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Fritz EichenbergSaint Francis1936
1936
About the Item
Fritz Eichenberg (1901-1990), St. Francis, 1936, wood engraving, signed and dated in pencil bottom margin (also signed in the plate). In excellent condition, with full margins, on a cream wove paper. 8 x 6 inches, the sheet 12 x 9. Archival mounting.
A fine fresh impression. This is a rarely encountered print; we have not seen another impression on the market.
Fritz Eichenberg was born in Cologne where he first studied art; he later became a roving artist and reporter in Berlin, where he worked until 1933, when he immigrated to New York City. He taught at the New School, worked in the Federal Art Project, and eventually became Chairman of the Graphic Arts Department at Pratt.
A master of wood engraving and lithography,Eichenberg illustrated many books, and wrote a number of classic works on printmaking history and technique, including the influential The Art of the Print and The Wood and the Graver.
St. Francis is known for his ministry to the poor and underprivileged, his care for nature and animals, and founding the Franciscan Order.
- Creator:Fritz Eichenberg (1901 - 1990, American, German)
- Creation Year:1936
- Dimensions:Height: 8 in (20.32 cm)Width: 6 in (15.24 cm)Depth: 0.1 in (2.54 mm)
- More Editions & Sizes:8 x 6, not editioned, rarePrice: $775
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU515314975612
Fritz Eichenberg
Fritz Eichenberg was one of the world's most sought-after illustrators of literary classics, including The Brothers Karamazov and Crime and Punishment, as well as works by Edgar Allan Poe, Dylan Thomas, the Brontë sisters, and others. Born in Cologne, Germany in 1901, he learned lithography, wood-engraving, and etching and by his early twenties had produced masterful illustrations for Gulliver's Travels and Till Eulenspiegel. He came to the United States in 1933 and over the next five decades produced an astonishing range of individual images and book illustrations. Throughout his life, he was preoccupied with the tragedy of war. He became a close friend and great supporter of Dorothy Day and The Catholic Worker and used his art to express his hope for more justice in the world.

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