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Luigi RossiniVeduta di Tivoli mista d'Antico, e moderno (...) - Etching by L. Rossini - 18241824
1824
About the Item
Veduta di Tivoli mista d'Antico, e moderno (...)
From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano, Castel Gandolfo, Palestrina, Tuscolo, Cora e Ferentino” Rome, 1826 by L. Rossini
Artist's proof with sharp details and a very define line, representing Tivoli’s ruins, where was Ercole's Antique Temple. Signed on plate “Rossini dis. e inc.” on lower-left corner, with indication of date and place “Roma, 1824”.
Very good conditions with some light marks and ripples.
Luigi Rossini (1790–1857) was an Italian artist, best known for his etchings of ancient Roman architecture.
- Creator:Luigi Rossini (1790-1857, Italian)
- Creation Year:1824
- Dimensions:Height: 19.93 in (50.6 cm)Width: 27.09 in (68.8 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: J-762591stDibs: LU65038011372
Luigi Rossini
Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory of ancient Rome reflected by its architecture, but were accurate enough to be used by practicing architects, as well as other serious students of classical antiquity. His art continues to influence and inspire architects, artists and those who love Rome. Rossini was born in Rome and trained at the Academy of Bologna. Upon graduation, he moved to Rome and attempted a career as an architect. As he was not economically successful as an architect, he became a full-time artist, initially producing souvenirs for local collectors, wealthy and aristocratic European tourists on the Grand Tour, as well as for architectural students and practitioners all over Europe. Many of his prints were published in several imperial folio sized collections, including Le Anchita Romane (The Rome of Antiquity).
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