Baby Landscape Prints

This interactive poster by acclaimed illustrator James McMullan invites viewers to engage by visually matching images in the margin with corresponding train cars. McMullan’s detailed...

This exquisite lithograph after Jules Pascin (1885–1930), titled Deux nus (Two Nudes), from the album Pascin, originates from the 1954 edition published by Editions du livre, Monte-C...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Amoureux au Soleil Rouge (The Lovers under the Red Sun), from the album The Lithographs of Chagall, Volume I, origin...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Asher, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by And...

Original poster: THE WORLD OF HOLLAND AMERICAN CRUISES. Artistic: David Klein. Rare original unbacked vintage original David Klein poster printed on heavier paper stock with a glossy UV protective finish. What's not to love about this poster? Here are a few things going on in this original cruise line poster. Some champagne with lobster, Rockefeller Center statue, Mosco, Athena Parthenon, a Japanese woman in a kimono, Christ on the hill in Brazil, the large head of an elephant in India, a zebra, African headdress...

Your Country's Call. Isn't this Worth Fighting For? Enlist Now. Original WW1 poster, archival linen-backed vintage military poster. Linen-backed and ...

A perfect summer day. A young mother, little boy, and even smaller girl have their luncheon under a make shift 'fly' -- a stripped cloth canopy fixed up with poles. Although it is titled 'Seaside Nomads,' to me it has the look of a bay or inlet. It's relatively flat and there are all sorts of grasses, old...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

An older couple sits on a beach facing the sea as a shooting object streaks through the sky. There is a feeling of connection and contentment conveyed through the imagery. Does the...

CENTER OF ATTENTION is a hand drawn original lithograph printed in blue gray ink using hand lithography techniques on archival Arches printmaking paper 100% acid free. CENTER OF ATT...

Artist: Peter Max (1937) Title: Winged Flyer with Sunrise II Year: 2001 Edition: 498/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excelle...

Title: Valentine Heart Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as iss...

This exquisite lithograph after Marc Chagall (1887–1985), titled La Tour Eiffel (The Eiffel Tower), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Frontispice (Frontispiece), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates ...

Cleon Peterson — Destroying the Weak Set (Gold Edition, 2015) This rare matching-number set pairs Destroying the Weak 1 and Destroying the Weak 2—both struck as number 1 of 75 in th...

Bele Bachem Romantische Reisende III Lithograph on Velum Year: 1967 Size: 19.25x25.5in Signed, dated and inscribed by hand Edition: 150 Publisher: Edition ...

Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Anonymous pedestrians passing on a snowy walk through Central Park. Um...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

This exquisite lithograph after Marc Chagall (1887–1985), titled Hommage a Garnier (Homage to Garnier), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Enfants jouant a la balle (Children Playing with a Ball), from the album Les Lithographies de Renoir (The Li...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Levi, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andr...

Original vintage poster: "Map of the United States as Californians See It". 1947, artist: Oren Arnold. Size: 16.5" x 20.5", R. H. MOEBUS COMPANY This poster is not linen-backed. This poster is in very good fine condition, ready to frame. A humorous satirical pictorial map from 1947 with the golden sun on the upper left, gives a detailed depiction of California, its relative size to the rest of the United States, showing Florida as "Death Valley", the rest of the United States as "Unexplored" 'Unimportant anyway, not in California". The image has your Mexican singer; bikini-clad bathers and others set in the image. Shows rivers, lakes, harbors, landmarks, parks, recreational activities, and local people. This map shows Los Angeles’ city...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of an the Ohashiya Inn in Akasaka, circa 1850. This family-owned inn operated from 1649-2015 and, upon it's c...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 12.5 x 9.5 inches; image size: 10.24 x 5.91 inches Inscription: Unsigned and unnumbered, as issued No...

This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Poisson (The Pisces), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates from the...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers on the Nawate Road in Hiratsuka, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (Ando)...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled L’Enfant au biscuit (Child with a Biscuit), from the album Les Lithographies de Renoir (The Lithographs of R...

Ski Poland! Circa 1960s. Artist: Irv Isaacson. Poster satirizing ski culture in Poland showing an unkept ski instructor skiing down a pass with a toilet plunger and nails throug...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Une tete, deux races (One Head, Two Races), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithograph...

Andrew Dasburg, 'Trees in Ranchitos III', two-color lithograph, 1975, edition 20. Signed 'A. D.' in pencil. Annotated 'Trial Proof' in pencil, verso. A superb impression, in grey-bl...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...

Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Bacchante assise (Seated Bacchante), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates ...

Original Ski Western Airlines vintage travel and skiing poster. Professional archival acid-free linen backed in very good condition, ready to frame. Artist: Don Weller. Capt...

Camille BELTRAND (1877-1951) Mythological Hunting, 1920 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the edi...

Original WWII vintage poster: FOR THEIR FUTURE - BUY WAR BONDS. Original vintage WWII poster by the artist Munsett, 1943. U. S. Government printing: 1943-0-513138. Archival l...

"Art softens even the most ferocious." Paris: Cadart & Luquet, 1865. Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper, 12 1/2 x 9 1/2 inc...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Char (The Chariot), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from the...

HERMANN-PAUL (1864-1940) Maternity: Hug After a Mistake, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of t...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré à Valerio Adami, Derrière le miroir,...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Dan, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andre...

Bastille Day Paris is an original hand drawn lithograph by the French artist Urbain Huchet depicting a lively French street celebration on Bastille Day, the July 14th French national...

This exquisite lithograph by Andre Marchand (1907–1997), titled Hommage a Dufy (Homage to Dufy), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), ori...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Benjamin, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by ...

MARY TRAVIS (Active 1935 - 40) LOTUS FLOWER ROEDING PARK. c.1935-40 White line color woodcut. Signed and titled in pencil. Small edition. 10” x 8”. Full sheet. tears in upper margin. Travis worked in Berkeley, California and was probably a follower of William S...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Zebulun, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by A...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Naphtali, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 49 (Plate 49), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Naphtali, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andre Sauret, Editeur, Paris, and printed by Mourlot Freres, Paris, June 7, 1962. This luminous composition celebrates the Tribe of Naphtali, symbolizing eloquence, swiftness, and divine grace. Tribe of Naphtali captures Chagall’s poetic vision through a harmonious orchestration of radiant blues, greens, and golds, evoking motion, vitality, and spiritual liberation. The image reflects the artist’s ability to translate ancient symbolism into a timeless modern language—one that bridges faith and imagination, merging biblical narrative with lyrical abstraction. In this work, Chagall transforms sacred tradition into an exaltation of life, beauty, and spiritual freedom. Executed as a lithograph on velin paper, this work measures 15 x 11 inches (38.1 x 27.94 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its collaboration with the most important modern artists of the 20th century. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Tribe of Naphtali, from Marc Chagall, The Jerusalem Windows Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1962 Publisher: Andre Sauret, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Marc Chagall, The Jerusalem Windows, published by Andre Sauret, Editeur, Paris, June 7, 1962 Notes: Excerpted from the album, This album, which was compiled by Andre Sauret, was completed on June 7, 1962. The texts by Jean Leymarie were composed by hand in "Romain du roi" and were printed by The Imprimerie Nationale de France. The thirty-six preparatory color designs, some of which are in twenty colors, were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs and the two original lithographs by Marc Chagall were printed by Mourlot Freres. The other reproductions and the binding are by Draeger Freres. About the Publication: Marc Chagall, The Jerusalem Windows (Les Vitraux de Jerusalem), published in 1962 by Andre Sauret, Editeur, Paris, stands as one of the artist’s most celebrated illustrated albums and a cornerstone of modern printmaking. The publication documents Chagall’s monumental stained-glass windows created for the synagogue of the Hadassah-Hebrew University Medical Center in Jerusalem—an artistic and spiritual masterpiece dedicated to the twelve tribes of Israel. Conceived in collaboration with master printer Charles Sorlier and the renowned Mourlot Freres atelier, the album compiles the artist’s original color studies through vibrant lithography, achieving a remarkable luminosity that mirrors the glowing transparency of stained glass. The accompanying text by art historian Jean Leymarie offers profound insights into Chagall’s vision, faith, and symbolism. Completed on June 7, 1962, this edition embodies the union of fine art, craftsmanship, and devotion, capturing the transcendent beauty of Chagall’s windows and their universal message of peace and faith. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Tribe of Naphtali, Chagall Jerusalem Windows...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Issachar, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by ...

A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...

Etching on chine collé mounted to white wove paper, 3 x 4 5/8 inches (75 x 112 mm), full margins. Scattered light areas of adhesive residue with associated discoloration along the to...