Drypoint Landscape Prints
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Medium: Drypoint
Ikebana 1
Located in Dallas, TX
For this work, the artist made a printing plate by tracing Ikebana images from Kōyō Ikebana Hyakuheizu, a book of illustrations dating to the late 1700s...
Category
2010s Contemporary Drypoint Landscape Prints
Materials
Ink, Archival Paper, Drypoint
Hommage a Picasso (Cannes) (Cote d'Azur) /// Surrealism Salvador Dali Surrealist
Located in Saint Augustine, FL
Artist: Salvador Dali (Spanish, 1904-1989)
Title: "Hommage a Picasso (Cannes) (Cote d'Azur)"
*Signed by Dali in pencil lower right
Year: 1973
Medium: Original Drypoint Etching on Rives BFK paper
Limited edition: L/CC (50/200)
Printer: Atelier Rigal, Paris, France
Publisher: Felicia, New York, NY and EGI, Beverly Hills, CA
Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 73-5, page 84; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 719, page 252
Sheet size: 26" x 19.63"
Image size: 19.88" x 14.5"
Condition: In excellent condition
Rare
Notes:
Provenance: private collection - Clearwater, FL. Numbered by Dali in pencil lower left. BFK Rives watermark lower right. Some dealer reference numbers pencil inscribed on verso. Dali executed this etching in Cannes, France when he learned of Picasso's death.
We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic.
Biography:
Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media.
Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Intaglio, Drypoint, Etching
New Viaduct
Located in Fairlawn, OH
From: The Cleveland Set (23 plates), No. 1
Edition: Small
Signed in pencil
Image: 7 3/4 x 11 1/2"
Category
1920s Drypoint Landscape Prints
Materials
Drypoint
The Gate, Chelsea
Located in New York, NY
Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33, fourth state (of 4), from the total printing of about 43 impressions. In excellent condition, trimmed by the artist all around on the plate mark except for the tab, 8 1/8 x 6 1/2 inches.
A fine impression, printed on a light cream wove paper with plate tone (wiped to brighten the gate and doorway area) and substantial burr in the drypoint work.
According to Hausberg, “The gate and house behind it still stand today at No. 4 Cheyne Walk...
Category
1880s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Querelle d'amoureux. (Quarreling). 1
By James Tissot
Located in Storrs, CT
En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...
Category
19th Century Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Effet de pluie by Camille Pissarro - Landscape etching
Located in London, GB
Effet de pluie by Camille Pissarro (1830-1903)
Etching, aquatint and drypoint
15.9 x 21.3 cm (6 ¹/₄ x 8 ³/₈ inches)
Stamped with initials C.P. lower left and numbered 7/14 lower righ...
Category
1870s Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
La Coupole (the dome), by JMM Mathieux-Marie
Located in Palm Springs, CA
Medium: drypoint on chine collé
Edition of 180
Image Size: 4.5 X 9 inches
Signed, titled and numbered, from the edition of 180.
A view of a bridge over the Seine River in Paris wit...
Category
1970s Contemporary Drypoint Landscape Prints
Materials
Drypoint
Un Debarquement en Angleterre (A Disembarking in England)
Located in Fairlawn, OH
Un Debarquement en Angleterre
(A Disembarking in England)
etching, drypoint, aquatint, roulette and spirit ground, 1879
Signed with the artist’s red owl stamp, Lugt 977 (see photo)
...
Category
1870s Impressionist Drypoint Landscape Prints
Materials
Drypoint
La Pont de la Tournelle, by JMM Mathieux-Marie
Located in Palm Springs, CA
Medium: drypoint on chine collé
Edition of 180
Image Size: 4.5 X 9 inches
The Pont de la Tournelle links the Ile St-Louis to the Left Bank and is adorned with a giant statue of Sain...
Category
1990s Contemporary Drypoint Landscape Prints
Materials
Drypoint
Laurencin, Tête de jeune fille (Marchesseau 250), Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Drypoint Landscape Prints
Materials
Drypoint
Breathing Pneumatic Armchair (Michler/Löpsinger 82; Field 75-11E), Salvador Dali
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Breathing Pneumatic Armchair (Michler/Löpsinger 82; Field 75-11E), Imagination & Objects of the Future Portfolio
Year: 1975
Medium: Drypoint,...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Mixed Media, Lithograph, Drypoint
Metzinger, Femme à sa Toilette (Metzinger, AM-18-013), Du cubisme (after)
By Jean Metzinger
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Drypoint Landscape Prints
Materials
Drypoint
Duchamp, Le Cheval, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Etching, Engraving, Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published ...
Category
1940s Modern Drypoint Landscape Prints
Materials
Engraving, Etching, Drypoint
Picabia, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Drypoint Landscape Prints
Materials
Drypoint
Gleizes, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Drypoint Landscape Prints
Materials
Drypoint
Ancient Landscape II (Ancient City)
Located in Fairlawn, OH
Ancient Landscape II (Ancient City)
Etching and drypoint, 1953-55
Signed and titled in pencil by the artist (see photos)
Annotated: "E130 A/1" in pencil lower right
Estate stamp vers...
Category
1950s American Modern Drypoint Landscape Prints
Materials
Drypoint
'Gloucester Harbor 2' — Mid-Century East Coast Regionalism
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...
Category
1940s American Realist Drypoint Landscape Prints
Materials
Drypoint
Liquid Tornado Bath Tub (Michler/Löpsinger 823; Field 75-11B), Salvador Dali
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Liquid Tornado Bath Tub (Michler/Löpsinger 823; Field 75-11B), Imagination & Objects of the Future Portfolio
Year: 1975
Medium: Lithograph, d...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Mixed Media, Lithograph, Drypoint
untitled (Returning Home with Supplies)
By Gustav Hagermann
Located in Fairlawn, OH
untitled (Returning Home with Supplies)
Signed in pencil by the artist lower right (see photo)
Signed by his printer, Otto Felsing lower left ((see photo)
Annotated in pencil: "In kupfer geschnitten von einen Lapplander"
Printed by Otto Felsing, one of Germany's master printers of the era
One of several engravings Hagemann made based upon actual drawings given to him by Laplanders.
Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony.
He fought in the First World War between 1914-1918. After the war he studied art from 1920...
Category
1930s Outsider Art Drypoint Landscape Prints
Materials
Drypoint
Une rue de Rouen
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category
Late 19th Century French School Drypoint Landscape Prints
Materials
Etching, Drypoint, Laid Paper
Liquid and Gaseous Television (Michler/Löpsinger 824; Field 75-11C), S. Dali
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Liquid and Gaseous Television (Michler/Löpsinger 824; Field 75-11C), Imagination and Objects of the Future Portfolio
Year: 1975
Medium: Drypo...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Mixed Media, Lithograph, Drypoint
Landscape - Etching by J. F. Raffaelli - Late 19th Century
Located in Roma, IT
Etching and drypoint. Hand signed.
Very good condition.
Category
Late 19th Century Modern Drypoint Landscape Prints
Materials
Etching, Drypoint
Cyclopean Make-Up (Michler/Löpsinger 827; Field 75-11F), Salvador Dali
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Cyclopean Make-Up (Michler/Löpsinger 827; Field 75-11F), Imagination and Objects of the Future Portfolio
Year: 1975
Medium: Drypoint, lithogr...
Category
1970s Surrealist Drypoint Landscape Prints
Materials
Mixed Media, Lithograph, Drypoint
WINTERSONNE
By Erich Heckel
Located in Portland, ME
Heckel, Erich (German, 1883-1970). WINTERSONNE. Dube 318. Drypoint, 1913. Edition size not known. Signed and dated "Heckel 1913" in pencil. Printed on heavy wove paper. 4 3/4 x 6 1/...
Category
1910s Drypoint Landscape Prints
Materials
Drypoint, Woodcut
Aubervilliers (France)
Located in New York, NY
Trying my best to decipher the name I get Leo Tanenbaum. Well, (Sergeant) Sgt. Leo Tanenbaum. Sorry that I haven't been able to find a mid-century artist with this name. It's such an...
Category
1940s Abstract Expressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
Jardin d'Evasion, François Houtin
Located in Palm Springs, CA
Signed and titled in pencil by the artist from the edition of 80. This is a great example of the texture and tone that can be achieved with drypoint.
In keeping with the best Italia...
Category
1980s Contemporary Drypoint Landscape Prints
Materials
Drypoint
The Old Smyth Gate, Charleston, South Carolina
By Alfred Hutty
Located in Middletown, NY
A view of the gateway to Simmons-Edwards House (14 Legare Street), also known as the Pineapple Gate House.
Etching with drypoint on watermarked "Hand Made" laid paper, signed in pen...
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Laid Paper, Drypoint, Etching, Handmade Paper
Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category
Mid-19th Century Impressionist Drypoint Landscape Prints
Materials
Drypoint, Laid Paper, Etching
NOCTURNE: PALACES
Located in Portland, ME
Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches.
Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso.
Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France.
In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...
Category
1870s Drypoint Landscape Prints
Materials
Drypoint, Etching
Steps to the Grand Canal, St. Mark's in the distance, Venice.
Located in Middletown, NY
A lovely view of Venice from the water.
Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Impressions of Italy - Italian Views
Located in London, GB
This complete set of fifty etchings, aquatints and drypoints are each hand signed by the artist "Edgar Chahine" at the lower left margins.
The folio was printed by A. Routy, Paris an...
Category
Early 1900s Drypoint Landscape Prints
Materials
Etching, Aquatint, Drypoint
Les Piler, by JMM Mathieux-Marie
Located in Palm Springs, CA
Signed, titled and numbered, from the edition of 180. The base and parapets of a bridge.
Mathieux-Marie was born in Paris in 1947 and has been honored throughout his career with awa...
Category
1970s Contemporary Drypoint Landscape Prints
Materials
Drypoint
The Helmsman
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category
1920s Modern Drypoint Landscape Prints
Materials
Drypoint, Etching
'Soaring Steel' — 1920s Realism, Chicago Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Soaring Steel', drypoint, 1929, edition 100, Chamberlain and Kingsland 79. Signed, titled, and numbered '64/100' in pencil. Annotated '48.00' in pencil, in the artist's hand, bottom right margin. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 3/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed.
The subject of the print is the construction of the Daily News Building in Chicago, Illinois.
Image size 12 1/4 x 9 1/2 inches (311 x 241 mm); sheet size 15 1/2 x 12 3/8 inches (394 x 314 mm).
Impressions of this work are held in the collections of the Art Institute of Chicago, Boston Public Library, Crystal Bridges Museum of American Art, Museum of Modern Art, New York Public Library, University of Michigan Museum of Art, Smithsonian American Art Museum, and the Western Australia Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm...
Category
1920s American Modern Drypoint Landscape Prints
Materials
Drypoint
Trees (Trees in Circle)
Located in Fairlawn, OH
Trees (Trees in Circle)
Etching & drypoint with monotype inking, 1953-1955
Signed in pencil
An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...
Category
1950s Abstract Drypoint Landscape Prints
Materials
Drypoint, Etching, Monotype
'Manhattan Old and New' —1920s Realism, Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed.
A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition.
The subject of the print is the lower Manhattan cityscape just before the Depression.
Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm).
Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category
1920s American Modern Drypoint Landscape Prints
Materials
Drypoint
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
Early 20th Century American Modern Drypoint Landscape Prints
Materials
Archival Paper, Drypoint, Etching
Ludgate Hill
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Drypoint, Etching, Aquatint
'The East River', Brooklyn Bridge — Mid-Century Realism, New York City
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...
Category
1940s American Modern Drypoint Landscape Prints
Materials
Drypoint
Break in the Thunderstorm
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962, Break in the Thunderstorm, drypoint, 1930, signed and titled in pencil (also signed in the plate in a rectangle lower left). Reference: McCarron 86, second s...
Category
1930s Realist Drypoint Landscape Prints
Materials
Drypoint
City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Landscape with Horses.
Located in Storrs, CT
Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...
Category
Mid-19th Century American Impressionist Drypoint Landscape Prints
Materials
Drypoint, Etching
The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path.
Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Category
Late 19th Century English School Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
'Mountain Trees' — 1930s Southwestern Regionalism
Located in Myrtle Beach, SC
Bertha Landers, 'Mountain Trees', etching and drypoint, c. 1938, edition not stated but small. Signed and titled in pencil.
A fine, richly-inked impres...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Etching, Drypoint
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Drenched (Lincoln Park, Chicago)
Located in San Francisco, CA
This artwork titled "Drenched (Lincoln Park, Chicago)" c.1960 is an original drypoint etching by noted Chicago artist James Swann, 1905-1985. It is hand s...
Category
Mid-20th Century American Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
Ponte della Trinità, Florence
Located in Middletown, NY
Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Flo...
Category
Early 20th Century Modern Drypoint Landscape Prints
Materials
Laid Paper, Drypoint, Etching
"Passage a Village, " Original Drypoint, Signed
Located in Milwaukee, WI
"Passage a Village" is an original drypoint print by Hermine David. It depicts a number of figures on a path into a village using various forms of transportation. This piece is edition 120/150.
11" x 9 3/4" art
21 5/8" x 17" frame
Hermine Lionette Cartan David (19 April 1886 in Paris-1 December 1970 in Bry-sur-Marne) was a French painter and the wife of Jules Pascin. She was also a great-granddaughter of the revolutionary painter Jacques-Louis David.
Hermine David was one of the Ecole de Paris...
Category
1920s Drypoint Landscape Prints
Materials
Drypoint
Untitled (Venice canal, man departing the gondola)
By Levon West
Located in Fairlawn, OH
Untitled (Venice canal, man departing the gondola)
Drypoint, c. 1930-1931
Signed in pencil lower right (see photo)
Annotated in the lower margin:
"Just a souvenir made ___ Monclair Lecture" Levon West
In a supplemental list prepared by Otto Torrington he lists seven views of Venice. No edition of these Vencie images was ever printed. Only rare proof exist. I cannot find another impression of this image on line or in reference books.
Condition: Very good impression with selective inking to the plate.
Imperfections on the bottom edge of the sheet.
Image/Plate size: 14 5/16 x 8 3/8 inches
Sheet size: 17 1/2 x 11 1/2 inches
Also known as Ivan Dmitri, Levon West gained international fame for his portrayals in color photography, etchings and watercolors. During his youth, West moved throughout North Dakota, as his father was a congressional preacher. After graduating from high school he taught school for a year and enlisted in the United States Navy. West was the recipient of a scholarship to the University of...
Category
1930s American Impressionist Drypoint Landscape Prints
Materials
Drypoint
Ponte dei Baratteri, Venice
Located in Middletown, NY
Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...
Category
Early 20th Century French School Drypoint Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Cincinnati Union Terminal, Perspective From East
Located in Fairlawn, OH
Cincinnati Union Terminal, Perspective From East
Drypoint, 1930-1931
Signed in pencil lower right (see photo)
Initialed and dated the the plate above the pencil signature
From: Cincinnati Series (8 Plates), this No. 2
Edition: 155, completed May 4, 1931
Delivered to Fellheimer & Wagner, 1931
Louis Conrad Rosenberg
1890-1983
An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...
Category
1930s American Modern Drypoint Landscape Prints
Materials
Drypoint
Rainy Night in Rome
Located in Fairlawn, OH
Rainy Night in Rome
Drypoint, 1913
Signed in pencil and titled in the lower margin by the artist
(see photo)
Provenance:
Kennedy Galleries, Stock # A6538
Reference; Doddgson 299 _/X
Total edition in 10 states 125 printed
Note: The scene depicts the Church of San Rocco on the right at the intersection of via Schiavoria and via di Ripetta. Guichard considers this image to be among the artist's most desirable.
Condition: Exceptional, rich impressions, printing with extensive burr. Printed on a medium weight Japanese paper.
Image/Plate size: 12 x 9 inches
Sheet size: 15 7/8 x 11 inches
Sir Muirhead Bone (23 March 1876 – 21 October 1953) was a Scottish etcher and watercolourist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars.
A figure in the last generation of the Etching Revival, Bone's early large and heavily-worked architectural subjects fetched extremely high prices before the Wall Street Crash of 1929 deflated the collectors' market. He was well known, if not notorious, for publishing large numbers of different states of etchings, encouraging collectors to buy several impressions.
Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists' Advisory Committee in the Second World War He promoted the work of many young artists and served as a Trustee of the Tate Gallery, the National Gallery, and the Imperial War Museum.
Early life
Muirhead Bone was born in Partick, Glasgow. His parents were journalist David Drummond Bone (1841–1911 and Elizabeth Millar Crawford (1847–1886).
The Bone and his siblings attended the local Board school and were placed in apprenticeships from the age of fourteen. James Bone...
Category
1910s English School Drypoint Landscape Prints
Materials
Drypoint
Victorian Gasometer, by Jenny Robinson
Located in Palm Springs, CA
Medium: Etching and spitbite
Year: 2010
Edition: 7 (EV)
Image Size: 22 x 17.5 inches
Robinson has been honored as the recipient of the Mario Avati Gravure Laureate Award from the A...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Drypoint
Grande Albero
By Safet Zec
Located in Ljubljana, SI
Grande Albero. Original aquatint and dry-point, 1992-3. Edition of 60 signed and numbered impressions on Arches paper.
Safet Zec is a Bosnian painter and graphic designer, known as one of the major artists of poetic realism. At the beginning of the 90’s he became one of the most important artists...
Category
1990s Post-Modern Drypoint Landscape Prints
Materials
Drypoint, Aquatint
Untitled (Sign), by Jenny Robinson
Located in Palm Springs, CA
Drypoint and monotype, signed and numbered by the artist.
Robinson has been honored as the recipient of the Mario Avati Gravure Laureate Award from the Academie des Beaux Arts in Pa...
Category
21st Century and Contemporary Contemporary Drypoint Landscape Prints
Materials
Drypoint
Winter Tracery (Milford Connecticut)
Located in San Francisco, CA
This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition.
About the artist:
Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL.
Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...
Category
Mid-20th Century American Realist Drypoint Landscape Prints
Materials
Drypoint, Etching
Ontario St. Grading and Temporary Ramps
Located in Fairlawn, OH
Ontario St. Grading and Temporary Ramps
Drypoint, August 1929
Signed in pencil lower right (see photo)
From: The Cleveland Set (23 plates), this being No. 13
Edition: Small
A brilliant example of American industrial art. A wonderful, rich impression, with lots of burr and contrasts.
Louis Conrad Rosenberg
1890-1983
An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology. He then enrolled at the Royal College of Art, London, to study etching techniques under Malcolm Osborne...
Category
1920s American Modern Drypoint Landscape Prints
Materials
Drypoint
Isle of View
Located in New York, NY
George Trakas
Isle of View, 2006
Aquatint and dry point etching printed on Lana Gravure paper
Signed, titled and numbered X/X in pencil; bears publishers' blind stamp on the front
18...
Category
Early 2000s Contemporary Drypoint Landscape Prints
Materials
Mixed Media, Drypoint, Etching
Drypoint landscape prints for sale on 1stDibs.
Find a wide variety of authentic Drypoint landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Martin Lewis, James Abbott McNeill Whistler, Sir Francis Seymour Haden, R.A., and Edmund Blampied. Frequently made by artists working in the Modern, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint landscape prints, so small editions measuring 0.01 inches across are also available
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