Various Artists

Customs - Persian Palanquins - Lithograph - 1862

1862

Customs - Palanquins is a lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the universe : " Histor...

Palanquins - Costumes   is a Hand-colored lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of th...

Customs - Sophi of Persia is alithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the universe : " Hi...

Customs - Persian Kings is a lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hist...

Title: Ottoman Military Encampment – The Grand Vizier’s Tent, 1734 Engraving Description: This rare 1734 copperplate engraving presents a detailed architectural depiction of *La Ten...

Antique print titled 'Afbeelding van de Persiaansche Huizen'. Old print of Persian houses. This print originates from 'Hedendaagsche Historie, of tegenwoordige staat van alle volkeren (..)', published by Isaak Tirion, Amsterdam, 1732. Artists and Engravers: Engraved by J.C. Philips. Jan Caspar Philips (ca. 1700-after 1773) was a Dutch engraver and draughtsman. Condition: Very good, please study image carefully. Date: 1732 Overall size: 21 x 20 cm. Image size: 0.001 x 19 x 17 cm. We also offer thousands of antique prints covering fields of interest as diverse as architecture, natural history, religion, ethnology and many more. Antique prints have long been appreciated for both their aesthetic and investment value. They were the product of engraved, etched or lithographed plates. These plates were handmade out of wood or metal, which required an incredible level of skill, patience and craftsmanship. Whether you have a house with Victorian furniture or more contemporary decor an old engraving...

Depiction of Persian Houses – 18th-Century Architectural Scene by J. van der Schley, 1731 This finely executed antique engraving titled Afbeelding van de Persiansche Huizen (“Depict...

"1844 Lithograph of a Bukharan Uzbek: Traditional Attire and Craft" Description: This 1844 lithograph captures a traditional Bukharan Uzbek man, from the renowned series "Moeurs, Usages et Costumes de tous les Peuples de Monde" by Auguste Wahlen. Published in Paris using the technique of handcoloured lithography, enhanced with Arabic gum on vellin paper, this print vividly portrays the rich cultural attire unique to Bukhara, Uzbekistan. The man's elaborate robe and distinctive headwear highlight the regional fashion and craftsmanship. The print’s appeal lies in its detailed depiction of historical dress and accessories, offering a window into the cultural diversity of Central Asia. Such prints are treasured for their historical value and intricate artistry, making them highly desirable to collectors and enthusiasts of ethnographic art. The lithograph depicting a man from Bukhara, Uzbekistan, offers several intriguing cultural and historical insights: 1. Traditional Attire: The attire of the Bukharan man, particularly the elaborate robe and turban, is a rich display of Uzbek textile craftsmanship. Traditional robes, often made from silk and cotton, are adorned with intricate ikat patterns—a dyeing technique where threads are dyed before weaving. This style is emblematic of Uzbekistan's well-known textile industry. 2. Turban Significance: The turban, known locally as a "doppa" or "tubeteika," is more than just practical headwear; it serves as a cultural symbol of status and identity. The style, color, and way it is worn can convey information about the wearer's social status, region, and even his clan affiliations. 3. Historical Context: Bukhara was a pivotal Silk Road city, making it a melting pot of cultures, languages, and religions. The diverse influences are reflected in the traditional clothing, which blends Persian, Turkic, and nomadic styles. 4. Artistic Technique: The use of handcoloured lithography in the 19th century allowed for high-quality, detailed prints that were more accessible to the European public. This technique involved drawing on limestone with a greasy medium, then using water and oil-based ink to print vibrant images, which were then painted by hand. 5. Cultural Preservation: Prints like this serve not only as artwork but also as historical documents that preserve and share the cultural heritage of regions less known to the Western world at the time. They played a crucial role in educating and influencing perceptions about distant cultures during the 19th century. This print, therefore, is not just a beautiful piece of art but a deep well of cultural history and craftsmanship, reflecting the rich tapestry of life in Central Asia during the 19th century. Keywords: - Antique Uzbek prints - Handcoloured lithography - 19th-century Central Asian costumes - Auguste Wahlen lithographs - Traditional Bukharan attire - Ethnographic art prints - Collectible cultural lithographs - Historical Uzbek fashion - Asian historical prints - Vintage Uzbek art...