Metal Prints and Multiples

Foil block print on card Edition 4 of 15 72 x 51 cm (28.3 x 20 in) (Frame: 82.5 x 61.5 x 4 cm / 32.5 x 24.2 x 1.6 in) Signed and numbered on the front Artwork in excellent condition....

Limited Edition Keith Haring spray paint can set published circa 2018 featuring the Estate trademark of Keith Haring. A unique Keith Haring collector’s set that makes for standout ho...

Style: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"

El Anatsui uses typically discarded resources such as liquor bottle caps, cassava graters and newspaper printing plates, to create both floor-based sculptures and shimmering wall pie...

iPad drawing on aluminum. Printed from the original digital file. From the "A Song for The Earth" series inspired by Mahler's DAS LIED VON DER ERDE. 12 x 12" #1 of 10 editions Sebast...

iPad drawing printed on aluminum. From the "A Song for The Earth" series inspired by Mahler's DAS LIED VON DER ERDE. 12" x 12" Unframed Edition: #2 of 10 Sebastian Spreng, is a ...

'Abstraction 1' Enamel on copper plate by Irwin Whitaker, Walnut frame , 1960s Oklahoma-born artist who was prolific in California, Taos and Austin. We have a number of his works ava...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...

iPad drawing on aluminum diptych each panel is 20" x 20" for total dimension of 20" X 40". Edition of 5 This IPad drawing was part of Sebastian Spreng's Dresden exhibition at the Lo...

Rebecca Skinner’s “Ford” is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The 10 x 30 inch color photo with satin finish is infused directly in...

"Abstract I" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is believ...

"Abstract II" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is belie...

"Silver Daisy" Print on Aluminum 43 x 43 in Ed. of 15 by Mick Fleetwood Digital print on aluminum - ready to hang Mick Fleetwood, the legendary drummer and founding member of Flee...

"Platinum Daisy" Print on Aluminum 43 x 43 in Ed. of 15 by Mick Fleetwood Digital print on aluminum - ready to hang Mick Fleetwood, the legendary drummer and founding member of Fl...

This laser-cut steel drawing multiple is incised with the artist’s signature “Tom Wesselmann”, verso. It is also numbered 13 out of an edition of 25. There were also six artists proo...

TITLE: Shepard Fairey "Only The Finest Poison" Silkscreen Print Contemporary Street Art YEAR: 2023 CLASSIFICATION: Limited edition MEDIUM TYPE: Print MEDIUM/MATERIALS: Fine Art Cream Speckletone Paper with Gold Metallic Inks. CATEGORIES: Silkscreen / Graffiti and Street Art / Outsider Art / Feminist Art and Contemporary Feminist / Cultural Commentary DIMENSIONS: 24 × 18 in 61 × 45.7 cm EDITIONS: Edition of 240/550 PROVENANCE: Comes with a Certificate of Authenticity provided by New Union Gallery...

Lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 350. Artwork is in excellent condition. Certificate of authenticity included. A...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embo...

Takashi Murakami, a pivotal figure in contemporary art, is renowned for his ability to blend traditional Japanese aesthetics with modern pop culture. His 2016 limited edition print, ...

Ana Rosa de Ycaza’s’s Copper Etching III is a black and white engraving copper minimalist abstract mixed media with a french oak frame measuring 14 x 14 priced at $1000. Ana Rosa de Ycaza an artist born in 1915 was affiliated with Atelier 17 a studio that attracted the likes of Mark Rothko, Joan Míro, William de Kooning...

Artist: John James Audubon (American, 1785-1851) Title: "Sandwich Tern (with Florida Cray Fish) (Florida Keys)" (Plate CCLXXIX - 279; part No. 56) Portfolio: The Birds of America, Ha...

This laser-cut steel drawing multiple is incised with the artist signature “Wesselmann”, verso. It is also numbered out of an edition of six. This is one of six artists proofs aside ...

Kettle II is a lithograph (6 colors, chine collé and gold leaf on Fabriano 50% cotton 300 g paper) by contemporary artist Marcelo Martin Burgos, dimensions are 80 × 60 cm (31.5 × 23....

“I don’t have any Seine River like Monet, I’ve just got US 66 between Oklahoma and Los Angeles.” — Ed Ruscha True First Edition of Ruscha's most iconic book - hand signed with except...

Jiri Kolar (Jiří Kolář) Analphabetogramme - Signatur Objekt Nr. 23 (Collages, Assemblages, Poetry, Surrealism) Analphabétogramme (hand-pressed copper print) with matte Year: 1995 Size: 12×11.6×0.6in Edition: 756 of 990 Signed, numbered by hand Publisher: First Edition, Verlag Rommerskirchen, Rolandseck - Germany COA provided Ref.: 924802-1933 White original cardboard in a Plexiglas slipcase, signed and numbered, number 756 of 990. 28 pages in block book form, texts and colored illustrations of collaged sculpture photographs, 1 loosely enclosed hand-signed original hand-pressed copper print ("Analphabétograms") under passepartout. The cardboard cover is cut out like a passe-partout so that the title illustration is visible when the book is hung on the wall as an art object using the acrylic glass frame provided. Tags: Czech artist,Poet,Visual artist,Political activist,Collages,Assemblages,Poetry,Surrealism,Dada...

Rebecca Skinner’s “Stairway” was photographed at an abandoned asylum and is part of her “Forgotten” series raising mental health awareness. A fisheye lens gives the ornate, iron stai...

Frank Stella Centennial Medal for the Metropolitan Museum of Art, 1970 17 Color enamel on rhodium plated bronze plaque (incised signature an...

Silkscreen with enamel inks and flocking on 4-ply museum board

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

Procede by Georges Manzana Pissarro (1871-1961) Coloured monotype with gold, silver and pencil 24 x 30 cm (9¹/₂ x 11³/₄ inches) Signed lower right, Manzana Artist biogaphy Like all ...

Bronze, hand-patinated and partially polished cast in 1982 using the lost-wax (""à cire perdue"") technique bearing the foundry stamp ""Strehle Kunstguss"" height (including base): 5...

38" x 57" Unframed Limited Edition Screenprint with Gold Leaf on Canvas of 118 Hand Signed by Ronnie Wood

Limited edition of 500. KAWS (b. 1974) is an American artist based in New York City. Over the last two decades KAWS has built a successful career with work that consistently shows h...

'Superman' by DJ Leon, 2020. 39 x 27 in. A dye-sublimation print on aluminum that is saturated in colors of reds and blues. The print incorporates, appropriates, and combines found i...

Artist Commentary: Most people notice the LOVE sign first. I know I did when I came upon this scene. I had just finished photographing a wedding and was walking back to my car. I lov...

Lithograph on Arches paper with embossing and gold foil by the Spanish surrealist artist Salvador Dali. From the 1977 Twelve Apostles Suite (sometimes referred to as the Knights of the Roundtable Suite). Signed and numbered in pencil. (54/350) This image is sometimes referred to as "Visions of Camelot." Edition Size: 350. Paper Size: 22.5 x 18.8 in. Referenced in; The Official Catalog of the Graphic works of Salvador Dali" by Albert Field as 72-14 C. Published by S. Wajntraub, P. Moore, A. Lancel and J. Carpentier, Paris. Framed Provenance: Martin Lawrence Gallery...

Alkyd on cut out steel. Hand signed, titled, dated and numbered on verso by the artist. Edition 24/25 ( there were also 6 artist's proofs). Published by the artist and Éditions de...

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

TECHNICAL INFORMATION: Alex Katz Ariel (set of 3) 2016 Baked archival UV inks on shaped powder-coated aluminum 60 x 28 in. (overall dimensions) Edition of 40 Engraved signed and n...

Artist: Sultan, Donald Title: Mimosa with Orange, April 24, 2024 Series: Mimosas Date: 2024 Medium: Color silkscreen with enamel inks and sand on 4-ply museum board Unframed Dim...

*Artist's Proof Diptych Set, only Limited of 3 ever made, a rare Set Edition Giclée made on premium Aluminium. Each painting is hand painted by artist Shizico Yi. This diptych is S...

This limited edition figurative print, The Sister (Edition 8 of 25), is part of Natasha Lelenco’s acclaimed The Dinners series. Blending contemporary portraiture and psychological su...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 450. Artwork is in excellent condition. Certificate of authenticity inc...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 750. Artwork is in excellent condition. Certificate of authenticity in...

"Floral Portrait with Red Hat and Bow on Black Background" is a limited edition high-quality Dibond direct UV Print titled "The Pioneer of the School No. 39". This piece, like the en...

Tristan Eaton SpaceX Silver Foil Print Art Human Kind set 2 print Silver Paper Set each print signed by Tristan Eaton 18 by 12 inches each Elon Musk commiss...

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

"The Arts Council of Great Britain asked Richard Hamilton to organise a Duchamp retrospective at the Tate Gallery in 1966. The almost complete works of Marcel Duchamp opened on 18 Ju...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. AP edition of 450. Artwork is in excellent condition. Certificate of authenticity included...

This is an original foil print poster created by Michel Granger for the Marquet Galerie on Rue Bonaparte in Paris. In this striking composition, Granger renders a cascade of building...

Color aquatint, spitbite aquatint, flatbite and softground etching with white gold leaf. Paper Size: 28” x 54” Image Size: 24” x 50” Edition of 35

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

Offset lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 500. Artwork is in excellent condition. Certificate of authenticity included. Al...

Invader Invaded Cube, 2023 Diasec-mounted Giclée on aluminium composite panel, weighing 13.5kg 39 2/5 × 39 2/5 in 100 × 100 cm Edition of 459 Published by HENI

It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tradition a few decades old alread...

Rarely found on the market, this lithograph is annotated "Bon a Tirer" (B.A.T.)- which literally means "Good (i.e. Ready) to Print". It is a unique proof, and, as the very first sign...

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.

This artwork titled "Love's Discretion" is a colors lithograph with gold foil on paper by Japanese/American artist Hisashi Otsuka, b.1948. It is stamped, signed and numbered 98/300 a...

Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

MEL RAMOS (American, b. 1935) "Barbiburger" 2006 Enamel print on aluminum Image: 6 x 4 inches (15.2 x 10.2 cm) Framed: 14 x 12 inches Published by Galerie der Moderne, Mains, Germany...