Drawing Landscape Prints

Urbino con la neve is an original artwork realized by an artist of the 17th century. Beautiful etching on ivory paper. Image Dimensions: 20...

Landscape in Winter is a etching and drypoint print on ivory-colored cardboard realized by André Hambourg, in the 1950s. Hand-signed on the Plate and lower. Good conditions. The a...

Venice is an original Etching realized by Gian Paolo Berto in 1974. Hand signed, sated and numbered by the artist with pencil on the lower right corner. Edition of 50. Good conditi...

View of Rome is an original Etching and Drypoint realized by Carlo Alberto Petrucci in 1964. Good condition included a white cardboard passpartout (37x52 cm). Hand signed by the artist with pencil. Carlo Alberto Petrucci (4 August 1881 - 11 February 1963) was an Italian engraver, painter and museologist. The son of Luigi, owner of an antique library, and Beatrice del Nero of an old Roman family, after graduating from the Leonardo da Vinci Institute he worked as an accountant. Between 1902 and 1903 he attended the evening classes of the nude school at the International Artistic Association and there he met Umberto Prencipe and Antonio Mancini...

This artwork "Allagato" c.1970 is an original offset lithograph by Italian artist Luciano Guarnieri, 1930-2009. It is hand signed and numbered V in p...

The Church is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. ...

S.Maria in Trastevere is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleon...

Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec quatre gravures à l'eau-forte de Marie Laurencin, 1926. Published by Au Sans Pareil, Paris; printed by Lacourière, Paris, 1926. Excerpted from the volume (translated from French), 20 copies on tank vellin, with a double sequence of engravings, including one in first condition. These copies, reserved for Friends of the Unparalleled and printed in their name, are numbered from 1 to 20; 35 examples; 60 copies on Holland Van...

Working in the tradition of the Etching Revival, Ernest David Roth made this amazingly conceived and detailed study of the entrance to the Spanish ci...

Rome is an etching realized by Mihu Vulcanescu (1937 - 1994) in 1979. Black and white etching. Hand-signed on the lower right margin. Dated on plate. Numbered on the lower ma...

William Meyerowitz (1898-1981), Armistice Day, 1918, etching with watercolor. Edition not stated. Signed in pencil. Signed and dated in the plate, lower left. Image size 9 3/4 ...

Original etching on Ingres laid paper (watermarked, see last photograph) attributed to the hand of the well known Dutch artist, Hermanus Jan Hendrik Rijkelijkhuysen. No visible signature. Sheet size 9.25 by 12 inches. Sight size 7 by 9 inches. Under glass. Circa 1875. Condition is excellent. Professionally matted and framed in a walnut colored frame with gold leaf edge. Overall framed measurements are 12.75 by 14.5 inches. Gallery label verso. Provenance: A Sarasota, Florida collector. Biography: Hermanus Jan Hendrik Rijkelijkhuysen (1813-1883) was a landscape painter and etcher. Rijkelijkhuysen spent most of his life working in the vicinity of his birthplace Utrecht. Inspired by the polders on the one hand and the Utrechtse Heuvelrug on the other, he mainly painted and etched water...

Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...

Landscape is an original artwork realized by the French artist Léopold Lévy (1882-1966) in the first half of the XX century. Etching and drypoint on paper. Image dimensions: 15x20 cm. Hand-signed by the artist on the lower right corner. Perfect conditions. Very beautiful print, fresh and delicate, representing a natural landscape. Black thin lines define the whole composition in a refined way. The composition is realized with geometrical and volumes and lines. The artwork has been realized by the French artist Léopold Lévy (Paris, 1882 - Paris, 1966) a French painter and engraver. The edition of De la nature (De Rerum Natura) illustrated with 41 original etchings is considered one of the most beautiful artist books of the XX Century. He was one of the friends of Charles Edmond Kayser...

Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...

Signed titled, and dated, in pencil, and annotated in lower margin "My great-great grandfather's house, built in Bentleyville, Ohio in 1831; torn down in 1956." The wood engraving i...

River is an original modern artwork realized by the French artist Pierre Frachon-Forcade in the middle of the XX Century. Original Lithograph on paper. Hand-signed by the artist ...

English Title: "The Famous Ercole’s undertaking in “Esperidi” Beautiful Artist's Proof, representing the first complex apparatus for firework built in occasion of the Feast of S. Pe...

An original woodblock print dated 1965, titled "Our Town" but signed illegibly.

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Navona Square is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbered edition of 190 cop...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) St Catharine's College, Cambridge (1690) Engraving 35 x 46 cm Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...

"Daphnis et Chloe - The Lovers" is an original lithograph by Pierre Bonnard. This lithograph is a rare proof for the illustrated edition of Daphnis et Chloe. There were two proofs, o...

Image dimensions: 39.8x60.4 cm. Sepolcro de’ tre fratelli Curazj in Albano (Tomb of the three brothers Curazj in Albano) is a wonderful etching on thick laid paper with watermark (a...

Landscape is an original etching on paper realized by Maro Logli. Hand-signed at the bottom of the image. numbered on the lower right, edition, IX/XXX. very good condition. Sheet...

Dawn over the Labor Field is an original lithograph realized by Paul Petit in the mid-20th Century. Hand-signed. E.A. VI. The artwork is depicted through...

Signed and numbered 19/150 in pencil, lower margin. Printed by Mourlot, Paris. Published by Editions San Francisco Grafic, San Francisco. From Album San Francisco. Catalogue raison...

Etching, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagn...

Palazzo Pio is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed margins with some foxing...

Turtle Fountain - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. ...

Giardino e Casino Pontificio is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed ...

Colleggio Ecclesiastico a Ponte Sisto is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except fo...

Basilica e Monasterio di S.Paolo Fuori le Mura is an etching on paper of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions ...

The River By Meadow is an original etching artwork on creamy-colored paper realized by French artist Amadée Feau (1872-1952) in 1921. Signed on the plate on the lower right and date...

Porta S.Spirito is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,1710...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...

Palazzo S.Marco della Sereniss. Rep. di Venezia is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except f...

Image dimensions: 11x17 cm. Landscape is an original etching realized by Alberto Salietti, an italian artist of the 20th century. The state of preservation is very good, except for...

Turtle Fountain - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. ...

Monastero dei Canonici Lateranensi - Chiesa di S.Maria della Pace is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin....

Nature is an original lithograph realized by an Italian artist in the 19th Century. Signed on the lower right but illegible. Good conditions but aged with diffused foxings. The ar...

Dangerous Jokes is an Original Lithograph realized by Willette (Adolphe Léon). Good condition on a yellowed paper. Hand signed with blue pencil on the lower left corner. Adolphe ...

This artwork titled "Unter Den Linden Street, Berlin, Germany" c.1930 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kas...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Épinal- France Pittoresque is an original lithograph realized by an Anonymous artist of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in Fra...

Lithograph on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cirque, Lithographies Originales. Published by Les Édition...

Palazzo Farnese is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for foxing that doesn't ...

Kate Heiss Over the Lighthouse Linocut Edition of 50 Image Size 30 x 30cm Mounted size 40x 40cm Oil based inks on 300GSM Soft white Somerset Velve...

Chiesa dell'Archiconfraternita delle Stimate di S.Francesco is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed margins. Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...

Lithograph on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cirque, Lithographies Originales. Published by Les Édition...

The reference number on this work is Kraeft 88. It's from an edition of 100 and is signed, dated, and numbered, in pencil. Always an intaglio printmaker, Landeck switched from a mor...

Chiesa di S. Grisogono is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed marg...

Milan Cathedral is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the lower margin: Milan C...

Lalibela is an etching on paper realized by Lino Bianchi Barriviera in 1939. Hand-signed in pencil. In very good conditions. The artwork represents a picturesque scenery in Lalibe...

Sepolcro Regio o Consolare inciso nella rupe del Monte Albano, or nel Convento di Fr. Frances. ni di Palazzuolo is an original etching realized by Luigi Rossini. From the series “Le ...

Veduta degli Avanzi della Villa di Domiziano da altri chiamata le Terme di Pompeo Magno Image dimensions: 46x60 cm. From the collection “Le antichità de’ contorni di Roma (...)” an a...

Altra Veduta presa sotto il grand' Arco dell'interno dell'Emissario di Albano is an original etching belonging to the series "Le Antichità di contorni di Roma” (…)". Beautiful proof...

This artwork titled "Verdes, Loire et Cher, France" is an original lithograph by American artist Teall (La Verne Teall) Messer, 1897-1977. It is hand signed, titled, dated and numbered 36/40 in pencil by the artist. The image size is 10.65 x 13.65 inches, the sheet size is 14 x 21.5 inches. It is in excellent condition, especially considering the age of this piece. About the artist: Born in Dixon Illinois in 1897, Teall Messer dropped the name Lavern as soon as he came "of age". He went to New York to be an artist and intellectual. He hung out with the playwrights of the time and ended up with an award from the Rockefellers to go to Paris and study painting. This was in the 1920's. He stayed for several years in Paris being the stereotypical American painter there. He had contact with at least some of the famous painters and shared a studio with Alexander Calder. One story was that he and Alexander were dating two French sisters. The girls' mother told them to drop the Americans as they would never make much money. That was true for Teall, not so for Calder. He also knew Brancusi well enough to have a signed sketch dedicated "á Teall Messer avec amour". He knew Gertrude Stein well enough to heartily dislike her, considering her a phony. In France Teall married a member of the Byrd...

In The Port is an original woodcut print realized by Unknown Artist of the early 20th Century. In very good conditions. The artwork represents a port through delicate and precise s...

Allegorical Music is an original etching on paper realized by Demetrios Galanis (1878-1966). The state of preservation of the artwork is good. The artwork represents the picturesqu...