Baby Landscape Prints

NEW IMMIGRANTS 1984 is a hand drawn lithograph by the American artist/sculptor Chaim Gross printed in 11 colors on archival Arches printmaking paper. NEW IMMIGRANTS 1984 depicts a figurative image of new immigrants arriving by boat against a background of blue sky and yellow sun rising. A city skyline is visible on the left while humanitarian aid workers attend to the needs of the people - a nurse holding a young boy, food being distributed, a mother cradling a baby in her arms. Chaim Gross' NEW IMMIGRANTS was specially commissioned by The World Federation of UN Associations (WFUNA) in 1984 as a limited edition lithograph for the UN International Conference On Population. Print is pencil signed by the artist on lower right corner. Print size - 11.0" x 8.5" unframed, vivid colors, excellent condition, Printers Proof aside from the edition of 1000. Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Payne (1884 - 1967) "Oh! To Be In England Now That April's There" Lithograph 51 x 67 cm Signed in pencil lower left. Snaffles was one of the foremost sporting artists of his era, publishing many popular prints such as these: hunting pictures...

Artist: Peter Max (1937) Title: Love I Year: 2001 Edition: 453/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 6 x 5 inches Condition: Excellent Inscription: Signed ...

TAXI is a hand drawn limited edition lithograph by the well known and loved British artist and humorist, Beryl Cook(1926-2008). Printed using hand lithography techniques on archival ...

Moses is an  artwork realized by Gianpaolo Berto, 1974.  Etching, 60 x 50 cm. Edition 18/40, Dated 74' in the lower left part. Very good conditions Gian Paolo Berto was born an...

Pastel chalk on textured paper, Series of 20 unique pieces. 100cm x 70cm x .05cm - framing option available.

The vision  is an artwork realized by Gianpaolo Berto, 1974.  Etching, 60 x 50 cm. Edition 38/40, Dated 74' in the lower left part. Very good condition. Gian Paolo Berto was bo...

Etching on chine collé mounted to white wove paper, 3 x 4 5/8 inches (75 x 112 mm), full margins. Scattered light areas of adhesive residue with associated discoloration along the to...

Artist: Peter Max (1937) Title: Liberty & Justice for All Year: 2002 Edition: 152/300, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.5 x 9 inches Condition: Excellen...

It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the...

Stipple point etching on tissue-thin handmade Japon paper, 7 5/8 x 5 inches (193 x 126 mm), full margins. Signed, titled, dated, inscribed and numbered 10/25 in pencil, lower margin....

Visitors to the Colossus Susan Hall, American (1943) Date: 1978 Aquatint Etching, Signed and Numbered in Pencil Edition of 78 Size: 28.5 in. x 38 in. (72.39 cm x 96.52 cm)

Artist: Alexander Calder Title: Plate 5 (Derriere le Miroir #156) Portfolio: Derriere le Miroir #156 Medium: Lithograph Year: 1966 Edition: Unnumbered Framed Size: 22" x 29 1/4" Imag...

Afternoon Sun Susan Hall, American (1943) Date: 1978 Etching and Aquatint, signed and numbered in pencil Edition of 78 Image Size: 28 x 21.5 inches Size: 35 x 28 in. (88.9 x 71.12 cm)

Repetition Susan Hall, American (1943) Date: 1978 Aquatint Etching, Signed and Numbered in Pencil Edition of 78 Image Size: 21.5 x 28 inches Size: 28 x 35 in. (71.12 x 88.9 cm)

Artist: Peter Max (1937) Title: Cosmic Jumper, Detail II Year: 2001 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excellent I...

Artist: Peter Max (1937) Title: Star Catcher Year: 2003 Edition: 453/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Inscript...

The Dinner Susan Hall, American (1943) Date: 1978 Aquatint Etching, signed and numbered in pencil Edition of 78 Image Size: 28 x 21.5 inches Size: 35 in. x 28 in. (88.9 cm x 71.12 cm)

Printed in 1943, by the U.S. Government Printing Office for the U.S. Department of Agriculture Forest Service. The poster features the beloved Disney characters, Bambi (deer), Thumper (rabbit), and Flower (skunk) in wide-eyed shock leaning towards fear. With the slogan "Please, Mister, don't be careless" the poster is designed to tug at the heartstrings of the viewer and make them consider what actions they could take in their own lives to prevent forest fires. Poster: 20" x 14 1/4" Frame: 30" x 22 1/2" Framed to conservation standards with a 100% cotton fiber matboard border and UV clear glass that filters 99% of UV Rays. UV Rays can be especially damaging and cause fading to the inks used in poster making. All of these features are housed in a contemporary natural wood frame. Smokey Bear...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...

Artist: Roy Lichtenstein (1923-1997) Title: As I Opened Fire Medium: Offset Lithograph in colors on three sheets of wove paper Edition: 3000 plus proofs in each print run Size: Three individual sheets with full margins measuring 25.25 x 20.75 each. Combined paper size all together: 25 x 61.875 inches Condition: Excellent Notes: Original Offset Lithograph in colors on three sheets of wove paper, from one of multiple editions of approximately 3000 printed since 1966. Three individual sheets with full margins measuring 25.25" x 20.75" each. Combined paper size all together: 25" x 61.875." Unsigned & unnumbered as issued. Printed by Drikkerj Luii & Co. Published by the Stedelijk Museum, Amsterdam. ROY LICHTENSTEIN (1923-97) An American painter, print-maker and decorative artist who achieved fame in the 1960s. His paintings, based on motifs and procedures of comic strips and advertisements established him as one of the central figures of American Pop Art. Using bright strident colors and techniques such as Ben-Day dots...

Georges Braque Tribute to Cezanne : Estaque Bridge Original etching with aquatint (Crommelynck workshop) Signed in pencil Numbered /150 On BFK Rives vellum 56 x 73 cm (c. 22 x 29 ...

Artist: Peter Max (1937) Title: Liberty Head IX Year: 2003 Edition: 491/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Inscr...

Artist: Peter Max (1937) Title: Flower Jumper Over Sunrise II Year: 2001 Edition: 497/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excell...

This is an exclusive handprinted limited edition cyanotype of a gorgeous blue bouquet. Details: + Title: Blue Flower Bouquet + Year: 2022 + Edition Size: 100 + Stamped and Certific...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...

Artist: Peter Max (1937) Title: Liberty Head on Blends Year: 2005 Edition: 452/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.75 x 10 inches Condition: Excellent...

San Francisco United Air Lines original vintage travel poster. Archival linen-back and ready to frame. This original poster is in very fine condition with no restoration. On the lower edge what would appear as minor damage is actually the design of the artwork running along the white stripes of this image. The famous San Francisco Van Ness...

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

Vibrant screen print of people gathering around a pond by Jane Leddy (American, 1925-2019). People and various animals - including goats, ducks, and cows - ...

Skeleton is an etching realized in 1771 by A-J De Fehrt. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabi...

Animals' Digestive System is an etching realized in 1771 by A-J De Fehrt. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la de...

Skeleton is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cab...

Artist: Peter Max (1937) Title: God Bless America Year: 2002 Edition: 201/300, plus proofs Medium: Lithograph on archival paper Size: 12.5 x 9 inches Condition: Excellent Inscription...

Original vintage poster: The Chateaux of the Loire, Go By Train, artist J. Jacquelin, size: 24" x 39", year: 1956. Original vintage European travel poster...

Artist: Peter Max (1937) Title: Winged Flyer In Space Year: 2002 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 4.87 x 4.5 inches Condition: Excellent Inscr...

Artist: Peter Max (1937) Title: Space Angels Year: 1999 Edition: 199/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 6.5 x 12 inches Condition: Excellent Inscripti...

Matsu (Pine) Woodcut, 1968 Signed: "'Matsu' Naoko Matsubara" in pencil by the artist (see photo) Annotated in pencil "Ed 25" (see photo) Edition: 25 Condition: 7" long waterstain at bottom edge of sheet starting ca. 6" in from lower left corner. Does not effect image. Light foxing throughout, especially in margins. Matting covers the foxing up. Image size: 22 x 43 1/4 inches Naoko Matsubara (1937 - ) Matsubara Naoko (松原直子) was born in 1937 on Shikoku Island into an old Shinto family, and grew up in Kyoto, where her father was a senior priest. She was educated at the Kyoto Academy of Fine Art (BFA, 1960); and was a Fulbright Scholar at what is now Carnegie Mellon University, Pittsburgh (MFA, 1962). She was also a Special Invited Student at the Royal College of Art in London (1962). After travelling extensively in Europe and Asia, Naoko Matsubara returned to Japan for two years, before being lured back to the United States. There she worked as personal assistant to the late Prof. Fritz Eichenberg, and also taught at the Pratt Institute of Graphic Art in New York, as well as at the University of Rhode Island. Subsequently she lived in Cambridge, Mass. In 1972 Naoko Matsubara moved to Canada, and now lives in Oakville, Ontario. She has continued to be extremely active as an artist: locally, nationally and internationally. Since 1960 she has had some 75 solo exhibitions, in the USA, Canada, Japan, England, Ireland, Germany, Austria, Switzerland, Holland and Mexico. She has also participated in numerous group exhibitions. Public collections owning work by Naoko Matsubara include: Albertina, Vienna; Art Institute of Chicago; British Museum; Carnegie Institute; Museum für Kunst und Gewerbe, Hamburg; Museum of Fine Arts, Boston; Philadelphia Museum of Art; Cincinnati Art Museum; Detroit Institute of Art; Fogg Art Museum, Harvard University; Haifa Museum, Israel; Kyoto National Museum of Modern Art; Royal Ontario Museum; The White House, Washington DC; Tokyo National Museum of Modern Art; Yale University Art Gallery. Naoko Matsubara has published some 20 books and portfolios of her work, including most recently Tibetan Sky (Calgary: Bayeux Arts Publishers, 1997; Preface by the Dalai Lama); Tokonoma (Bath, England: Old School Press, 1999); and Konjaku monogatari (Tokyo: ALIS, 2002). Her work also includes a large mural and donor pillar for the new YMCA building in Oakville, Ontario (2003); mixed-media screens; and paintings. In 2005, the Royal Ontario Museum commissioned two large works from Naoko Matsubara for the Museum's Bloor Street window case. The artist generously donated a third work, Emerald Summer (2006). The three works (each 195 cm. high by 95 cm. wide) will be rotated at regular intervals into the outside window. This is the first commissioned artwork to be displayed on the Museum’s Bloor Street Plaza. Recent major exhibitions have been in Tokyo, Kyoto, Indiana, and Toronto (Royal Ontario Museum). Further exhibitions are currently being planned in Seattle and Tokyo; new books in process include In Praise of Hands. She also continues to travel widely; is frequently invited to speak about her work; and also publishes essays, in both English and Japanese. Naoko Matsubara’s work has been the subject of countless articles and reviews; documentary films (including two from the Canadian Broadcasting Corporation); and several book-length publications: notably Mokuhan: The Woodcuts of Munakata and Matsubara (text by Joan Stanley-Baker; Victoria, BC: Art Gallery of Greater Victoria, 1976); Naoko Matsubara: Development of Artistic Style and Technique (text by Barbara Woodworth; MFA thesis, Harvard University, 1985);.and Tree Spirit...

Artist: Peter Max (1937) Title: Profile Series I Year: 1998 Edition: 140/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 9 x 7.5 inches Condition: Excellent Inscri...

Artist: Peter Max (1937) Title: Cosmic Profile Year: 2003 Edition: 451/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Inscri...

ROBERTO MATTA (1911-2002) FOG, GOG, AND MAGOG 1971 Color lithograph. Plate 1 from “Fog Gog, and Magog” 1971. Signed in pencil and numbered. This work is number 92 from the edition o...

Artist: Peter Max (1937) Title: Lady Thru Window Year: 1999 Edition: 166/300, plus proofs Medium: Lithograph on archival paper Size: 6.5 x 12 inches Condition: Excellent Inscription:...

11 layer-screen print on archival 100% cotton rag paper. Measures 15x22 inches. Based on original linocut from the Al Norte y P’atras/North and Back series. Depicts farm workers in my hometown of Salinas, California. Álvaro D. Márquez is a visual artist and part-time professor of Chicana/o and Latina/o Studies at Cal State LA. Much of Marquez's work explores art as social inquiry, looking at the history of displacement in the Americas, starting with Indigenous dispossession after European conquest, following through to current issues around gentrification and homelessness. Marquez was born into the working-class migrant community of East Salinas, in California’s Central...

Original Caribbean South America Holland America Cruises vintage poster. S.S. Rotterdam and the S.S. Statedam cruise ships. Artist: David Klein. Archivally linen-backed and ready to frame. In excellent condition. Note that his poster was printed with a shiny surface. David Klein was the notable artist that created most of TWA’s travel posters...

Artist: Peter Max (1937) Title: On a Distant Planet Year: 1978 Edition: H.C. 9; aside from the edition of 165 Medium: Silkscreen on Somerset paper Size: 26.5 x 20.75 inches Conditio...

Landscape is an etching realized by Pierre Quentin Chedel in 1755. Good conditions. Signed on Plate. The artwork is depicted through confident strokes. The etching was realized f...

LOT:20221109N01 Reworked woodcut, Fuji Xerox copy Each signed, dated and numbered Each edition 9 of 50 Each 41.5 x 29.5 cm Publisher: Tomio Koyama Gallery, Tokyo Provenance: Phillips Auction...

Three Nightshades Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

The artwork will be sent unframed Linocut print „Stone cairn 1” 2021 Reduction linocut print technique Limited edition, print unique number 1/7 Paper Fabriano Rosaspina Paper size 40...

Great Britain is a limited edition geographical print with pearlised screen print detail by Justine Smith. This artwork is prints onto 330gsm Someset satin paper. The use of differen...

Artist: Peter Max (1937) Title: Star Catcher on Blue Year: 2002 Edition: 487/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.87 x 4.5 inches Condition: Excellent I...

Letter V is an etching realized by Luigi Vanvitelli artist of 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Expose...

This original limited edition graphic art lithographic poster entitled "Carousel Animals" was created by David Lance Goines in 1984 in his Berkeley ...

Artist: Peter Max (1937) Title: Tip Toe Floating I Year: 2001 Edition: 452/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 6 x 4.75 inches Condition: Excellent Inscr...

Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Artist: Peter Max (1937) Title: Cosmic Jumper, Detail I Year: 2003 Edition: 495/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2...

Signed and numbered from the edition of 15. Printed on Chine colle. Image of a young woman with her hands poised to make magic, with a large flower before her, and a bird whispering ...

Letter of the Alphabet L, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th centu...