Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Henry Papprill
"New York - Taken from the Northwest angle of Fort Columbus, Governor's Island"

1846

$1,200
$1,50020% Off
£916.17
£1,145.2120% Off
€1,049.33
€1,311.6720% Off
CA$1,681.19
CA$2,101.4920% Off
A$1,879.78
A$2,349.7320% Off
CHF 986.02
CHF 1,232.5320% Off
MX$22,768.66
MX$28,460.8320% Off
NOK 12,446.61
NOK 15,558.2620% Off
SEK 11,759.04
SEK 14,698.8020% Off
DKK 7,832.23
DKK 9,790.2920% Off

About the Item

New York - Taken from the north west angle of Fort Columbus Governor's Island, 1846 Engraved by Henry Papprill after a sketch by F. Catherwood, published by Henry J. Megarey Hand-colored engraving on paper Image 16 x 26 1/2 inches Henry A. Papprill (1816–1903) was a British engraver. Noted as an aquatint engraver from 1840. His plates were published from 1840 till 1883 mainly by Ackermann of the Strand. Papprill was born in Holborn, London. Lived for much of his life at Wharton Street, Lloyd Square, London. Papprill is thought to have been based in New York City for brief period in the mid-1840s. His work in the USA appears to classify him as an American engraver but he was based and gained his reputation and bulk of his work in England. He produced a series of works for Ackermann & Co from 1840 beginning with four plates called "The Jolly Squire", with verses, after James Pollard. In the following years Papprill engraved a number of military plates for Ackermann as well a series of engravings of New York (1846-9) for H.I.Megarey (published in New York). The most notable of these are: "The North West Angle of Fort Columbus, Governor's Island" (the Catherwood-Papprill view) and New York from the Steeple of St. Paul's Church, Looking East, South & West." (The Hill-Papprill view) listed in the American Historical Prints - Early Views of American Cities, etc: I.N.Phelps Stokes & Daniel C. Haskell. New York Public Library 1932. Papprill also produced for Ackermann a series of sporting prints after G. H. Laporte between 1860 and 1865. These were entitled: Racing, Hunting and Coursing. He also produced a series of shipping prints "Outward Bound" and "Homeward Bound" (Liverpool) as well as a series showing famous military vessels. Other engravings by Papprill appear in Hong Kong showing naval scenes in the harbor there circa 1860. These engravings form part of the exhibition celebrating Hong Kong's return to China 1997. From 1867 Papprill was engraving for Samuel William Fores of Piccadilly. His first plates were a pair for the Fores Coaching series after W.J.Shayer: "Up Hill, Springing 'Em" and "Down Hill, The Skid". In 1874 Papprill aquatinted the five original scenes of "Fores's Coaching Recollections" - "Changing Horses", "All Right" and "The Olden Times" which had been engraved in the 1840s by John Harris after equestrian painter Charles Cooper Henderson. (Harris engraved six scenes originally.) These were followed with a series of Stable Scenes: "Mail Change", "Hunting Stud" and "The Team" in 1875. In 1878 Papprill engraved Fores's "Hunting Incidents" after William Hopkins. Papprill's last works are assumed to be the 1883 plate VI of Fores's Coaching Recollections: "The Night Team" and the 1885 plate: "The First Day of the Season".
  • Creator:
    Henry Papprill (1816 - 1903, British)
  • Creation Year:
    1846
  • Dimensions:
    Height: 28 in (71.12 cm)Width: 35.5 in (90.17 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1841213537532

More From This Seller

View All
"New York City Skyline View from the East River, " Lionel Reiss, Jewish Artist
By Lionel Reiss
Located in New York, NY
Lionel S. Reiss (1894 - 1988) New York City Skyline View from the East River Watercolor on paper 13 x 19 inches Signed lower left In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...
Category

1940s American Modern Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Rapelyea House, New York, William Rickarby Miller, Hudson River School Landscape
By William Rickarby Miller
Located in New York, NY
William Rickarby Miller Rapelyea House, New York, 1884 Signed and dated lower left Oil on canvas 20 x 30 inches Provenance: Kennedy Galleries, New York Born in Staindrop, County Durham, England, he was a portrait and landscape painter, especially appreciated for watercolor painting, which he sold through the American Art Union...
Category

1880s Hudson River School Landscape Paintings

Materials

Canvas, Oil

"Harbour of Rio de Janeiro, Brazil, " Julius Montalant, Maritime Port Trade
Located in New York, NY
Julius Montalant (1823 - 1898) Harbour of Rio Janeiro, 1843-1850 Oil on canvas 17 x 24 inches Signed and dated lower right; conservator's inscription on the reverse Born in Virginia, probably Norfolk, Julius Montalant is known for his drawings and paintings inspired by his travels on board navy ships. Attached to the USS St. Louis around 1844-45, he sketched ports of call he visited, including Brazil, Chile, New Zealand, Australia, and China. Many of his works are held in the Museum of the U.S. Naval Academy. Navy records indicate his rank as 'C. Clerk', which may mean that he held a civilian position. During the 1850s he lived in Philadelphia, and in 1851-61 he exhibited at the Philadelphia Art Union and the Pennsylvania Academy of the Fine Arts. Included were paintings of North America, Greece...
Category

1850s Hudson River School Landscape Paintings

Materials

Canvas, Oil

"West Point" John Ferguson Weir, Hudson River School Landscape with Sailboats
By John Ferguson Weir
Located in New York, NY
John Ferguson Weir West Point, 1873 Signed and dated lower left Oil on panel 12 1/8 x 20 1/8 inches Provenance: Sotheby's Arcade, American Paintings, December 19, 2003, Lot 1091 Spanierman Gallery, New York Private Collection, New York (acquired directly from the above) Exhibited: Roslyn, Nassau County Museum of Fine Art, William Cullen Bryant, The Weirs and American Impressionism, April 24, 1983-July 31, 1983. A painter, sculptor, writer, and teacher, John Weir was a highly talented man whose painting was overshadowed by his father, Robert Weir, the long-time West Point Academy drawing teacher, and his brother, J Alden Weir, well-known impressionist painter. His distinguished reputation was primarily based on his accomplishments as a teacher and administrator. For many years, from 1869 to 1913, John Weir was the Director of the Yale University School of Fine Arts. He was also a commissioner of the art exhibition at the Centennial Exposition in Philadelphia. Weir was born at West Point, New York, and by age 20, had a studio in New York City in the Tenth Street Studio Building, the first building in America dedicated to art studios, and there he associated with many leading painters of the day. He earned attention early in his career for paintings of industrial scenes...
Category

1870s Hudson River School Landscape Paintings

Materials

Oil, Panel

"View of New York Harbor, Staten Island Ferry, " Gustave Wolff, Impressionism
By Gustave Wolff
Located in New York, NY
Gustav (Gustave) Wolff (1863 - 1935) View of New York Harbor from the Staten Island Ferry Oil on canvas 16 x 12 inches Signed lower right In the Autumn of 1913, the German Associati...
Category

Early 20th Century American Impressionist Landscape Paintings

Materials

Canvas, Oil

"Sailboats in a Bay" John Ross Key, American Landscape, Skyscape, Maritime Scene
By John Ross Key
Located in New York, NY
John Ross Key Sailboats in a Bay Signed lower right Oil on canvas 15 x 26 inches Provenance Private collection, St. Simon's Island, Georgia Private Collection, by descent Private Co...
Category

1870s Academic Figurative Paintings

Materials

Oil, Canvas

You May Also Like

New York in 1835 from the Bay near Bellows Island
By Raoul Varin
Located in Paonia, CO
New York in 1835 from the bay near Bellows Island Raoul Varin ( 1856 - 1943 ) Hand-colored aquatint 1931 paper size 24.50 x 35 image size 17 x 22.75 cond...
Category

Early 20th Century Landscape Prints

Materials

Aquatint

Panoramic View of New York City – Antique Engraving, c. 1850
Located in Langweer, NL
Panoramic View of New York City – Antique Engraving, c. 1850 This antique engraving offers a panoramic view of New York City as seen from a vantage point across the river, showcasin...
Category

Antique 1850s Prints

Materials

Paper

View of New York City from Weehawken, Rare Hand-Colored 1834 Aquatint Print
Located in Langweer, NL
Title: View of New York City from Weehawken, Rare Hand-Colored 1834 Aquatint Print Description: This exquisite hand-colored aquatint and engraving, titled "Vue de New York: Prise de...
Category

Antique 1830s Prints

Materials

Paper

Original Antique Print of New York City. Dated 1838
Located in St Annes, Lancashire
Great print of New York City Steel engraving after W.H Bartlett Published by Virtue 1837 Unframed. The measurement is the paper size. Free shipping  
Category

Antique 1830s English Other Prints

Materials

Paper

Original Antique Print of New York City. Dated 1837
Located in St Annes, Lancashire
Great print of New York City Steel engraving after W.H Bartlett Published by Virtue 1837 Unframed. The measurement is the paper size. Free shipping  
Category

Antique 1830s English Other Prints

Materials

Paper

OLD NEW YORK - VIEWS BY S. HOLLYER
Located in Portland, ME
Hollyer, Samuel. OLD NEW YORK - VIEWS BY S. HOLLYER. New York, 1905, 1909 & 1912. 3 Volumes, oblong 4to., bound in full red morocco leather, gilt, with...
Category

Early 20th Century Landscape Prints

Materials

Engraving