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Tracey Emin
The Beginning of Me - Emin, Contemporary, YBAs, Lithograph, Blue, Portrait

2012

$4,134.11
£3,106.17
€3,500
CA$5,692.71
A$6,371.19
CHF 3,335.09
MX$77,398.43
NOK 42,347.18
SEK 39,961.80
DKK 26,638.48

About the Item

The Beginning of Me - Emin, Contemporary, YBAs, Lithograph, Blue, Portrait 3 Colour screenprint on cotton fabric Edition of 175 52 x 46 cm (20.5 x 18 in) Signed, numbered, and dated In mint condition With certificate of authenticity Taken from a series of drawings made in 2006, "The Beginning of Me" is a particularly frank self-portrait of the artist. Emin has described herself as being 'slightly embarrassed by its openness, almost like an invitation'. But this self-consciousness is alleviated by the distance she feels from the figure here of a much younger persona, one imagined she says 'from a long time ago, a time when I felt very different. A time when sex was all-important and primal’. Placed in a provocative position, this self-portrait outlines the female figure of Emin’s body. Perceived as relaxed, almost floating as there is nothing on the background to suggest the texture where her body is laying; almost dreamy and surreal. Emin builds bridges with the history of art, through her practice, depicting the constant subject of the female figure and the importance of the female nude. Further from touching on Egon Schiele as a reference, one can also make connections to Gustave Courbet’s The Origin of the World. In contrast, Emin never experienced or will experience motherhood – a subject she has worked on extensively in her artistic oeuvre, especially through her brave decisions and acts upon abortion, a subject so delicate, as her figurative depiction of this edition. TRACEY EMIN A prominent member of the Young British Artists (YBAs), Tracey Emin´s production encompasses different mediums including film, painting, neon, embroidery, drawing, writing, installation and sculpture. Her work is intensely personal, revealing intimate details of her life with honesty and humour. "There should be something revelatory about art. It should be totally creative and open doors for new thoughts and experiences."—Tracey Emin Tracey Emin uses all aspects of her life in her art, turning her autobiography into broader statements about sex, love, death, freedom, and everyday life. This audacious and confessional approach earned her a nomination for the Turner Prize in 1999. The artist received notable acclaim, among others, for her installation My Bed, featuring her unmade bed surrounded by personal items, which explored the allegorical qualities of a bed as a place of birth, sex, and death.
  • Creator:
    Tracey Emin (1963, British)
  • Creation Year:
    2012
  • Dimensions:
    Height: 20.48 in (52 cm)Width: 18.12 in (46 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Zug, CH
  • Reference Number:
    1stDibs: LU1562212976042

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By Tracey Emin
Located in Zug, CH
These Feelings Were True - Tracey Emin, Contemporary, Young British Artiststs, Lithograph, Blue, Portrait, Limited Edition 2 colour lithographs on Somerset Velvet Warm White 400gsm (Poprtfolio of 8) Edition 25 of 50, the full Set is offered in matching edition numbers Signed, numbered, and dated by the artist In mint condition, as acquired from the publisher with the original cardboard portfolio Published by Counter Editions Please note: images are for illustrative purposes only, the edition number offered is 25 of 50 Tracey Emin's new set of 8 lithographs depicting herself are incredibly personal auto portraits and revelatory. Viewed almost as an intimate tiny sketchbook of herself, a visual diary. These editions are great examples of Emin's radical painting style which has been influenced by Expressionism. These works showcase universal feelings, raw and bittersweet emotions, which are Emin’s constant subject surrounded around the idea of love, loss, intimacy, and longing. In making herself the subject of her work, and concentrating intensely on figuration, Emin creates bridges with the rich art-historical tradition of the female figure and female nudes. She shows strong emotive force in these pictures, as seen for example in the work of male painters Munch and Schiele, which Emin admires and studied throughout her artistic oeuvre. Emin has said that “when I saw that these portraits did not look like me, I then realized I was actually drawing how I felt inside my head. An expression of myself in different moments, and this idea doing a few of them would be very honest and will be really free… the idea is how I am feeling.” When referencing her previous portraiture practice, Emin said “I would put my face in the work and then I would black it out, it is too much for me to have me in the work, and now it is so weird, I am thinking that it is time for me to start having an entrance to my work. Because I have a good reason to do it. I should be celebrating me as a person and things that make me, me.” TRACEY EMIN A prominent member of the Young British Artists (YBAs), Tracey Emin´s production encompasses different mediums including film, painting, neon, embroidery, drawing, writing, installation and sculpture. Her work is intensely personal, revealing intimate details of her life with honesty and humour. "There should be something revelatory about art. It should be totally creative and open doors for new thoughts and experiences."—Tracey Emin Tracey Emin uses all aspects of her life in her art, turning her autobiography into broader statements about sex, love, death, freedom, and everyday life. This audacious and confessional approach earned her a nomination for the Turner Prize in 1999. The artist received notable acclaim, among others, for her installation My Bed, featuring her unmade bed surrounded...
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