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Frame Included
Rent Day, English antique engraving after Sir David Wilkie
By Sir David Wilkie
Located in Melbourne, Victoria
'Rent Day' Engraving by Abraham Raimbach (1776-1843) after Sir David Wilkie RA (1785-1841). Circa 1820. 'Second Plate' printed under engraver's name. Wilkie was an important Scot...
Category

Mid-19th Century Naturalistic Interior Prints

Materials

Engraving

Pablo Picasso, Carnet de la Californie XXX, 1959 (after)
Located in Southampton, NY
This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle...
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Model : Sweet Day at Home - Original Lithograph Handsigned and N° (Mourlot)
Located in Paris, IDF
Alfred Defossez Interior scene, 1973 Original lithograph (Mourlot workshop) Handsigned in pencil Justified HC On Japan paper 76 x 54 cm (c. 29,9 x 21,2 inch) Very good condition, s...
Category

1970s Post-Impressionist Interior Prints

Materials

Lithograph

The Sphinx & Pyramid, Giza, Egypt: Original 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Side View of the Great Sphinx" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published ...
Category

1840s Realist Landscape Prints

Materials

Lithograph

Those... Plants Howard Hodgkin red orange green etching watercolour gouache
Located in New York, NY
Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...
Category

Late 20th Century Abstract Interior Prints

Materials

Watercolor, Gouache, Etching

Asger Jorn 1978 Original Unused Vintage Exhibition Lithograph Poster Galerie
Located in Miami, FL
Asger Jorn (Denmark, 1914-1973) Jorn. Galleri Flindt, 1978 lithograph on paper 27.6 x 19.3 in. (70 x 49 cm.) Excellent condition, unframed Ref: JOR100-201 A humanist in the broadest...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

„Winnie the Pooh“ Original American Lobby Card of Walt Disney’s Movie, USA 1977.
Located in Cologne, DE
Original American Lobby Card of Walt Disney’s Movie „Winnie the Pooh“, USA 1977. The many adventures of Winnie the Pooh. Winnie Pooh is pulling a rope and ...
Category

1970s Modern Interior Prints

Materials

Color

"Tree of life and Fertility». Limited edition print , Giclee, Floral green
Located in Zofingen, AG
Graceful interweaving of plants with a blur effect in dark green colors - Limited edition Print - with archival inks on Hahnemühle German etching fine art canvas - 80x80 cm (31.5 ...
Category

2010s Art Nouveau Abstract Paintings

Materials

Cotton Canvas

Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category

Early 2000s American Modern Figurative Prints

Materials

Color

Massimo Listri - Reggia di Caserta VII, Italy
Located in New York City, NY
MASSIMO LISTRI Reggia di Caserta VII, Italy, 1993 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing options a...
Category

2010s Post-Modern Color Photography

Materials

Photographic Paper, C Print

'The Bath' — Meji Era Cross-Cultural Woman Artist
Located in Myrtle Beach, SC
Helen Hyde, 'The Bath', color woodblock print, edition not stated, 1905, Mason & Mason 59. Signed in pencil in the image, lower right. Numbered '96' in pencil in the image, lower left. The artist's monogram in the block, lower left, and 'Copyright, 1905, by Helen Hyde.' upper right. A superb impression with fresh colors on tissue-thin cream Japanese paper; the full sheet with margins (7/16 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 16 1⁄4 x 10 1⁄8 in. (413 x 260 mm); sheet size: 19 1⁄4 x 11 1⁄8 in. (489 x 283 mm). Literature and Exhibition: Back cover illustration of the catalog of the artist’s prints, 'Helen Hyde', Smithsonian Institution Press, 1990; 'The International Block Print Renaissance, Then And Now, Block Prints In Wichita, Kansas, A Centennial Celebration — 1922-2022', Barbara J. Thompson, Wichita Art Museum, 2022 (back cover). Impressions of this work are held in the following collections: Achenbach Foundation for Graphic Arts, Art Institute of Chicago, Fine Arts Museums of San Francisco (De Young), Harvard Art Museums, Library of Congress, Metropolitan Museum of Art, New York Public Library, Smithsonian American Art Museum, Terra Foundation for American Art, University of Oregon Museum of Art. ABOUT THE ARTIST Helen Hyde (1868-1919) was a pioneer American artist best known for advancing Japanese woodblock printmaking in the United States and for bridging Western and Japanese artistic traditions. Hyde was born in Lima, New York, but after her father died in 1872, her family relocated to Oakland, California, where she spent much of her youth. Hyde pursued formal art education in the United States and Europe. She enrolled in the San Francisco School of Design, where she took classes from the Impressionist painter Emil Carlsen; two years later, she transferred to the Art Students League in New York, studying there with Kenyon Cox. Eager to expand her artistic repertoire, Hyde traveled to Europe, studying under Franz Skarbina in Berlin and Raphael Collin in Paris. While in Paris, she first encountered Japanese ukiyo-e prints, sparking a lifelong fascination with Japanese aesthetics. After ten years of study, Hyde returned to San Francisco, where she continued to paint and began to exhibit her work. Hyde learned to etch from her friend Josephine Hyde in about 1885. Her first plates, which she etched herself but had professionally printed, represented children. On sketching expeditions, she sought out quaint subjects for her etchings and watercolors. In 1897, Hyde made her first color etchings—inked á la poupée (applying different ink colors to a single printing plate)—which became the basis for her early reputation. She also enjoyed success as a book illustrator, and her images sometimes depicted the children of Chinatown. After her mother died in 1899, Hyde sailed to Japan, accompanied by her friend Josephine, where she would reside, with only brief interruptions, until 1914. For over three years, she studied classical Japanese ink painting with the ninth and last master of the great Kano school of painters, Kano Tomonobu. She also studied with Emil Orlik, an Austrian artist working in Tokyo. Orlik sought to renew the old ukiyo-e tradition in what became the shin hanga “new woodcut prints” art movement. She immersed herself in the study of traditional Japanese printmaking techniques, apprenticing with master printer Kanō Tomonobu. Hyde adopted Japanese tools, materials, and techniques, choosing to employ the traditional Japanese system of using craftsmen to cut the multiple blocks and execute the exacting color printing of the images she created. Her lyrical works often depicted scenes of family domesticity, particularly focusing on women and children, rendered in delicate lines and muted colors. Through her distinctive fusion of East and West, Hyde’s contributions to Western printmaking were groundbreaking. At a time when few Western women ventured to Japan, she mastered its artistic traditions and emerged as a significant figure in the international art scene. Suffering from poor health, she returned to the United States in 1914, moving to Chicago. Having found restored health and new inspiration during an extended trip to Mexico in 1911, Hyde continued to seek out warmer climates and new subject matter. During the winter of 1916, Hyde was a houseguest at Chicora Wood, the Georgetown, South Carolina, plantation illustrated by Alice Ravenel Huger Smith in Elizabeth Allston Pringle’s 1914 book A Woman Rice Planter. The Lowcountry was a revelation for Hyde. She temporarily put aside her woodcuts and began creating sketches and intaglio etchings of Southern genre scenes and African Americans at work. During her stay, Hyde encouraged Smith’s burgeoning interest in Japanese printmaking and later helped facilitate an exhibition of Smith’s prints at the Art Institute of Chicago. During World War I, Hyde designed posters for the Red Cross and produced color prints extolling the virtues of home-front diligence. In ill health, Hyde traveled to be near her sister in Pasadena a few weeks before her death on May 13, 1919. She was buried in the family plot near Oakland, California. Throughout her career, Hyde enjoyed substantial support from galleries and collectors in the States and in London. She exhibited works at the St. Louis Exposition in 1897, the Pan-American Exhibition in Buffalo in 1901, the Tokyo Exhibition for Native Art (where she won first prize for an ink drawing) in 1901, the Alaska-Yukon-Pacific Exhibition in Seattle in 1909 (received a gold medal for a print), the Newark Museum in 1913, a solo show at the Chicago Art Institute in 1916, and a memorial exhibition in 1920, Detroit Institute of Arts, Color Woodcut Exhibition in 1919, New York Public Library, American Woodblock Prints...
Category

Early 1900s Showa Figurative Prints

Materials

Woodcut

A Japanese Temple – English School, 18th century
Located in Middletown, NY
18th century image of a priest presiding over a traditional Japanese nuptual ceremony. One plate from A new and complete collection of voyages and travels containing all that have b...
Category

Late 18th Century English School Interior Prints

Materials

Watercolor, Handmade Paper, Engraving

Andy Warhol - Halston Women's accessories Advertising Campaign Poster
Located in London, GB
Paper Size: 23 x 28.75 inches Edition Size Unknown Near Mint, very light signs of handling Original Serigraph poster designed for an in-store advertising campaign printed in 1982. ...
Category

1980s American Modern Prints and Multiples

Materials

Paper

The Parlour
Located in Llanbrynmair, GB
’The Parlour’ By Richard Bawden Medium - Etching Signed - Yes Edition - 33/85 Size - 775mm x 570mm Richard Bawden 1936 Painter and printmaker, born i...
Category

Late 20th Century Other Art Style Interior Prints

Materials

Etching

Ca’Rezzonico, Venice, Italy
Located in New York City, NY
David Burdeny Ca Rezzonico, Venice, Italy, 2012 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

NIGHT WORK
Located in Aventura, FL
Hand signed & numbered by the artist. Sheet size: 18.5 x 23 inches. Image size: 14 x 17.5 inches. Edition of 300. Artwork is in excellent condition. Certificate of authenticity in...
Category

1980s Contemporary Still-life Prints

Materials

Paper, Lithograph

NIGHT WORK
$450 Sale Price
50% Off
Jonas Wood, Jersey City apartment (Hand Signed twice by Jonas Wood) Manhattan NY
Located in New York, NY
JONAS WOOD Interiors, 2019 Offset lithograph in colors on wove paper Signed TWICE: Signed and dated in black marker lower right with the artist's distinctive flourish; hand signed ag...
Category

2010s Contemporary Figurative Prints

Materials

Permanent Marker, Lithograph, Offset

Conrad Johnson Sculpture II
Located in Brooklyn, NY
"Sculpture II" is a striking 1984 photograph by Conrad Johnson that embodies the refined, minimalist sensibilities of mid-1980s interior design. The image features two vases adorned ...
Category

1980s Contemporary Interior Prints

Materials

Offset

Hans Hartung 1974 Original Unused Vintage Poster Woodcut Erker Galerie German
Located in Miami, FL
Hans Hartung (Germany, 1904-1989) Erker-Galerie, 1974 Woodcut on paper 27.6 x 19.7 in. (70 x 50 cm.) Excellent condition, unframed Edition of 0 Ref: HAR100-203 Hans Hartung was born...
Category

1970s Abstract Abstract Prints

Materials

Woodcut

Flower Station - Flower Art - Battersea Power Station
Located in Manchester, GB
Joe Webb, Flower Station, 2025 12 Colour Silkscreen Print with Spot Varnish on 410gsm Somerset Satin Paper Edition of 55 50 x 70 cm (19.68 x 27.56 in) Hand-signed and numbered by th...
Category

2010s Contemporary Prints and Multiples

Materials

Screen

Jean-Honore Fragonard-L'Occasion Rococo Vintage
Located in Brooklyn, NY
Drawings by French Masters of the XV-XVIII Centuries. From a selection of 40 reproductions of the originals preserved in the Albertina Collection in Vienna. With an introduction and...
Category

1930s Rococo Interior Prints

Materials

Offset

London Dandies-or- Monstrosities of 1816, Scene, Hyde Park, from Monstrosities
Located in Middletown, NY
London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches ...
Category

Early 19th Century Victorian Figurative Prints

Materials

Watercolor, Etching

The MoMA Library
Located in Surfside, FL
This piece is part of an ongoing project entitled "Fragmentary Views" (2001 - Present) by Xiaoze Xie, which is a series of paint-compositions based upon photographs of found newspape...
Category

21st Century and Contemporary Contemporary Interior Prints

Materials

Aquatint

'Surreal Boudoir', San Francisco Bay Area Modernist, Atelier 63 Woman Artist
Located in Santa Cruz, CA
Created circa 1975 and stamped, verso, with certification of authenticity for Jane Voitle Mellin (American, born 1952). Paper dimensions: 17.25 x 12 inches An atmospheric, sugar-lift aquatint showing a young woman seated at a claw foot table...
Category

1970s Interior Prints

Materials

Paper, Aquatint

Original Perlach Maccaroni - Spaghetti vintage poster pasta
By Richard Roth
Located in Spokane, WA
An original vintage poster of Perlach Macaroni Spaghetti created by Richard Roth for the German pasta brand, Perlach in the 1940s 1. The poster features an anthropomorphic pasta man...
Category

1940s Art Deco Interior Prints

Materials

Lithograph

Hot Sauce, Lone Pine, California - American diner interior color photograph
Located in Cambridge, GB
Hot Sauce, Lone Pine, California, photograph from Richard Heeps series Dream in Color. This interior vignette captures the table of a classic American diner. The color combination of...
Category

Early 2000s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

La Messe (The Mass), after Caravaggio
Located in Middletown, NY
Chiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...
Category

Mid-18th Century Old Masters Figurative Prints

Materials

Laid Paper, Engraving, Woodcut

William Gropper, (Choral Group)
Located in New York, NY
An early serigraph (screen print) by William Gropper. There's a harpist to provide the music and a choir master conducting. The seated members of the group are individually drawn as ...
Category

1930s Ashcan School Figurative Prints

Materials

Screen

CANS Festival Poster
Located in Manchester, GB
Bankys, CANS Festival (Promotional poster), 2008 Offset lithograph printed in colours on satin/wove paper (promotional poster) 65 x 82 cm (25.6 x 32.3 in) Unknown edition size Abou...
Category

Early 2000s Contemporary Prints and Multiples

Materials

Lithograph

FIVE MUSICIANS (JUDAICA ART)
Located in Aventura, FL
Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 750. Artwork is in excellent condition. Certificate of authenticity in...
Category

Late 20th Century Contemporary Figurative Prints

Materials

Foil

Rustics of Japan – English School, 18th century
Located in Middletown, NY
A Method of Riding as Practised by the Rustics of Japan. One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earlies...
Category

Late 18th Century English School Interior Prints

Materials

Watercolor, Handmade Paper, Engraving

SPQR ( Rome ) - monochromatic timeless urban vignette of Italy's Eternal City
Located in San Francisco, CA
details of an almost monochromatic and timeless urban vignette in Rome, Italy captured with a large format camera to allow epic scale print sizes with incredible image details SPQR ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink

Antique Copper Engraving - Sacchetti Palace
Located in Houston, TX
Over 350 year old antique copper engraving of the architectural floor plans to Sacchetti Palace in Italy by Giovanni Giacomo de' Rossi, 1650....
Category

15th Century and Earlier Interior Prints

Materials

Paper, Ink

Hallelujah - large format photograph of baroque Italian palazzo fresco ceiling
Located in San Francisco, CA
Epic scale photograph of mesmerizing baroque details in a long forgotten architectural masterpiece discovered in Mediterranean Sicily, Italy Hallelujah by Frank Schott 66 x 59 inch...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

New York Map of Days, Illustration New York Map, Blue Art, NYC, Geography print
Located in Deddington, GB
New York Map of Days is a limited edition etching by Mychael Barratt. The illustrative style of this piece brings New York, it’s landmarks and endless stor...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Etching

Annette Standing in the Studio - Original Lithograph on Arches Vellum
Located in Paris, IDF
Alberto GIACOMETTI (1901-1966) Annette in the Studio Lithograph (Arte / Maeght workshop) Unsigned On Arches vellum, 50 x 65.5 cm (c. 20 x 26 in) INFORMATION: Rare proof on vellum ...
Category

Mid-20th Century Modern Interior Prints

Materials

Lithograph

Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category

Early 2000s American Modern Figurative Prints

Materials

Color

AQUARIUM (JUDAICA ART)
Located in Aventura, FL
Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. AP edition of 450. Artwork is in excellent condition. Certificate of authenticity included...
Category

Late 20th Century Contemporary Figurative Prints

Materials

Foil

AQUARIUM (JUDAICA ART)
$100 Sale Price
50% Off
Mr. B. on the Middle Watch- "cold blows the wind & the rain's coming on."
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 3) London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove pa...
Category

Mid-19th Century Victorian Figurative Prints

Materials

Etching, Watercolor

L'examen (The Examination)
Located in Middletown, NY
Heliogravure on light weight Japan paper, full margins. Titled in pencil in the lower right margin. In good condition with some minor handling creases, dog-eared lower right corner, ...
Category

Late 19th Century Victorian Figurative Prints

Materials

Photogravure

'Two Flags' 1969-
Located in Brooklyn, NY
The first edition poster created by Jasper Johns for the exhibition at Leo Castelli's gallery, held from April 19 to May 17, 1969, is a notable piece of art history. This offset lith...
Category

1960s Abstract Expressionist Interior Prints

Materials

Offset

'Two Flags' 1969-
'Two Flags' 1969-
$280 Sale Price
20% Off
Indian-Persian, French antique 19th century Racinet art design lithograph print
Located in Melbourne, Victoria
'Indian-Persian - Indo-Persian - Indisch-Persisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Raci...
Category

Late 19th Century French School Interior Prints

Materials

Lithograph

Primrose Hill - London, London Art, Black and White Cityscape Art, Monochrome
Located in Deddington, GB
Primrose Hill - London by John Duffin is a limited edition print. The scene depicts a stunning panoramic view of Londons greatest sights. John Duffin is a painter and printmaker whos...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Etching

Middle Ages, French antique 19th century Racinet art design lithograph print
Located in Melbourne, Victoria
'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...
Category

Late 19th Century French School Interior Prints

Materials

Lithograph

Antique Italian Engraving - Cardinal Spada Palace
Located in Houston, TX
Over 350 year old antique copper engraving of the floor plan to the Spada palace in Rome, Italy by Italian Giacomo Rossi, 1650. Original artwork on paper displayed on a white mat wi...
Category

15th Century and Earlier Interior Prints

Materials

Paper, Ink

'Judy & Jessica', Art Deco Lithograph, Woman Artist, Salon d'Automne, Paris, AIC
Located in Santa Cruz, CA
A mid-century. stone lithograph titled 'Judy and Jessica' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A brigh...
Category

1940s Figurative Prints

Materials

Paper, Lithograph

Europa, by Peter Milton
Located in Palm Springs, CA
Resist Ground Etching and Engraving from a Copper Plate on BFK Rives, Somerset Buff, Wove Paper Medium: Resist Ground Etching & Engraving Edition of 125 Year: 1982 One o...
Category

1980s Contemporary Interior Prints

Materials

Engraving, Etching

Entrance to the Citadel of Cairo, Egypt: A 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Entrance to the Citadel of Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pub...
Category

1840s Realist Landscape Prints

Materials

Lithograph

Middle Ages, French antique 19th century Racinet art design lithograph print
Located in Melbourne, Victoria
'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...
Category

Late 19th Century French School Interior Prints

Materials

Lithograph

This Print Wishes to Be On the Other Side of This Wall, Contemporary Art
Located in Hamburg, DE
Laure Prouvost (French, b. 1978) This Print Wishes to Be On the Other Side of This Wall, 2016 Medium: Etching on wove paper Dimensions: 60 x 45...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Etching

Gate of the Metwalis, Cairo, Egypt: Original 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Gate of the Metwalis, or Bab Zuweyleh, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio ...
Category

1840s Realist Landscape Prints

Materials

Lithograph

Ancient Roman Medici Marble Vase: An 18th Century Etching by Piranesi
Located in Alamo, CA
This large 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le quail r...
Category

1770s Old Masters Figurative Prints

Materials

Etching

Pantheon (Rome) - large scale photograph of iconic architectural elements
Located in San Francisco, CA
Pantheon (Rome) by Frank Schott from a series of monochromatic and timeless photographic observances of iconic architectural and interior references around Rome's historical center ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Maniere De Construire Les Bazes, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Maniere de Construire Les Bazes, Les Chapiteaux et Les Entablements en Bois' French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid waterm...
Category

Late 18th Century French School Interior Prints

Materials

Engraving

Pantheon ( Rome ) - large scale photograph of iconic architectural elements
Located in San Francisco, CA
Pantheon (Rome) by Frank Schott from a series of monochromatic and timeless photographic observances of iconic architectural and interior references around Rome's historical center ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée

Pablo Picasso, Carnet de la Californie XXXVII, 1959 (after)
Located in Southampton, NY
This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle...
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Kurt Cobain Endless Nameless Screenprint By Shepard Fairey Contemporary Rock Art
Located in Draper, UT
Original photo by Naomi Petersen. "I'd always wanted to make a Kurt Cobain tribute portrait, but I did not want to use one of the many well-known photographs as the reference for my...
Category

2010s Contemporary Portrait Prints

Materials

Screen

Leaden Hall Market, London, colour aquatint, 1809, after Thomas Rowlandson
Located in Melbourne, Victoria
Colour aquatint by JC Stadler after Thomas Rowlandson and Auguste Pugin. From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine c...
Category

Early 19th Century Naturalistic Interior Prints

Materials

Aquatint

The Card Players, Late 18th Century British Etching
Located in London, GB
Etching laid on paper Image size: 3 1/4 x 3 1/4 inches (8 x 8 cm) This etching is after a work by Adriaen van Ostade, a 17th century Dutch artist. This wonderful etching shows a gr...
Category

Late 18th Century Interior Prints

Materials

Etching

Anglo Parisian Salutations, or Practice par Excellence!
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor. London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category

Early 19th Century Victorian Figurative Prints

Materials

Watercolor, Etching

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