Photography Figurative Prints

Modena is an original offset print by Luigi Ghirri. The artwork is the offset poster of the exhibition held by the artist at Rondanini Galleria d'Arte Contemporanea in 1980. Th...

Louis Rousseau is an original Litograph realized by Denis Auguste Marie Raffet in 1848. Signed and dated in plate on the lower right corner. Good condition included a cream colored...

The Physiognomy - Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...

Portrait of Enrico Camangi is an original Woodcut realized by Giannetto Malmerendi (1895 – 1979) Good conditions. The artwork is depicted through perfect hatching in a well-balance...

Jaguar is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous Artista in the 18th century. ...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th Century. Signed on the plate on the lower...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous artist in the 18th ce...

The Rest is an original etching artwork realized by Isaac Taylor for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Londo...

Profile is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Lon...

Silhouette is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", ...

Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Lo...

The Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind"...

The Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind"...

"A Multiple of Gaudy and Fantastic Appearances" from "Edgar Allen Poe's Mask of the Read Death" is an original lithograph by Frederico Castellon. The artist ...

The still life is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of only 25 copies. Good c...

Portrait of a man is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind",...

Portrait of a man is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", ...

Portrait of a Child is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind",...

Portrait of a man is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", ...

Arab Game is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in blue marker on the lower right. Artist's proof. Titled on the...

Portrait of Winkelmann is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowled...

Portrait of Homer is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge an...

Portrait of Duke of Weymar is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Kno...

Portrait of Abbe Raynal is an original artwork realized by Thomas Trotter (1756 - 1803). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowled...

Eroe Vittorioso is an original artwork realized in 1971 by the italian Contemporary artist Leo Guida (1992 - 2017). Original black and white etching on ivory-colored cardboard. ...

Ancient View of Birmingham is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capita...

Study for Self-portrait is an original lithograph realized by Raoul Dufy in 1920. Good condition on a white paper. No signature. Raoul Dufy (3 June 1877 – 23 March 1953) was a Fre...

Trient is an original modern artwork realized in Italy in the first half of the 19th Century. Original lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letter...

Doctors and Surgery is an original lithograph by Antonio Zezon. Naples 1854. Interesting colored lithograph which describes some doctors and surgery in different estates. In excell...

Political Corps of the Army is an original lithograph by Antonio Zezon. Interesting colored lithograph which describes some members of the Army: on the left, a Head of Department ;...

VIII Hunter Battalion is an original lithograph by Antonio Zezon. Naples 1853. Interesting colored lithograph which describes some members of the Hunter Battalion: A Spoiler in grea...

Finestra di fronte is an original etching made by Luigi Bartolini. Hand-signed on lower right by the artist. Edition of 50. Titled on the lower left. In good condition except fo...

The Giant Tifeo is an original Contemporary artwork realized in 1975 by the italian artist Leo Guida. Original Etching on paper. Numbered in Roman Numerals, Titled, Hand-signed an...

The Sentinel is an original Contemporary artwork realized in the 1970 by the italian artist Leo Guida. Original Etching on cardboard. Titled, dated and hand-signed by the artist on...

Solitude is an original etching on ivory-colored paper realized by an unknown artist of the late 20th Century. Hand-signed on the lower, illegible. Numbered, edition of 20/100 print...

Figure 1959 is an original etching realized by Guelfo Bianchini in 1959. The artwork is hand-signed by the artist on the lower right corner, and numbered (33/60) on the lower left ...

Moses is an original etching on paper realized by Gian Paolo Berto, in 1974. Good conditions . Hand-signed with and numbered on the lower left. edition 5/40. Sheet dimension: 61 x...

Unpublished Portrait of Honoré Daumier is a photographic albumen print on CDV size. Stamp of Photographic studio H. Le Lieure in Rome on front lower edge of cardboard. Slight voile...

Moses is an original etching on paper realized by Gian Paolo Berto in 1974. Good conditions . Hand-signed with and numbered on the lower left. edition 5/40. Sheet dimension: 61 x ...

Camel Rider is an original lithograph on cardboard, realized by Sergio Barletta in 1980s. Hand-signed on the lower right. Edition XXI/XXV In good conditions. This wonderful litho...

Camel Rider is an original lithograph on cardboard, realized by Sergio Barletta in 1980s. Hand-signed on the lower right. Edition XV/XXV In good conditions. This wonderful lithog...

Figure is an original lithograph artwork realized by the artist of the 20th Century. Hand-signed in pencil on the lower right. Numbered, edition 57/100. The state of preservation ...

Self-portrait is a beautiful original lithograph on paper realized by Diego Pettinelli Monogrammed and dated on the lower right, DP. 1939. Sheet dimension: 39.5 x 32 good conditio...

The Wayfarer is an original etching ion ivory-colored paper, realized by an Anonymous artist of the XIX century. The state of preservation of the artwork is good with the signs of ...

Moses is an original etching on paper realized by Gian Paolo Berto, in 1974. Good conditions . Hand-signed and numbered on the lower left, rare edition of 37/40. Sheet dimension: ...

Portrait of Old Man is an original woodcut realized by Giuseppe Viviani in 1927. Image dimensions: 38.5 x 27 cm. Hand-signed in pencil on the lo...

Woman with Dove is an original zincography on paper realized after M. Sichel in 1905. This Specially Zincography representing a woman with dove. The t...

Aglaè is a splendid print in etching technique engraved by Gustave Biot (XX Century). The state of preservation of the artwork is excellent. Sheet Dimension: 25 x 35 cm Image Dime...

Despair is an original Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981) in the late 20th Century. The state of preservation of ...

Smashed Carriages is an original print in etching technique on paper realized by Giuseppe Megna. Hand-signed on the lower right. Illegible sigla, on the lower left. In very good co...

Figures is monotype on paper realized in 1983 by unknown artist of the XX century. Hand-signed "Sterhis" on the lower in pencil right and dated. The state of preservation of the ar...

A color pochoir on arches paper by Kees Van Dongen titled "Couple Conversing" from the La Garconne Series "Un Couple Parle Ensemble." Two figures are surrounded by an aura-like pink ...

Image dimensions: 9 x 11.5 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Anse...

The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 13.43 x 12.43 inches, frame Signed "GS" in the print block,upper left Entitled "Jones Island" lower left (covered by matting) Inscribed "Wood Engraving" lower center (covered by matting) Artist name "Gerrit V. Sinclair" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors. Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...

Image dimensions: 19.3 x 17.5 cm. Antonio Canova is a beautiful black and white etching on paper, realized between 1770-1810 by the Italian old master, Giovanni Elia Morghen (1721-1789), after a painting by Pellegrini, as the inscriptions on plate report. Title on plate on the lower margin at the center. This original print represents Antonio Canova the Italian sculptor and painter, the greatest exponent of Neoclassicism in sculpture and for this reason called "the new Phidias", in the official portrait reserved to the great personalities. Realized with full mastery of the technique, this old master's print is in excellent condition, as good as new. Absolutely to collect! Giovanni Elia Morghen (Florence, 1721) Giovanni Elia Morghen came from a family of engravers in Florence. According to the testimony of Raphael, the most illustrious member of the family, his grandfather was originally from Montpellier and, after marrying a Genoese woman, he moved to Florence, where he opened a lace shop. Both their sons, Giovanni Elia and Filippo, specialized in chalcographic art: Giovanni was predominantly a draftsman, whilst Filippo mastered the art of carving. In Florence, Giovanni Elia Morghen was a pupil of Giovan Domenico Ferretti, and he probably also worked at the workshop of Carlo Bartolomeo Gregori. Indeed, he, with the other artists of the school, made 26 of the engravings present in the second Florentine edition (1766) of the Salon paintings at the palace of Florence. He then moved to Naples with his brother. From 1756, he began participating in the creation of the tables of the Antiquities of Herculaneum, a work of several volumes published in Naples with various interruptions in the late nineteenth century. In 1767, he published six tables with representations of the temples of Paestum, taken from drawings by Antonio Joli...

Centro Sinistro is an original artwork realized in the 1870s by Antonio Manganaro. Original colored lithograph. Good conditions, except for the yellowed paper due to the passing of...

“Busto di Nerone” (Bust of Nerone) is a beautiful black and white burin and etching on paper, realized by the Italian artist Pietro Fontana, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò./ Pietro Fontana incise Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XVII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roma Emperor, Nerone, realized with neoclassical style and a wise touch In excellent conditions with some light signs of the time, with some sporadic minor stains along the margins above all on the lower, and a usual yellowing of the paper on the lower margin, this wonderful burin has preserved still today his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello...

This 1930s advertisement for Victory Cigarettes melds the meticulous detail of traditional Chinese painting with the craft of color lithography—and a side of risqué. Posters like this one, influenced by the Art Deco movement in the West, recall the economic boom of early 20th century Shanghai, an international center of business and trade. Today, lithograph tobacco posters...

Noon Hour. 1935. Etching. Teller 18. 6 7/8 x 4 7/8 (sheet 11 3/8 x 8 1/2). Edition 250 published by Associated American Artists in 1946 (were a few earlier impressions from a propose...