Frederic Amat

Spanish signed limited edition original art print engraving 35x24 in. n3

1983

Vladimir Vlady Kibalchich (Russia, 1920-2005) 'Untitled', 1991 engraving on paper Velin Arches 300 g. 15.2 x 22.1 in. (38.5 x 56 cm.) Edition of 40 ID: VLA-303 Hand-signed by author

Andrés Barajas (Spain, 1941) 'Untitled from Portfolio "Los Deseos"', ca.1990-1999 mixed media on paper 20.9 x 15 in. (53 x 38 cm.) Edition of 200 ID: BAR1017-027-200 Hand-signed by a...

Andrés Barajas (Spain, 1941) 'Untitled from Portfolio "Los Deseos"', ca.1990-1999 mixed media on paper 15 x 20.9 in. (38 x 53 cm.) Edition of 200 ID: BA...

Raimundo Orozco (Cuba, 1949) 'Untitled', 2000 engraving on paper Guarro Biblos 250g. 10.1 x 6.6 in. (25.6 x 16.6 cm.) Edition of 60 ID: ORO-313-047 Hand-signed by author

This bold screen print depicts a scene from the 1950s, set in a jazz coffee house in Greenwich Village called Nick's, which Simon patronized while in high school. The original stone ...

Serigraph on paper. Hand signed and numbered by the artist. Frame size approx 32 x 24 in. Artwork is in excellent condition. Edition of 125. Certificate of authenticity included. Al...

Excelsior by Simon Tozer [2021] limited_edition and hand signed by the artist Screenprint on Paper Edition number of 30 Image size: H:23 cm x W:30 cm ...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction." The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11. The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. This work "Moving Woman" has been conceived while Aptekar was working on a monumental piece of 23 x 45 x 17 feet titled "The Defeat of the City of Plutonium: A Holocaust Prevented". The strong image of a human female naked body depicted as being one of the building parts...