Keith Haring 'Andy Mouse' Vintage Pop Art

1989

Screenprint on gesso board. Hand signed and numbered. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 30. All reasonable offers will be conside...

Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Do...

Screenprint in colours, 1996, on A.N.W. Crestwood Museum paper, signed in pencil and numbered from the edition of 200, published by American Image Editions, New York, 66 × 50.8 cm. (...

Screenprint in colours, 1969, on wove paper, signed in ball-point pen and numbered with a rubber stamp, verso, 91 from the edition of 250 (there were also 26 artist's proofs lettered...

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.

Screenprint and collage with embossing, 1976, on Rives BFK paper, signed and dated in pencil, 'APVII' one of nine artist’s proof, aside from the standard edition of 16, printed and published by Tyler Graphics Ltd., New York with their blindstamp, 74 x 114 cm. (29¼ x 45 in.) Corlett 140 ‘The architectural elements in the Entablature series can be seen as providing the artist with ready-made designs, in much the same way as comic strips and advertisements had provided him with easily recognised motifs in his earlier work.’ (Christoph Grunenberg, July 2000, Tate) Between 1971 and 1976, Lichtenstein produced two series of entablature paintings based on photographs he had taken in New York of 20th century architectural ornaments in Lower Manhattan and, specifically, in the vicinity of Wall Street and 28th Street. During this period, in May 1974, he began to also discuss the creation of the ‘Entablature’ print series with Master Printmaker, Ken Tyler...

Tom Wesselmann Shiny Nude (Stealingworth, 33), 1977 Silkscreen on glossy cast-coated Kromekote paper 8 × 8 inches Edition of 1000 (AP/1000) Pencil numbered ...