Etching Landscape Prints

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Collegio De Neofiti is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged mar...

Palazzo Barberini is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed and titled o...

Signed, titled and numbered by the artist Image Size: 12 x 18 inches Year: 2007 Fall colors in Bellingham, WA. Scene of sunlight on fall foliage. Signed a...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Et...

Landscape is an etching realized by Nicholas Cochin in 1755. Good conditions. The artwork is depicted through confident strokes. The etching was rea...

Image dimensions: 33x23 cm. One of artworks in the "Luoghi della Poesia" by Paolo Volponi and Ercole Bellucci. Edition of 30 prints numbered in roman numbers. Hand signed in penci...

“Hidden Cities I : The Ministry. Second State.” Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is Image size 23.50 x 36.88 inches and the paper size is 31 x 42 inches. This impression is signed, dated, and titled in pencil and inscribed “11/75” – the 11th impression from the total printing of 75. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul. In addition to a storied career in printmaking, since 2007 Milton has fearlessly produced artwork digitally. He now creates images using Adobe Photoshop in files consisting of more than two thousand layers, which are printed both as digital prints on paper and, for display on Led light boxes...

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...

Sepolcro Regio o Consolare inciso nella rupe del Monte Albano, or nel Convento di Fr. Frances. ni di Palazzuolo is an original etching realized by Luigi Rossini. From the series “Le ...

Chiesa dei SS. Celso e Giuliano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions...

Medium: hard ground etching and aquatint Image size: 7.5" x 5.5" Paper size: 13" x 11" Printing element: 1 copperplate Edition Size: 135 Beautiful etching and aquatint from an artis...

Beautiful early 20th Century etching on vellum of the Monterey Bonifacio Adobe known as The Old Sherman Rose House, with climbing roses, by Ferdinand Burgdorff (American, (1881 - 1975), 1923. As in many of the artist's works, this piece conveys a mysterious and dark mood. Artwork has been professionally conserved. Titled, signed and dated lower edge. Archival mat and backing. Image size: 9.75"H x 11.75"W. Born in Cleveland, Ohio, Ferdinand Burgdorff studied at the Cleveland School of Art and in Paris with Rene Menard and Florence Este...

Monastero e Chiesa di S. Egidio in Trastevere is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. ...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Ernst Fuchs (1930 Vienna - 2015 ibid), The Lost Trace, 1972. Vernis mou and aquatint etching, 46.8 x 36.4 cm (plate), 66 x 50 cm (sheet), 69.5 x 53.5 cm (frame), WVZ Hartmann no. 185...

Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Memory and Present, 1983. Color etching, copy 41/50, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm (frame), titled, numbered, monogrammed and dated with pencil. Framed behind glass. - in very good condition - The flowing space of memory - About the artwork On an implied horizon line, a dog-like animal has risen on its hind legs and is about to jump over some kind of hurdle. To the left, a small flag is waving in the wind. The animal and the flag point forward, toward the reader, into the future. The flagpole, however, bends backwards in the opposite direction, corresponding to the impulse of movement of the sign-like formations in the "sky". The title of this work by Mordstein is also revealing. It reads "Memory and Presence" and thematizes the system of signs above the animal as memory. It is therefore not so much a sky as the space of remembering consciousness. Memory moves into the past, but comes from the future and begins where the animal first moves. Here, Mordstein develops a subtle pictorial philosophy about the character of time and the structure of memory, in which the system of signs representing the content of consciousness is inspired by the pictorial language of Paul Klee, whom Mordstein continues to think about in his own way. About the artist After graduating from the Werkkunstschule in Augsburg, Karl Mordstein worked as a commercial artist in Munich before becoming a freelance artist and concentrating entirely on his own creations. In 1970 Mordstein married the sculptor Sinen Thalheimer and the artist couple moved to Starnberg. In 1972, Mordstein had his first solo exhibition in Munich, which marked the beginning of an active international exhibition career that lasted for decades. From 1987 the couple lived on the Hollerberg in Wilzhofen. "It is certainly not wrong to recognize in the impression of his calmly floating color drawings the expression of a state of mind that owes itself precisely to this conscious turning away from the hectic art market: concentrated serenity. It is not a changing state of mind, but an empathy with the supra-individual rhythms of creation, the perpetual genesis in the natural cycle of becoming and passing, which is expressed in them." - Stefan Tolksdorf Selected Bibliography Karl Mordstein. Aquarelle, Gouachen 1972 – 1975, Galerie Angst und Orny, München 1975. Juliane Roh: Karl Mordstein. Bilder, Paintings 1976 – 79, Frankfurt a. M. 1979. Siegfried Salzmann (Text): Karl Mordstein. Arbeiten auf Papier, Galerie Dorothea van der Koelen, Mainz 1982. Galerie Heimeshoff (Hrsg.): Karl Mordstein. "Seelen-Notate"; Bilder, Arbeiten auf Papier, Bildkästen; 1985 – 1988, Essen 1988. Stefan Tolksdorf (Text): Lebenszeichen. Mordstein, Karl und Sinen Thalheimer, Essen 2009. GERMAN VERSION Karl Ludwig Mordstein (1937 Füssen – 2006 Wilszhofen), Erinnerung und Gegenwart, 1983. Farbradierung, Exemplar 41/50, 22,5 x 28 cm (Darstellung), 40 x 45 cm (Blattgröße), 43 x 48 cm (Rahmen), in Blei betitelt, nummeriert, monogrammiert und datiert. Hinter Glas gerahmt. - in sehr gutem Erhaltungszustand - Der fließende Raum der Erinnerung - zum Kunstwerk Auf einer angedeuteten Horizontlinie hat sich ein hundeartiges Tier auf die Hinterläufe erhoben und setzt zum Sprung an, um eine Art Hürde zu überwinden. Links daneben weht eine kleine Fahne im Wind. Das Tier und die Fahne weisen in Leserichtung nach vorne, in die Zukunft hinein. Die Fahnenstange biegt sich allerdings in die gegenteilige Richtung nach hinten und entspricht damit dem Bewegungsimpuls der zeichenhaften Gebilde am ‚Himmel‘. Auch bei diesem Werk Mordsteins ist der Titel aufschlussreich. Er lautet „Erinnerung u. Gegenwart“ und thematisiert das Zeichensystem über dem Tier als Erinnerung. Daher handelt es sich weniger um einen Himmel als um den Raum des erinnernden Bewusstseins. Die Erinnerung zieht in die Vergangenheit, kommt aber von der Zukunft her und beginnt dort, wohin sich das Tier erst bewegt. Mordstein entwickelt hier eine subtile Bildphilosophie über den Charakter der Zeit und die Struktur der Erinnerung, wobei das für den Bewusstseinsinhalt stehende Zeichensystem von der Bildsprache Plau Klees inspiriert ist, den Mordstein hier auf seine Art...

Maps is an original etching realized by G. Braun and F. Hogenberg as part of the so called "Civitates Orbis Terrarum". The “Civitates Orbis Terrarum” (Atlas of Cities of the World) ...

View of the Cave known as Bergantino is an etching realized by the italian artist Giovanni Battista Piranesi in 1762. Very precious and rare lifetime impression. Roman edition. C...

Chiesa di S. Grisogono is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed marg...

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Landscape is an etching realized by Pierre Quentin Chedel in 1755. Good conditions. Signed on Plate. The artwork is depicted through confident strokes. The etching was realized f...

Chiesa di S. Andrea alla Valle is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions ...

Men at Work is an original artwork realized by George Henri Tribout. Original etching on paper. Signed in plate by the artist on the lower left corner. George Henri Tribout (Paris...

Landscape is an original etching realized by Marco Bonechi in the 1990s Hand-signed. Numbered. Edition 1/99. Good conditions. The artwork is depicted through confident strokes ...

The Garden is an original print realized by Eduardo Paolozzi. Signed on plate on the lower left. Mint conditions (some folds and some shadows on paper). Eduardo Paolozzi (1924-200...

This artwork "Winter Landscape" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower cente...

As dawn breaks in the frozen north, a herd of reindeer roam across a winter landscape. This print is made on a copper plate using acid to etch the drawing into the plate. It is print...

The View of St. Peter and Tiber in Rome is a black and white etching realized by Nazareno Gattamelata in the second half of 20th century. Hand signed by the artist on the lower rig...

Palazzo Pio is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed margins with some foxing...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Study for a Nude is a contemporary artwork realized by the French artist Angèle Delasalle in the Mid-20th Century. Original etching and drypoint. Si...

Monastero e Chiesa di S.Giuseppe is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for som...

Artist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...

Chiesa di S.Niccolo de' Perfetti is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for con...

Altra Veduta presa sotto il grand' Arco dell'interno dell'Emissario di Albano is an original etching belonging to the series "Le Antichità di contorni di Roma” (…)". Beautiful proof...

Roman Temples and Ruins is a vintage offset print artwork on paper, realized after G. Engelmann(1788-1839), in the late 20th century. The artwork is signed on the plate. In very goo...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Colmar is a etching artwork realized by an anonymous engraver of the XIX century. Printed in series of "France Pittoresque" at the top center. Titled in France on the lower center....

Anton Schutz, 'U.S. Chamber of Commerce', etching, edition not stated, 1928. Signed in pencil. Annotated 'U.S. Chamber of Commerce S/516', in another hand, in the bottom right margin. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 3/4 to 2 3/8 inches), in excellent condition. Image size 9 7/8 x 7 7/8 inches; sheet size 14 1/8 x 11 5/8 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Etcher, painter, and architect, Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...

Image dimensions 40x60. Veduta degli Avanzi sopra terra dell’antico Ustrino (View of the visible remains of the ancient crematorium) is a wonderful black and white etching on thick...

Trees is an original etching on paper, realized by an Anonymous artist of the early XX century. Hand-signed on the lower in pencil and numbered, illegible, with the dedication. The...

Les Marais 1880s is an original drawing in etching technique on paper, realized and by Maillart, a French engraver and sculptor after Theodore Rousseau...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Porta S. Paolo is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged margins...

Navona Square is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbered edition of 55 copi...

Borgo Pio - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Number...

Signed and numbered from the edition of 20. Avery's prints often mix elements of myth, legend and history with his own light touch of surrealism. “MOUR-DE-ZENCLE” is from Alfred Jarry...

Fascinating view of Ravello (Amalfi Coast) by Nicola Galante. Published in 100 prints, it is hand signed lower right by the artist. This artwork is shi...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Piazza del Popolo is a vintage offset print realized after Giuseppe Vasi in the early 20th Century. Good conditions and aged margins with some foxings. Giuseppe Vasi (Corleone,171...

Palace of the Chancellery is an original etching realized by the italian artist Giovanni Battista Piranesi in 18th century. Signed on the plate on the lower. Very good conditions ...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Turtle Fountain - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. ...

Landscape is an original etching on creamy paper realized in 1904 by French artist Hippolyte Camille Delpy (1842 - 1910). Signed on the plate on the lower right. The state of prese...

The Tree is an original artwork realized by George Henri Tribout. Original etching on paper glued on cardboard. Monogrammed on the lower right corner. George Henri Tribout (Paris,...

View of the River is an original artwork realized by George Henri Tribout. Original etching on paper glued on cardboard. Signature on the lower right corner. George Henri Tribout ...