Unframed Interior Prints

Rebecca Skinner’s “Forbode” is a 18 x 12 inch black and white interior photograph of an abandoned, decaying hallway with peeling walls and open doors, evoking an eerie, forgotten, an...

"Coffee" the Perfect Meal - Menu - Beverages - Intaglio by Raymond Perez The artwork "Second Course Fish" by Raymond Perez, created one of a group show at San Francisco State Univer...

Pino Daeni (Italian/American, 1939-2010), "Evening", Oil Enhanced Giclee on Canvas, signed lower left, unframed. 30" H x 30" W. Provenance: From a New York City Collection.

A scene from a vanishing Japan. Two Women Playing Sugoroku from "Comparison of the Customs of Beauties."; The Customs and Manners of Women Japan: Matsuki Heikichi, 1891. Woodblock ...

Title: Golf Players - Limited Edition Textured Canvas Print Immerse yourself in the world of golf with "Golf Players," a limited edition textured canvas print that celebrates the spirit of the sport. This captivating artwork captures the essence of golfing moments...

Edgar DEGAS (after) Dance class Woodcut print after a painting of Degas Egraved by G. Regnier On vellum 65 x 50 cm (c. 26 x 20in) Edited by Chalcographie du Louvre, authenticated with the blind stamp of Museum workshop This woodcut print is very rare as it's no longer printed...

This is a classic New-Deal image: claustrophobic sweatshop with a row of hunched tailors. The windows and lamps offer light at least. But there is a major difference between this and...

A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring. London: Robert Wilkinson, 1811. Copperplat...

MASSIMO LISTRI Castello di Friedstein a Gotha, Germany, 1999 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framin...

London: Thomas Mclean, 1835. Etching with hand coloring in watercolor on cream wove paper. 5 3/8 x 7 3/4 inches (135 x 195 mm), full margins. A lovely well inked impression with fres...

Stewart - Prince Charles Edward. Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of de...

Artist: Itzchak Tarkay (1935-2012) Title: Gossip Year: Circa 2000 Medium: Silkscreen on wove paper Size: 13.5 x 11.5 inches Edition: 493/750, plus 100 Remarques Condition: Excellent ...

MASSIMO LISTRI Massimo Listri - Hermitage Museum, St. Petersburg (Portrait of Interiors), 2018 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic ...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm. Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum. This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique. Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

JONAS WOOD Interiors and Landscapes Offset lithograph poster (hand signed and inscribed) 24 × 18 inches Hand signed, dated by Jonas Wood with the artist's distinctive basketball leg...

Rupprecht Geiger (German, 1908-2009) Yellow on Red, 1969 Medium: Screenprint on card stock Dimensions: 39 x 35 cm Edition of 60: Hand-signed and numbered Publisher: Edition Fürneisen...

CHINESE VASE is a hand drawn limited edition lithograph by the renowned American jazz and traditional pop singer Tony Bennett. CHINESE VASE, an interior still life scene depicting lilies in a round glass vase and a figurative Chinese porcelain vase, was printed using hand lithography techniques on archival Arches printmaking paper. Eye-appealing colors of orange, yellow, green, brown, blue, dark gray, touches of black and white. Print size - 9.75 x 10.75 in., unframed, pristine condition, dedicated Printers Proof hand signed in pencil "Benedetto" by Tony Bennett on lower margin Image size - 8.5 x 7.5 in. Printer - JK Fine Art Editions Co. Publisher - Eleanor Ettinger Gallery NY Anthony Dominick “Tony” Benedetto (1926-2023), Tony Bennett, a world-renowned singer and performer, was also an accomplished visual artist whose subjects span nearly every topic. Working under his birth name of Anthony Benedetto, he utilized watercolors, oil paints, charcoal, or whatever else was handy to depict his chosen theme. Benedetto's artistic career began at the age of five with sidewalk chalk drawings outside his childhood home in Astoria Queens...

Julian Schnabel NEMO LIBRIZZI 1998 25-color silkscreen with poured resin 38 x 36 inches (97 x 91 cm) Signed and numbered edition of 90 Suite of 3 Also available Born in Brooklyn,...

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Ter-Ur Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: From the edition of 250 Image Size: 24.5...

Portrait of Albert Schweitzer. Etching. 11 3/4 x 9 3/4 (sheet 16 1/4 x 14). Illustrated: Beall, American Prints in the Library of Congress, page 205....

Original American Lobby Card of Walt Disney’s Movie „ALICE in WONDERLAND“, USA 1951. Alice with the running White Rabbit. Keywords: Animation, Adventure, Family, Fantasy, Musical, C...

"Die Segen" (Sins/Blessing) - 1986 Lithograph On Paper Original 1986 lithograph on paper titled "Die Segen" ("Sins/Blessing") by Deborah Rumer. Red, green, purple, black and white m...

CRUSADERS FOR JUSTICE is a rare commemorative fine art poster designed by the renown woman artist, Elizabeth Catlett featuring a portrait of the iconic 20th century civil rights advo...

Victor Vasarely (1906-1997) - Kerisle Lithograph from 1971. Dimensions of work: 48 x 40 cm. Reference: Catalogue Raisonné Vol I par Pedro Benavides n°183. The work is in Excellen...

ROMARE BEARDEN 1970-1980 The Brooklyn Museum, September 26-November 29, 1981 Vintage 1981 Exhibition Poster "Jamming At The Savoy" (image from original 14" x 18" collage on board by ...

Etching on cream laid paper mounted to a cream laid paper support, 9 x 12 7/8 inches (230 x 327 mm), thread margins. Three small areas of light skinning with one extremely small hole...

Original vintage poster: TOY DEPARTMENT. Chromolithographed illustration of a mother and four young children surrounded by a ball, blocks, and dolls, and with two young girls reading a book. No publishing information, but with a Shirley Temple doll...

Wallpapers and Decorations John Gilkes & Sons. Original stone lithograph. Size: 31" x 47". C. 1915 - 1920. Printer: J.J. Keliher & Co., London Archival linen backed authentic antique poster...

Victor Vasarely (1906-1997) - Balaton Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 47 x 37.5 cm Reference: Catalogue Raisonné Vol I par Pedro Benavides n...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Graceful interweaving of plants with a blur effect in dark green colors - Limited edition Print - with archival inks on Hahnemühle German etching fine art canvas - 80x80 cm (31.5 ...

UNTITLED (INV# NP2230) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

This is an original 19th century hand-colored lithograph entitled "Absaloms Pillar, Valley of Schoshaphat" by David Roberts, from his Egypt and Nubia volumes of the large folio editi...

Jonas Wood Large Shelf Still Life, 2017 Offset lithograph in colors on smooth wove paper 23 × 23 in 58.42 × 58.42 cm Basketballs, ceramics, and lush plants fill Jonas Wood’s painti...

MASSIMO LISTRI Kunsthistoriches Museum III, Wien, Austria, 2014 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Fra...

Edward M. Plunkett, American (1922 - 201?) - Cafe Rouge, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 14.5 x 22 inches, Size: 2...

Massimo Listri Reggia di Portici V, Naples, Italy, 2013 40 x 47 inches 100 x 120 cm Edition of 5 47 x 59 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Edition of ...

CRUSADERS FOR JUSTICE is a hand pulled original limited edition relief print created using linocut printmaking techniques on white archival heavyweight paper, 100% acid free. Penci...

This stunning exhibition poster was created for Louis Comfort Tiffany – Artist for the Ages, a show honoring the visionary craftsmanship of one of America’s most celebrated designers...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...

MASSIMO LISTRI Gipsoteca di Canova a Possagno, Italy (Portrait of Interiors), 2019 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso ...

Pablo Picasso (after) Cubist Still Life with a Guitar, 1926 Lithograph and stencil (Atelier Ducros et Colas) Printed signature in the plate Dated in the plate 1920 Limited to 750 un...

FLOWER BLOSSOMS, LIGHT BLUE VASE is an original hand drawn lithograph by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010) printed on archival Somers...

Victor Vasarely (1906-1997) - Risir Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 47 x 37.5 cm Reference: Catalogue Raisonné Vol I par Pedro Benavides n° ...

Marilyn's Flowers II is an original hand drawn lithograph by Peter Max printed in an edition of 165, using traditional hand lithography techniques on archival paper, 100% acid free. Marilyn's Flowers II is a vibrant multicolor still life depicting an abstract floral arrangement of lush magenta pink blossoms, with warm red centers against a backdrop of brown and orange, with accents of blue, plum brown and black. The warm brown interior setting enhances the floating, freely drawn pop art cosmic flowers...

CRUSADERS FOR JUSTICE is a hand pulled original limited edition relief print created using linocut printmaking techniques on white archival heavyweight paper, 100% acid free. Pencil signed by Ms. Catlett on the lower margin, embossed with printers chop mark lower left, print documentation provided. CRUSADERS FOR JUSTICE was created as a tribute to Thurgood Marshall...

"Le Seuil" (The Threshold) is an image printed in 2006. This impression is Roman numeral X of XX. It is titled, dated, numbered and signed by the artist. Judith Rothchild, printma...

'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.' Collection of 4 engravings with designs for chimney-pieces. Published in Paris, circa 1670. 210mm ...

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100. Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...

SEATED WOMAN PINK SOCKS is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter...

MASSIMO LISTRI Reggia di Caserta VII, Italy, 1993 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing options a...

Etching on cream wove paper, 2 3/8 x 3/14 inches (61 x 83), full margins. Signed, dated and inscribed "IV" in the artist's hand. In very good condition. Fletcher states only two tria...

Original linen-backed stone lithograph opera poster for Penelope. Done in 1913 by the great lithographer Georges Rochengrosse who created several opera ...

Richard Serra, Equal, 2015 (Hand Signed) Offset lithograph poster (hand signed by Richard Serra) Boldly signed in black marker on the front Published by David Zwirner; Designed by McCall Associates 24 × 36 inches Unframed Acquired from David Zwirner Gallery Richard Serra Biography: Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite...

The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma...

Maria Rivans, Eve Giclee with Gold Foil, Iridescent Lilac and Varnish on Somerset paper 87 x 121 cm (34.25 x 47.63 in) Hand-signed by the Artist Comes with Certificate of Authent...

Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...

Don Freeman is best known for his paintings and works on paper of New York City's theatre industry: the signage, the stages and sets, the actors, the costumers and ushers, anything a...

THE BREAK OF DAY is an original limited edition woodcut print by the African-American painter and sculptor, Otto Neals. The woodblock used to print THE BREAK OF DAY was hand-carved b...