Interior Prints

All available unframed sizes and editions: 23" x 30” Edition Size: 10, Artist Proofs 2 - $2,200 30" x 40” Edition Size: 8, Artist Proofs 2 - $3,250 40" x 53” Edition Size: 8, Art...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality...

All available unframed sizes and editions: 23" x 30” Edition Size: 10, Artist Proofs 2 - $2,200 30" x 40” Edition Size: 8, Artist Proofs 2 - $3,250 40" x 53” Edition Size: 8, Art...

Philippe Henri Noyer, French (1917 - 1985) - Lovely to Look at, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 88/250, Size: 28.5 x 41 in. (72.39 x...

Artist: Jim Dine Title: ART Year: 1968 Medium: Lithograph, signed and numbered in pencil Edition: 92/144 Paper Size: 35 x 24.75 in. (88.9 x 62.87 cm)

The 21st Floor-A View of the World Trade Center in the Skyline Screen print, c. 1990 Signed: Joni Frankel lower left Edition 200 (42/200) Signed lower lef...

Leamington is a serigraph on paper measuring 26 x 41.25 inches, signed 'McKnight' lower right and annotated lower left. Framed in a classic, gold-tone frame. Numbered 122/200 from the edition of 490 (there were also 40 AP, 200 Roman, 6 PP, 40 HC and 4 TP). McKnight wrote of Leamington, “The title of this print is a tribute to Sidney Hamer, the late Washington, D.C., antiquarian bookseller. His reverence for and familiarity with the past created a whole new dimension in the life of a thirteen-year-old boy...

ROOM SERVICE by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Coventry Rag paper, 100% acid free. ROO...

This is an original 19th century duotone lithograph entitled "The Entrance to the Citadel of Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pub...

This is an original 19th century duotone lithograph entitled "Bazaar of the Coppersmiths, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publis...

A hand-colored lithograph by Joseph Nash of the Frontespice "The Mansions of England in the Olden Time", 1839-1849, printed by Charles Joseph Hullmandel (Pub. London: T. M'Lean, 1839...

Edward Williams "A College Scene" After Thomas Rowlandson Color Engraving C.1787 Late 18th century hand colored engraving after Thomas Rowlandson A scene of a young student asking ...

Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 110]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Artist: Hunt Slonem, American (1951 - ) Title: Chez Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Image Size: 22 x 29 inches Size: 26 in. x 30 in....

Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...

Archival pigment print on hahnemühle Fine Art Paper. Contemporary Photography, Photomontages, Interior Spaces, New life Work Title : "Entrance VI" Artist : Suzanne Moxhay The work is...

A hand painted three dimensional, Reverspective print, inspired by his own popart & books laid out in the studio. Produced in 2023. This print comes housed in a bespoke perspex displ...

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Fourth state (of 5). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 113]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 112] A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Fima (born Efraim Roeytenberg) (1914 – 2005) was an Israeli artist born in China. He spent most of his career in France. Ephraim (Yafim) Roeytenberg, known as "Fima" or "Pima", was b...

This artwork is part of a project called "In Portugal", which consists of a selection of photographs taken in public sites throughout the Iberian country. Typical of Candida Höfer, the artist has photographed empty interiors of libraries, museums, palaces and theaters. Deutsche Oper am Rhein Düsseldorf - Contemporary, 21st Century, C Print, Limited Edition...

32" x 33" Unframed Limited Edition Hand Embellished Giclee of 290 Hand Signed by Damien Elwes

Archival pigment print on hahnemühle Fine Art Paper (matt finish). Contemporary Photography, Photomontages, Interior Spaces, New life Work Title : "Entrance VIII" Artist : Suzanne Moxhay...

Vicky Oldfield Moments of Reflection Limited Edition Hand Coloured Collagraph Print Edition of 30 Sheet Size: H 49cm x W 40cm x D 0.1cm Sold Unframed Please note that insitu images are purely and indication of how a piece may look. Moments of Reflection is a limited edition still life print...

Manufacturer: Obey Giant Edition Details: Year: 2014 Class: Art Print Status: Official Released: 08/12/14 Run: 184/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Number...

There is a time of year when dandelions abound in the local fields. I often see a red tractor ploughing late crops and this view is inspired by a fine day for dandelions. Ploughings give a sense of direction in cantrast with the dandelion clocks. Rob Barnes, artist, is available for sale online and in our art gallery at Wychwood Art. Rob Barnes studied painting and printmaking at Hull College of Art and London University in the early 1960s. He taught etching, screen-printing, lino and related surface printmaking at Keswick Hall College in Norfolk. He later moved to the University of East Anglia, Norwich where he continued teaching in the School of Education until 2006. Presently he divides his time between printmaking and his other passion, playing the violin in local orchestras and for choral performances. In 2017 he began making a small number of sterling silver jewellery pieces following a course at West Dean, Sussex. His artwork follows themes, such as light on water, or shadows in the landscape. Linocuts are hand-printed on an Albion press...

This is an original 19th century duotone lithograph entitled "Minarets and Grand Entrance of the Metwaleys, at Cairo" by David Roberts, from his Egypt and Nubia volumes of the large ...

"Incredible String Band" is an original color woodcut, serigraph, and monotype by Carol Summers. It depicts classical architecture surrounding Summer...

Afternoon Delight Wicker front porch chair and furniture. Framed 19 X 23 image is 13 x 17. Lloyd van Pitterson was born in Jamaica, West Indies. H...

This is an original 19th century duotone lithograph entitled "The Gate of the Metwalis, or Bab Zuweyleh, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio ...

Chris Keegan Boom Limited Edition Silkscreen Print Edition of 50 Sheet Size: H 56cm x W 40cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a...

This is a classic New-Deal image: claustrophobic sweatshop with a row of hunched tailors. The windows and lamps offer light at least. But there is a major difference between this and...

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...

Chris Keegan Under The Clouds Limited Edition Screen Print Edition of 50 Size: H 56cm x W 40cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how...

Limited edition print of the original ‘Gold Finger’ Quality Street Toffee Finger image by Simon Dry. The first print onto Fabriano paper is over painted in white by Simon and then over printed again to create a uniquely textured hand finished surface. Each print becomes a richly coloured and individual piece of art in a limited edition of 50, signed and numbered by the artist.​ Simon Dry original art and prints available online and in the gallery. Simon Dry trained as a graphic designer, graduating with a BA (Hons) from Ravensbourne College of Art & Design. He has run Drydesign in London, Dublin and Suffolk, using skills learned in this time to create SweetArt along with his wife, Vic. Artist Simon Dry has created highly original art of much loved sweets, made solely from discarded Quality Street wrappers. These iconic artworks feature Dolly Mixture, Fab ice lolly...

This print featuring Jersey City Apartment (2019) was produced in 2019, in conjunction with the exhibition Jonas Wood at Gagosian, 555 West 24th Street, New York. The exhibition incl...

This is an original 19th century duotone lithograph entitled "Thebes" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon...

This vintage lobby card features a memorable moment from the cult classic Gremlins (1984), directed by Joe Dante. The image captures the Barrett family standing outside their home, ...

A warm composition, in theme and tone; the creaky timber interior of a 19th century Scottish blacksmith's shop. Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x ...

Helen Hyde, 'The Bath', color woodblock print, edition not stated, 1905, Mason & Mason 59. Signed in pencil in the image, lower right. Numbered '96' in pencil in the image, lower left. The artist's monogram in the block, lower left, and 'Copyright, 1905, by Helen Hyde.' upper right. A superb impression with fresh colors on tissue-thin cream Japanese paper; the full sheet with margins (7/16 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 16 1⁄4 x 10 1⁄8 in. (413 x 260 mm); sheet size: 19 1⁄4 x 11 1⁄8 in. (489 x 283 mm). Impressions of this work are held in the following collections: Achenbach Foundation for Graphic Arts, Art Institute of Chicago, Fine Arts Museums of San Francisco (De Young), Harvard Art Museums, Library of Congress, Metropolitan Museum of Art, New York Public Library, Smithsonian American Art Museum, Terra Foundation for American Art, University of Oregon Museum of Art. ABOUT THE ARTIST Helen Hyde (1868-1919) was a pioneer American artist best known for advancing Japanese woodblock printmaking in the United States and for bridging Western and Japanese artistic traditions. Hyde was born in Lima, New York, but after her father died in 1872, her family relocated to Oakland, California, where she spent much of her youth. Hyde pursued formal art education in the United States and Europe. She enrolled in the San Francisco School of Design, where she took classes from the Impressionist painter Emil Carlsen; two years later, she transferred to the Art Students League in New York, studying there with Kenyon Cox. Eager to expand her artistic repertoire, Hyde traveled to Europe, studying under Franz Skarbina in Berlin and Raphael Collin in Paris. While in Paris, she first encountered Japanese ukiyo-e prints, sparking a lifelong fascination with Japanese aesthetics. After ten years of study, Hyde returned to San Francisco, where she continued to paint and began to exhibit her work. Hyde learned to etch from her friend Josephine Hyde in about 1885. Her first plates, which she etched herself but had professionally printed, represented children. On sketching expeditions, she sought out quaint subjects for her etchings and watercolors. In 1897, Hyde made her first color etchings—inked á la poupée (applying different ink colors to a single printing plate)—which became the basis for her early reputation. She also enjoyed success as a book illustrator, and her images sometimes depicted the children of Chinatown. After her mother died in 1899, Hyde sailed to Japan, accompanied by her friend Josephine, where she would reside, with only brief interruptions, until 1914. For over three years, she studied classical Japanese ink painting with the ninth and last master of the great Kano school of painters, Kano Tomonobu. She also studied with Emil Orlik, an Austrian artist working in Tokyo. Orlik sought to renew the old ukiyo-e tradition in what became the shin hanga “new woodcut prints” art movement. She immersed herself in the study of traditional Japanese printmaking techniques, apprenticing with master printer Kanō Tomonobu. Hyde adopted Japanese tools, materials, and techniques, choosing to employ the traditional Japanese system of using craftsmen to cut the multiple blocks and execute the exacting color printing of the images she created. Her lyrical works often depicted scenes of family domesticity, particularly focusing on women and children, rendered in delicate lines and muted colors. Through her distinctive fusion of East and West, Hyde’s contributions to Western printmaking were groundbreaking. At a time when few Western women ventured to Japan, she mastered its artistic traditions and emerged as a significant figure in the international art scene. Suffering from poor health, she returned to the United States in 1914, moving to Chicago. Having found restored health and new inspiration during an extended trip to Mexico in 1911, Hyde continued to seek out warmer climates and new subject matter. During the winter of 1916, Hyde was a houseguest at Chicora Wood, the Georgetown, South Carolina, plantation illustrated by Alice Ravenel Huger Smith in Elizabeth Allston Pringle’s 1914 book A Woman Rice Planter. The Lowcountry was a revelation for Hyde. She temporarily put aside her woodcuts and began creating sketches and intaglio etchings of Southern genre scenes and African Americans at work. During her stay, Hyde encouraged Smith’s burgeoning interest in Japanese printmaking and later helped facilitate an exhibition of Smith’s prints at the Art Institute of Chicago. During World War I, Hyde designed posters for the Red Cross and produced color prints extolling the virtues of home-front diligence. In ill health, Hyde traveled to be near her sister in Pasadena a few weeks before her death on May 13, 1919. She was buried in the family plot near Oakland, California. Throughout her career, Hyde enjoyed substantial support from galleries and collectors in the States and in London. She exhibited works at the St. Louis Exposition in 1897, the Pan-American Exhibition in Buffalo in 1901, the Tokyo Exhibition for Native Art (where she won first prize for an ink drawing) in 1901, the Alaska-Yukon-Pacific Exhibition in Seattle in 1909 (received a gold medal for a print), the Newark Museum in 1913, a solo show at the Chicago Art Institute in 1916, and a memorial exhibition in 1920, Detroit Institute of Arts, Color Woodcut Exhibition in 1919, New York Public Library, American Woodblock Prints...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 5 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görn...

Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...

A fine 18th Century engraving showing a pious young woman kneeling in prayer at the edge of her bed. The scene comes from a series of engravings published to she the differences between the lives of "wanton" girls and "good" girls. There is an illuminated inscription at the lower edge with various Bible...

Barbara Kruger (1945, American) I Shop Therefore I Am, 1990 Medium: Photolithograph on paper shopping bag Edition size: 9000 Dimensions: 17 5/16 x 10 3/4 in (43.9 x 27.3 cm) Publishe...

This is an original 19th century duotone lithograph entitled "Side View of the Great Sphinx" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published ...

G. Paterson "Dinner Party at a Mandarin's House" Original Engraving After T. Allom C.1840 Original engraving Dimensions 8" wide x 5" high The frame measures 20.5" wide x 18.5" hig...

A very limited edition lithograph, signed and numbered 20/175, by the great 20th-century artist Man Ray. This piece is sizable, professionally framed and matted, and ready to hang. M...

Caroline Walker, Study for Nurture, 2025 Offset lithograph Print 23 2/5 × 16 1/2 in (59.4 × 42 cm) Edition of 200 Caroline Walker’s lustrous oil pain...

Original photo by Naomi Petersen. "I'd always wanted to make a Kurt Cobain tribute portrait, but I did not want to use one of the many well-known photographs as the reference for my...

All available unframed sizes and editions: 23" x 30” Edition Size: 10, Artist Proofs 2 - $2,200 30" x 40” Edition Size: 8, Artist Proofs 2 - $3,250 40" x 53” Edition Size: 8, Art...

'Oyster Catchers with Geese' is an original linocut by Mark A Pearce. His handprinted linocuts available to buy online and in our art gallery. Mark Pearce grew up in Cumbria where h...

XAVIER MASCARO Year: 1998 Medium: 25-color silkscreen with poured resin Size: 38 x 36 inches (97 x 91 cm) Edition: 90 Price: $4900 Suite of 3 Also ava...

(There’s A Place) Pensao Amor, Lisbon [2021] limited edition Digital on 315gsm etching paper Edition of 200 Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look I think the name suggests that this cosy little bar served a slightly more risqué purpose once upon a time. Johnny Bull...

UNTITLED (INV# NP2233) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

This lithograph titled Card Players 16/100, created by renowned artist Kenneth Miller Adams (1897-1966) around 1959, captures a lively interior scene of several male figures engrossed in a card game. The print is an exceptional example of Adams' figurative work, showcasing his skill in portraying dynamic social moments. The lithograph is presented in a sleek black frame with archival materials, and the outer dimensions of the framed piece are 25 ⅝ x 31 ¼ x 1 ⅛ inches. The image sight size is 18 ½ x 24 ¼ inches. This piece remains in excellent condition, clean, and well-preserved. Please contact us for a detailed condition report. Provenance: Private Collection, Denver, Colorado Expedited and international shipping is available—please reach out for a quote. About the Artist: Kenneth Miller Adams, born in Kansas in 1897, began his art career in Topeka in 1913, studying under artist G.M. Stone. He later continued his education at the Art Institute of Chicago before serving in World War I. After his service, Adams studied at the Art Students League in New York City and then traveled abroad to immerse himself in Italian and French art. In 1924, Adams returned to Kansas, where his friend Andrew Dasburg encouraged him to move to Taos, New Mexico. There, Adams became the youngest and final member of the Taos Society...

New York has one of the best skylines in the world - wherever you look there is an iconic landmark or view. The Big Apple is the perfect muse for my art. This is such a classic Manha...

Damien Hirst (British, born 1965) Beautiful, Tastefully Sensuous Explosion Painting (H12-2), 2023 Medium: Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher...

icky Oldfield Bowl of Lilies Limited Edition Collagraph Print Edition of Image Size: H 30cm x W 50cm Sheet Size: H 51.5cm x W 62.5cm x D 0.1cm Sold Unframed Please note that insitu i...