Baby Landscape Prints

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Pierre aux trois croquis (Pierre with Three Sketches), from the album Les Lithographies de Renoir (The Litho...

Artist: Peter Max (1937) Title: Galaxy Lady Year: 1972 Edition: T.P.; 300, plus proofs Medium: Silkscreen on wove paper Size: 16 x 18.5 inches Condition: Good Inscription: Signed by ...

This exquisite silkscreen by Jacob Lawrence (1917–2000), titled Street Scene, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New Y...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Minotaure et nue (Minotaur and Nude), from the folio Picasso, La flute double, 16 Dessins, Aquarelles La...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Clownesse (Clowness), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Paris ...

This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled La Vierge (The Virgo), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates from the 1...

This exquisite lithograph by Andre Derain (1880–1954), titled La Grande Chasse (The Great Hunt), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Fleurs peintes (Painted Flowers), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), ori...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

This exquisite silkscreen by Jacob Lawrence (1917–2000), titled Market, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New York, a...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

This exquisite lithograph after Jules Pascin (1885–1930), titled Le Petit Chaperon Rouge (Little Red Riding Hood), from the album XXe siecle, Sommaire du No. 1, 1er Mars 1938, Chroni...

Title: Statue of Liberty V Year: 1981 Medium: Offset lithograph in colors on gloss archival paper Size: 24.5 x 12.5 inches Inscription: Hand signed by Peter Max in ink and unnumbered...

This exquisite lithograph by Richard Lindner (1901–1978), titled Femme avec oiseau (Woman with Bird), from the album XXe Siecle, Nouvelle serie, XXXVIe Annee, No. 42, Juin 1974, orig...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Frontispice pour Les Cavaliers d’Ombre (Frontispiece for The Horsemen of Shadow), from the album Les Cavaliers d'Ombr...

EARLY JACOULET PAUL JACOULET (1896 – 1960) UNE AVERSEA METALANIM, PONAPE , EST CAROLINES, 1935 A DOWNPOUR AT METALANIM PONOPE EAT CAROLINAS (Miles 29) Color woodcut, with metallic ...

This exquisite lithograph by Antoine Pevsner (1886–1962), titled Tete de femme (Head of a Woman), from the album XXe siecle, Nouvelle serie, XXIe Annee, No. 12, Mai-Juin 1959, origin...

14-colour lithograph printed on white paper BFK Rives - 270 grammes Edition 213 of 250 Signed, stamped and numbered in pencil on the front Mint, as issued

This exquisite silkscreen by Jacob Lawrence (1917–2000), titled People in Park, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur, 1948. Publ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Femme au Chien (Woman with Dog), from the album Vlaminck, originates from the 1958 edition published by Andre ...

This exquisite lithograph by Andre Derain (1880–1954), titled La Chasse (The Hunt), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 issue publish...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 150 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.42 x 8.27 inches Inscription: Signed in the plate and unnumber...

Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.02 x 7.87 inches Inscription: Signed in the plate and unnumber...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 9.125 x 12.25 inches; image size: 4.25 x 8.875 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.25 x 8.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the...

Etching on a large sheet of light cream wove paper, Baron Dominique Vivant Denon (after Jean-Honoré Fragonard); Paris: c 1900; 4 3/4 x 3 1/2 inc...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...

Original linen-backed vintage travel poster: ROME via TWA. TWA Trans World Airlines. Lockheed Constellation flying over the statue of Poseidon (Neptune) Statue, Piazza Navona, ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Simeon, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by An...

Roofs, Summer Night. 1906. Etching. Morse catalog 137 state ii. 5 1/4 x 7 (sheet 9 1/2 x 12 1/8). Series: New York City Life. A fine impression on cream ...

ROBERTO MATTA (1911-2002) FOG, GOG, AND MAGOG 1971 Color lithograph. Plate 1 from “Fog Gog, and Magog” 1971. Signed in pencil and numbered. This work is number 92 from the edition o...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, André Beaudin, Verve: Revue Artistique et...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

Title: Highest Mountain Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as is...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Autoportrait (Self-Portrait), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), origina...

Original Type 59. Grand Prix Bugatti. Linen-backed, horizontal format, fine condition. Small format. This is an original small format type 59. Grand Prix Bugatti sports car print ...

Original Caribbean South America Holland America Cruises vintage poster. S.S. Rotterdam and the S.S. Statedam cruise ships. Artist: David Klein. Archivally linen-backed and ready to frame. In excellent condition. Note that his poster was printed with a shiny surface. David Klein was the notable artist that created most of TWA’s travel posters...

Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.375 x 8.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...

This rare Original 1920s authentic print is a Taisho Period Woodblock print published from the Japan 1920's The Nippon Mokuhan Gasui, Masterpieces Series.; it is authentically hand ...

Title: Cosmic Flyer Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued...

This exquisite lithograph after Marc Chagall (1887–1985), titled Mozart et Moussorgsky (Mozart and Mussorgsky), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ce...

Ski Free in Siberia. Circa 1969. Poster satirizing ski culture in Soviet-era Siberia: A skier wears a prisoner’s outfit and carries a hammer and sickle; “Gone-Dola” prison trucks are...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Le buisson ardent (The Burning Bush), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by J...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

The little that is know about the painter and printmaker Stewart Wheeler indicates that most of his career was spent in Philadelphia, Pennsylvania. And...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

This exquisite silkscreen by Jacob Lawrence (1917–2000), titled Family, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New York, a...

This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Sagitaire (The Sagittarius), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates f...

The Jolly Flat Boat Men, 1847 After George Caleb Bingham (American, 1811-1879) Engraved by Thomas Doney (French, active New York 1844-1849) Engraving with Hand-Coloring Published by The American Art-Union, New York (1838-1851) Printed by Powell and Co. 18 x 24 inches 32 x 38 inches with frame In 1847, the American Art-Union purchased Bingham’s painting "The Jolly Flat Boat Men" (1846; National Gallery of Art) directly from the artist. The subscription-based organization, founded in 1838 as the Apollo Association, boasted nearly ten-thousand members at this date. For an annual fee of five dollars, each received a large reproductive engraving and was entered in a lottery to win original artworks exhibited at the Art-Union’s Free Gallery. Aimed at educating the public about contemporary American art, the organization developed an impressive distribution network that reached members in every state. The broad circulation of the Art-Union's print helped to establish Bingham's reputation and made his river scene famous. Born in Augusta County, Virginia in the Shenandoah River Valley, George Caleb Bingham became known for classically rendered western genre, especially Missouri and Mississippi River scenes of boatmen bringing cargo to the American West and politicians seeking to influence frontier life. One of his most famous river genre paintings was The Jolly Flatboatmen completed in several versions in 1846. This first version of this painting is in the Manoogian Collection at the National Gallery of Art. Fame resulted for this work when it was exhibited in New York at the American Art Union whose organizers made an engraving of 10,000 copies and distributed it to all of their members. Paintings such as Country Politician (1849) and County Election (1852) and Stump Speaking (1854) reflected Bingham's political interests. In 1819, as an eight-year old, he moved to Boon's Lick, Missouri with his parents and grandfather who had been farmers and inn keepers in the Shenandoah Valley near Rockingham, Virginia. Reportedly as a child there, he took every opportunity to escape supervision to travel the River and watch the marine activity. His father died in 1827, when his son was sixteen years old. His mother had encouraged his art talent, but art lessons were not easily obtainable. In order to earn money, he apprenticed to a cabinet maker but determined to become an artist. By 1835, he had a modest reputation as a frontier painter and successfully charged twenty dollars per portrait in St. Louis. "His portraits had become standard decorations in prosperous Missouri homes." (Samuels 46). In 1836, he moved to Natchez, Mississippi and there had the same kind of career, only was able to charge forty dollars per portrait. He remained largely self taught until 1837, when he, age 26 and using the proceeds from his portraiture, studied several months at the Pennsylvania Academy of the Fine Arts. He later said that he learned much of his atmospheric style and classically balanced composition by copying paintings in collections in St. Louis and Philadelphia and that among his most admired painters were Thomas Cole, John Vanderlyn, and William Sidney Mount. Between 1856 and 1859, Bingham traveled back and forth to Dusseldorf, Germany, where he studied the work of genre painters. Some critics think these influences were negative on his work because during that time period, he abandoned his luminist style that had brought him so much public affirmation. Bingham credited Chester Harding (1792-1866) as being the earliest and one of the most lasting influences on his work. Harding,a leading portraitists when Bingham was a young man, had a studio in Franklin, near Bingham's home town. In 1822, when Bingham was ten years old, he watched Harding finish a portrait of Daniel Boone. Bingham recalled that watching Harding with the Boone portrait was a lasting inspiration and that it was the first time he had ever seen a painting in progress. Harding suggested to Bingham that he begin doing portraiture by finding subjects in the river men, which, of course, opened the subject matter that established fame and financial success for Bingham. Harding also encouraged Bingham to copy with paint engravings. He later painted two portraits of Boone but, contrary to the assertions of some scholars, he did not do Boone portraits in the company of Harding. Bingham's portraits of Boone are not located, but one of them, a wood signboard for a hotel in Boonville circa 1828 to 1830, showed a likeness of Boone in buckskin dress...

La Répétition is an artwork realized by Edouard Moyse in the 1870s. Etching. Image size:19x29 Good conditions. Realized for the "Société des Aquafortistes. Born on the initiati...