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Maurice de VlaminckLe Moulin de La Naze - lithograph by M. de Vlaminck - 1925-261925/26
1925/26
About the Item
Original stone Lithograph on ivory colored Japan paper with the 'La Galerie des Peintres-Graveurs' embossing stamp on lower-right corner. Signed inside out on plate on lower-right margin. Excellent conditions, including cardboard passepartout (cm 35 x 50).
This lithograph was published in 1925 by Monsieur E. Frapier, bearing the impress of his Galeris des Peintres-Graveurs.
Ref : K. de Walterskirchen 181
Maurice de Vlaminck (Paris 1876 - Rueil-la-Gadelière, Eure-et-Loir, 1958).
Along with André Derain and Henri Matisse, Maurice de Vlaminck is one of the principal figures in the Fauve movement, a group of Modern artists who from 1904 to 1908 were united in their use of intense colour palette. Vlaminck took part at the controversial Salon d'Automne exhibition of 1905.
- Creator:Maurice de Vlaminck (1876-1958, French)
- Creation Year:1925/26
- Dimensions:Height: 11.93 in (30.3 cm)Width: 15.36 in (39 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-957051stDibs: LU65034348381
Maurice de Vlaminck
Maurice de Vlaminck was a French painter, best known as one of the spearheads of the Fauvism movement at the start of the 20th century. His reputation rests predominantly on his landscapes, though he also produced still lifes and portraits. Born in Paris in 1876, Vlaminck had relatively little artistic training and, as a young man, dreamt of becoming a professional cyclist. A chance encounter in 1900, however, when he was nearing the end of his national service in the army, proved fateful. It was with the budding artist, André Derain, whom he met when a train they were aboard derailed. The pair lived in the small town of Chatou, a few miles along the River Seine from Paris, and they chose to complete their homeward journey from the French capital that day on foot. They struck up a friendship, and before long were sharing a studio. Derain and Vlaminck would become, alongside Henri Matisse, the driving forces behind Fauvism, the first avant-garde art movement of the 20th century. Partly inspired by the recent innovations of Paul Gauguin and Vincent van Gogh, it was characterised by aggressive brushwork, simplified forms and intense non-naturalistic colours. Its name came from the reaction of a critic in 1905 who compared the artists to fauves (‘wild beasts’). Vlaminck enjoyed painting in primary colours, and is particularly associated with scenes set in and around Chatou. Standout examples include Restaurant de la Machine à Bougival (1905) (today found in the Musée d'Orsay) and The Seine at Chatou (1906) (found in the Metropolitan Museum of Art in New York). The poet Guillaume Apollinaire hailed Vlaminck as ‘the wildest of the Fauves’. In the years immediately before the outbreak of World War I, the artist’s style shifted. His palette grew slightly more sombre, and there was a greater emphasis on solidity and a landscape's underlying structure. This revealed the influence of Paul Cezanne — the subject of a ground-breaking, posthumous retrospective in Paris in 1907. Vlaminck worked in a munitions factory during the war. His paintings after it were much darker and more realistic than those with which he had made his name. He died in 1958, aged 82.
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