Interior Prints

Souto named this image Bambalina (backstage). It is an exclusive publication of Stone and Press Gallery Francisco Souto was born in Venezuela. He received a BFA from Herron School ...

LOT:20231020N01 Signed, titled, dated 1982, and numbered by the artist Edition 48 of 70 Sheet 64 x 54.5 cm (25.2 x 21.5 in) Image 52.2 x 45.7 cm (20.6 x 18.0 in) Printer: Shimo-oka Y...

LOT:20231020N02 Screenprint, lamé Artist signed, titled, dated 2005 and numbered in pencil Edition 15 of 50 Sheet 71.5 x 60.3 cm (28.1 x 23.7 in) Image 61.2 x 51 cm (24.1 x 20.1 in) ...

A colorful print by American Neo-Expressionist artist Hunt Slonem in his two-dimensional style. As an artist, Slonem is best known for incorporating mysticism, animal motifs, and mul...

Amoako Boafo (Ghanaian, b. 1984) Monstera Leaf Sleeve, 2022 Medium: Porcelain plate (fine bone china) Dimensions: 10 1/2 in diameter 26.7 cm diameter Edition of 250: Printed signatu...

2023 Archival pigment print on wove paper Sheet: 24 x 24 in. (61 x 61 cm) Edition of 35 Signed and numbered in pencil, lower margin

Created in 1992, this color lithograph on Rives BFK paper is hand-signed and dated by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil in the lower right margin. This wor...

Etching laid on paper Image size: 3 1/4 x 3 1/4 inches (8 x 8 cm) This etching is after a work by Adriaen van Ostade, a 17th century Dutch artist. This wonderful etching shows a gr...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Brownbridge (flourished 1930s - 1940s) Boat Race at the Dorchester...

Bartsch 281, Hind 167 iii/III, Nowell-Usticke 281, iii/III. A fine impression, with burr, as retouched by Baillie in 1792. With an unidentified collectors stamp, verso.

Photopolymer Photogravure Etching on Fine Art paper. Interior Photography, Abandoned place, Urbex, Nature. Work Title : "Corridor with Chequered Floor" Artist : Suzanne Moxhay...

LOT:20230216S01 Signed, dated 2017 and numbered by the artist Edition 58 of 66 Provenance: GALLERY TARGET, Tokyo

Pompeian Garden (INV# NP3632) Betty Woodman color woodcut 29 x 34.75” 1992 # P.P. 2/2, outside the edition of 15 signed

Red Flowers & Green Leaves, Separate, May 1988 David Hockney Homemade print in colours executed on an office colour copy machine on two sheets of Arches ...

2019 Inkjet print in colors on wove paper 34 x 43 in. (86.4 x 109.2 cm) Edition of 35 Signed, dated, and numbered in pencil, lower margin Framed, excellent condition

MAX STEVEN GROSSMAN "Rock SA V" Trans Mounted Metallic Print 91 x 48 in. Ed of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility and value ...

Artist: Marc Chagall Title: The Face of Israel Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Size: 14 3/8" x...

"What makes his work unique is how he has made interiors look so absolutely vivid, as if they had a secret life of their own that only he knows how to portray. Listri has the extraor...

Pierre BONNARD Fauvist : Dinner in Orange, c. 1950 Lithograph after a painting of the artist (Mourlot workshop) Printed signature in the plate On Rives vellum 62 x 67.5 cm (c. 25 x ...

Robert Indiana Title: Nine Medium: Original Screen Print on paper Year: 1968 Edition: From the limited edition of 2500 Publisher: Edition Domberger Stuttgart Suite: "Numbers" Dimensi...

Victor VASARELY Cinetic Composition Screen print Handsigned in pen by the artist Numbered in pencil on /100 copies On vellum size 49 x 69 cm (c. 19 x 27 in) Very good condition (onl...

Victor VASARELY Sylla-6 Screen print Handsigned in pen by the artist Numbered in pencil on /100 copies On vellum size 49 x 69 cm (c. 19 x 27 in) Very good condition REFERENCE : Ca...

Signed in pencil, one of 13 artist's proofs aside from the edition of 70. Printed on wove paper at Kelpra Studio. Published by Waddington Graphics, London. (Dempsey 44).

MAX STEVEN GROSSMAN Fashion SQ 3 Trans Mounted Metallic Print 50 x 55 in. Ed of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility and value...

DAVID HOCKNEY (B. 1937) Contrejour in the French Style etching and aquatint in colours, 1974, on wove paper, signed and dated in pencil, numbered 26/75 (there were also 18 artist's p...

THE LAMP is a hand drawn limited edition color lithograph by the renowned American master artist Romare Bearden, proofed and printed using hand lithography in 19 colors plus silver f...

Günther Förg (German, 1952-2013) Untitled, 1990 Medium: Woodcut in colors on wove paper Dimensions: 103 x 80 cm Edition of 20: Hand signed, numbered and dated in pencil Condition: Ve...

Pencil signed and dated, Russian Soviet Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His...

"What makes his work unique is how he has made interiors look so absolutely vivid, as if they had a secret life of their own that only he knows how to portray. Listri has the extraor...

Limited edition giclée print on stretched canvas.

Beautiful poignant lyrical piece. I am not sure if it is a lithograph or an etching with hand painted watercolor. it depicts a beautiful shtetl interior scene. Chaim Goldberg -- bo...

"Nottingham Loom" by Vicki McKenna is a black and white photographic print. As part of her Resilience series the image evocates the spirit of early 20th century industry...

"Warped" by Vicki McKenna is a black and white photographic print. As part of her Resilience series the image evocates the spirit of early 20th century industry...

Uffizi - Scalone Lorenese, Florence 2009 The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his...

Still life with (thomas) Sully and (Andy) Warhol, (French actress Sarah Bernhardt (1844-1923)) Hand signed in pencil, dated 1994 bears gallery label from OK Harris Gallery in New York City Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Fernando Botero, Henri Matisse, Utamaro, Andy Warhol, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Roy Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Set of 4 plates and 3 mugs. Made by Swid Powell. Donald Sultan design titled "GAME SET CARDS I" Plates are 8" diameter mugs are 12oz and measure 3.25x3...

2017 Screenprint in colors, on 410gsm Somerset tub sized Satin Enhanced White paper Sheet: 39 2/5 x 29 1/2 inches Edition of 100 Signed, dated and numbered in pencil Framed, mint con...

Ben Shahn From Portfolio "For the Sake of A Single Verse by Rainer Maria Rilke" Year: 1968 Lithograph on Richard de Bas hand-made paper Edition: 750 Size: 22.5 x 17.75 inches Signed in the stone COA included Publisher: Atelier Mourlot, LTD, New York Typography: The Spinal Press Provenance: Private Collection Kansas City, MO -------------------- Ben Shahn: "I had now long ago found in Rilke the passage that came to mean so much to me. He was a writer about the processes of art who was not telling me what to do, what to think, how to paint. No; he was too engrossed in his own discoveries. He was sharing with me the doubts and the hesitations of art, the probings, the slow emergence of forms. His every line of writing was art, and yet such art was inseparable from its life content. No manifesto could ever tell me more clearly than this one paragraph of Rilke's that art is an emanation from a person; that it is shaped and formed out of the shape and form of that person. In being so acutely personal to him it achieves also a rare universality. Rilke is speaking, (is he not?) to the innermost recesses of the consciousness, an area in which we spend so much of our time and expend so much of our feeling, and yet an area that is so remote from communication with our fellow-beings, an area that is, unhappily, increasingly remote from the reaches of art." ----------- Ben Shahn (September 12, 1898 – March 14, 1969) was a Lithuanian-born American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content. Shahn was born in Kaunas, Lithuania, then part of the Russian Empire, to Jewish parents Joshua Hessel and Gittel (Lieberman) Shahn. His father was exiled to Siberia for possible revolutionary activities in 1902, at which point Shahn, his mother, and two younger siblings moved to Vilkomir. In 1906, the family immigrated to the United States where they rejoined Hessel, who had fled Siberia. They settled in the Williamsburg section of Brooklyn, New York, where two more siblings were born. His younger brother drowned at age 17. Shahn began his path to becoming an artist in New York, where he was first trained as a lithographer. Shahn's early experiences with lithography and graphic design is apparent in his later prints and paintings which often include the combination of text and image. Shahn's primary medium was egg tempera, popular among social realists. Although Shahn attended New York University as a biology student in 1919, he went on to pursue art at City College in 1921 and then at the National Academy of Design. After his marriage to Tillie Goldstein in 1924, the two traveled through North Africa and then to Europe, where he made "the traditional artist pilgrimage." There he studied great European artists such as Henri Matisse, Raoul Dufy, Georges Rouault, Pablo Picasso and Paul Klee. Contemporaries who would make a profound impact on Shahn's work and career include artists Walker Evans, Diego Rivera and Jean Charlot. Shahn was dissatisfied with the work inspired by his travels, claiming that the pieces were unoriginal. Shahn eventually outgrew his pursuit of European modern art, and redirected his efforts toward a realist style which he used to contribute to social dialogue. The twenty-three gouache paintings of the trials of Sacco and Vanzetti...

Artist: Wayne Thiebaud, American (1920 - ) Title: Theater Marquee Year: 1956 Medium: Lithograph Signature: Signed, titled, numbered, and dated in penci...

Adeline de Monseignat (b. 1987, Monaco) lives and works in London. She studied Language and Culture at UCL and Fine Art at London School of Art, ...

Cyril Power (1872-1951) color linoleum cut, The Carcase, circa 1929, signed and titled in pencil, from the edition of only several (Redfern 9). In good condition, with pinholes at lo...

Uffizi - Scalone Lorenese, Florence 2009 The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

Rare photolithograph by Colette.

Rare photolithograph by Colette.

A superb impression of Spink’s only state from the edition of 100 published and issued by Ambroise Vollard in L’Album d’estampes originales de la Galerie Vollard (second album), Pari...

A strong, dark 18th century impression of Bartsch's third and final state. Similar to that found in an impression of the same state in the collection of the Metropolitan Museum of Ar...