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Louise NevelsonUntitled1973
1973
About the Item
Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century.
Nevelson is renowned for her mysterious and complex sculptures. She was also an active printmaker, experimenting with different techniques and approaches, and working with some of the best printmaking studios across the United States.
Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures. (However, this is still a bargain considering the auction records of her male colleagues such as John Chamberlain, $4.7 million, or Joseph Cornell, $7.7 million).
Nevelson, whether working in sculpture or in two dimensions has a strict palette often using exclusively black. While there are works with elements in white, gold, or raw wood, Nevelson almost entirely avoids color. When Nevelson does use color it is used sparingly with maximum effect.
“Roman Black” is a paradigm of Nevelson’s printmaking from this period, featuring her signature layered approach of neutral and monochromatic hues. While shiny, reflective and textured, this print still manages to make use of Nevelson’s signature color, black, which is accentuated by metallic sheets and newsprint clips.
Nevelson, whether working in sculpture or in two dimensions has a strict palette; almost exclusively black. While there are works with elements in white, gold, or raw wood, Nevelson almost entirely avoids color. When Nevelson does use color it is used sparingly but to maximum effect. In this work, the inclusion of iridescent blues and splashes of mauve seems to enable the black elements to truly pop.
This is a fantastic work for a young collector, or to complement an existing sculpture in your collection.
More and more public collections are reinstalling Nevelson’s work in displays from their permanent collections, including the Whitney in New York City and the Pérez Art Museum in Miami.
"Untitled"
1973
Etching and aquatint on copper plate
Signed, dated, and numbered by artist
From an edition of 90
37.5"H 37"W (work)
39.75"H 39.5"W (framed)
Very good condition.
- Creator:Louise Nevelson (1899 - 1988, American)
- Creation Year:1973
- Dimensions:Height: 39.75 in (100.97 cm)Width: 39.5 in (100.33 cm)
- More Editions & Sizes:Edition of 90Price: $4,000
- Medium:
- Movement & Style:
- Period:
- Condition:Very good condition.
- Gallery Location:Toronto, CA
- Reference Number:Seller: 12-221stDibs: LU215211380992
Louise Nevelson
Louise Nevelson was one of the leading American female sculptors of the 20th century, and she did it on her own terms. She was a pioneer of installation art and created large-scale monochromatic sculptures that are today known for their provocative, compartmentalized forms. While her assemblages involved a range of materials, she is best known for her wooden sculptures. Working in a single color was her signature, and all-encompassing color demanded an all-encompassing focus for this artist — she even kept separate studios for work in black, white and gold.
Nevelson was born in what is now Ukraine in 1899 and emigrated to the United States with her family in 1905. She moved to New York City as a young woman in 1920 to study at the Art Students League. In the 1930s, Nevelson traveled around Europe, came into contact with the works of Picasso, studied with Hans Hofmann and assisted Diego Rivera in New York City.
Nevelson had her first solo show in 1941 at the Nierendorf Gallery in New York. In the late 1940s, she studied with Stanley William Hayter and worked as a ceramicist in the workshop of revered furniture designer Vladimir Kagan, who let her take scraps from the factory to use in her sculptures. (As a child, Nevelson had also worked with discarded wood from her father's lumber yard.)
By the early 1950s, Nevelson had traveled to Guatemala and Mexico. She was inspired by pre-Columbian art and the totemic works of ancient cultures. Nevelson began creating the first of her iconic wood sculptures and later participated in the legendary “Sixteen Americans” exhibition at the Museum of Modern Art. Her work was acquired by prominent institutions in the years that followed.
Nevelson made reliefs in shadow boxes and was for a time affiliated with New York City’s Sidney Janis Gallery as its first female Abstract Expressionist artist (her work was abstract but she also drew on the Cubist and Constructivist movements). In the early 1960s, Nevelson showed her art in Chicago, Manhattan, Paris and West Germany. It was around this time that she exhibited at Pace Gallery in Boston and New York. The gallery represented her for the duration of her career.
Nevelson died in 1988, but her legacy is immense. Her work is held in virtually every major American art museum, including the Museum of Modern Art, the Metropolitan Museum of Art, the Los Angeles County Museum of Art and the National Gallery of Art. Her permanent large-scale public sculptures are installed all over the country, including in Louise Nevelson Plaza in New York City's Financial District.
On 1stDibs, find original Louise Nevelson sculptures, prints and drawings.
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Located in Toronto, Ontario
Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century.
Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States.
Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expands notably with her printmaking.
"Reflections V" is an example from her 1983 portfolio, "Reflections I-V" consisting of six large-scale prints. These prints contain signature elements found throughout Nevelson's prints; ripped or collage-like forms as well as the use of fabric, lace, and toile in the printing process. However one of the strongest characteristics of the "Reflections" series is her new uninhibited use of color.
Here it is used to maximum effect. This work features unexpected elements of fluorescent turquoise and fuschia that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best.
Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...
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Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century.
Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States.
Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expanded notably with her printmaking.
"Reflections III" is an example from her 1983 portfolio, "Reflections I-V" consisting of six large-scale prints. These prints contain signature elements found throughout Nevelson's prints; ripped or collage-like forms as well as the use of fabric, lace, and toile in the printing process. However one of the strongest characteristics of the "Reflections" series is her new uninhibited use of color.
Here it is used to maximum effect. This work features unexpected elements of fuchsia, crimson, and Prussian blue that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best.
Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...
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Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century.
Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States.
Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expands notably with her printmaking.
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Here it is used to maximum effect. This work features unexpected elements of crimson and translucent rose and Prussian blue that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best.
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Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century.
Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States.
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Here it is used to maximum effect. This work features unexpected elements of tangerine, translucent Prussian blue, and mint green that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best.
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SOLO EXHIBITIONS
2018 "Dialectics:angles of cognition, in the orbit of photography" Don Soker Gallery, San Francisco, CA
2016 "Fugue" Don Soker Gallery, San Francisco, CA
2015 "Resonances" Stanford Art Spaces, Stanford University, CA
"Appearances" Lena & Roselli Galeria, Budapest, Hungary
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09/10 "Manifold", (survey) ICA, San Jose, CA
2009 "Reflections", (survey) Don Soker Gallery, San Francisco, CA
2008 "Translucent Phenomena", Fresno Art Museum, Fresno, CA
2007 "Structures" Don Soker Gallery, San Francisco, CA
2005 "Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y
"Undercurrents", Don Soker Gallery, San Francisco, CA
2003 "Theodora Varnay Jones", Gallery Hirawata, Fujisawa, Kanagawa, J a p a n
"Theodora Varnay Jones", Gallery Naufu, Gifu City, J a p a n
"Dialectica", Don Soker Gallery, San Francisco, CA
2001 "Transparentia", Don Soker Gallery, San Francisco, CA
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"Mixed Media Works", Shasta College Art Gallery, Redding, CA
SFMOMA Artists Gallery, San Francisco, CA
2000 " Microcosmos" invited to represent the US, Schleswig-Holstein Music Festival, Bad Segeberg, G e r m a n y
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1999 Don Soker Gallery, San Francisco, CA
1998 Don Soker Gallery, San Francisco, CA
1997 Plaza Gallery, Tokyo, J a p a n
1996 "Theodora Varnay Jones" (survey), Vasarely Museum, Budapest, H u n g a r y
1995 Don Soker Gallery, San Francisco, CA
"Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n
1994 Collectors Gallery, The Oakland Museum, CA
1993 Don Soker Gallery, San Francisco, CA
1992 "Theodora Varnay Jones", Concourse Gallery, Bank of America World Headquarters, San Francisco, CA
"Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n
"Theodora Varnay Jones", Chicashige Gallery, Okayama, J a p a n
1991 Collectors Gallery, The Oakland Museum, CA
1990 Don Soker Gallery, San Francisco, CA
"Theodora Varnay Jones", Art Forum Yanaka, Tokyo, J a p a n
Tamura Gallery, Tokyo, J a p a n
Gallery 88, Sendai, J a p a n
Heian Gallery, Kyoto, J a p a n
1989 Richard Hanson Fine Arts, Fresno, CA
1988 Don Soker Gallery, San Francisco, CA
1985 "Theodora Varnay Jones", Taller Galleria Fort, Cadaques, S p a i n
1984 Rorick Gallery, San Francisco, CA
1978 "Theodora Varnay Jones", Richmond Art Center, Richmond, CA
TWO AND THRE PERSON EXHIBITIONS
2010 "Interdepencia/Interdependence; Theodora Varnay Jones, Francesca Pastine and Marta Sanchez-Vasquez"
Consulate General of Mexico, San Francisco, CA
2007 "Theodora Varnay Jones and Tom Bills", Pacifica Center for the Arts, CA
2004 "Between"; Theodora Varnay Jones and Dee Hibbert-Jones Memorial Union Art Gallery, UC Davis
2002 "Theodora Varnay Jones and Lee Imonen", Campbell Hall Gallery, Western Oregon University
2001 "Traces" ; Theodora Varnay Jones, Christel Dillbohner and Mary Ijichi, Palo Alto Art Center, CA
2000 "Theodora Varnay Jones and Hoh Yin Ping", Kassenarztliche Vereinigung, Bremen, G e r m a n y
1988 "Theodora Varnay Jones and Kazuko Watanabe", Hastings College of the Law, San Francisco, CA
1985 "From a Different Perspective"; Theodora Varnay Jones and Peter Baczek, The Art Corridor, Menlo Park, CA
1981 "Theodora Varnay Jones and Vicki Ann Scuri", Rorick Gallery, San Francisco, CA
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2020 "Echoes of Bauhaus Photography Cast Long Shadows" curated by Hanna Regev, Ruth's Table Gallery, San Francisco, CA
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