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Louise NevelsonUntitled1973
1973
$4,000
£2,975.67
€3,488.75
CA$5,594.51
A$6,246.43
CHF 3,277.44
MX$77,092.01
NOK 41,197.79
SEK 38,547.84
DKK 26,026.64
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About the Item
Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century.
Nevelson is renowned for her mysterious and complex sculptures. She was also an active printmaker, experimenting with different techniques and approaches, and working with some of the best printmaking studios across the United States.
Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures. (However, this is still a bargain considering the auction records of her male colleagues such as John Chamberlain, $4.7 million, or Joseph Cornell, $7.7 million).
Nevelson, whether working in sculpture or in two dimensions has a strict palette often using exclusively black. While there are works with elements in white, gold, or raw wood, Nevelson almost entirely avoids color. When Nevelson does use color it is used sparingly with maximum effect.
“Roman Black” is a paradigm of Nevelson’s printmaking from this period, featuring her signature layered approach of neutral and monochromatic hues. While shiny, reflective and textured, this print still manages to make use of Nevelson’s signature color, black, which is accentuated by metallic sheets and newsprint clips.
Nevelson, whether working in sculpture or in two dimensions has a strict palette; almost exclusively black. While there are works with elements in white, gold, or raw wood, Nevelson almost entirely avoids color. When Nevelson does use color it is used sparingly but to maximum effect. In this work, the inclusion of iridescent blues and splashes of mauve seems to enable the black elements to truly pop.
This is a fantastic work for a young collector, or to complement an existing sculpture in your collection.
More and more public collections are reinstalling Nevelson’s work in displays from their permanent collections, including the Whitney in New York City and the Pérez Art Museum in Miami.
"Untitled"
1973
Etching and aquatint on copper plate
Signed, dated, and numbered by artist
From an edition of 90
37.5"H 37"W (work)
39.75"H 39.5"W (framed)
Very good condition.
- Creator:Louise Nevelson (1899 - 1988, American)
- Creation Year:1973
- Dimensions:Height: 39.75 in (100.97 cm)Width: 39.5 in (100.33 cm)
- More Editions & Sizes:Edition of 90Price: $4,000
- Medium:
- Movement & Style:
- Period:
- Condition:Very good condition.
- Gallery Location:Toronto, CA
- Reference Number:Seller: 12-221stDibs: LU215211380992
Louise Nevelson
Louise Nevelson was one of the leading American female sculptors of the 20th century, and she did it on her own terms. She was a pioneer of installation art and created large-scale monochromatic sculptures that are today known for their provocative, compartmentalized forms. While her assemblages involved a range of materials, she is best known for her wooden sculptures. Working in a single color was her signature, and all-encompassing color demanded an all-encompassing focus for this artist — she even kept separate studios for work in black, white and gold.
Nevelson was born in what is now Ukraine in 1899 and emigrated to the United States with her family in 1905. She moved to New York City as a young woman in 1920 to study at the Art Students League. In the 1930s, Nevelson traveled around Europe, came into contact with the works of Picasso, studied with Hans Hofmann and assisted Diego Rivera in New York City.
Nevelson had her first solo show in 1941 at the Nierendorf Gallery in New York. In the late 1940s, she studied with Stanley William Hayter and worked as a ceramicist in the workshop of revered furniture designer Vladimir Kagan, who let her take scraps from the factory to use in her sculptures. (As a child, Nevelson had also worked with discarded wood from her father's lumber yard.)
By the early 1950s, Nevelson had traveled to Guatemala and Mexico. She was inspired by pre-Columbian art and the totemic works of ancient cultures. Nevelson began creating the first of her iconic wood sculptures and later participated in the legendary “Sixteen Americans” exhibition at the Museum of Modern Art. Her work was acquired by prominent institutions in the years that followed.
Nevelson made reliefs in shadow boxes and was for a time affiliated with New York City’s Sidney Janis Gallery as its first female Abstract Expressionist artist (her work was abstract but she also drew on the Cubist and Constructivist movements). In the early 1960s, Nevelson showed her art in Chicago, Manhattan, Paris and West Germany. It was around this time that she exhibited at Pace Gallery in Boston and New York. The gallery represented her for the duration of her career.
Nevelson died in 1988, but her legacy is immense. Her work is held in virtually every major American art museum, including the Museum of Modern Art, the Metropolitan Museum of Art, the Los Angeles County Museum of Art and the National Gallery of Art. Her permanent large-scale public sculptures are installed all over the country, including in Louise Nevelson Plaza in New York City's Financial District.
On 1stDibs, find original Louise Nevelson sculptures, prints and drawings.
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View AllUntitled
By Louise Nevelson
Located in Toronto, Ontario
Caviar20 is excited to be offering this striking collage by the inimitable Louise Nevelson, who is regarded as one of the most original, influential, and successful American sculptors of the 20th century.
Nevelson's enduring appeal lies in her distinct visual language, which is apparent in all of her works, regardless of medium. While her iconic monochromatic wood assemblages are instantly recognizable, she continuously experimented with diverse materials, including resin, steel, and bronze, as well as numerous printmaking techniques.
Collage was an important part of Nevelson's practice, defining her signature aesthetic. Much like her approach to printmaking, her collages possess a sculptural ethos that transcends the two-dimensional surface, imbuing the composition with a remarkable sense of volume, texture, and depth. One could argue that Nevelson's sculpture was informed by collage in that she took assorted existing forms combining them in order to create an entirely new and distinct arrangement.
This untitled collage is an exceptional example of the artist's mastery of the medium. Featuring an assemblage of wood veneer, mirror, and metal, this work reflects Nevelson's meticulous sense of form and rhythm. Subtle details, such as the alternating direction of the wood veneer grain further heighten the visual complexity of the otherwise minimal composition.
The inclusion of wood veneer marks a notable shift for Nevelson, who was previously loyal to a strict monochromatic palette of black or white. It wasn’t until the 1970s with her experimentation in collage that she expanded her palette. Nevelson also created jewellery and this collage acknowledges her activity in that realm.
Created at the age of 83 during the final chapter of her career, this piece powerfully captures Nevelson's enduring spirit and dedication to artistic innovation.
Today Nevelson's work can be found in every major public collection across North America and beyond.
Questions about this piece? Contact us.
Visit our Toronto gallery on Thursdays or by appointment.
"Untitled"
USA, 1983
Mixed media collage
Metal, mirror, wood, and wood veneer on grey mat board mounted on 0.25" Luan plywood
Signed and dated by artist, bottom right
Nevelson Estate no. LN 40830
19.5"H 15.75"W (work)
31"H 21"W (framed)
Very good condition
Literature: Stein, Judith. Louise Nevelson Collages...
Category
1980s American Modern Mixed Media
Materials
Metal
Reflections I
By Louise Nevelson
Located in Toronto, Ontario
Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century.
Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States.
Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expands notably with her printmaking.
"Reflections I" is an example from her 1983 portfolio, "Reflections I-V" consisting of six large-scale prints. These prints contain signature elements found throughout Nevelson's prints; ripped or collage-like forms as well as the use of fabric, lace, and toile in the printing process. However one of the strongest characteristics of the "Reflections" series is her new uninhibited use of color.
Here it is used to maximum effect. This work features unexpected elements of crimson and translucent rose and Prussian blue that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best.
Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Etching, Aquatint
Reflections III
By Louise Nevelson
Located in Toronto, Ontario
Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century.
Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States.
Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expanded notably with her printmaking.
"Reflections III" is an example from her 1983 portfolio, "Reflections I-V" consisting of six large-scale prints. These prints contain signature elements found throughout Nevelson's prints; ripped or collage-like forms as well as the use of fabric, lace, and toile in the printing process. However one of the strongest characteristics of the "Reflections" series is her new uninhibited use of color.
Here it is used to maximum effect. This work features unexpected elements of fuchsia, crimson, and Prussian blue that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best.
Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Etching, Aquatint
Sky Garden
By Louise Nevelson
Located in Toronto, Ontario
As always, Caviar20 is thrilled to present the esteemed work of Louise Nevelson - one of the most revered and unique artists of the 20th century. (Also, an artist who continues to b...
Category
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By The Lake
By Louise Nevelson
Located in Toronto, Ontario
Collage was an important part of Louise Nevelson's practice. The process mirrored her approach to sculpture; taking disparate elements and assembling or uniting them into a complex whole.
Similar to many of her American contemporaries, Nevelson delved into printmaking. She worked with the leading printing studios in America adopting new techniques while expanding her aesthetic and oeuvre considerably.
This collage was the final maquette or design, that would be screen printed becoming "By the Lake" (from "Façade: In Homage to Edith Sitwell"). Nevelson worked with Chiron Press in New York, which had opened in 1962 and was just a stone's throw from her 11th Street home studio.
The works in this series were dedicated to the British poet Edith Sitwell who passed away in 1964. Sitwell had published a book of abstract poems titled Façade, the poems' rhythms were counterparts to music set by the famed English composer, William Walton...
Category
1960s Abstract Expressionist Prints and Multiples
Materials
Screen
Moon Garden
By Louise Nevelson
Located in Toronto, Ontario
Caviar20 is thrilled to be offering the work of Louise Nevelson. "Moon Garden" is a superb example of one of her impressive molded reliefs in black paper pulp.
Although Nevelson is...
Category
1970s Abstract Abstract Prints
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