Offset Landscape Prints

Original WATERFALL by the IF Band on Metromedia Records vintage record poster. Note that this is a vintage poster and not an album cover. Unlike th...

This reproduction of the Magritte painting is the only authorized and approved copy in its current format. It has been sanctioned by the appropriate authorities managing Magritte’s e...

Ed Ruscha Nine Swimming Pools and a Broken Glass (HAND SIGNED), 1976 Limited Edition Artist's Book Boldly signed by Ed Ruscha on the first front end page 7 × 5 1/2 inches This is the...

Original 37th Annual Toyota Grand Prix of Long Beach 2011 original racing poster. The event was April 15 - 17, 2011 in Long Beach, Californi...

Original vintage poster ZERMATT MATTERHORN SWITZERLAND TWA c.1950. Along the way of TWA. Professional acid-free archival linen backed in fine condition. Ready to frame. Early Trans World Airline poster that features the Constellation aircraft. This is before the artwork of David Klein for TWA. TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was New York to Los Angeles, soon followed by multiple National routes. The airline expanded to serve Europe, the Middle East, and Asia after WWII when the company was under Howard Hughes's owner's control from 1939 until 1961. Hughes was a dominant force in expanding and promoting the routes flown by his company. The economy was vastly improving and travels through the air for business and pleasure...

Original. “OUR AMERICA, #3 USING MOTION PICTURES FOR SOCIAL VALUE.” vintage poster. Presented by the Coca-Cola Bottling Company. This poster displays the benefits of American Motion Picture making on society as a whole and is number three in the series of Our America, Motion Pictures. From leisure, as in entertainment, to the practical, like legal documentation and recording important events, are displayed in this poster. These benefits are shown in eight small windows along either side of a large ninth window, which is all brought into harmony by the use of green tones, and that the windows are set upon a mint green background. Presenting Facts of History. Our America Motion Pictures # 3. Using Motion Pictures for Social Values. 1. Using cartoons for amusement. 2. Reporting an important event. 3. Making biography dramatic. 4. Reporting athletic events. 5. Dramatizing a famous book. 6. Showing places of natural beauty. Y. Using motion pictures in legal cases. 8. Making pictures true to facts. We Can All Do Our Part! In 1943, during World War II, Coca-Cola created the “Our America” series of vintage motion picture posters...

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

Richard Serra Clara, Clara (Hand Signed by Richard Serra), 1983 Offset Lithograph Poster (Hand signed by Richard Serra) Boldly signed with black marker on the front Frame Included: held in original vintage 1980s frame This is the rare vintage offset lithograph poster of Richard Serra's 1983 work "Clara Clara", exhibited at the Pompidou Center in France in 1983-1984. Very collectible when hand signed by Richard Serra! Accompanied by gallery issued Certificate of Guarantee Measurements: Frame: 27.5 x 37.75 x 1 inch Print: 25.5 x 35.75 inches About Richard Serra: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

Original Quale Capri? Original Italian vintage travel poster. Conservation archival linen backed in very good condition, ready to frame. Quale Capri? Is which Capri? in Italian. The image is the outline of the island of Capri, off the coast of Naples, Italy. The poster has two different sides, which Capri do you like or want? One side represents progress with large commercial skyscrapers and the other side the small homes and businesses on the island. The question is do you want to allow development on this beautiful Mediterranean island. Capri was first “discovered” by emperor Augustus in the early years of the Roman Empire. He often resided there and built many temples, villas and gardens as a way of having his own private paradise. The meaning of the name Capri can be traced to the ancient Greeks, where the ancient Greek word 'kapros' means 'wild boar'. The island of Capri has had dozens of famous vintage posters...

Original movie poster: BREAK THROUGH. U. S. 1-sheet vintage, linen-backed vintage 1950 release. Very good condition; ready to frame. Breakthrough is a 1950 American war film di...

Original Sabena vintage travel poster. Archivally linen —backed in very fine condition, A, ready to frame. The image comprises three surfboard-style sections depicting New York to Brussels and to the Heart of Paris via Sabena, Belgian World Airlines. Sabena, short for Société Anonyme Belge d'Exploitation de la Navigation Aérienne, was Belgium's national airline from 1923 until its bankruptcy in 2001. Sabena produced numerous vintage travel posters during its operational years to promote tourism and its flight routes. One notable poster is titled "Fun Brussels, Helicopter to Paris." This poster likely depicts Brussels as a vibrant and exciting destination, highlighting the convenience of traveling from Brussels to Paris via helicopter. Sabena was known for its innovative approach to air travel, and the depiction of a helicopter flight to Paris would have been cutting-edge at the time. One of the surfboard-style images features New York, the next the World’s Fair in Brussels, and, of course, the Eiffel Tower...

Original Italian Air Service Lines Aeriennes Italiennes Original travel poster; linen backed. Printed in Italy. Printed: 1951. Artist: F. Romoli. Ali Airlines Operated from ...

Royal Academy Exhibition Poster By David Hockney David Hockney is a British painter, draftsman, and photographer celebrated for his vibrant depictions of California swimming pools...

Christo The MCA (Museum of Contemporary Art) Wrapped, Chicago, 1969, 2019 Limited Edition Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil...

The original Hawaii Western Airlines 1970s vintage travel poster is archivally linen-backed, in excellent condition, and ready to frame. It was p...

Original Mercedes-Benz Type 300-SL. Linen-backed, horizontal format, fine condition. This is an original small format Mercedes 300 SL sports car pri...

Carl Andre Handwritten Letter to the Artist's Parents, 1974 Letter handwritten with black marker on postmarked, stamped postcard (hand signed by Carl Andre) Boldly signed @ - the art...

Original Khartoum vintage U. S. 1-sheet Style B, movie poster. Archival lien-backed in very fine condition, ready to frame. Original issued movie fold marks restored. - where the Nile dives, the great adventure begins! Khartoum is a 1966 film written by Robert Ardrey and directed by Basil Dearden. It stars Charlton Heston as General Gordon and Laurence Olivier as the Mahdi (Muhammad Ahmed). It is based on Gordon's defense of the Sudanese city of Khartoum from the forces of the Mahdist army during the Siege of Khartoum. The movie depicts the historical events surrounding the Siege of Khartoum in 1884-1885 during the Mahdist War. CAST: Charlton Heston, Laurence Olivier, Ralph Richardson, Richard Johnson, Alexander Knox, Hugh Williams, Nigel Green, Michael Hordern, Johnny Sekka; DIRECTED BY: Basil Dearden; PRODUCER: Julian Blaustein. Movie posters from the 1960s often feature distinctive artwork and design styles that reflect the aesthetics of that era. If you appreciate vintage graphic design...

Scandinavia by SAS - Storks. Original vintage European travel poster created by the artist Otto Nielsen. This poster features the prop plane and would be SAS's earliest printing of the image. Archival linen-backed, fine condition, ready to frame. Beautiful travel poster for Scandinavian Airlines. Excellent condition with wonderful artistry and soft warm colors. SAS was founded in 1946 as a consortium of the national airlines of Denmark, Norway, and Sweden. Over the years, it has played a crucial role in connecting Scandinavia with the rest of the world. Otto Nielsen was a Danish artist known for contributing to Scandinavian Airlines System (SAS) posters. Born on December 29, 1916, in Copenhagen, Denmark, Nielsen became a prominent figure in the world of graphic design and illustration, particularly for his work with SAS. Otto Nielsen created a series of iconic posters for SAS during the mid-20th century. His artwork often featured stylized and colorful depictions of Scandinavian landscapes, culture, and landmarks. These posters were part of SAS's marketing campaigns to promote air travel to and from Scandinavia. This is an Original Lithograph Vintage Poster; it is not a reproduction. The Vintage Poster has been working with collectors worldwide, helping them with their original vintage poster collections...

Rare, original, linen-backed SANTA BARBARA Championship Sports Car Races. . (May 28-29, 1966 - Santa Barbara, California. Excellent condition original California racing poster....

Robert Irwin Getty Garden (hand signed and inscribed by Robert Irwin), 2002 Hardback monograph with dust jacket Hand signed and inscribed by Robert ...

Original "The Virgin Queen" vintage movie poster. NSS: 55/302 Archival linen backed with original issued fold marks restored. Linen-backed and in excellent condition. No pape...

Original 1976 July 4th in Old New York vintage Bicentennial festival vintage poster. The poster is copyrighted by Macy’s New York. Artists were: Griesbach and Martucci. Arc...

Original Avenge December 7th vintage poster. Linen backed; excellent condition. Artist: Bernard Perlin. Office of War Information, Washington, D.C., U.S. Government Printing Office: 1942-O-491978 Dramatic original World War II poster depicting a sailor with his fist raised, standing above a scene of an exploding battleship, with the words “Avenge December 7” in red across the middle of the poster. The striking image on OWI “Poster No. 15,” memorializing the events of December 7, 1941, was created by artist Bernard Perlin. U. S. Government Printing Office. Year: 1942 As a Life Magazine war art correspondent living in Europe during the 1940s and 1950s, Perlin continued to document social change uniquely. An American painter primarily known for creating many American posters during WWII and for magic realism...

Richard Haas View of Munich (Szoke, 80), 1978 Offset Lithograph with Graphite Stencil on BFK Rives Paper 17 1/2 × 43 1/2 inches Edition 52/150 Signed, titled and numbered 52/150 in graphite pencil on the front Published by Brooke Alexander, New York and Galerie Biedermann, Munich, Germany; Printer: Deli Sacilotto...

Royal Academy Exhibition Poster By David Hockney David Hockney is a British painter, draftsman, and photographer celebrated for his vibrant depictions of California swimming pools ...

Artist: Norman Rockwell (1894-1978) Title: Four Ages of Love: Autumn Year: circa 1985 Medium: Offset lithograph on wove paper Edition: A.P. aside from the edition of 350, plus proofs...

Original Holland – America Line original vintage cruise ship travel poster. Archivally linen-backed, ready to frame. Excellent condition A – A-. There is no damage, no restoration, and retains its bright and vibrant colors. Original vintage posters from Holland America Line are highly sought after by collectors around the world. As time passes, the availability of these posters may become more limited, making them increasingly valuable and desirable as collectible items. Holland America Line has a rich history dating back over a century. Vintage posters from the company's early days often depict classic maritime scenes, evoking a sense of nostalgia and capturing the essence of a bygone era in travel. Overall, purchasing an original Holland America Line vintage poster...

Genova - Boccadasse is an original offset on paper realized by A. Barnuvitor. The state of preservation of the artwork is good. Titled on the lower left margin. Hand-signed on the...

Robert Irwin Fold-out PACE Gallery invitation (hand signed by Robert Irwin), 2012 Offset lithograph fold-out invitation (hand signed by Robert Irwin) Boldly signed by Robert Irwin on...

Original half sheet MISS ROBIN CRUSOE. With Amanda Blake, George Nader, Rosalind Hayes. As frenzied as voodoo Drums! As shocking as cannibal rituals! Very good condition, t...

Original poster: THE WORLD OF HOLLAND AMERICAN CRUISES. Artistic: David Klein. Rare original unbacked vintage original David Klein poster printed on heavier paper stock with a glossy UV protective finish. What's not to love about this poster? Here are a few things going on in this original cruise line poster. Some champagne with lobster, Rockefeller Center statue, Mosco, Athena Parthenon, a Japanese woman in a kimono, Christ on the hill in Brazil, the large head of an elephant in India, a zebra, African headdress...

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous ...

Original KING of the CONGO vintage movie poster, US 1-sheet. (The Mighty THUNDA). 1952 Chap. US 1 sheet. Chapter 1 "Mission of Menace". Linen-backed one-sheet film poster. NSS: ...

Original "World Premiere." Vintage movie poster. Linen-backed and in good condition for a poster created during World War 2. NSS: 41/347. Certificate of Authenticity. This is an original, theater-used US 1-sheet to the comedy starring John Barrymore...

Original “VILLA RIDES!”, US 1 sheet, 1969 original movie poster—art of Yul Brynner as Pancho & Robert Mitchum, Sam Peckinpah. Starring Yul Brynner as...

Original vintage travel poster: HOLLAND AMERICA CRUISES. Artist: David Klein. This poster is printed on a thicker paperstock and doesn't require ...

 The Mountain and the Rose is a Vintage Offset Print by Douglas Prince in 1980. Good conditions.

Original: FORGOTTEN ISLAND OF SANTOSHA vintage surfing poster. Artist: Bill Ogden. Size: 27" x 39 3/4". Year: 1974. Original One Sheet from Austra...

Original Holland, so easy to reach by KLM vintage travel poster. Archivally linen-backed in very fine condition ready to frame. Colors are bright and v...

Vue du Colisée, prise de l'intèrieur du Temple de la Paix is a vintage offset print artwork on paper, realized after G. Engelmann (1788-1839), in the 1970s. The artwork is signed on...

Original, linen backed, Visit Washington State - Diamond Jubilee vintage poster (1889 - 1964), excellent condition. This poster would be produced pri...

Christo (American-Bulgarian, b. 1935) 5600 Cubicmeter Package (from Monuments), 1968 Medium: Offset lithograph on Bristol board Dimensions: 70 × 54.5 cm (27 3/5 × 21 1/2 in) Edition ...

Neil Welliver at O'Farrel Gallery poster, 1998 Offset lithograph 24 × 18 inches Unframed This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986. Publisher O'Farrell Gallery, Brunswick, Maine About Neil Welliver: Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning. Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships. By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005. Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others. - Courtesy of Alexandre Gallery

Original Concacaf (Gold) Cup American Airlines vintage poster. In excellent condition, conservation linen backed in mint condition, ready to frame. A very seldom-seen original soccer poster...

Original “Wake of the Red Witch” vintage movie poster: Staring John Wayne and Gail Russell. Original linen backed small format poster. Wake of the Red...

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous...

Urban Landscape is a mixed-colored offset by the Sicilian artist Franco Fontana. Sheet dimension: 80 x 60 cm. Good conditions.

Sempione Park is an original black and white photograph printed in offset after a photograph of the photographer Gianni Berengo Gardin (1930) of Decembe...

Richard Haas Chelsea Hotel, Sunset, 1980 Offset Lithograph poster on paper Pencil signed on the front 23 1/4 × 21 1/2 inches Unframed This striking offset lithograph poster by the world's top architectural muralist Richard Haas presents a detailed portrait of the historic New York City landmark - the legendary Chelsea Hotel. Many famous people stayed at this storied hotel. Nancy Spungen...

Landscape is an original print on paper realized by an Anonymous artist of XX century. In good condition except for some foxes that shows the trace of time. Sheet dimension:44.5 x 52 cm The artwork represents a beautiful scenery of a village down below the green mountain, dream-like peaceful village with red roof houses beside the yellow road.

Original Victory Loan vintage poster. “In the Strength of Great Hope we must shoulder our common load” .. Buy Victory Bonds. Linen backed in very fin...

Original Dartmouth Outing Club Golden 50th Anniversary. Archivally linen backed in excellent condition, ready to frame. The image on this poster features vignettes of the previous 50 posters created for the Dartmouth ski...

Original ‘AU DELA DU MISSOURI’ or Across the Wide Missouri, vintage Belgium movie poster. Museum linen backed. Smaller Belgium format. An affordable method to own an original Cl...

Original Coca-Cola: Our America Electricity #4, original vintage poster, archival linen backed, mint condition, horizontal, ready to frame. Light, Power...

Presence is a beautiful offset realized after a photograph by Franco Fontana. Good conditions. Franco Fontana (Modena, 1933) is one of the Italian most famous contemporary photogra...

Unknown Artist - Barren Wetlands, Medium: Poster, Image Size: 12 x 15.75 inches, Frame Size: 21.5 x 25.5 inches

Artist: Norman Rockwell (1894-1978) Title: Four Ages of Love: Winter Year: circa 1985 Medium: Offset lithograph on wove paper Edition: A.P. aside from the edition of 350, plus proofs...

Original linen-backed LUFTHANSA: Your lift to the Alps vintage ski poster. Excellent condition original German ski poster. The image has two women with skis resting on their sho...

Robert Irwin Being and Circumstance Notes Toward a Conditional Art, 1985 Hardback monograph with dust jacket (hand signed and dated 2015 by Robert Irwin) Boldly signed and dated May...