Etching Landscape Prints

This artwork titled "Fallscape" 1961, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated and numbered 15/40 in pencil by ...

Etching on fine, light cream laid paper, 2 1/4 x 2 15/16 inches ( 58 x 75 mm), full margins. Signed and inscribed "II" in pencil, lower margin. A trial proof impression of the second...

Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...

Vienna: Robert Kasimir, 1935. Color etching and aquatint on Robert Kasimir watermarked white wove paper, 11 3/8 x 13 3/4 inches (288 x 350 mm); sheet 19 x 21 inches (483 x 534 mm), f...

Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...

Artist: Aileen Mary Elliot (English, 1896-1966) Title: "Crab Boats, Southampton Water" *Signed by Elliot in pencil lower right Circa: 1925 Medium: Original Drypoint Etching on laid p...

John Taylor Arms, 'Downtown, New York', etching with aquatint, 1921, edition 75, Fletcher 108. Signed, dated, and numbered 14/75 in pencil. A superb, finely nuanced impression, in d...

Vue du Port au Chemin de Fer à Honfleur is an artwork realized by Jongkind in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initi...

Etching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....

Lift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61]. Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...

Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...

Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...

Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...

Etching on white laid paper with an "England" watermark, 3 x 1 3/4 inches (76 x 45 mm), full margins. Signed, dated and inscribed "II" in pencil, lower margin. One of 13 trial proof ...

Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...

Etching and drypoint realized in 1920s. Hand signed in pencil lower right, not readable. Very good condition.

This artwork titled "Walking View, Left" 1990 is a color etching with aquatint by Santa Fe artist Ron Pokrasso, b.1951. It is hand signed, titled dated and inscribed artist proof in pencil by the artist. The image (plate mark) is 17.5 x 17.5 inches, framed size is 28.5 x 24.75 inches. It is custom framed in a mahogany frame. It is in excellent condition. About the artist: Ron Pokrasso has been an exhibiting artist, printmaker and educator for more than 40 years. He received his MFA degree from Pratt Institute in 1975 and has had over 50 solo exhibitions and has participated in more than 175 group shows. His work is in public, private, and corporate collections throughout the U.S. and abroad and is represented by several galleries nationwide as well as being featured in numerous books. For 11 years Pokrasso owned and directed Graphics Workshop (gifted to The College of Santa Fe in 1993). He is an originator of the printmaking event “Monothon” and has been an ardent supporter of arts programs for youth. His teaching experience includes universities, museums, public schools and private workshops, as well as Artist Residencies in the U.S., Scotland, Ireland and Italy. In 2000 Ron Pokrasso received the Mayor’s Recognition Award For Visual Arts citing his artistic and educational contribution to the city of Santa Fe. Currently Ron Pokrasso operates the Galisteo Street Studio in Santa Fe, NM offering workshops and assisted sessions for artists in addition to creating and exhibiting his artworks. SOLO EXHIBITIONS 202056Trees and Music, Mentors, Friends and Family: Remarque Print Studio, Albuquerque, NM 2019 Santa Fe Studio Tour: Galisteo Street Studio, Santa Fe, NM 2018 Santa Fe Studio Tour: Galisteo Street Studio, Santa Fe, NM 123456Some Recent Works On Paper: Remarque Print Studio, Albuquerque, NM 2016 Emptying Drawers and Clearing Racks: Timberwick Studios, Santa Fe, NM 2015 Fun With Music and Art: Joseph Gierek Fine Art, Tulsa, OK 2014 Color Breaking Barriers: The SF Gallery, San Francisco, CA 123456Transferring Ink 3: Janice Griffiths Gallery, Fallbrook, CA 2011 Ron Pokrasso and Colleagues: Quad Gallery, Riverside, CA 2010 Zane Bennett Gallery, Santa Fe, NM 123456Recurrence of Memory: Center for Contemporary Printmaking, Norwalk, CT 2009 New Works: Craighead Green Gallery, Dallas, TX 2007 Denise Roberge Gallery, Palm Desert, CA 123456Lynne Fine Art, Scottsdale, AZ 2006 Lynne Fine Art, Scottsdale, AZ 2005 Deloney Newkirk Gallery, Santa Fe, NM 123456Denise Roberge Gallery, Palm Desert, CA 2004 Deloney Newkirk Gallery, Santa Fe, NM 123456Riverside Art Museum, Riverside, CA 123456Brevard Museum of Art and Science, Melbourne, FL 123456Denise Roberge Gallery, Palm Desert, CA 2003 Galerie Municipale/ C.I.M., Chamaliers, France 123456Deloney Newkirk Gallery, Santa Fe, NM 123456Arts Exclusive Gallery, Simsbury, CT 123456Denise Roberge Gallery, Palm Desert, CA 2002 Los Milagros Print Studio, Oklahoma City, OK 123456Deloney Newkirk Gallery, Santa Fe, NM 2001 Deloney Newkirk Gallery, Santa Fe, NM 2000 Deloney Newkirk Gallery, Santa Fe, NM 1999 Famous for His Trees: Deloney Newkirk Gallery, Santa Fe, NM 1998 Patricia Carlisle Fine Art, Santa Fe, NM 123456Art Thomas Gallery, Charleston, SC 1997 Patricia Carlisle Fine Art, Santa Fe, NM 1996 In the Eyes of the Beholder: Waxlander Gallery, Santa Fe, NM 1995 Works on Paper: Arts Exclusive Gallery, Simsbury, CT 123456Waxlander Gallery, Santa Fe, NM 1994 Amos Joseph Fine Art, Santa Fe, NM 123456Works on Paper: Franz Bader Gallery, Washington, DC 1993 Amos Joseph Fine Art, Santa Fe, NM 1992 New Monotypes: Franz Bader Gallery, Washington, DC 123456Fantasy, Art & Baseball: Barclay Simpson Gallery, Lafayette, CA 1991 Works on Paper: Wenniger Graphics, Boston, MA 123456Franz Bader Gallery, Washington, DC 123456Reynolds Gallery, Westmont College, Santa Barbara, CA 1990 Works on Paper: White Gallery, Tbilisi, Georgia, USSR 123456Recent Work: Franz Bader Gallery, Washington, DC 1989 Recent Work: Riverside Art Museum, Riverside, CA 123456Founders Gallery, Guilford College, Greensboro, NC 123456Recent Prints: Wenniger Graphics, Provincetown, MA 123456Recent Work: Franz Bader Gallery, Washington, DC 1988 Barclay Simpson Gallery, Lafayette, CA 198813Recent Prints: Wenniger Graphics, Boston, MA 1987 Recent Monotypes: Franz Bader Gallery, Washington, DC 1986 Fresh Start II, ‘86: Beverly Gordon Gallery, Dallas, TX 1985 New Work: Sena Plaza Gallery, Santa Fe, NM 1975 MFA Thesis Exhibition: Higgins Hall Gallery, Pratt Institute, Brooklyn, NY Group Exhibitions 202034Masked, Veiled and Unveiled: A Sea (In The Desert) Gallery, Santa Fe, NM 201956Breakfast At Harry’s: Are We There Yet? FOMA, Santa Fe, NM 123456Solar Impressions: Southampton Art Center, Southampton, NY 123456Exquisite Corpse: Community Gallery, Santa Fe, NM 2017 East Meets West: Gildea Contemporary, Key West, FL 2016 Recent Work; Three person show: Mill Contemporary, Santa Fe, NM 123456Men In Aprons: Pacific Northwest College Of Art, SGC conference, Portland, OR 123456Visual Arts Faculty: Parks Exhibition Center, Idyllwild, CA 2015 20th Retrospective: Center For Contemporary Printmaking, Norwalk, CT 123456The Mask Of The Artist: The SF Gallery, San Francisco, CA 123456Arizona Aqueous XXIV: Tubac Center Of The Arts, Tubac, AZ 2014 Monotypes And More: Pippin Contemporary, Santa Fe, NM 123456Premier Exhibition: The SF Gallery, San Francisco, CA 2013 Revisiting: Ten Years of the Visiting Artist Series at ASLD, Carson Gallery, Denver, CO 123456Visual Arts Faculty: Parks Exhibition Center, Idyllwild, CA 2012 Mentors and Makers: Rochester Contemporary Art Center, Rochester, NY 123456Beasts Big and Small from the Scripps Collection: Scripps College, Claremont, CA 123456Art Of The Book 4: Artist Union Gallery, Ventura, CA 123456One Square Foot Of Humor: Zane Bennett Contemporary, Santa Fe, NM 123456Michele Jamison and Friends: Stephen Archdeacon Gallery, Palm Springs, CA 2011 Aberdeen Artists Printmaking Invitational Exhibition, Aberdeen, Scotland 123456Contemporary Monotypes: Glasgow Print studio, Glasgow, Scotland 123456Visiting Artists: Bancroft Gallery, South Shore Art Center, Cohasset, MA 123456The Process of Art- Faculty Exhibition: Sedona Art Center, Sedona, AZ 123456Beyond Abstraction: Center For Emerging Visual Artists, Philadelphia, PA: J&J World Headquarters 12345678Gallery, New Brunswick, NJ 123456Artists Portraying Artists: Windsor Whip Works Art Center & Gallery, Windsor, NY 123456Going Solar: St Louis Artists’ Guild, St Louis, MO 2010 2010 Great Impressions- The Print Club of Rochester Turns 80: Memorial Art Gallery, Rochester, NY 123456Visual Arts Faculty, Parks Exhibition Center, Idyllwild, CA 123456September Special- Arts Exclusive Gallery, Simsbury, CT 2009 Comfort Food: Jennie Cooley Gallery, Santa Fe, NM 123456Vision Shift: Santa Fe Art Institute, Santa Fe, NM 2008 Process/ Image/ Print: O’Sullivan Art Gallery, Regis University, Denver, CO 123456September Special: Arts exclusive Gallery, Simsbury, CT 123456Visual Arts Faculty, Parks Exhibition Center, Idyllwild, CA 123456Interludes: South Shore Art Center, Cohasset, MA 123456Ink’d: dba256 Gallery, Pomona, CA 123456Craighead Green gallery, Dallas, TX 2007 Art Department Founders Exhibit: College of Santa Fe Gallery, Santa Fe, NM 123456From Barbizon to Santa Fe-Argos Etchings and Paintings, Santa Fe, NM 2006 Gallery Hop 2006: Joseph Gierek Fine Art, Tulsa, OK 123456Pressed: Riverside Art Museum, Riverside, CA 123456Faculty Artists Exhibition: Parks Exhibition Center, Idyllwild, CA 200556Summer Connections: Visiting Artists: Bancroft Gallery, Cohasset, MA 123456September Special: Arts Exclusive Gallery, Simsbury, CT 123456Solarplate Revolution: Taller Boricua Gallery, New York, NY 123456Solarplate Evolution: Cape Cod Community College, North Barnstable, MA 200456Solarplate Revolution: Gray Gallery, Quincy, IL; Center For Contemporary Printmaking, Norwalk, CT; 12345678Emory & Henry College, Emory, VA 123456Monothon 18: College of Santa Fe, Santa Fe, NM 200356Artists Choose Artists: East Central University, Ada, OK 123456Monothon 17: College of Santa Fe, Santa Fe, NM 123456Craighead Green Gallery, Dallas, TX 123456New Mexico Printmakers: Santa Fe Art Institute, Santa Fe, NM 1234566th World Triennale of Small Prints: Chamlieres, France 123456Printsafe: Warringah Printmakers Studio, Manly Vale, Australia 123456Solarplate Revolution: Southern Graphics Council, Boston, MA; Whitney Art Works, Greenport, NY; BCB 12345678Art, Hudson, NY 200256Northern New Mexico Printmakers: Foothills Art Center, Golden, CO 123456The Magnificent Subject: Wyeth Hurd Gallery, Santa Fe, NM 123456Monothon 16: Site Santa Fe, Santa Fe, NM 123456September Special: Arts Exclusive Gallery, Simsbury, CT 200156Jewish Artists on the Edge: Yeshiva University Museum, New York, NY 123456Monothon 15: Site Santa Fe, Santa Fe, NM 2000565th World Triennale of Small Prints: Chamalieres, France 123456Jewish Artists on the Edge: Marion Art Center, Santa Fe, NM 123456A Show With Heart: Joyce Robins Gallery, Santa Fe, NM 123456Monothon 14: College of Santa Fe, Santa Fe, NM 123456Seventh Annual Cup Show: Segretto Contemporary Art, Santa Fe, NM 199956Craighead Green Gallery, Dallas, TX 123456William Havu Gallery, Denver, CO 123456Deloney Newkirk Gallery, Santa Fe, NM 123456Monothon 13: Site Santa Fe, Santa Fe, NM 123456Bridging the Milleniums: Deloney Newkirk Gallery, Santa Fe, NM 199856Alumni Invitational: Tower Fine Arts Gallery, Brockport, NY 123456101 Cups – 101 Artists: Karen Ruhlen Gallery, Santa Fe, NM 123456Intimacies – A Collection of Small Works: Patricia Carlisle Fine Art, Santa Fe, NM 123456Hands In – The Cookie Jar Show: Select Art Gallery, Sedona, AZ 123456Monothon ’98: Riverside Art Museum, Riverside, CA 123456Collage = Reality: Gallery Zipp, Glorieta, NM 123456Magnificent Subject IV: Turner Carroll Gallery, Santa Fe, NM 123456Love Art – A Public Display of Affection: Patricia Carlisle Fine Art, Santa Fe, NM 123456Monothon 12: Site Santa Fe, Santa Fe, NM 199756Duo – Ron Adams...

Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...

Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...

A signed impression from the artist's own collection. Kansas City: Miniature Print Society, 1946. Etching on antique cream laid paper, 3 5/15 x 1 7/8 inches (84 x 49 mm), full margi...

Etching, Engraving, Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published ...

Etching on medium stock, cream wove paper, 5 15/16 x 10 3/16 inches (151 x 259 mm), full margins. Signed and titled in pencil, lower margin. A fine and detailed impression in dark bl...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

This exquisite etching by Marie Laurencin (1883–1956), titled Jeune femme et son fils (Young Woman and Her Son), from the album Antares, eaux-fortes originales de Marie Laurencin (An...

Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...

GEORGES ROUAULT (1871-1958) MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU? 1927 ( Chapon/Rouault 97; Wofsy 151) Miserere XLIV Aquatint, 1927, on laid Arches. watermark...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...

Superb etching on papier de chine appliqué, realized by Dufeu in 1862. Signed in the plate. Very good condition.

Etching realized by C. Chancourtois after Constant Bourgeois. Not signed, as issued. Published in Paris around 1804–1810. Very good condition.

Dufza - Paris - Le Pont Neuf - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm Unumbered as issued

Etching on bluish-grey, antique laid paper, 5 x 3 5/8 inches (127 x 93 mm), signed, dated, and inscribed "III" in pencil, lower margin. A proof impression from the third state (of 3)...

4 Etchings on paper realized in 1748. Each cm. 17x22. Very good condition except for some minor foxing. Includes a wooden frame cm. 27.5x41.5

The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

A fine & captivating etching of Municipal (Midway) Airport Chicago by artist Kent Hagerman. Artwork size: 7" x 10". Archivally matted to 12" x 16". Kent Hagerman, also known as ...

Ministere de la Marine is an artwork realized by Charles Meryon in the 1870s. Etching. Image size: 17x14 Good conditions. Realized for the "Société des Aquafortistes. Born on th...

(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232] [Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...

Shepherd With Cattle On A Wooden Bridge is an etching on ivory-colored paper realized by Antonie Waterloo in the late 17th century. Good conditions with slight foxing. The artwork ...

Alington in Wiltshire (The First Swallow). 1927. Etching. Garton 2.iv. 6 3/4 x 8 7/8 (sheet 10 1/2 x 13 1/2). Final state published by in an editon of 12 by Garton & Cooke in 1982 (Nicolson published an edition of 40 in 1927). In states iii and iv, the swallow of the title was removed. In state iv, the sky was re-etched and the cross-hatching was slightly finer. Signed in pencil. Garton writes, page 11: "The design was based on the Anglican chapel-of-ease is the farmyard of Bulisge at Allinston near Chippenham....The print was originally entitled The First Swallow, but the swallow was burnished out before the 1927 edition....Fifty years later new work was effected in the worn-out areas of the sky and distance to produce prints which, in his opinion, were better than those of the original edition." Robin Tanner was an English artist, etcher, and printmaker. He followed the visionary tradition of Samuel Palmer and English neo-romanticism. His etchings began following night-school classes at Goldsmiths College, London. He had been inspired by the major Samuel Palmer retrospective exhibition organized by Martin Hardie...

Etching on extremely delicate antique Japon laid paper, 12 x 5 (305 x 127 mm); sheet 15 3/4 x 7 1/8 inches (400 x 178 mm), full margins. In very good condition. A magnificently detai...

Etching on cream laid paper with a deckle edge and with an unidentified watermark with an "AL" inside an ovoid cartouche with a garter and buckle (likely English 19th century), 9 1/2...

Etching on watermarked antique handmade FJ Head paper, 9 1/2 x 14 3/4 inches (240 x 373 mm); sheet 14 x 18 1/4 inches (355 x 463 mm), full margins. Signed and dated in pencil, lower margin. Edition of 97. A magnificent, silvery impression with extremely minor (almost invisible) mat tone. [Fletcher 177] [Illustrated: Page 160, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. The Boat Builders Yard in San Trovaso is a historic 17th-century gondola repair and building yard in Venice, Italy. It's one of the few remaining such workshops in Venice, where skilled artisans traditionally craft and maintain the iconic black gondolas used...

Bords du Sornin is an artwork realized by A.Charnay in the 1870s. Etching. Image size:19x29 Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative...

Lalibela is an original etching on paper realized by Lino Bianchi Barriviera in 1939. Hand-signed in pencil. Image Dimensions: 35 x 47.5 cm. Num...

Lalibela is an original etching on paper realized by Lino Bianchi Barriviera in 1949. Hand-signed in pencil. Image Dimensions: 35.5 x 49.5 cm. Nu...

Etching on laid paper Signed and inscribed in plate lower left: K. Bodmer sculp. Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société de...

Les Demoiselles de Village is an artwork realized by Gustave Courbet in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative o...

This etching by Dimitrios Galanis , Greek early 20th century artist is part of my private collection and there is only one available. Dimitrios Galanis was a good friend of Picasso. ...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. Hockney stated: “The old woman who wants the child. In one tr...

Souvenir du Jura is an artwork realized by X.Dananche in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher ...

Les Vendagnes is an artwork realized by Charles François Daubigny in the 1870s. Etching. Image size:20x33 Good conditions. Realized for the "Société des Aquafortistes. Born on ...

Tilmann Krieg Morning at St. Malo from folio "Bretagnemappe Finis Terrae" Color Etching Image Size: 4.72 x 7.08 inches (12 x 18 cm) Sheet Size: 10.43 x 15.55 (26.5 x 39.5 cm) Signed...

The Greco Tower is a black and white etching on paper, realized by the Italian engraver  Achille Parboni in the 19th century. Signed on the plate. Titled in the lower. Good condit...

Etching on antique laid Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signed, dated and inscribed "Ed. 100 II" in pencil in the lower margin. One of 100 impressio...

Bernard Buffet (1928-1999) The Canal, 1955 Original etching Hand signed in pencil Numbered /125 copies On BFK Rives vellum size 56 x 76.5 cm (c. 22 x 30 in) Very good condition REF...

New York: 1947. Etching on white wove paper, 7 x 5 inches (752 x125 mm), full margins. Signed and titled in pencil, lower margin. In very good condition with some minor spots of ligh...

Moody, mysterious, majestic – these are some of the ways to describe the mezzotints of Frederick Mershimer. His images travel through the serenity of a Brooklyn neighborhood on a sti...

Etching realized by Giuseppe Malandrino in the early 1970s. Hand-signed by the artist in pencil on the lower right corner. Edition of 199 Excellent condition.  This artwork repre...

Both of Arms' Lake Como images were mostly printed in color. is a rarer black and white impression, John Taylor Arms was born in Washington, DC. He studied architecture at the Massa...