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Medium: Archival Paper
Cairo Citadel Palm, Cyanotype on Paper, Desert Botanical Tree in Blue Tones
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. This cyanotype shows a desert palm tree located in the majestic mediterranean city of Cairo, Egypt. Details: + Title: C...
Category

2010s Naturalistic Archival Paper Prints and Multiples

Materials

Photographic Film, Emulsion, Watercolor, Archival Paper, Photographic Pa...

Next Sign - large format landscape photograph with conceptual road sign
Located in San Francisco, CA
Next Sign (2010) by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale p...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Topiary I (framed) - large format photograph of ornamental shaped urban tree
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism Topiary I...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Photographic Paper, Plexiglass, Giclée

Topiary II - large format photograph of ornamental shaped sidewalk trees
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Over the River (From Above) Project for the Arkansas River, CO, Signed Print
Located in San Rafael, CA
Christo (1935 - 2020) and Jeanne-Claude (1935 - 2009) Over the River (From Above) Project for the Arkansas River, Colorado Offset lithograph in colors on smooth paper Signed by Chris...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper

"Animated Formation" Abstract Aquatint Etching
Located in Soquel, CA
"Animated Formation" Abstract Aquatint Etching Abstract Aquatint Etching by Katherine "Kay" Metz (b. 1932-2018.)This dynamic print by Kay Metz straddles the line between organic and...
Category

1950s Post-War Archival Paper Prints and Multiples

Materials

Etching, Archival Paper, Aquatint

TODAY - large format photograph of conceptual motivational billboard at night
Located in San Francisco, CA
large scale original photograph of a billboard against ultramarine blue night sky from a series of conceptual motivational messages on iconic Americana signs and billboards in landsc...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Pantheon ( Rome ) - large scale photograph of iconic architectural elements
Located in San Francisco, CA
Pantheon (Rome) by Frank Schott from a series of monochromatic and timeless photographic observances of iconic architectural and interior references around Rome's historical center ...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée

Plate No. 121 (Abstract, Collage, Egyptian Iconography, Men in History)
Located in Brighton, GB
Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...
Category

2010s Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Giclée

Seascape Diptych Six, Cobalt Blue Horizontal Seascape, Waves Woodcut Print
Located in Kent, CT
This large, horizontal diptych woodcut print on paper evokes the peacefulness of ocean waves depicted in shades of cobalt blue with purple undertones and the artist's addition of wat...
Category

2010s Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Watercolor, Archival Paper, Color Pencil, Woodcut

Hallelujah - large format photograph of baroque Italian palazzo fresco ceiling
Located in San Francisco, CA
mesmerizing baroque details in a long forgotten Mediterranean architecture masterpiece discovered in baroque Sicily, Italy 50 x 44 inches /...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Pigment, Photographic Paper, Archival Paper, Giclée

Marfa { The Road } - large scale photograph of endless road and horizon sunset
Located in San Francisco, CA
The Road by Frank Schott country road outside of town, from a series of impressions captured in and around the artist community of Marfa, Texas, longtime residence of minimalist art...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Photographic Paper, Archival Pigment, Archival Paper, Giclée

"Concierto de Noche" (Concert of the Night)
Located in Atlanta, GA
This lithograph is in excellent condition. The photos shown are of one of the pieces in the edition. The piece you purchase will have a unique edition number and is new- never preowned. "Concert of the Night" is part of the 4-piece "Concert of the Hours of the Day Lithograph Suite. In this lithograph, Alvar shows a figure playing Chopin’s Nocturne No.1 at the piano. Next to the pianist there appears a figure eluding to George Sand who is holding laurel leaves symbolizing the inspiration of the artist whose portrait (extracted from a portrait of Chopin by the French painter Delacroix) appears in the lithograph. Being a nocturne, the chromatic range in the work consists predominately of blue tones, dominated by the brilliance of the lunar light in an atmosphere of seclusion and intimacy. This lithograph is hand-embellished with a watercolor over a lithograph drawing at the bottom of the main image. This piece was created, signed, and numbered by the artist. More about Alvar: Alvar Suñol Munoz-Ramos, commonly known as Alvar, was born in 1935 in Montgat, Spain, a Catalan fishing village on the Mediterranean coast near Barcelona. By the age of 17, he was accepted into the Escuela Superior de Bellas Artes de San Jorge in Barcelona. In 1960, he moved to Paris and exhibited with other major Spanish artists including Picasso, Miró, and Dalí. Today, Alvar is recognized on an international platform for his exploration of the psychological and historical complexities of art-making and creation in relation to one’s environment and experiences. The examination of both interiors and exterior spaces place a significant role in all of Alvar’s works. Alvar strengthens his artistic vision through the use of various mediums including oil paintings, lithographs, watercolors, drawings, bronzes, and ceramic bas relief sculptures. His works can be found in the permanent collection of over fourteen museums worldwide and he has several public commissions around the world, including his most recent bronze sculpture created in honor of Catalan cellist Pablo Casals that is located in Paris, France. Additionally, Alvar has had three consecutive retrospectives since 2014. His first was hosted at Las Casa...
Category

Early 2000s Modern Archival Paper Prints and Multiples

Materials

Watercolor, Archival Paper, Lithograph

"Ego Death" Black & White Photography 45" x 60" inch Ed. of 3 by Brendan North
Located in Culver City, CA
"Ego Death" Black & White Photography 45" x 60" inch Ed. of 3 by Brendan North From “Painted Poetry” series: “Painted Poetry” is a collection of 40 photographs created over 4 years ...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Digital

“Salome and John”
Located in Southampton, NY
Strong and vibrant color lithograph by the American artist Benton Murdoch Spruance. Edition size in pencil lower left margin Titled in pencil middle margin and signed in pencil lower...
Category

1950s Modern Archival Paper Prints and Multiples

Materials

Archival Paper, Lithograph

Topiary VI - large format photograph of ornamental shaped urban trees
Located in San Francisco, CA
Topiary V by Frank Schott, from a series of photographic observances capturing the antics of urban gardening's tree trimming and striking art of topiaries' green minimalism 40 x 32...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Photographic Paper, Giclée, Archival Pigment, Archival Ink, Archival Paper

Hollywood - large format photograph of iconic California landmark in Los Angeles
Located in San Francisco, CA
large scale photograph of the iconic HOLLYWOOD sign in golden California sunlight with downtown Los Angeles in the distance HOLLYWOOD by Christian Stoll 48 x 48 inches (122 x 122c...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Pines through Thistles (hand-printed cyanotype, 24 x 18 inches)
Located in Oakland, CA
This is an original, hand-printed contact photograph using the antique cyanotype process. These Monterey pine trees obscured by fog and wildflowers are in the woods across the bay fr...
Category

2010s Contemporary Archival Paper Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Photogram

Dancing on the QE2 - Naïve art, comical, colourful, Folk art, everyday life
Located in London, GB
Limited Edition Her appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintings e...
Category

1980s Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Screen

Seascape XI Triptych - 3 large format photograph of blue ocean surface & horizon
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic marine nature of oceanic water and cloudscapes Sea...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Cloud Trees Variation Two, Stream, Forest, Grey Clouds Blue Sky, Eggplant Trees
Located in Kent, CT
Eve Stockton’s woodcut prints are inspired by close observation of nature and her eclectic interest in science. Her woodcuts depict nature at different scales, often simultaneously. ...
Category

2010s Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Monoprint, Woodcut

Red Mushroom
Located in New York, NY
Burke Libaire is a Charleston based visual artist and designer. She began her career in New York City, translating her love of art and architecture into the world of interior design ...
Category

2010s Archival Paper Prints and Multiples

Materials

Archival Paper

"Sepia Kate Moss triplet" Photography 28" × 26" in Edition 2/25 by Kate Garner
Located in Culver City, CA
"Sepia Kate Moss triplet" Photography 28" × 26" in Edition 2/25 by Kate Garner Signed & dated. Comes with COA Archival Hahnemuhle art paper Not framed. Ships in a tube. Garner's...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper

"Pools and Cigarettes" Photography 47" x 35" inch Edition of 3 by Lukas Dvorak
Located in Culver City, CA
"Pools and Cigarettes" Photography 47" x 35" inch Edition of 3 by Lukas Dvorak Pigment print on Epson Fine ART paper 2023 Ships rolled in a tube ABOUT THE ARTIST Lukas Dvorak is ...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Pigment

Alice Zilberberg - Comfort Me Conures, Photography 2020, Printed After
Located in Greenwich, CT
Comfort Me Conures Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 20 in Edition of 15 40 x 27 in Edition of 12 60 x 40 in ...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...

Flora Italiana ( Papavero Bianco ) - large scale botanical still life photograph
Located in San Francisco, CA
Original large format still life photograph from Linda Rosewall's botany study series "Flora Italiana", an intensely beautiful body of works exploring the botanical splendor of Italian flowers in the natural world with highly detailed captures. Flora Italiana ( Papavero Bianco ) delicate white poppy flower petals 64 x 48 inches (162 x 122cm) signed edition of 7 40 x 30 inches (102 x 76cm) signed edition of 25 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ___________________ About the artist Linda Rosewall’s artistic path was cemented during her childhood. She was inspired by her farther, an accomplished musician and composer who raised his six children as a performing family act. The experience of traveling the United States and Canada in a small airplane piloted by her father provided the opportunity for Linda to capture these moments on her small Kodak Instamatic Camera. At the age of 18, she enrolled at Columbia College of Fine Arts Chicago. During her studies, Linda apprenticed under photographer Norman Bilisko and later worked with Dennis Manarchy...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Elements of Time & Space
Located in Philadelphia, PA
Intaglio on Somerset paper, edition of 4 The artwork is shipped unframed. Please message us directly if you are interested in purchasing the piece already framed. Bio // Katie Van...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Intaglio

Abstract Landscape India Light Viscosity Print Yellow Red Orange Nature Harmony
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category

2010s Abstract Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper

Star Wars R2-D2 - large format photograph of the original iconic droid robot
Located in San Francisco, CA
large scale still life photograph of the original iconic droid robot from the classic Star Wars movies Star Wars (R2-D2) by Tom Schierlitz 60 x 48 inches (152 x 122cm) signed edition of 7 40 x 32 inches (102 x 81cm) signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Red Flower - Limited edition Serigraph by Peter Max
Located in Montreal, Quebec
-- Artwork comes with a certificate of authenticity -- Numbered and hand signed by Peter Max -- Comes with a premium quality frame
Category

1990s Pop Art Archival Paper Prints and Multiples

Materials

Archival Paper, Lithograph, Archival Pigment

Seascape IV (Homage to Mark Rothko) - large format abstract seascape photograph
Located in San Francisco, CA
From a series of large scale abstract photographs of muted color monochromatic ocean water surface and cloudscapes SEASCAPE IV by Frank Schott an homage t...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Marfa ( Texas ) - large format photograph of dramatic clouds over endless fields
Located in San Francisco, CA
Marfa ( Texas ) by Frank Schott country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd 46 x 72 i...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

The Pond Diptych (2 hand-printed botanical cyanotypes, 24 x 18 inches each)
Located in Oakland, CA
This monotype was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wild grass. The species of tall marsh grass is called Gray Rush or the lat...
Category

2010s Contemporary Archival Paper Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

Form and Sky I - Silkscreen, Geometrical form
Located in AIX-EN-PROVENCE, FR
Silkscreen and Cut Paper on Fine Art paper. Geometrical form Work Title : "Forme et Ciel 1" Artist : Marie Vandooren (French b. 1976) The work is sig...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Screen

Building V: modernist city architecture collage on monoprint in red, unframed
Located in Bryn Mawr, PA
This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...
Category

2010s Abstract Archival Paper Prints and Multiples

Materials

Ink, Archival Paper, Handmade Paper, Monoprint, Monotype

Silk and Stone Eight, Geometric Abstract Monotype in Red, Blue, Yellow, Coral
Located in Kent, CT
This is a monotype print, a unique print with no other editions. This monotype on delicate Asian paper layers geometric shapes in yellow, coral, red and blue on a soft blue gray back...
Category

2010s Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Monotype

“Seaside Terrace Dining”
Located in Southampton, NY
Original serigraph by the well known French artist, Jean Claude Picot. Signed in pencil by the artist in lower right margin. Edition 11/250 signed in pencil lower left margin. Condi...
Category

1980s Post-Modern Archival Paper Prints and Multiples

Materials

Archival Paper, Screen

Seascape IV (Homage to Mark Rothko) - large format abstract seascape photograph
Located in San Francisco, CA
large scale abstract photograph of muted color monochromatic water surface and horizon SEASCAPE IV by Frank Schott an homage to Mark Rothko 70 x 56 inche...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Max Eisler Eine Nachlese folio "Charlotte Pulitzer" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #19, Bildnis einer alten Dame; sepia-toned monochrome collotype after the 1917 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures. Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable. The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...
Category

1930s Vienna Secession Archival Paper Prints and Multiples

Materials

Archival Paper

Bamboo Forest (6 glass panels) - abstract observation of iconic Japanese grove
Located in San Francisco, CA
large scale abstract panoramic photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Japan's famous Arashiyama Bamboo Grove Bamboo Forest by Erik Pawassar 48 x 175 inches (122 x 444cm) six individual glass panels (48 x 29 inches / each) signed edition of 7 archival quality fine art pigment print “Frameless” acrylic glass mounting * artist signed + numbered certificate of authenticity ________________________ About the artist: Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Plexiglass, Giclée

Seascape VIII - large format photograph of abstract aqua colored water surface
Located in San Francisco, CA
from a series of large scale photographs capturing a mesmerizing color palette of classic blue and sky tones SEASCAPE VIII by Frank Schott 60 x 48 inches / 152cm x 122cm edition o...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Photographic Paper, Archival Pigment, Giclée, Archival Paper

Magnolia Night and Day Diptych (Two 8.5 x 11" hand-printed cyanotypes)
Located in Oakland, CA
These are two separate 11 x 8.5 inch (45 x 60 cm) hand-printed original cyanotype photographs sold sold together. They are the same image but one is printed from the negative and the...
Category

2010s Contemporary Archival Paper Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Photogram

Untitled (Amber) - large scale photographic details of baroque Italian palazzo
Located in San Francisco, CA
large scale abstract photograph of mesmerizing monochromatic color space and tactile marble stone and velvet textures captured in Roman palazzo Untiltled (Amber) by Frank Schott 72...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée

Limited Edition Print of Chrysler Building New York City NYC by British Artist
Located in Preston, GB
Limited Edition Print of Chrysler Building New York City NYC by Contemporary British Artist, Angela Wakefield. This is a striking, colourful and vibrant depiction of the Chrysler Bui...
Category

2010s Realist Archival Paper Prints and Multiples

Materials

Paper, Archival Paper, Color, Digital, Giclée

H2O ll -large format photograph of sun reflections on pool water surface
Located in San Francisco, CA
mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O ll by Erik Pawassar 27 x 40 inches (69 x 102cm) signed edition of 25 48 x 72 inches (122 x 183cm) signed edition of 7 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ About the artist Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Ink, Giclée, Archival Pigment

Suite of Eight Prints (Edition 9/20) - series of abstract shapes on paper
Located in Bloomfield, ON
The drama of black and white in elegant minimal form. Aron Hill has created a striking editioned series of compositions in jet-black archival ink on pure white paper. Each distinctiv...
Category

2010s Abstract Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper

“5 O’Clock”
Located in Southampton, NY
. Here for your consideration is an original signed lithograph by Adolf Arthur Dehn done in 1922 titled 5 O’Clock. The condition of the lithograph is excellent. Signed in the p...
Category

1920s Post-War Archival Paper Prints and Multiples

Materials

Archival Paper, Lithograph

June Wild Grass (hand-printed botanical cyanotype, 18 x 36 inches)
Located in Oakland, CA
This long narrow monotype was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wild grass. The species of tall marsh grass is called Gray Rus...
Category

2010s Contemporary Archival Paper Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures. Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable. The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...
Category

1930s Vienna Secession Archival Paper Prints and Multiples

Materials

Archival Paper

Figurative Couple India Ltd Ed A/P Linocut Print Tender Days II Turquoise Brown
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category

1990s Abstract Archival Paper Prints and Multiples

Materials

Printer's Ink, Woodcut, Archival Ink, Archival Paper, Archival Pigment

Flora Italiana ( Waratah Red ) - large format botanical still life photograph
Located in San Francisco, CA
Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensely beautiful body of works exploring the botanical splendor of Italian flowers with highly detailed captures Flora Italiana ( Waratah Red ) 64 x 48 inches (162 x 122cm) signed edition of 7 40 x 30 inches (102 x 76cm) signed edition of 25 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ___________________ About the artist Linda Rosewall’s artistic path was cemented during her childhood. She was inspired by her farther, an accomplished musician and composer who raised his six children as a performing family act. The experience of traveling the United States and Canada in a small airplane piloted by her father provided the opportunity for Linda to capture these moments on her small Kodak Instamatic Camera. At the age of 18, she enrolled at Columbia College of Fine Arts Chicago. During her studies, Linda apprenticed under photographer Norman Bilisko and later worked with Dennis Manarchy...
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21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Anne Storno, Everybody wants to be a Cat, Limited Edition Animal Print
Located in Deddington, GB
Anne Storno Everybody Wants to be a Cat Limited Edition Print Edition of 15 Image Size: H 30 cm x W 40cm Paper Size: H 50cm x W 70cm x D 0.1cm Sold Unframed Please note that in situ ...
Category

21st Century and Contemporary Contemporary Archival Paper Prints and Multiples

Materials

Archival Paper, Screen

Snowy Landscape, 1928 - signed litograph, 78x101 cm., framed
Located in Nice, FR
Lithograph, signed lower right
Category

Early 20th Century Archival Paper Prints and Multiples

Materials

Archival Paper

Untitled, Vertical Abstract Geometric Monotype, Light Blue, Coral, Black
Located in Kent, CT
This is a monotype print meaning that it is a unique print with no other editions. This geometric abstract monotype on Asian paper layers shapes in cobalt blue, maroon, red, black, g...
Category

2010s Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Monotype

Plate No. 339 - Print, Landscape, Portrait, Sea, Ocean, Animals, Nature
Located in Brighton, GB
Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...
Category

2010s Contemporary Archival Paper Prints and Multiples

Materials

Archival Ink, Archival Paper, Giclée

Hemisphere III - large format photograph of abstract liquid cloudscapes in water
Located in San Francisco, CA
large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...
Category

21st Century and Contemporary Abstract Archival Paper Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

“Untitled” (from the Lezard aux Plumes d’Or series)
Located in Southampton, NY
Colored lithograph on archival paper by Joan Miro. Part of the “Lizard with the Golden Feathers series. Signed in pencil “Miro” lower right. “H.C.” lower left. (See details below) ...
Category

1970s Modern Archival Paper Prints and Multiples

Materials

Archival Paper, Lithograph

H.O. Miethke Das Werk folio "The Sisters" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...
Category

Early 1900s Vienna Secession Archival Paper Prints and Multiples

Materials

Archival Paper

Archival Paper prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Archival Paper prints and multiples available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add prints and multiples created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Andrea Bonfils, Randal Ford, Tyler Shields, and Frank Schott. Frequently made by artists working in the Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Paper prints and multiples, so small editions measuring 6 inches across are also available Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,500 and tops out at $70,000, while the average work can sell for $12,000.

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