Nature Landscape Prints

Paul Cezanne Trees and houses, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) INFORMATION...

This limited edition print by S. Cora Aldo depicts an impressionistic ocean view. Sand-colored tones extend from the bottom of the composition and fade to a muted blue, with strokes ...

Claudia Keller Untitled Landscape II Color Silkscreen Year: 1985 Signed, dated, numbered or inscribed Edition: 180 Size: 19.5 × 18.5 on 27.3 × 23.4 in...

This artwork titled "Maroon Lake, Colorado" 1945 is an original lithograph on paper by noted American artist Adolf Arthur Dehn, 1895-1968. It is hand signed, dated, titled, numbered ...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.08 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Jean Michel Mathieux-Marie Notre-Dame de Paris Original drypoint etching Handsigned in pencil On BFK Rives vellum, 28,5 x 38 cm (c. 11,2 x 14,9 inch) Numbered /100 copies Excellent...

This art work titled "Murmures" 1989 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E.A (Artist Proof) in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Mazo. plate #31. The image size is 23.80 x 30 inches, framed size is 39.25 x 44.5 inches. Custom framed in a wooden gold frame, with fabric matting and gold color spacer. It is in excellent condition. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...

Days Like These ii [2021] limited_edition Screenprint Edition number 15 Image size: H:60cm cm x W:60cm cm Complete Size of Unframed Work: H:65cm cm x W:65cm cm x D:400gsmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Days Like these ii is the second in a series of coastal print...

'II.e Vue d'un passage du Mont St Gothard' French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794). From 'The Scenery and Science of Switzerland illustrated'...

'1.ere Vue d'un passage du Mont St Gothard' French copper-line engraving by Nee after Claude Louis Chatelet (1753-1794). From 'The Scenery and Science of Switzerland illustrated', ...

Ansel Adams and the West, 1979 Offset Lithograph Poster 23 × 36 inches Unframed This offset lithograph poster was created on the occasion of the Ansel Adams exhibition, Ansel Adams and the West, at the Museum of Modern Art in New York from September 8 - October 28, 1979. The photograph featured in this poster is Old Faithful...

Hillside landscape with fence and wildflowers. A scene from the hills west of San Joaquin Valley, California.. Signed, titled and numbered from the edition of 120.. Born in Berkeley...

David Lee, Chinese (1944 - ) - Misty Mountains, Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 21 in. x 26 in. (53.34 cm x 66.04 cm), De...

This traditional coastal Limited Edition print by Daniel Pollera pictures three white Adirondack chairs, positioned in the grass overlooking a body of water. Several sailboats can be...

Lithograph and Stencil on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Vins, Fleurs et Flammes, 1956. Published by ...

A ca. 1958 lithograph in colors titled "Edgartown Yacht Club" by notable Chicago artist Francis Chapin. Image size: 13 1/2" x 20 1/4". Archivally matted to: 19 1/2" x 26". Prove...

Yang Mingyi (Chinese, b. 1943) Passing Through at Winding Gates by Moonlight, 1980 Lithograph Sight: 19 1/4 x 16 5/8 in. Framed: 22 5/8 x 22 1/4 x 3/4 in. Signed, dated, inscribed, a...

Depiction of the Salish Sea from Skyline Divide, Washington, highlighting the type of seascapes for which McMillan is so well known. Signed in pencil from ...

Mel Hunter, American (1927 - 2004) - Stage Hound in Full Gale, Year: 1978, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 21 in. x 29 in. (53.34 cm x 73.6...

'A Cottage in a Cornfield' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836). From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic...

Born in Austin, Texas, in 1954, John Cobb knew he wanted to be an artist since he was 9. In 1976, he entered Rhode Island School of Design where his realist tendencies were ostracize...

Work on paper

Signed and numbered (6of 25) etching from this much collected Scottish Artist. Image 8; x 8. Excellent condition. Matted Ian Laurie was born in 1933 and is a self taught artist wh...

Linda Plotkin, American (1938 - ) - Stone Valley, Year: circa 1965, Medium: Aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: TP, Image Size: 8 x 7.75 inches...

John McNulty, Irish/American (1949 - ) - Eagles I, Year: 1983, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 175, Size: 22 x 3...

This is an original, hand-printed contact photograph using the antique cyanotype process. These Monterey pine trees obscured by fog are in the woods across the bay from San Francisco...

JOSEPH PENNELL (1857-1926) The Thames, 1894 Signed Aquatint Plate size 20.5 by 26.5 cm., 8 by 10 ½ in. (frame size 42 by 46 cm., 16 ½ by 18 in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...

The Landscape of Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of onl...

David Lee, Chinese (1944 - ) - Mountain Lake (6), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 275, Size: 20 x 25.5 in. (50.8 x 64.77 cm), Desc...

Canyon Road, by John Hogan, lithograph, edition, black, white, Santa Fe hand pulled lithograph edition signed and numbered by the artist unframed 30 x 44 paper size John Hogan A gr...

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...

This large-scale, colorful ocean landscape monotype gives the viewer a hidden vantage point: through the dark silhouette of tangled vines can be seen a placid, turquoise sea lapping ...

Joseph Grippi, American (1924 -2001) - White Cloud, Year: 1984, Medium: Screenprint Monoprint, signed and numbered in pencil, Edition: 4/40, Size: 24 x 28.5 in. (60.96 x 72.39 cm)

Mel Hunter, American (1927 - 2004) - Dreadnaught After the Storm, Year: 1977, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 24 x 31 in. (60.96 x 78.74 ...

Color lithograph on Somerset white wove paper. Signed, dated and numbered 2/90 in pencil, lower margin. Printed by Derriere L'Etoile Studios, New York. Published by Brooke Alexander ...

Rene LIGERON Mediterranean Sea : The house Near the Beach Original etching and stencil Printed signature in the plate On vellum 11 x 29 cm (c. 4.5 x 12 in) Excellent condition

Autumn gold [2022] Mid November in the Surrey hills when the Autumnal colours are most vivid. Shades of gold, burnt orange, yellow ochre and beige dominate the woodland. Addition...

This limited edition print by S. Cora Aldo depicts an impressionistic ocean view. Sand-colored tones extend from the bottom of the composition and fade to a muted blue, with strokes ...

Mel Hunter, American (1927 - 2004) - Addison County Showplace, Year: 1976, Medium: Lithograph, signed and numbered in pencil, Edition: M 9/10, Size: 15 x 20 in. (38.1 x 50.8 cm...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of travelers crossing the Ōi River at Kanaya, circa 1850. Signed in Kanji center right, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japanese, 1797-1858) and printed circa 1946 by Gihachiro Okuyama (1907-1981). An exceptionally crisp image with fresh color, printed on traditional Washi paper and showing delicate bokashi gradation of sumi ink in the foreground, horizon and upper sky. Sheet Dimensions: 10.25 H x 15.25 W inches. The procession from a previous print emerges from the river, having completed its crossing. Porters lie down to rest after the river crossing, while a large crew of men struggle to move a particularly heavy palanquin (presumably containing a daimyo) across the home stretch...

This limited edition print by S. Cora Aldo depicts an impressionistic ocean view. Sand-colored tones extend from the bottom of the composition and fade to a muted blue, with strokes ...

**Framing Included in Listing Price, Free Shipping, and 14-Day Return Policy** Wild Garlic Bridge (2013) by Susan Derges. 30 x 17 inches unframed 34 x 21 inches framed Digital C-P...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Linda Plotkin, American (1938 - ) - Afterlight, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 76/175, Image Size: 26.5 x 19.75 i...

Linda Plotkin, American (1938 - ) - Early Fall, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 16/90, Image Size: 20.5 x 20 inche...

Waxing means that it is getting bigger. Gibbous refers to the shape, which is less than the full circle of a Full Moon, but larger than the semicircle shape of the Moon at Third Quar...

Braun G., Hogenberg F., Candia, (Heraklion, Crete) from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Very fine B/W aquatint showing a view of Heraklio...

The first visible phase after the New Moon. The Moon has had an importance in human culture since the dawn of history and likely before. Often revered as a feminine deity and count...

Asa Cheffetz Ramshackle Barn (de-accessioned from the Denver Art Museum), ca. 1929 Wood-engraving Pencil signed, numbered 27/100 and titled by the artist on the front 13 × 10 1/4 inches Unframed - affixed to matting De-accessioned from the collection of the Denver Art Museum Asa Chaffetz, "the engraver's engraver" This is the original numbered wood engraving from 1929; not a later re-print This print was honorable mention in the International Exhibition of prints, Art Institute of Chicago, 1929 Exhibited: New England engraved: The prints of Asa Cheffetz: An Exhibition of his wood engraving & an exploration of his life as an artist. Springfield, MA: Museum of Fine Arts, 1984 (A different example) Asa Cheffetz Biography: Born in Buffalo, New York, Cheffetz studied at the School Of The Museum Of Fine Arts in Boston under Philip Leslie Hale...

Tim Southall Woodland Scene Limited Edition 6 Colour Silkscreen Print Edition of 25 Sheet Size: H 46cm x W 64cm x D 0.1cm Sold Unframed Please note that insitu images are purely an i...

Joseph Grippi, American (1924 - 2001) - Waterscape, Year: circa 1975, Medium: Screenprint Monoprint, signed and numbered in pencil, Edition: AP, Image Size: 33 x 44.5 inches, Size: 3...

Linda Plotkin, American (1938 - ) - Clouds II, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 6/50, Image Size: 6.75 x 8.75 inches, Size: ...

Cottage in the Countryside is a splendid print in etching technique colored engraved by Luigi Kasimir (1881-1962). The state of preservation of...

Landscape is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 5/99, o...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth centur...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.08 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Aufbruch Zur Jagd is an Etching realized by Wilhelm Woernle in the 19th Century. Good condition.

This artwork "Landscape with House" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the arti...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...