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Medium: Etching
Palace of the Chancellery - Etching by G.B.Piranesi- 18th century
Located in Roma, IT
Palace of the Chancellery is an original etching realized by the italian artist Giovanni Battista Piranesi in 18th century.
Signed on the plate on the lower.
Very good conditions
...
Category
18th Century Modern Etching Landscape Prints
Materials
Etching
Paul Klee Etching "Stadt mit Wachttürmen"
Located in Berlin, DE
A vintage helio-etching on hand-made paper, 1949, after a 1923 drawing by Paul Klee.
From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 59
Image: 7.36 x 5.31 in ( 18,7 x 1...
Category
Early 20th Century Expressionist Etching Landscape Prints
Materials
Etching
Siebengebirge, circa 1920s Etching, Germany, Tugboat
Located in Grand Rapids, MI
Hans Füsser (German, 1898-1959)
Signed: Hans Füsser (Lower, Right)
" Siebengebirge ", circa 1920s
Etching
Plate Size: 6 1/4" x 8 1/2"
Housed in a 1/2" Frame
Overall Size: 12 3/...
Category
Early 20th Century Etching Landscape Prints
Materials
Etching
Julian Trevelyan, Westminster, Etching and Aquatint
Located in London, GB
To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller".
Julian Trevelyan (1910-19...
Category
1960s Modern Etching Landscape Prints
Materials
Etching, Aquatint
Column of Antoninus Pius, Rome Italy. Jacobs Lauro 17th century engraving
Located in Melbourne, Victoria
Lauro produced a series of engravings of the ancient monuments of Classical Rome with detailed descriptions in Latin below.
180mm by 240mm (plate mark)...
Category
Early 17th Century Old Masters Etching Landscape Prints
Materials
Etching, Engraving
Print by Master Printmaker -- After Rain
Located in Troy, NY
This wonderful abstract print is the second in an edition of ten, signed by the artist. The print works as an abstract, and landscape piece, with the background of soft yellow-green ...
Category
1990s Abstract Etching Landscape Prints
Materials
Paper, Aquatint
Landscape with Marching Soldiers
Located in Chicago, IL
Etching from the Six Landscapes
Category
18th Century Etching Landscape Prints
Materials
Etching
Puerta del Obispo ( Romanesque Spanish Cathedral)
Located in New Orleans, LA
This image is by America's greatest etcher, John Taylor Arms. The Spanish cathedral in Zamora is an impressive example of Romanesque architecture located on the hilltop by the river ...
Category
1930s American Modern Etching Landscape Prints
Materials
Etching
Landscape - Etching by Enrico Paulucci - Mid-20th Century
Located in Roma, IT
Etching and drypoint on paper realized by Paulucci.
Edition of 20.
Good condition except for some diffused foxing.
Category
Mid-20th Century Modern Etching Landscape Prints
Materials
Etching
Composition, Heart of Darkness, Sean Scully
By Sean Scully
Located in Auburn Hills, MI
Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...
Category
1990s Contemporary Etching Landscape Prints
Materials
Etching
View of Avellino - Etching by Tommaso Piroli - Mid-19th century
Located in Roma, IT
View of Avellino is a print realized by Tommaso Piroli in the mid-19th century.
Etching Hand-watercolored on paper.
Signed and titled on the plate.
Good conditions with foxing
Category
Mid-19th Century Contemporary Etching Landscape Prints
Materials
Etching
Ethiopian Churches - Etching by Lino Bianchi Barriviera - 1948
Located in Roma, IT
Ethiopian Churches is a modern artwork realized by Lino Bianchi Barriviera in 1948.
Black and white etching.
Signed and dated on plate.
Plate n.59 (as reported in the higher margi...
Category
1940s Modern Etching Landscape Prints
Materials
Etching
19th century engraving landscape bridge industrial river scene ink signed
Located in Milwaukee, WI
"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...
Category
1870s Impressionist Etching Landscape Prints
Materials
Etching
Daniel Marot's The Siege of the Dutch Fortified City of Ypres by Louis XIV
By Daniel Marot
Located in Alamo, CA
"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the left in the Spanish Netherlands by Louis XIV's troops. This battle took place between March 18 and March 25, 1678, as part of the Franco-Dutch War. Marot illustrated in great detail (best appreciated with magnification) the French attack on the strong pentagonal citadel on the extreme left, which had been built recently in anticipation of a French attack. The trenches built by the French approaching the town are seen on the right. King Louis XIV can be seen in the foreground surveying the battle mounted on his white horse, surrounded by his officers and troops.
The print is presented in an attractive ornate black wood frame with a cream-colored double mat with a black inner trim. It is glazed with plexiglas. The frame measures 25.38" x 22.63" x .88". The engraving, frame, mat and glazing are in excellent condition.
Artist: Daniel Marot (1661–1752) was also called "Le Vieux". He was the son of the famous architect, Jean Marot. Marot had diverse interests and talents. In addition to his art, he designed garden projects, architectural ornaments, furniture, and even upholstery. Marot as a Huguenot protestant was forced to leave France in 1685 following the revocation of the Edict of Nantes. He emigrated to Holland, where he worked for William of Orange (an arch enemy of his former employer Louis XIV). Marot was largely responsible for the interiors of Williams palace at the Loo. In 1694 he went Britain as William had married Queen Mary and he had become King William III of England. He later returned to Holland in about 1698 and died in the Hague in 1752. He left a lasting legacy on the decorative arts in the Netherlands, where his grand version of the Louis XIV style remained popular into the 1730s.
Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange...
Category
Late 17th Century Old Masters Etching Landscape Prints
Materials
Engraving, Etching
Standard Oil Building.
Located in Storrs, CT
Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat
proof printed by the artist. $875.
26 Broadway" is the home of the Standard Oil...
Category
Early 20th Century American Modern Etching Landscape Prints
Materials
Etching
Marina Reflections
Located in Palm Springs, CA
Signed and numbered. View of reflections of boats in a marina. Signed, titled and numbered from the edition of 120.
Born in Berkeley, California, on December 21, 1949, he was raised...
Category
2010s Contemporary Etching Landscape Prints
Materials
Etching
Under Greylock, Etching by Peter Milton
By Peter Milton
Located in Long Island City, NY
Artist: Peter Milton, American (1930 - )
Title: Under Greylock
Year: 1993
Medium: Intaglio Etching, signed and numbered in pencil
Edition: 175
Image Size: 18.25 x 15 inches
Size: 25 ...
Category
1990s American Modern Etching Landscape Prints
Materials
Etching
Pacific Coast Highway, by Stephen McMillan
Located in Palm Springs, CA
The Pacific Coast Highway winding up the iconic Big Sur Coast in California. In the distance is Bixby Bridge.
Signed, titled and nubmered by the artist.
Medium: etching and aquatin...
Category
2010s Contemporary Etching Landscape Prints
Materials
Etching, Aquatint
THE BIG HORSE CHESTNUT TREE
Located in Portland, ME
Hassam, Childe. THE BIG HORSE CHESTNUT TREE, EASTHAMPTON. C/C 304. Etching, 1922. Signed with the cypher and inscribed "imp." in pencil, and signed, date...
Category
1920s Etching Landscape Prints
Materials
Etching
Limoges (French Church Series #32)
Located in Myrtle Beach, SC
John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final) state impressions, Fletcher 244. Signed, dated, and annotated 'Ed 100 III' in pencil. A superb, finely detailed impression, in warm black ink, on antique, pale gray laid paper, with full margins (1 1/16 to 1 1/2 inches); adhesive stains in the bottom left and right sheet corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed.
A view of Limoges, France and the Saint-Martial Bridge from the far side of the Vienne river. According to Fletcher, author of the catalogue raisonné on the artist's graphic work, this etching is among the artist’s preferred plates.
Published references: "An Appreciation to John Taylor Arms 1887-1953", in PRINT, Vol. VIII #5 P. viii, Feb.-March 1954.
Impressions of this print are in the permanent collections of the Davis Museum at Wellesley College, National Gallery of Art, Saint John’s University, Smithsonian Institution, and Wake Forest University.
ABOUT THE ARTIST
“John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker
Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York.
In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category
1930s American Realist Etching Landscape Prints
Materials
Etching
Waterfall I, de-accessioned from Denver Art Museum, etching, drypoint, Signed/N
Located in New York, NY
David Shapiro (American, b. 1922)
Waterfall I (de-accessioned from the Denver Art Museum), 1979
Spit-bite etching, drypoint and carborundrum on Lanaq...
Category
1970s Abstract Etching Landscape Prints
Materials
Drypoint, Mezzotint, Etching
Michel Grove, Sussex English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Michel Grove, Seat of Thomas Walker Esq'.
Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape.
Published by Rudo...
Category
Early 19th Century Victorian Etching Landscape Prints
Materials
Etching, Engraving, Aquatint
Luigi Kasimir (1881-1962) - Framed Etching, New York from Governor Island
Located in Corsham, GB
An original etching with aquatint by Hungarian printmaker Luigi Kasimir (1881-1962). Signed in graphite to the lower margin. Presented in a plain gilt-effect frame with a wide linen ...
Category
Early 20th Century Etching Landscape Prints
Materials
Etching
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
1930s American Modern Etching Landscape Prints
Materials
Etching
Lily Pads, by Stephen McMillan
Located in Palm Springs, CA
Signed, titled and numbered from the edition of 200. Lily pads and the sky reflected in a quiet lake, inspired by canoe trip at Lake Terrell in Ferndale, Washington on a warm summer afternoon.
Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a sweeping view of the San Francisco Bay. This scene kindled his interest in landscape and was one of his earliest drawing subjects. Stephen McMillans etchings and aquatint prints capture the landscapes of California...
Category
2010s Contemporary Etching Landscape Prints
Materials
Etching, Aquatint
Killerton, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Killerton, Seat of Sir Thos. Dyke Ackland Bt MP'.
Killerton is an 18th-century house in Broadclyst, Exeter, Devon. It was built for the Acland family in 1778. The garden was creat...
Category
Early 19th Century Victorian Etching Landscape Prints
Materials
Etching, Engraving, Aquatint
The Corner of Cheyne Walk, Chelsea - 19th Century British Etching by Roussel
Located in London, GB
THEODORE CASIMIR ROUSSEL, RBA
(1847-1926)
The Corner of Cheyne Walk, Chelsea
Etching, unsigned, with the artist’s tab, signed in the plate, trimmed to th...
Category
1880s Realist Etching Landscape Prints
Materials
Etching
One’s Identity, Signed Surrealist Lithograph and Etching by Salvador Dali
Located in Long Island City, NY
A lithograph and etching on Arches paper after Salvador Dali The Cycles of Life portfolio, made in 1977. This was printed by Forte and published by Duall Graphics for DALART. It is r...
Category
1970s Etching Landscape Prints
Materials
Etching, Lithograph
The Reaper : Life and Death - Original etching - Ed. Durand Ruel, 1873
Located in Paris, IDF
Pierre PUVIS DE CHAVANNES (after)
The Reaper : Life and Death, 1873
Original Etching
Engraved by Boilvin under the supervision of PUVIS DE CHAVANNES
Printed signature in the plate
On laid paper 20,5 x 30 cm (c. 8 x 12 in)
INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...
Category
1870s Impressionist Etching Landscape Prints
Materials
Etching
Scilla, Landscape - Country and Coast - Etching and Watercolor by G. Omiccioli
Located in Roma, IT
Country and coast: Scilla, Calabria, Italy.
Etching and Watercolour (hand coloured)
Very good conditions.
Category
1970s Contemporary Etching Landscape Prints
Materials
Watercolor, Etching
Trees and Snow II
By Peter Milton
Located in Palm Springs, CA
Medium: lift-ground etching and engraving
Edition: 15
Year: 1961
Plate: zinc 9 x 15 inches (22.9 x 38.1 cm)
Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm)
Signed, titled and number...
Category
2010s Contemporary Etching Landscape Prints
Materials
Engraving, Etching
Cascade de la Suzanne - Original Etching - 19th Century
Located in Roma, IT
Landscape is an original etching on paper realized in the 19th Century.
Belongs to the series "France Pittoresque", as indicate on the top center.
Titled in France on the lower ce...
Category
19th Century Etching Landscape Prints
Materials
Etching
Cypress Trail, a la poupee edition
Located in Palm Springs, CA
Signed, titled and numbered aquatint print.
This Monterey Cypress lined trail wends its way along the bluff above the rocky Pacific shore in San Simeon. I printed it using three ble...
Category
2010s Contemporary Etching Landscape Prints
Materials
Etching, Aquatint
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…...
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...
Category
1750s Old Masters Etching Landscape Prints
Materials
Etching
View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category
Late 18th Century Naturalistic Etching Landscape Prints
Materials
Engraving, Aquatint, Etching
Original etchings C. Bernier - International monument of the reformation, Geneva
Located in Geneva, CH
This is an original etching representing an important monument in Geneva during the 19th century. The work is sold framed. Total size with the frame 34x31 cm. Signed C. Bernier
Category
19th Century Realist Etching Landscape Prints
Materials
Etching
Rainy Day / Fifth Avenue in New York
By Levon West
Located in New Orleans, LA
This is a rare New York image by Levon West
Levon West, who also used the name Ivan Dimitri, was born on February 3, 1900 in Centerville, North Dakota. ...
Category
1930s Etching Landscape Prints
Materials
Drypoint, Etching
Composition (Ginestet/Pouillon 42-64), Hésiode, Les Travaux et les Jours
Located in Auburn Hills, MI
Etching on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Hésiode, Les Travaux et les jours. Eaux-fortes de Jacques Villon, 1962. Pu...
Category
1960s Modern Etching Landscape Prints
Materials
Etching
Piranesi Etching of Hadrian's Ancient Roman Aqueduct and Baths, "Aquae Virginis"
Located in Alamo, CA
This is a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Orthographia utriusque lateris arcuum ductus Aquae Virginis a specu principe ad Hadriani thermas, effossorum...
Category
Mid-18th Century Old Masters Etching Landscape Prints
Materials
Etching
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after ...
Category
Late 18th Century Italian School Etching Landscape Prints
Materials
Mezzotint, Etching, Engraving
Through the Storm.
Located in Storrs, CT
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
Category
1920s Modern Etching Landscape Prints
Materials
Drypoint, Etching
La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the M
Located in Storrs, CT
La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the Medway). 1879. Etching, drypoint, false biting, aquatint, and stop-out. Bourcard-Goodfriend catalog 15...
Category
1870s Impressionist Etching Landscape Prints
Materials
Drypoint, Etching, Aquatint
Villeneuve la Carenne - Etching by Alfred Taiée - 1860s
Located in Roma, IT
Villeneuve la Carenne is a black and White etching realized by Alfred Taiée in the 1860s.
Titled in the lower.
Image size: 10x28.
Very good impression with wide margins and a ver...
Category
1860s Modern Etching Landscape Prints
Materials
Etching
Rockbear House, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Rockbear House, Seat of Thos Porter Esq'.
Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...
Category
Early 19th Century Victorian Etching Landscape Prints
Materials
Etching, Engraving, Aquatint
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Late 18th Century Italian School Etching Landscape Prints
Materials
Mezzotint, Engraving, Etching
Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category
Late 18th Century Naturalistic Etching Landscape Prints
Materials
Etching, Aquatint, Engraving
Ashland Creek, by Stephen McMillan
Located in Palm Springs, CA
Signed, titled and numbered by the artist.
Medium: etching and aquatint
Image size: 12 x 9 inches
Year: 2019
Fall colors in Lithia Park, Ashland OR
Born in Berkeley, California, ...
Category
Early 2000s Contemporary Etching Landscape Prints
Materials
Etching, Aquatint
Fish Triptych - XX century, Figurative Etching Aquatint Print, small edition 7/X
Located in Salzburg, AT
The graphic is already framed.
About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...
Category
1990s Contemporary Etching Landscape Prints
Materials
Paper, Etching, Aquatint
The Garden - Etching by Eduardo Paolozzi - 20th Century
Located in Roma, IT
The Garden is an original print realized by Eduardo Paolozzi.
Signed on plate on the lower left.
Mint conditions (some folds and some shadows on paper).
Eduardo Paolozzi (1924-200...
Category
Late 20th Century Contemporary Etching Landscape Prints
Materials
Etching, Paper
Brother Water, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Brother Water descending from Kirkstone'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etch...
Category
Early 19th Century Naturalistic Etching Landscape Prints
Materials
Aquatint, Engraving
New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category
Late 18th Century Naturalistic Etching Landscape Prints
Materials
Etching, Engraving, Aquatint
Vue de Mantes - Etching after C. Corot by C. Pinet - 19th Century
Located in Roma, IT
Vue de Mantes is a beautiful artwork realized by Charles Pinet after a painting by Camille Corot in the middle of XIX century.
This etching represents a natural landscape with some...
Category
19th Century Old Masters Etching Landscape Prints
Materials
Etching
Cascades No. 1
Located in Palm Springs, CA
Signed, titled and numbered in pencil, 28/30. Imaginary landscape with waterfalls, incredibly fine line work in this small etching.
François Houtin was...
Category
1980s Contemporary Etching Landscape Prints
Materials
Etching
View of Mausoleo of Cecilia Metella - Etching by G. B. Piranesi - 1773
Located in Roma, IT
View of Mausoleo of Cecilia Metella is an original etching realized by the italian artist Giovanni Battista Piranesi in 1773.
Precoius roman edition. Complete title on the lower ma...
Category
1770s Old Masters Etching Landscape Prints
Materials
Etching
St Paul's School, London, signed etching by Mabel Oliver Rae, circa 1920
Located in Melbourne, Victoria
'St Paul's School'
Signed and titled by the artist in pencil lower edge. Monogrammed inside the plate lower left corner. Mabel Oliver Rae was an early 20th century printmaker who sp...
Category
Early 20th Century Naturalistic Etching Landscape Prints
Materials
Etching
Taos Artist Gene Kloss Original Etching. Indian Summer
By Gene Kloss
Located in Phoenix, AZ
Original Etching by famous Taos Artist Gene Kloss (1903-1996). Full Margins.
Edition of 75. Titled: Indian Summer. Image measures: 7 3/4" H x 11 1/8" W.
Unframed. Archivally matted. ...
Category
Mid-20th Century Etching Landscape Prints
Materials
Paper, Etching
19th century etching black and white seascape print boats water buildings signed
By Thomas Moran
Located in Milwaukee, WI
This black and white etching by American painter and print maker of the Hudson River School in New York: Thomas Moran, is a rare Klackner #53 of the catalogue raisonné, depicting "The Harbor of Vera...
Category
1880s Hudson River School Etching Landscape Prints
Materials
Parchment Paper, Etching
The Bridge, Santa Maria
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
1870s Impressionist Etching Landscape Prints
Materials
Drypoint, Etching
Hommage a Sullivan, by Francois Houtin
Located in Palm Springs, CA
Signed, titled and numbered by the artist. This print was an hommage to the architect Louis Sullivan, done after a trip to Chicago. With the same elaborate fantasy garden scenery, th...
Category
Early 2000s Contemporary Etching Landscape Prints
Materials
Etching
Jardins de Paris, A La gloire à Paris, Luc-Albert Moreau
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category
1930s Modern Etching Landscape Prints
Materials
Etching
Unter Den Linden Street, Berlin, Germany
Located in San Francisco, CA
This artwork titled "Unter Den Linden Street, Berlin, Germany" c.1930 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kas...
Category
Early 20th Century Realist Etching Landscape Prints
Materials
Etching
Porta Pia Viminalis - Etching by Giuseppe Vasi - 18th century
Located in Roma, IT
Porta Pia Viminalis is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed margins...
Category
Late 18th Century Old Masters Etching Landscape Prints
Materials
Etching
Fence Lines, by Stephen McMillan
Located in Palm Springs, CA
Hillside landscape with fence and wildflowers. A scene from the hills west of San Joaquin Valley, California.. Signed, titled and numbered from the edition of 120..
Born in Berkeley...
Category
Early 2000s Contemporary Etching Landscape Prints
Materials
Etching, Aquatint
Ethiopian Church - Etching by Lino Bianchi Barriviera - 1948
Located in Roma, IT
Landscape is an original etching on paper realized by Lino Bianchi Barriviera in 1948.
Hand-signed in pencil on the lower margin. Title and date ha...
Category
1940s Modern Etching Landscape Prints
Materials
Etching
Provence : Sainte Victoire Mountain - Etching and aquatint engraved by J. Villon
By Paul Cézanne
Located in Paris, IDF
Paul CÉZANNE (after)
Provence : Sainte Victoire Mountain
Etching and aquatint
Engraved by Jacques Villon after the painting of Cezanne
Signature printed in the plate
On Arches vellu...
Category
1950s Impressionist Etching Landscape Prints
Materials
Aquatint, Etching
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The C
Located in Fairlawn, OH
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The Capitol and the Steps of S. Maria in Aracoeli)
Etching, 1775
Watermark: Double Circle Fleur de Lys
A lifetime impression with the price etching in the plate
Printed in Rome, before the plates are moved to Paris and the numerous posthumous editions
Reference: Hind 38 ii/IV
Robison 38 ii/V with the price
Wilton Ely 190
Condition: A fine Roman...
Category
1770s Baroque Etching Landscape Prints
Materials
Etching
Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category
Late 18th Century Naturalistic Etching Landscape Prints
Materials
Etching, Engraving, Aquatint
Building a Babylon, Tudor City, NY.
By Martin Lewis
Located in Storrs, CT
McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...
Category
Early 20th Century American Modern Etching Landscape Prints
Materials
Drypoint, Etching
Tribute to Cezanne : Estaque Bridge - Original etching, SIGNED (Orozco #776)
Located in Paris, IDF
Georges Braque
Tribute to Cezanne : Estaque Bridge
Original etching with aquatint (Crommelynck workshop)
Signed in pencil
Numbered /150
On BFK Rives vellum 56 x 73 cm (c. 22 x 29 ...
Category
1950s Modern Etching Landscape Prints
Materials
Etching, Aquatint
Île Saint-Louis, A La gloire à Paris, Robert Lotiron
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category
1930s Modern Etching Landscape Prints
Materials
Etching
Nymphee, Surrealist Etching by Roberto Matta
Located in Long Island City, NY
"Nymphee" is a colorful Roberto Matta etching from his Requiem pour la Fin des Temps suite. The print is signed and numbered (44/100) in pencil w...
Category
1970s Surrealist Etching Landscape Prints
Materials
Etching, Aquatint
Centre Noeuds, Suite of 10 Aquatint Etchings by Matta
Located in Long Island City, NY
Artist: Roberto Matta, Chilean (1911 - 2002)
Portfolio: Centre Neouds
Year: 1974
Medium: Suite of 10 Aquatint Etchings on Japon paper, each signed and numbered in pencil
Edition: 12...
Category
1970s Surrealist Etching Landscape Prints
Materials
Etching, Aquatint
Antique Map - Gallia - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Antique Map - Gallia is an antique map realized in 1650 by Johannes Janssonius (1588-1664).
The Map is Hand-colored etching, with coeval watercoloring.
Good conditions with slight ...
Category
1650s Modern Etching Landscape Prints
Materials
Etching
Etching landscape prints for sale on 1stDibs.
Find a wide variety of authentic Etching landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, yellow, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Giuseppe Malandrino, Giuseppe Vasi, Frans Hogenberg, and John Taylor Arms. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching landscape prints, so small editions measuring 0.01 inches across are also available