Photography Landscape Prints

Frank Sinatra IV by David Studwell. Hand pulled screen print of music icon Frank Sinatra. 58x36cm Edition of 30 Signed by the artist

Barbara Rosiak is a Polish painter and graphic designer born in 1955 in Lodz. From 1974 to 1979, she studied at the National Superior School of Fine Arts at the Faculty of Painting a...

Adored by collectors and art lovers around the globe, Alex Katz (b. 1927) is renowned for his elegant and distinctive version of figuration. Katz has been dedicated to art-making si...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled The Berry Picker, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wye...

Frank Sinatra IV by David Studwell. Hand pulled screen print of music icon Frank Sinatra. 58x36cm Edition of 30 Signed by the artist

A delightful bird's eye view of Deane House Kent, engraved by John Harris after an original drawing by British illustrator Thomas Badeslade. The engraving shows a detailed view of th...

Cedar, 2022 Screenprint on Somerset Velvet Antique 280gsm hand-signed and numbered 52.6 x 44.2 cm - Framed 48 x 38 cm - sheet Printer's Proof - Edition 1 of 3 To commemorate Ai Weiw...

Christo Art Card: Reichstag Aerial View, Hand Signed by Christo and Jeanne-Claude, 1997 Offset lithograph card (HAND SIGNED) with provenance Gorgeous aerial view of the Reichstag, ha...

Art Card: Reichstag at Night (Berlin 1995: Der von Christo und Jeanne-Claude verhüllte Reichstag), Hand Signed by Christo and Jeanne-Claude, 1995 Offset lithograph card (Hand signed ...

Christo and Jeanne-Claude The Umbrellas Japan-USA Hand Signed by Christo & Jeanne-Claude Offset lithograph card Hand signed in orange crayon by Christo and Jeanne-Claude Provenance: ...

Lake Michigan is famous for its landscape paintings. This limited edition lithograph numbered 459/500 is entitled "Spring Surf on Lake Michigan" and is signed and remarqued by the artist Leo Kuschel.

This beautiful, limited edition original color woodblock is by the famous Showa Shin Hanga woodblock master Clifton Karhu (1927-2007). It bears the original frame and has a label on the back from a Tokyo gallery. The work is a beautiful impression with rich color. It and the frame are in excellent condition. The print measures 16 x 16 inches. The frame is 23 ½ x 23 ½ inches. It is numbered lower left as AP5 - Artist Proof #5 and is pencil signed and dated ‘74 lower right. An American of Finnish descent, Clifton Karhu was born in Minnesota in 1927. Raised together with his twin brother Raymond, Karhu was the son of painters Arne and Anna Karhu. After his graduation in 1946 he served in the military at an American Navy base in Japan. Returning to America following his military service in 1950, Karhu enrolled at the Minneapolis School of Art but quit two years later to pursue missionary work as a Lutheran minister. Karhu left the missionary work in 1958 and chose to move his new family to Gifu City, a small provincial town northwest of Kyoto, Japan where he set about returning to his art. Karhu soon found local success in 1961; obtaining first prize at the Chubu Taiheijo Bijutsu Kyokai Ten (The Middle Pacific Art Group Exhibition) and fixing his first single, professional exhibition at the Shin Gifu Gallery. In hopes of providing their three children with an international education, Karhu settled in Kyoto in 1963. The next few years proved heavily influential in Karhu’s work. Arguably forming the foundation for all his future success, Karhu found tutelage under recognized woodblock artist and gallery owner Tetsuo Yamada and colour theorist Stanton Macdonald-Wright. Responsible for shifting Karhu’s artistic doubts, Karhu proceeded to fulfill a very successful career in woodblock printing - carving his own works largely by himself. Clifton Karhu passed away in 2007 after an illustrious career that saw him viewed and celebrated as a local Kyoto celebrity, as well as having exhibited widely in many countries around the world. His woodblock prints have been collected by many famous museums including the Tokyo Modern Art...

Bob Dylan Sidewalk Cafe, 2011 Giclee on Hahnemuhle 350gsm Museum etching paper hand-signed and numbered by the artist Framed: 85 x 68 cm Sheet: 70 x 56 cm Image: 54.5 x 40 cm Edition...

Clouds behind clouds II and Cloud 2 by Simon Tozer [2022] original Screenprint on paper Image size: H:24 cm x W:21 cm Complete Size of Unframed Work: H:24 cm x W:21 cm x D:0.1cm ...

Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...

James Jacques Joseph Tissot (French, 1839-1906), "Reverie", Etching and Drypoint on Laid Paper, 1889, silvered wood frame. Image: 9" H x 4.5" W; frame: 14.75" H x 10" W. Provenance: ...

Central Park, New York City is the locale for this subtle etching by Harold Altman. It is yellowing a bit around the corners due to natural aging process, however the coloring of th...

Marquette Lighthouse is a well known landmark for anyone who has visited the Upper Peninsula of Michigan! This is signed by the artist Leo Kuschel who liv...

I Castelli Romani is a splendid poster realized after Neal Slavin, in 1983, in occasion of the exhibition held in Rondanini Gallery in Rome. Vintage o...

Business cards like this fall into the category of what art historians today generally refer to as "ephemera." Ones like this were produced for companies in the late 19th century, pr...

Nicolas Party (b. 1980) is a critically acclaimed Swiss artist best known for his distinct brand of stylized fantasy figuration. One of the most successful and youngest artists in th...

Vintage 1967 US Marine Corps "The Marine Corps Builds Leaders!" original recruiting poster - linen-backed art print, 27" x 38.5". Grade A condition, ready to frame. Authentic Vintag...

David Roberts RA Ruins of Semua 1796 - 1864 Subscription and first edition lithographs in stock Half plate: 56 Presented in a acid free mount Modern hand-coloured lithograph for the...

M.C. ESCHER (1898-1972) Reflecting globe, 2008 Facsimile after the original woodcut from 1935 Signed in the plate Numbered / 450 copies (the number you can see can be different) On ...

February -- Orchid. (Nigatsu - Ranjo no saku). 1956. Woodcut with hand-applied color from the verso. Kodansha vol.9 No. 125. 17 x 13 (sheet 18 1/4 x 21 1/2). Series: Calender in the ...

Etching on handmade wove paper, 3 3/4 x 2 3/4 inches (95 x 70 mm), thread margins. Third state (of five), likely printed early 19th century. In very good condition with light handlin...

LEBAS Léonie (19th-20th) - Paris Belle Epoque Genre Scene - Oil on wood in pair - Copper leaf frames. Wood Dim (each) : 22 X 16 cm - Dim frame (eac...

"The Boat House" is a signed (lower center) etching by Edward Loyal Field. It depicts a scene across a river in the foreground, where a quaint set of houses sits in black and white.1...

Junichiro Sekino (Japanese, 1914-1988). CALMNESS. Color woodblock print, 1954. Edition size not known. Signed in pencil and with the artist's chop. 13 x 17 inches (image), on a large...

'Le Pecheur' is an excelletn example of the aquatints of Manuel Robbe, a French artists working during the turn of the 20th century. The image draws upon th...

Scenery of the Upper Mississippi Indian Village Currier & Ives lithograph is a tranquil scene of an Indian village camped in a meadow next to a be...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Small Fields Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 139/250 Size: 4 x 3.25 in. (10.16 x 8.255 cm) Frame Size: 11.25 x 9...

Etching and aquatint realized by Pierre-Georges Duval in the mid-20th Century. Monogrammed in pencil lower right. Very good condition.

Cliff with star, 2023 Archival print on heavy matt stock paper 30.5 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musician,...

September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...

John Beerman, American (1958 - ) - Night at Sandia Mountain, Year: 2004, Medium: Lithograph, signed, dated, titled and numbered in pencil, Edition: CTP 3, Image Size: 6 x 9 inche...

An exceptionally fine wood engraving by the British artist Reynolds Stone (1909-1979) depicting the River Ebble. Signed with initials. Numbered 45/100. Smartly presented in a black f...

Two figures, one on horseback, travel along a winding path toward a hilltop castle. This is a later restrike of a seventeenth-century etching by Dominique Barriere (c.1618-1678), pri...

This a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Reliquiae Theartri Pompejani" (Remains of the Theatre of Pompey) from "Il Campo Marzio dell'Antica Roma" (The Campus Martius of Ancient Rome), published in Rome in 1762. It depicts the remains of an ancient theater in Rome with exposed seating and an arch still standing in the foreground. An inset shows an architectural side view of a portion of the structure. The etching is presented in an antiqued silver-colored wood frame with a cream-colored French mat. The frame measures 24" x 20.75" x 1.25". The print is in excellent condition. The Theatre of Pompey (Latin: Theatrum Pompeii, Italian: Teatro di Pompeo) was a structure in Ancient Rome built during the latter part of the Roman Republican era by Pompey the Great...

Vintage postcard from Christo and Jeanne-Claude's 'The Gates, Project for Central Park, New York City' of a drawing from 2003 in two parts. Framed in a white wood frame with a 2-inch...

First Shadows Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 164/250 Size: 8 x 6 in. (20.32 x 15.24 cm) Frame Size: 16.25 x 14....

Original linen-backed LUFTHANSA: Your lift to the Alps vintage ski poster. Excellent condition original German ski poster. The image has two women with skis resting on their sho...

SPELLBOUND is an original hand drawn lithograph(not a photo reproduction or digital print) printed using traditional hand lithography techniques on archival Arches paper, 100% acid f...

These artwork titled "Twin Lake and Lake view" 1986 are two original color serigraphs on different papers by American artist Virgil Trasher b.1943. One is ...

This exquisite etching by Henri Matisse (1869–1954), titled Masque de jeune garcon (Mask of a Young Boy), from the album Alternance (Alternation), originates from the 1946 edition pu...

This is a framed hand-colored 16th century map of Northern Scotland by Gerard Mercator entitled "Scotiae pars Septentrionalis", published in Amsterdam in 1636. It is a highly detailed map of the northern part of Scotland, with the northwest Highlands and the cities Inverness and Aberdeen, as well as the Orkney Islands and the Hebrides. There is a decorative title cartouche in the upper left corner. The map is presented in an antiqued brown wood...

SOUVENIRS is an original, hand drawn stone lithograph by the French artist Andrée Bordeaux Le Pecq(1910-1973) printed using hand lithography techniques on archival printmaking paper ...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Le Docte (The Scholar), from the album Georges Rouault, Visages (Faces), originates from the 1969 edit...

Original screen print which would be considered a silkscreen or serigraph of a birds eye view of Herald Square in New York City at lunch time by the contemporary American artist, Jacqueline Fogel. Edition 3/15. Signed in lower right margin by the artist. Executed in 1988. Condition is excellent. Currently unframed. Professionally matted. Overall matted measurements are 14 by 11 inches. Framing options are available. Provenance: A Venice, Florida collector. This park was named for the newspaper that was once published directly to its north. The City of New York acquired the area in 1846 as part of the opening of Bloomingdale Road (now Broadway). By the early 20th century, many printers and publishers had located in the area. The New York Herald, founded by James Gordon Bennett in 1835, was best known for its sensational coverage of scandal and crime, and for its enormous circulation. Herald Square's centerpiece monument to Bennett and his son houses a sculpture and clock that formerly topped the Herald building. The bronze figures include Minerva, the goddess of wisdom and invention, and two bell-ringing blacksmiths. The clock and figures were installed on the monument in 1940, and blacksmiths "Stuff and Guff" or "Gog and Magog" have chimed the hours Born Oct. 13, 1928, in Brooklyn, as a child she showed a great interest in drawing. She attended the Philadelphia School of Art and maintained a career as an artist throughout her life. Impressed by the native American art represented in Kachina dolls, she developed a personal style in her 20s that always incorporated bright colors. Her work ranged from land and cityscape watercolors to small to life-size polychrome sculptures made almost entirely from discarded ornate furniture parts and other found or collected objects. In 2000, she was given the opportunity to create cow sculptures for the New York Cow Parade, and in 2002 she painted sculptures for the Rescue Dog book honoring the working dogs from Sept. 11, 2001. In 2005, her Big Apple sculpture was displayed outside Trump Tower. She swam regularly in Jamaica Bay and maintained an active and vibrant lifestyle throughout her life, attending many parties, art exhibits and concerts. Fogel's multifaceted planes which should recede far into the distance and give the illusion of depth because of their tonality and color intensity appear, instead, to be on the same plane. Because the depth of field is flattened, the color areas become rather decorative. In addition, the planes on the buildings are charmingly tilted and destorted, contributing to the zaniness and gaiety of these paintings. Fogel has a graceful sense of composition and her placement of shapes is always sound. The paintings, while they seem so effortless and unselfconscious, belie an unobtrusive and playful artistic intelligence. Fogel enjoys dealing with visual paradoxes in a natural, unforced and unselfconscious manner. Shop her watercolor art for sale online. SELECTED EXHIBITIONS 2002DOGNY 2000Cowparade, NY 1998Michael Ingbar Gallery, NY 1996-2002Nassau County Museum, Roslyn, NY 1993-2002Guild Hall, East hampton, NY 1991Housatonic Museum of Art, Bridgeport, CT 1990, 1997Elaine Benson Gallery, Bridgehampton, NY 1987, 1988Bergen County Museum, New Jersey 1986-1989The Country Gallery, long Island, NY 1983Zim Lerner Gallery, NY '83, '85, '86Grace Building, NY 1983Queens Museum, NY 1979, 1980Fabian Gallery, NY 1979Sculpture CEnter, NY 1979Cork Gallery, Lincoln Center, NY '79, '82, '83, '87, '90, '93, '94, '96Lever House, NY 1968, 1972, 1979Gold Door Gallery, Bucks County, Pa. 1968Brooklyn Museum, NY 1966Madison Square Garden Art and Antique Show, NY 1962New Jersey Water Color Society, New Jersey 1961Newark Museum, New Jersey ONE PERSON SHOWS 1997, 1999Temple Emanuel Gallery, Great Neck, New York 1996Shelter Rock Gallery, Long Island, New York 1989East End Arts, Long Island, New York 1985The Manhattan Borough President's Gallery, New York 1984The Erato Gallery, St. Maarten, Caribbean, NY 1982, 1985Mari Gallery, Mamaroneck, NY 1981Perin - Sharpe Gallery, New Caanan, CT 1981Hooks-Epstein Gallery, Houston, TX 1974Aberbach Fine Art, NY 1971Kutztown Art College, PA 1965, 1966Krasner Gallery, NY 1963Art Alliance, Philladelphia, PA 1960Carus Gallery, NY 1960San Miguel Allende, Mexico COLLECTIONS...

This embossed, numbered and signed lithograph, part of the “Four Seasons Suite,” is by Alvar Suñol Muñoz-Ramos (b. 1935), a renowned Spanish ar...

From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...

Lovis Corinth Tapiau 1858 - 1925 Zandvoort Bergsee, 1923 Mountain Lake 1923, Color lithograph on handmade paper Signed in pencil lower right Sheet 1 of the portfolio Swiss Landscapes One of 75 copies on this paper Image size: 17.5 x 18 cm Sheet size: 40 x 30 cm Frame: 43 x 33 cm Catalogue raisonné Müller 792 Further photos available on request Viewing and collection possible by prior appointment Authenticity will be confirmed in writing. Lovis Corinth was born on July 21, 1858, in the town of Tapiau in East Prussia (now Gwardejsk, Russia). While attending high school in Königsberg, he developed an interest in Greek and Roman mythology as well as the Christian stories of the Bible. From 1876, Lovis Corinth attended the art academy in Königsberg, where he studied under Otto Günther, who introduced him to Weimar plein air painting. In 1880, he transferred to the Munich Academy. Works from his Munich period demonstrate his orientation towards the naturalistic painting style of Wilhelm Leibl's circle. In 1883, Lovis Corinth traveled to Italy with his father, and in 1884 he spent three months in Antwerp, where he took painting lessons from Paul Eugène Gorge. From 1884 to 1887, Corinth studied at the Académie Julian in Paris. The artist then traveled to Berlin, where he probably painted his first self-portrait in 1887/88, which was followed by numerous others over the years. From 1891 to 1899, Corinth lived as a freelance painter in Munich, where he belonged to the Secession. After meeting Max Liebermann and Walter Leistikow in the winter of 1898/99, he decided to move to Berlin, where he settled in 1901. Prior to this, his work "Salomé with the Head of John the Baptist...

James Hagen 'Windy Waters" Original Serigraph C.1984 Serigraph dimensions 13" wide x 16" high Frame dimensions 23.5" wide x 27.5" high Very good conditi...

Woodcut print realized by Hokusai in 1834. From the Series "One Hundred Views of Mount Fuji". Good condition and little signs of aging.

Lindsey Row, Chelsea. 1888. Lithograph. Way 20; Levy 33; Tedeschi, Stratis and Spink 23. 5 x 8. Edition of 56 posthumous impressions printed by Goulding, in addition to the 14 lifet...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), Southern German summer landscape, around 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisc...

This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...