen in 1844. Good condition. The artwork belongs to the Suite Moeurs, usages et costumes de...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Hand Signed. Edition of 90 pieces.  Excellent condition.

Artist: Peter Max (1937) Title: Cosmic Saturn Year: 2003 Edition: 452/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscription...

This hand-drawn black and white portrait of Dominie, Kitaj’s adopted daughter, is one of the few etchings produced by the artist. The shape of Dominie’s wide sunhat and its patterned...

Lonely dreamers 1992. Paper, etching, watercolor, 22x14 cm. Roman Lapp (1961. 24. VII Moscow) – painter Artist learned drawing to M. Zuhovickis. He graduated Art Academy of Latvia,...

Le banc de jardin (The Garden Bench) Mezzotint and engraving on cream chine collé laid down on ivory wove paper, 1883 Signed in the plate (see photo) Condition: Brilliant impression...

Malais is a  hand colored lithograph realized by Auguste Wahlen in 1844. Good condition. The artwork belongs to the Suite Moeurs, usages et costumes d...

View of Jerusalem taken from the Mount of Olives is a  lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the uni...

Character is an etching realized by a Flemish artist of 17th century. The little picture is in good conditions except for lack of paper on the edges and left corner. Small inscript...

Raiders Of The Lost Ark - Original 1981 Lobby Card #5 Vintage 1981 Indiana Jones Raiders of the Lost Ark lobby card showing Harrison Ford looking at snake Framing options availabl...

Hand signed, dated, and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition: PP of 5, aside from edition of 30 plus 10 artist's p...

Raiders Of The Lost Ark - Original 1981 Lobby Card #1 Vintage 1981 Indiana Jones Raiders of the Lost Ark lobby card showing Harrison ford swapping the Golden Idol with a sack. Fram...

Tender, black and white scene of children bundled up in sweaters and hats for snow. Evoking the chilly weather and the spirit of winter holidays, this painterly monotype is ready to ...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 9.05 x 6.69 inches Inscription: Signed in the plate and unnumbere...

Artist: Josef Levi, American (1938 - ) Title: Utamaro and Banana Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: AP 6/16 Image Size: 19 x 15.5 inches Frame Size...

Creatures is a screen print realized by Axel Hartenstein in the mid-20th Century. In good condition. The artwork is depicted through soft strokes in a well-balanced composition.

Portrait is a vintage lithograph realized by Raoul Dufy in 1920. Good conditions. Edition of 110. Unsigned and unnumbered as issued. The artwork is depicted through confident stro...

Scenic Spots in Kyoto is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 1...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 12.25 x 9.5 inches; image size: 8.66 x 7.48 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Ottana 74 is an original etching realized by Giuseppe Guerreschi in 1974. Hand-signed in pencil on the lower right by the artist. Edition 71/99....

Amusing Colored Litograph on watermarked paper, representing a man with a siren. Hand-signed hand-dated and hand-numbered with Arab numbers, with pencil on lower margin. Edition of...

Woman's Face is an original zincography on paper realized after F. Zenisek by F. Krell, in 1905. This Specially Zincography representing a woman's face. The title of the work "Bohmi...

Highly detailed and realistic portrait lithograph of the modernist watercolor artist Sam Colburn (American, 1909-1993) by Jack Coughlin (American, b. 193...

Robin Morris, American (1953 - ) - Courthouse, Medium: Screenprint on Arches, signed and numbered in Crayon, artist blind stamp lower right, Edition: 160/200, Image Size: 28 x 39.75 ...

Portrait is an original woodcut on paper, realized by the Italian Artist Lorenzo Viani in 1930 ca. The State of preservation is excellent. Monogrammed...

Old Man is an original etching artwork on paper realized by Henri Piere Jamet (1858-1921). The state of preservation is very good and aged with small tearing on the margins. Sheet ...

Hammam is an original contemporary screen print on paper realized by Deanna Frosini. Hand-signed on the lower right and numbered. Good conditions. Sh...

Le Defenseur Officieux is an original lithograph on paper glued on green-colored cardboard realized by French artist Honoré Daumier in 1880. Hand-signe...

In Dream is an original Contemporary Artwork realized in Italy by Guelfo Bianchini (Ancona, 1937) in 1995. Original colored Etching on paper. Hand-signed and dated in pencil on th...

Margherita - Gennaio Delle Signore Italiane is an original lithograph realized by an unknown artist in 1881. Good conditions.

Portrait - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...

Image dimensions: 40.6 x 30 cm. Editions of 150 samples in which 120 samples numbered form 1 to 120, and the other 30 samples are numbered from i to xxx. (102/120) Published in por...

Electronic Man by Max Papart French (1911–1994) Date: circa 1982 Aquatint Etching with Carborundum, Collage, signed and numbered in pencil Edition of HC Image Size: 22 x 29.5 inches ...

Two men is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in Pari...

“Testa quasi colossale di Lucio Vero” (Almost colossal head of Lucio Vero) is a wonderful black and white etching on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini del./ Pietro Fontana inc. Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXVI" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints representing a precious piece of the Borghese's collection, the marble bust of the Roman Empero Lucio Vero, is in excellent conditions with a usual yellowing of the paper at the edges, some light signs of the time( some light thinning of paper along the margin do not affect the image) but with fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...

Army I Swiss Regiment is an original lithograph by Antonio Zezon. Naples 1854. Interesting colored lithograph which describes some members of the Army Swiss Regiment: in the foregro...

Composition Of Diodora is an original lithograph realized by Bruno Capacci in 1950. The artwork is part of an edition in 500 pieces by "La nef d'argent"...

Composition Of Diodora is an original litography realized by Bruno Capacci in 1950. The artwork is part of an edition in 500 pieces by "La nef d'argent" Paris. In good condition, n...

Signed and numbered from the edition of 20. This is the second in a series of 4 prints. David Avery continues to explore the expressive and technical possibilities inherent in black and white line...

La Liberté is an original colored etching realized by an anonymous artist. Titled on the lower center "La Liberté". The State of preservation is excellent. Sheet dimension: 29x20.5 ...

Woman is an original zincography on paper realized by F. Reifs after G. Stadelmann , in 1905. This Specially Zincography representing a woman's Portrait. The title of the work "Carm...

Portrait is an original zincography artwork on paper realized by S. Kellenback in 1880 ca. Signed on the plate on the lower left, with a description on the lower center. The State ...

Limited edition photo mosaic Edition of 8 Joel creates these contemporary pieces by adding lots of tiny images of the female form to make up the larger image. These small pictures...

Hand signed. Artist's proof. Very good conditions. Antonio Zancanaro - also known as TONO - (1906-1985). After a promising start in a sports career, he began to paint as a self-tau...

I Puritani Di Sinistra is an original artwork realized in the 1870s by Antonio Manganaro. Original colored lithograph. Good conditions, except for the yellowed paper due to time an...

Medium: Lithograph and stencil on Papeteries de Rives paper Year: 1953 Paper Size: 8.86 x 5.71 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Toulouse-...

I Ministri is an original artwork realized in 1872 by Antonio Manganaro. Original colored lithograph. Good conditions except for a light yellowing of paper due to the time and some...

Untitled is a drypoint on Japon paper, etched on leather by Georges Ferdinand Bigot (Paris, 1860 - 1927). From Croquis Japonais, a print suite of 21 drypoints published at the author...

SEATED SEAMSTRESS is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism...

This piece titled "The Conjuror" is a print printed on archival pigment on a cotton rag by Andrew Pinkham. This piece is shipped with the pictured wooden frame and measures 20”h x 16...

Esperanza by Audrey Flack, American (1931) Date: Circa 1972 Screenprint, signed and numbered in pencil Edition of 150 Size: 34 in. x 24 in. (86.36 cm x 60.96 cm) Published by Shorewood

Gerald Brockhurst, L’Eventail (The Fan), etching, 1926, signed in pencil, from the edition of 76. Reference: Fletcher 22, Wright 22. In good condition, on cream laid paper with margins (a thin spot inherent in paper lower margin near edge), the matrix pristine, archival matting. A fine impression of this small but impressive demonstration of Brockhurst’s mastery of etching. The woman carrying the fan is of course Brockhurst’s favorite model, at least at this time, his wife Anais. She wears an embroidered coat which allows Brockhurst to display his capacity to capture complex textures with the etching needle – much as his predecessor Wenzel Hollar used women’s furs...

Portrait is an Etching realized in the 19th Century. Good condition.

Orthodox John Hardy, American (1923–2014) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 275 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

"S (It Is Safe To Be A Woman)", 2018, is a limited-edition silkscreen print, double-sided by Andrew Cornell Robinson. This print is an edition of 40. Each print is signed, stamped and numbered. The prints measure 17x17". Note the double-sided printing – surfaces of text, surfaces of image. See the full installation (photo above) as a striking performance in itself with myriad possibilities for color, pattern, language, culture, politics, identity. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language. Initially inspired by a visit to the Talking Sculptures...