Etching Landscape Prints
to
474
2,018
811
422
103
36
Overall Width
to
Overall Height
to
1,108
504
326
161
76
68
25
21
9
9
8
6
2
146
119
84
70
42
552
647
1,867
361
50
38
156
160
87
81
146
347
153
92
395
1,963
1,317
107
1,560
1,227
667
453
372
286
284
263
255
227
195
185
183
181
144
144
137
124
98
97
6,758
3,427
2,492
1,345
1,284
345
1,257
1,628
1,471
Medium: Etching
Cascades No. 1
Located in Palm Springs, CA
Signed, titled and numbered in pencil, 28/30. Imaginary landscape with waterfalls, incredibly fine line work in this small etching.
François Houtin was...
Category
1980s Contemporary Etching Landscape Prints
Materials
Etching
$100 Sale Price
50% Off
Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category
1930s American Modern Etching Landscape Prints
Materials
Drypoint, Etching
$24,000 Sale Price
20% Off
North Dock - Etching by Mathew White Ridley - 1860s
Located in Roma, IT
North Dock is a black and White etching realized by Mathew White Ridley in the 1860s.
Titled in the lower.
Image size: 12x21.
Very good impression with wide margins and a very fr...
Category
1860s Modern Etching Landscape Prints
Materials
Etching
Duomo (Florence)
Located in Fairlawn, OH
Duomo (Florence)
Etching & aquatint , 1965-66
Signed, titled and annotated "artist's proof" (see photos)
Edition: 100, this impression an artist's proof
Reference: Silvie Turner. Ju...
Category
1960s Contemporary Etching Landscape Prints
Materials
Etching
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Etching Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Londres (London)
Located in New York, NY
Pencil signed by both Luce and Jacques Villon (Villon etched the image) and numbered 120/200 in pencil, lower margin. Published by Galerie Bernheim-Jeune, Paris.
Catalogue Raisonne:...
Category
1920s Pointillist Etching Landscape Prints
Materials
Etching, Aquatint, Color
$3,900
The Mersey at Liverpool - Etching by J.C. Armytage - 1845
Located in Roma, IT
The Mersey at Liverpool is an etching realized in 1845 by J.C.Armytage.
Signed in plate.
The artwork is realized in a well-balanced composition.
Category
1840s Modern Etching Landscape Prints
Materials
Etching
The Trajan's Column - Offset by G.B. Piranesi - 1990s
Located in Roma, IT
A beautiful reproduction of one of the most celebrated Piranesi's masterpieces, realized in a limited edition of a few hundreds in 1990s.
The Trajan's Column is the last remaining n...
Category
1990s Old Masters Etching Landscape Prints
Materials
Etching
La Place de la Pucelle.
By Samuel Prout
Located in Middletown, NY
A market scene; the spot on which the execution of Joan of Arc took place.
London: R. Bower, 1825.
Aquatint with hand-coloring in watercolor on cream wove paper, 10 3/4 x 13 5/8 inc...
Category
Early 19th Century English School Etching Landscape Prints
Materials
Watercolor, Handmade Paper, Aquatint
Rowboat
By Alex Katz
Located in New York, NY
Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning of his career. This print of a boat on the water feat...
Category
1990s Contemporary Etching Landscape Prints
Materials
Aquatint
$10,000
Hoer Dachstein, Austria
Located in San Francisco, CA
This artwork titled "Hoer Dachstein, Austria" c. 1960 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate ...
Category
Mid-20th Century Realist Etching Landscape Prints
Materials
Etching
MANHATTAN
By Anton Schutz
Located in Santa Monica, CA
ANTON SCHUTZ
MANHATTAN c 1940
Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
Category
1940s American Realist Etching Landscape Prints
Materials
Etching
Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category
1920s American Modern Etching Landscape Prints
Materials
Drypoint, Etching
Porta del Paradiso, Venezia
Located in Middletown, NY
Etching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...
Category
Early 20th Century American Modern Etching Landscape Prints
Materials
Etching, Laid Paper
REFLECTIONS OF GLOUCESTER
Located in Santa Monica, CA
JOSEPH MARGULIES (1896 - 1984)
REFLECTIONS OF GLOUCESTER ca 1940
Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...
Category
1940s American Realist Etching Landscape Prints
Materials
Aquatint
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
1930s American Modern Etching Landscape Prints
Materials
Etching
$217 Sale Price
56% Off
Brittany Landscape with Figure
Located in Fairlawn, OH
Brittany Landscape with Figure
Etching & color aquatint, c. 1920
Signed lower right (see photo)
Numbered lower left: "No. 21" (see photo)
An early color etching by the artist, based ...
Category
1920s American Impressionist Etching Landscape Prints
Materials
Aquatint
Beethovens Residence at Mödling Colored Etching by Henry Goering
Located in Soquel, CA
Beethovens Residence at Mödling - Vintage Colored Etching by Henry Goering WWII
Hand colored etching of the Christof House (the Yard of Christ) by Henry...
Category
1920s American Impressionist Etching Landscape Prints
Materials
Paper, Ink, Etching
$600 Sale Price
20% Off
Ostend Horse
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category
1920s Modern Etching Landscape Prints
Materials
Drypoint, Etching
The Arch of Constantine and the Colosseum
Located in Fairlawn, OH
The Arch of Constantine and the Colosseum
Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo
From: "Vedute di Roma" (Roman Views), part II
An early Paris edition,...
Category
1760s Old Masters Etching Landscape Prints
Materials
Etching
Convertible
Located in Berkeley, CA
Color spitbite aquatint and aquatint with drypoint.
Edition of 35
Category
2010s Contemporary Etching Landscape Prints
Materials
Etching, Intaglio
Grenade (Cramer 51; Kornfeld 121), Paroles peintes I, Marc Chagall
By Marc Chagall
Located in Southampton, NY
Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...
Category
1960s Modern Etching Landscape Prints
Materials
Etching
$3,036 Sale Price
20% Off
Wareham, Dorset
Located in Storrs, CT
Beetles 36. 5 1/4 x 6 1/4 (sheet 9 1/4 x 11 1/4). Edition 50 for the Print Collector's Club. Exhibited: Royal Academy, 1934; Royal Society of Painter-Etchers and Engravers, 1934 and ...
Category
Early 20th Century Modern Etching Landscape Prints
Materials
Etching
$1,250 Sale Price
21% Off
Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
Early 20th Century American Modern Etching Landscape Prints
Materials
Archival Paper, Drypoint, Etching
Narrow Street in Rouen (Petite Rue Nationale, a Rouen)
Located in New York, NY
Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...
Category
1890s Impressionist Etching Landscape Prints
Materials
Drypoint, Etching, Aquatint
Frontispiece for Le Graveurs du XIX Siècle, by Henri Béraldi
Located in Middletown, NY
Paris: J & A Lamercier, 1885.
Etching with aquaint on Arches laid paper with a partial watermark, 7 x 4 5/8 inches (176 x 118 mm), full margins. Seventh state (of 7), after the remo...
Category
Late 19th Century French School Etching Landscape Prints
Materials
Handmade Paper, Etching
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Etching Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Adeline Illingworth (1858-1930) - Etching, Stephen Langton's Bridge
Located in Corsham, GB
An early artist proof print by Adeline Illingworth (1858-1930). Titled, 'Stephen Langton's Bridge- Headcorn, Kent'. Signed in pencil below pla...
Category
Early 20th Century Etching Landscape Prints
Materials
Etching
$244 Sale Price
20% Off
Old Houses, Milbank Grosvenor Road London 1906
Located in Soquel, CA
Old Houses, Milbank Grosvenor Road London 1906
This an etching of Grosvenor Road Old Houses, done in 1906 by American printmaker and Whistler biographer Joseph Pennell (American, 18...
Category
Early 1900s American Impressionist Etching Landscape Prints
Materials
Handmade Paper, Etching
$1,202 Sale Price
35% Off
Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum -by G.B. Brustolon- 1763
By Giovanni Battista Brustolon
Located in Roma, IT
Complete series of 20 original black and white etchings on oblong folio and laid paper, in first state before numeration.
On frontispiece with date “1763”, dedication to Prince Marco Foscareno and name and address of Ludovico Furlanetto. Each plate is titled and signed on plate "Jo. Bap. Brustoloni sculp." on the lower right margin.
Complete title of the series: Prospectuum aedium, viarumque insigniorum Urbis venetiarum nautico certamine, ac nundinis adiectis. Tomus Primus, tabulas XII complectens, quas Antonius Canale coloribus expressit – Joannes Baptista Brustolon aere incidit. Serenissimo Principi D.D. Marco Foscareno Egregio, emerito, sapientissimo Augustae Republicae Duci D.D.D. Anno AE C. 1763 ab V.C. 1341.
This series is considered the most important one by Brustolon after Canaletto (from the engravings of Visentini), and was edited in a first version of 12 tables and in a second version of 22 tables. However, Succi affirms that the I state series includes just 20 tables, and the missing two vary from suite to suite so that this series can be considered complete.
Very fresh and bright sheets in wide margins, with restored little tear on 4 sheets and a very light vertical fold on center. Papers show the following watermarks:
Big cartouche with half-moon
Big cartouche with letters “FO” and “AS”
Bound and ripples on paper.
In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs, Canaletto-Visentini, and Marieschi, preciously rare, especially in the first edition (of four) with all plates in first state and in excellent state of preservation.
Ten of its twenty vedute of the Serenessima derive from the paintings of Canaletto, drawn and engraved by Antonio Visentini, adapted to a larger size by Brustolon. The Bellunese artist extended the views and enriched the landscapes with new objects and figures that animate the scenes.
Other four views are deeply inspired by Michele...
Category
1760s Old Masters Etching Landscape Prints
Materials
Etching
Holland : Fisherman Sailboats on the river, Original etching
Located in Paris, IDF
Charles Storm Van S'Gravesande
Holland : Fisherman Sailboats on the river
Original etching
Printed signature in the plate
On linen paper 26 x 38 cm (c. 10 x 13 in)
Excellent condition
Category
Early 20th Century Etching Landscape Prints
Materials
Etching
Church at Chichicastenango
Located in Myrtle Beach, SC
Jesse F. Reed, 'Church at Chichicastenango', color etching and aquatint, 1963. Signed and titled in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (1 3/8 to 2 1/2 inches), in excellent condition.
Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, located in a mountainous region about 140 km northwest of Guatemala City. Chichicastenango is a K'iche' Maya cultural center, with the great majority of the municipality's population indigenous Mayan K'iche. The church depicted is the 400-year-old church Iglesia de Santo Tomás. Built atop a Pre-Columbian temple platform, the steps which remain venerated today, originally led to a temple of the pre-Hispanic Maya civilization. K'iche' Maya priests still use the church for their rituals, burning incense and candles. Each of the 18 stairs that lead up to the church stands for one month of the Maya calendar year.
ABOUT THE ARTIST
Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years.
A nationally recognized artist since 1947, Professor Reed’s art has been shown in hundreds of museums, libraries, colleges, and universities, including the Boston Museum, National Museum, The Library of Congress, Brooklyn Museum, and Seattle Museum. In his native West Virginia, he is represented in the permanent collections of the Huntington Museum and the Charleston Museum at Sunrise.
The recipient of many national and regional awards, Reed was a member of the Salmagundi Club in NY, the Boston Printmakers, the Print Club of Albany, and was a founding member of the West Virginia Water...
Category
1960s American Modern Etching Landscape Prints
Materials
Etching, Aquatint
Original Pencil Signed Etching - Sound of the Sea
By Karl Schrag
Located in Phoenix, AZ
Original pencil signed etching and aquatint by Karl Schrag, 1958.
In excellent condition - neither matted nor framed. No. 1 of the edition of 50.
Image measures 19 7/8 x 27 3/4 inche...
Category
Mid-20th Century Etching Landscape Prints
Materials
Paper, Etching
The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant' Angelo)
Located in Fairlawn, OH
The Ponte and Castel S. Angelo
Veduta del Ponte e Castello Sant' Angelo
Etching, 1754
Signed in the plate lower right above the caption
From: Vedute di Roma
A proper Roman printing w...
Category
1750s Old Masters Etching Landscape Prints
Materials
Etching
Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano
Located in Fairlawn, OH
Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano (View of the Exterior of St. Peter's Basilica in the Vatican)
Etching, 1748
From the first printing of the "Vedute di Roma"
An early impression with strong contrasts
Before the price and the addition of numbers in the later states.
A view of Michelangelo's done from behind the Piazza, redesigned in 1547
Condition: Excellent
Plate size: 15 3/4 x 24 3/4 inches
Reference: Robison 5 a/g
Hind 5 i/VII
Focillon 54.789
Designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini, St. Peter's is the most renowned work of Renaissance architecture and the largest church in the world. While it is neither the mother church of the Catholic Church nor the cathedral of the Diocese of Rome (these equivalent titles being held by the Archbasilica of Saint John Lateran in Rome), St. Peter's is regarded as one of the holiest Catholic shrines...
Category
1740s Old Masters Etching Landscape Prints
Materials
Etching
Composition (Cramer 36; Bloch 360; Horodisch A6), Non Vouloir, Pablo Picasso
Located in Southampton, NY
Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...
Category
1940s Cubist Etching Landscape Prints
Materials
Etching
$1,596 Sale Price
20% Off
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Etching Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
62: At Spithead
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Etching Landscape Prints
Materials
Etching
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Etching Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Landscape - Original Etching by Paulette Humbert - Mid-20th Century
Located in Roma, IT
Landscape is an original etching on paper realized by Paulette Humbert.
Hand-signed on the lower right in pencil. Numbered, edition of 8/25 prints. on the lower left in pencil.
The...
Category
20th Century Modern Etching Landscape Prints
Materials
Etching
Royal Palm With Turkish Design, by David Smith-Harrison
Located in Palm Springs, CA
Signed, titled artist proof. Edition of 135.
Like much of his work, Royal Palm has atmosphere of the Mediterranean, but all of the elements are rooted in the artist's neighborhood. ...
Category
Early 2000s Contemporary Etching Landscape Prints
Materials
Etching, Aquatint
$1,000 Sale Price
33% Off
Porta Pia Viminalis - Etching by Giuseppe Vasi - 18th century
Located in Roma, IT
Porta Pia Viminalis is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed margins...
Category
Late 18th Century Old Masters Etching Landscape Prints
Materials
Etching
"Le Pont de la Tour a Londres" original etching
Located in Henderson, NV
Medium: original etching and drypoint with vernis mou. Published in Paris in 1910 by Gazette des Beaux-Arts. The catalogue reference is Sanchez and Seydoux 1910-5. Plate size: 8 1/4 ...
Category
1910s Etching Landscape Prints
Materials
Etching
"Traveller Near a Wood" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: B53 iii/iii. Published in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". This impression on laid p...
Category
1860s Etching Landscape Prints
Materials
Etching
Luigi Lucioni Vermont Barn
Located in San Francisco, CA
Luigi Lucioni: 1900-1988. Very well listed American Painter and etcher. He has Auction results as high as $4600 for an etching. This adding is most likely a barn in Vermont.. It meas...
Category
1950s American Realist Etching Landscape Prints
Materials
Etching
Ludgate Hill
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category
Early 20th Century Modern Etching Landscape Prints
Materials
Etching, Aquatint, Drypoint
Figurative Picasso Etching, 'Minotaure Endormi Contemplé Par Une Femme', 1933
Located in New York, NY
"Minotaure Endormi Contemplé Par Une Femme" (1933) is a striking and emotionally charged work by Pablo Picasso, capturing the artist’s complex engagement with mythology, surrealism, ...
Category
1930s Cubist Etching Landscape Prints
Materials
Laid Paper, Etching
$28,000 Sale Price
30% Off
Piazza Navona allagata solito farsi nelle Feste di Agosto
Located in Fairlawn, OH
Piazza Navona allagata solito farsi nelle Feste di Agosto
Etching, 1752
Signed in the plate lower right (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761)
Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 26
Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome
Condition: Excellent
Image/Plate size: 8 .25 x 12.63 inches
Sheet size: 11 x 15 7/8 inches
Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process.
Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...
Category
1750s Old Masters Etching Landscape Prints
Materials
Etching
Vue de Mantes - Etching after C. Corot by C. Pinet - 19th Century
Located in Roma, IT
Vue de Mantes is a beautiful artwork realized by Charles Pinet after a painting by Camille Corot in the middle of XIX century.
This etching represents a natural landscape with some...
Category
19th Century Old Masters Etching Landscape Prints
Materials
Etching
The Gargoyle and His Quarry
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category
1920s American Modern Etching Landscape Prints
Materials
Drypoint, Etching
$2,750 Sale Price
21% Off
Atlantic : Regatta of Sailboats - Original etching
Located in Paris, IDF
Rene LIGERON
Atlantic : Regatta of Sailboats
Original etching and stencil
Printed signature in the plate (pale)
On vellum 11 x 29 cm (c. 4.5 x 12 in)
Excellent condition
Category
Early 20th Century Art Deco Etching Landscape Prints
Materials
Etching
The Passengers - Original Etching by A. M. de Ghuy - 1775
Located in Roma, IT
The Passenger is an original artwork realized by Antoine de Marcenay de Ghuy in 1775.
Original etching on paper. Titled on the lower margin at the center. The artwork is glued on ca...
Category
1770s Old Masters Etching Landscape Prints
Materials
Etching
Richard Haas, Hong Kong, Etching & Aquatint, Signed 26/35, Framed
By Richard Haas
Located in New York, NY
Richard Haas
Hong Kong, 1990
Etching and Aquatint on wove paper
Hand Signed, numbered 26/35 and dated on the front
Frame included; held in the original vintage hand made wood frame ...
Category
1990s Realist Etching Landscape Prints
Materials
Etching, Aquatint
View of Trinità dé Monti (Rome, Italy) - Original Etching by G. Malandrino
Located in Roma, IT
Edition of 199 prints, numbered and hand signed.
Very good conditions.
Category
1970s Etching Landscape Prints
Materials
Etching
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Etching Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Desert Series B
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Desert Series B" c.1990, is an original colors monoprint aquatint on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numb...
Category
Late 20th Century Abstract Expressionist Etching Landscape Prints
Materials
Aquatint, Monoprint
Out my garden window, 1969 Signed Limited edition etching
Located in Rochester Hills, MI
Artist: Warrington Colescott
Title Out My Garden Window
Year: 1969
Medium: Color drypoint, soft-ground etching, and aquatint, with roulette, vibrograver, à la poupée inking, found l...
Category
1960s Post-Modern Etching Landscape Prints
Materials
Etching
"Animated Formation" Abstract Aquatint Etching
Located in Soquel, CA
"Animated Formation" Abstract Aquatint Etching
Abstract Aquatint Etching by Katherine "Kay" Metz (b. 1932-2018.)This dynamic print by Kay Metz straddles the line between organic and...
Category
1950s Post-War Etching Landscape Prints
Materials
Etching, Archival Paper, Aquatint
$2,120 Sale Price
20% Off
The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Etching Landscape Prints
Materials
Drypoint, Etching
$350 Sale Price
58% Off
Rio del Santi Apostoli, Venice.
Located in Storrs, CT
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher catalog 22 state .ii. 8 x 6 (sheet 11 x 7 3/16). Italian series #4. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of...
Category
1920s American Modern Etching Landscape Prints
Materials
Etching
$1,250 Sale Price
37% Off
Etching landscape prints for sale on 1stDibs.
Find a wide variety of authentic Etching landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, yellow, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Giuseppe Malandrino, Giuseppe Vasi, Frans Hogenberg, and John Taylor Arms. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching landscape prints, so small editions measuring 0.01 inches across are also available