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Robert IndianaRobert-Indiana "Love is God-(2014)"2014
2014
$19,500
£14,703.09
€16,943.26
CA$27,051.77
A$30,311.37
CHF 15,778.22
MX$370,812.93
NOK 200,275.29
SEK 189,157.62
DKK 126,484.89
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About the Item
Robert Indiana
American, 1928–2018
Love Is God
Edition: 12/50
Silkscreen in 18 colors on 2-Ply Museum Board
Size: 32 × 32 in 81.3 × 81.3 cm
Signature: Hand-signed & numbered in pencil by artist
Certificate of authenticity: Included (issued by gallery)
Frame: Included
Publisher: Gary Lichtenstein Editions
Robert Indiana is most famous for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reconfigured the aesthetics of American advertisements, slogans, and commercial logos into bright, pared-down works that comment on national identity and the power of language. Indiana studied at the School of the Art Institute of Chicago, Skowhegan School of Painting and Sculpture in Maine, and Edinburgh College of Art in Scotland before moving to New York and becoming involved with avant-garde artists including Ellsworth Kelly and Agnes Martin. His paintings and sculptures regularly sell for seven figures on the secondary market. Indiana’s work has been exhibited in New York, London, Paris, Berlin, Tokyo, and Zürich, among other cities, and belongs in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Stedelijk Museum, the Hirshhorn Museum and Sculpture Garden, and the Los Angeles County Museum of Art.
High auction record
US$4.1m, Christie's, 2011
Blue-chip
Represented by internationally recognized galleries.
Collected by a major museum.
Museum of Modern Art (MoMA) Tate Whitney Museum of American Art National Gallery of Art, Washington, D.C. Louisiana Museum of Art Hirshhorn Museum and Sculpture Garden Dallas Museum of Art Institute of Chicago MCA Chicago Moderna Museet, Stockholm
Selected exhibitions
2023
On Form, Opera Gallery
2016
This Is a Portrait If I Say So: Identity in American Art, 1912 to Today, Bowdoin College Museum of Art
2013
Robert Indiana: DECADE AUTOPORTRAIT, DE SARTHE
- Creator:Robert Indiana (1928 - 2018, American)
- Creation Year:2014
- Dimensions:Height: 32 in (81.28 cm)Width: 32 in (81.28 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Pembroke Pines, FL
- Reference Number:1stDibs: LU2382213984192
Robert Indiana
Robert Indiana's work evolved into hard-edged graphic images of words, logos and typographic forms, earning him a reputation as one of the country's leading contemporary artists.
Indiana is known for using public signs and symbols with altered lettering to make stark and challenging visual statements. In his prints, paintings and constructions, he gave new meaning to basic words like Eat, Die and Love. Using them in bold block letters in vivid colors, he enticed his viewers to look at the commonplace from a new perspective. One indication of his success was the appearance of his immensely popular multi-colored Love on a United States postage stamp in 1973.
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Located in Pembroke Pines, FL
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ART , 2013
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40 x 35 inches (101.6 x 88.9 cm) (sheet)
Edition: AP 2/7
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ROBERT INDIANA, HEAL - 2015, SIGNED & NUMBERED - ED. 20, SILKSCREEN
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Located in Pembroke Pines, FL
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Robert Indiana "Blue/Gold Alphabet , 2011" Screenprint, AP 1/5 - Artist estate
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Blue Alphabet , 2011
Screenprint in colors on wove paper
40,0 x 32,5 in (101.6 x 82.6 cm)
Edition: AP 1/5
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Robert Indiana Signed 1970 Indianapolis Museum of Art
By Robert Indiana
Located in Pembroke Pines, FL
Artist: Robert Indiana, American (1928 - 2018)
Title: Indianapolis Museum of Art
Year: 1970
Medium: Silkscreen Poster
Size: 35 x 25 in. (88.9 x 63.5 cm)
Signed, and dated lower right...
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$1,480 Sale Price
20% Off
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Robert Indiana "Marylin, 2008" Screenprint, AP 3/12 - Artist estate
By Robert Indiana
Located in Pembroke Pines, FL
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Marylin, 2008
Screenprint in colors on wove paper
40,0 x 32,5 in (101.6 x 82.6 cm)
Edition: AP 3/12
Signed, editioned, and dated in pencil, lower right
PROVENANCE: The...
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Ellsworth Kelly - Abstract Geometric IX, 1964 Lithograph From DLM
By (after) Ellsworth Kelly
Located in Pembroke Pines, FL
Artist: Ellsworth Kelly
Title: Abstract Geometric IX
Year: 1964
Dimensions: 15in. by 11in.
Mount Board Size Inches: 20 x 16 inches
Mount Board Color: White/Black
Print Border: No ...
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LOVE (Plate 4) /// Pop Art Robert Indiana Screenprint Post-War New York Minimal
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Artist: Robert Indiana (American, 1928-2018)
Title: "LOVE (Plate 4)"
Portfolio: Book of Love
*Signed and dated by Indiana in pencil lower right
Year: 1996
Medium: Original Screenprint on A.N.W. Crestwood Museum Edition paper
Limited edition: 75/200, (there were also 50 impressions in roman numerals)
Printer: Freeman Burks of American Image Editions, New York, NY
Publisher: Michael McKenzie of American Image Editions, New York, NY
Framing: Framed in a contemporary silver moulding and silver filet with white cotton rag matting
Framed size: 32.13" x 30.63"
Sheet size: 24" x 20"
Image size: 18.19" x 18"
Condition: Minor cosmetic wear to frame. In excellent condition
Notes:
Provenance: private collection - Cincinnati, OH. Numbered by Indiana in pencil lower left. Comes from Indiana's 1996 "Book of Love" portfolio of twelve screenprints of the same image in various colors, originally issued in a black-lettered brown paper-covered folio with accompanying twelve poems. Besides the Arabic and Roman numeral editions, there were also 15 artist's proofs. Technical Director: Peter Engert; Plate Maker: James Harvey; Counsel: Gregory S. Smith, Esq.; Fabricator: Al Hirshson; and Die Maker: York Display. Printed in three colors: white, gray, and dark gray.
The "Book of Love" project was conceived by the artist as a portfolio that would make a definitive statement on his masterpiece "LOVE", fulfilling his original vision as both a poet and a painter. The prints in the portfolio were created by Indiana as illustrations for his own love poems, written circa 1958-1973. The prints were produced in silkscreen using oil based paints on a newly created fine art paper that he found perfect for rendering "LOVE", which demands a precise line and radiant true color. The poems each have a highly raised embossment of "LOVE", trapped in colors, just below the title. Each print is hand pencil signed, and each poem hand pencil initialed by the artist.
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