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Enrico PaulucciLandscape - Etching by Enrico Paulucci - Mid-20th CenturyMid-20th Century
Mid-20th Century
$295.26
£222.29
€250
CA$406.75
A$455.53
CHF 237.69
MX$5,564.10
NOK 3,024.08
SEK 2,850.56
DKK 1,903.03
About the Item
Etching and drypoint on paper realized by Paulucci.
Edition of 20.
Good condition except for some diffused foxing.
- Creator:Enrico Paulucci (1901 - 1999, Italian)
- Creation Year:Mid-20th Century
- Dimensions:Height: 19.69 in (50 cm)Width: 26.58 in (67.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1518371stDibs: LU650315482412
Enrico Paulucci, a distinguished contemporary artist, is celebrated for his unique fusion of traditional techniques with innovative concepts. With a masterful exploration of color, form, and emotion, Paulucci's artworks resonate with a profound depth. Influenced by luminaries like Henri Matisse, he adeptly employs vibrant flat-tinted colors reminiscent of the Fauvist movement, infusing his pieces with dynamic energy. Paulucci's fascination with painting windows, a thematic homage to Matisse's "Open Window, Collioure," adds layers of symbolism to his work. Through this lens, he skillfully captures the interplay of light and space, inviting viewers into his vibrant worlds. His captivating compositions often evoke emotions while retaining technical excellence, making them a valuable addition to diverse art collections. With a distinct voice echoing the legacy of Fauvism, Enrico Paulucci continues to create thought-provoking narratives that bridge tradition and innovation, enriching the contemporary art landscape.
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Located in Roma, IT
Landscape is an artwork realized by Enrico Paulucci (1901-1999) in the middle of 20th century.
Etching and drypoint on paper.
Edition of 20.
Good condition except for some diffuse...
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By Renzo Biasion
Located in Roma, IT
Image dimensions: 10.2 x 10.8 cm.
Landscape is a black and white etching on paper, realized after 1960 by the Italian artist Renzo Biasion (Treviso, 1914 - Florence, 1996).
Hand-signed in pencil on the lower right margin and monogrammed on the reverse and on plate (lower-right corner)
This original print represents a natural landscape with a little and peaceful town in the distance (maybe it is Urbino) with a sober language and a delicate sign.
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Renzo Biasion (Treviso, 1914 - Florence, 1996)
Born in Treviso in 1914, he moved to Venice where he graduated from the local art school and taught drawing in secondary schools. In 1940, when Italy entered World War II, he fought on the Greek-Albanian front as a second lieutenant in the infantry and began writing a war diary that would then be lost. After the Greek campaign, he was transferred, with the German troops, to Crete. With the announcement of the armistice of 8 September 1943 and the disbanding of the Italian army, he was taken prisoner by the Germans and sent to concentration camps first in the Netherlands, then in Poland and Germany. During his imprisonment, he made drawings of the lager and portraits from life of Italian and German soldiers, he also began writing a prison diary. In 1944, he managed to escape and returned to Italy.
After the war, Biasion resumed teaching and exhibited some works in a Venetian art gallery, arousing the appreciation of the poet and essayist Sergio Solmi. The tragic experiences of war and imprisonment are transfused in writings, drawings, paintings and engravings. He also began composing a series of stories, equally inspired by the memories of war, which would give life to Sagapò, a novel that Elio Vittorini had printed in Einaudi's I Gettoni collection in 1953. And it is in Sagapò (in Greek I love you), his most famous literary work, that the Mediterranean film inspired to, directed in 1991 by Gabriele Salvatores, winner of the Oscar for best foreign language film in 1992.
There are numerous collaborations as an art and literary critic in periodicals such as Il Verri, Le Vie d'Italia, newspapers: Gazzetta del popolo, Il Resto del Carlino, Corriere d'Informazione. On the weekly paper Oggi, he edited an art column for thirty-five years.
Renzo Biasion and the etching:
Renzo Biasion's etchings have been made since the 1960s and the dominant features of all his art are visible in them. With a sober language, he represents interiors and landscapes immersed in the silence that is stillness is not solitude.
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