Metal Prints and Multiples

Inkjet print in colours, glaze and foilblock Edition of 55 69.2 x 55.5 cm Signed and numbered on the front Condition on request Whether it be figurative, abstract or landscape, we s...

Available sizes: 18” x 23.91”, Edition 2 of 8, Pigment Print 28” x 37.2”, Edition of 8, Pigment Print 38” x 50.48”, Edition of 6 Silver Gelatin Wildlife fine art photographer and co...

Available sizes: 18” x 33.85”, Edition of 8, Pigment Print 28” x 52.66”, Edition of 8, Pigment Print 38” x 71.47”, Edition of 6 Silver Gelatin 48” x 90.28”, Edition of 6 Silver Gelat...

Available sizes: 18” x 29.52”, Edition of 8, Pigment Print 28” x 45.92”, Edition 2 of 8, Pigment Print 38” x 62.32”, Edition of 6 Silver Gelatin 48" x 78.73", Edition of 6 Silver Gel...

This artwork is one of the available artworks in a limited edition of 25 copies for each character from the Diners series by Moldovan artist Natasha Lelenco. In this series, comprise...

Tracey Emin It's A CRIME to Live with The Person You don't LOVE, 2121 Giclée print on Hahnemühle FineArt Pearl 285gsm paper, accompanied by official COA with hologram 16 1/2 × 11 2/5...

Santiago Sierra (Spanish, b. 1966) Door Plate, 2006 Medium: Cast aluminium relief sign with black enamel paint Dimensions: 59 x 69 x 2 cm Edition of 15: Hand-signed and numbered on a...

This triptych is a multi-panel composition featuring 3 UV prints on dibond aluminum of characters from the Diners series by Moldovan artist Natasha Lelenco (The Mother, the Father an...

Available sizes: 18” x 36.98” , Edition of 8, Pigment Print 28” x 57.52” , Edition of 8, Pigment Print 38” x 78.07”, Edition 5 of 6 Silver Gelatin 48” x 98.61”, Edition of 6 Silver G...

Available sizes: 18” x 21.39”, Edition of 8, Pigment Print 28” x 33.28”, Edition of 8, Pigment Print 38” x 45.16”, Edition of 6 Silver Gelatin 48” x 57.05”, Edition of 6 Silver Gelat...

Available sizes: 18” x 20.26”, Edition of 8, Pigment Print 28” x 31.52”, Edition of 8, Pigment Print 38” x 42.77”, Edition of 6 Silver Gelatin 48” x 54.03”, Edition of 6 Silver Gelat...

Available sizes: 18” x 24.29” , Edition of 8, Pigment Print 28” x 37.78” , Edition of 8, Pigment Print 38” x 51.28”, Edition of 6 Silver Gelatin 48” x 64.77”, Edition of 6 Silver Gel...

Herbert Bayer Things to Come tray, 2018 Porcelain dish with metallic gold edge and silkscreened image Limited edition of an unknown quantity, originally distributed by the Museum of Modern Art, before it sold out. Measurements: Box: 5.5 x 5.5 inches Tray: 5 x 5 inches Provenance: Originally distributed by the Museum of Modern Art, before it sold out Manufacturer: Galison Publishing LLC and The Museum of Modern Art Herbert Bayer biography: Artistic polymath Herbert Bayer was one of the Bauhaus’s most influential students, teachers, and proponents, advocating the integration of all arts throughout his career. Bayer began his studies as an architect in 1919 in Darmstadt. From 1921 to 1923 he attended the Bauhaus in Weimar, studying mural painting with Vasily Kandinsky and typography, creating the Universal alphabet, a typeface consisting of only lowercase letters that would become the signature font of the Bauhaus. Bayer returned to the Bauhaus from 1925 to 1928 (moving in 1926 to Dessau, its second location), working as a teacher of advertising, design, and typography, integrating photographs into graphic compositions. He began making his own photographs in 1928, after leaving the Bauhaus; however, in his years as a teacher the school was a fertile ground for the New Vision photography passionately promoted by his close colleague László Moholy-Nagy, Moholy-Nagy’s students, and his Bauhaus publication Malerei, Photographie, Film (Painting, photography, film). Most of Bayer’s photographs come from the decade 1928–38, when he was based in Berlin working as a commercial artist. They represent his broad approach to art, including graphic views of architecture and carefully crafted montages. In 1938 Bayer emigrated to the United States with an invitation from Alfred H. Barr, Jr., founding director of The Museum of Modern Art, to apply his theories of display to the installation of the exhibition Bauhaus: 1919–28 (1938) at MoMA. Bayer developed this role through close collaboration with Edward Steichen, head of the young Department of Photography, designing the show Road to Victory (1942), which would set the course for Steichen’s influential approach to photography exhibition. Bayer remained in America working as a graphic designer for the remainder of his career. -Courtesy of MOMA More about Herbert Bayer: Herbert Bayer (1900-1985) was born in Austria, where he entered into an apprenticeship under the architect and designer, Georg Smidthammer, with whom Bayer learned drawing, painting, and architectural drafting, inspired by nature and without formal knowledge of art history. In 1920, Bayer discovered the theoretical writings of the artist Vassily Kandinsky, as well as Walter Gropius’ 1919 Bauhaus manifesto, in which Gropius declared the necessity for a return to crafts, in which were found true creativity and inspiration. Bayer traveled to Weimar to meet Gropius in October of 1921 and was immediately accepted into the Bauhaus. There, he was deeply influenced by the instruction of Kandinsky, Johannes Itten and Paul Klee. In 1928 Bayer moved to Berlin together with several members of the Bauhaus staff including Gropius, Moholy-Nagy and Marcel Breuer. He found work as a freelance graphic designer, particularly with German Vogue, under its art director Agha. When the latter returned to Paris, Bayer joined the staff full time, and also worked increasingly with Dorland, the magazine's principle advertising agency. It was in the period from 1928 to his emigration to America in 1938 that he developed his unique vision as an artist, combining a strongly modernist aesthetic sense with a rare ability to convey meaning clearly and directly. This seamless combination of art, craft and design mark Bayer as true prophet of Bauhaus theories. Bayer followed Gropius to America in 1938, and set his breadth of skills to work later that year in designing the landmark Bauhaus 1918-1928 exhibition at the Museum of Modern Art. Bayer flourished in New York as a designer and architect, but it was his meeting with the industrialist Walter Paepcke in 1946 that allowed him to harness his concepts of 'total design' to the postwar boom. Paepcke was developing Aspen as a cultural and intellectual destination, and found in Bayer the perfect collaborator. Bayer was designer, educator and indeed architect for Paepcke's Aspen Institute...

Available sizes: 18” x 27.52”, Edition of 8, Pigment Print 28” x 42.81”, Edition of 8, Pigment Print 38” x 58.10”, Edition of 6 Silver Gelatin Wildlife fine art photographer and con...

Kerry James Marshall Memento, 1997 Featuring civil rights leaders: Dr. Martin Luther King, John F. Kennedy, Medger Evers, Andrew Goodman, James Chaney, Michael Schwerner, Malcolm X, Black Panthers 6-Color lithograph with gold powder on soft white Somerset paper with deckled edges Pencil signed, titled and numbered 6/33 on the front Frame included: elegantly floated and framed in a handmade museum frame with UV plexiglass This is an excellent impression of a scarce and consequential 1997 Kerry James Marshall graphic work printed by Master Printer Ross Zirkle (1955-2007) at Tamarind Institute, Albuquerque, New Mexico (the publisher). Other examples of this work are in major public institutions such as SFMOMA, the Birmingham Museum of Art, the Yale University Art Gallery and the Library of Congress - which is why Memento is so elusive and rarely found on the market. The present example is elegantly floated and framed in a white wood hand made museum frame with UV Optium Acrylic glazing - the highest quality. Measurements: Framed: 33 inches vertical by 47 inches horizontal by 2 inches Artwork: 30 inches vertical by 44 inches horizontal Bibliography: Pamela Franks and Robert E. Steele, Embodied: Black Identities in American Art from the Yale University Art Gallery, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2010), 62, ill. Text from the Yale University Art Gallery website: Kerry James Marshall’s Memento memorializes the persons associated with the Civil Rights movement in the 1960s. The work depicts multiple headshots of civic leaders and other individuals who died during this era, such as Medger Evers and members of the Black Panther Party. Rather than drawing these images, Marshall uses the newspaper obituary photographs that the general public is accustomed to seeing. He exalts the fallen individuals by placing angel wings behind most of the images. A black woman carrying an urn of flowers stands before portraits of Dr. Martin Luther King, Jr., and John F. Kennedy. The woman turns toward the viewer, asking us, and the larger community, to “mourn” with her. And from the Birmingham Alabama Art...

Available sizes: 18” x 22.65”, Edition of 8, Pigment Print 28” x 35.23”, Edition of 8, Pigment Print 38” x 47.81”, Edition of 6 Silver Gelatin 48” x 60.40”, Edition of 6 Silver Gelat...

Available sizes: 18” x 31.5”, Edition of 8, Pigment Print 28” x 49”, Edition of 8, Pigment Print 38” x 66.51”, Edition of 6 Silver Gelatin Wildlife fine art photographer and conserv...

GEORGE DIONSYSIUS EHRET (1708-1770). Plantae Selectae.... Text by Dr. Christoph Trew. Drawn by Georg Dionsysius Ehret. Engraved by Johannes Jacobus and Johannes Elias Haid. Nuremberg...

High-quality printing on limited edition aluminum Dibond. A portrait of a cat against a background of floral motifs reminiscent of the typical ornaments found in Eastern European car...

This artwork is one of the available artworks in a limited edition of 25 copies for each character from the Diners series by Moldovan artist Natasha Lelenco. In this series, comprise...

In this work the artists engage viewers in a dialog regarding infinite potential. A growth mindset allows one to receive, align and pivot when confronted with new information, akin t...

Mark was born in Yorkshire and studied photography at Wolverhampton Polytechnic before moving to London in 1991. He initially worked as a photographer before focusing more on illustr...

This artwork is one of the available artworks in a limited edition of 25 copies for each character from the Diners series by Moldovan artist Natasha Lelenco. In this series, comprise...

Mark was born in Yorkshire and studied photography at Wolverhampton Polytechnic before moving to London in 1991. He initially worked as a photographer before focusing more on illustr...

This artwork is one of the available artworks in a limited edition of 25 copies for each character from the Diners series by Moldovan artist Natasha Lelenco. In this series, comprise...

Patty deGrandpre’s “Sitting on the Seawall with Sand in Your Suit (Devereux Beach)” is a contemporary 31 x 40 x 1 inch digital inkjet print on aluminum representing the coastline of ...

Patty deGrandpre’s “Walking the Causeway to Marblehead Neck (tough summer feet)” is a contemporary 31 x 40 x 1 inch digital inkjet print on aluminum representing the coastline of the New England town of Marblehead, Massachusetts. This unique one of a kind piece is an abstract depiction of a lighthouse, a beach chaise...

Robert Longo Three Strikes, You're Out (Triptych), 1990 Silkscreen and Color Photograph (C-Print) on Aluminum and Lead Plates 9 4/5 × 23 3/5 inches Edition 120/200 Boldly signed and numbered in black marker from the edition of 200 on the verso; bears the artist's and publishers printed name & copyright Unframed Three Strikes You're Out was created in 1990 by Robert Longo exclusively for the mixed-media box-edition Contemporary Archeology, Pandora Part Three. The works were executed by jennifer Cox for Publishing House Bebert in an edition of 200, numbered and signed copies. This work is assembled as triptych and consists of two aluminium plates. Both aluminium plates show a color photograph of a cloud with silkscreened red X, the lead plate only showing the red X Total size is: 9.8 inches by 23.6 inches Individual Metal Plate Sizes: 9.8 x 9.1 in (2) / 9.8 x 5.1 (1) Unframed Boldly signed and numbered in black marker from the edition of 200 on the verso; bears the artist's printed name and copyright mark, along with the publisher - Publishing House Bebert, Rotterdam. Robert Longo Biography: Robert Longo was born in 1953 in Brooklyn and grew up in Long Island, New York. He graduated high school in 1970, weeks after the Ohio National Guard massacred several students at Kent State University who were protesting the U.S. invasion of Cambodia. One of those killed was a former classmate of Longo’s, and his body was shown in a Pulitzer Prize-winning photograph that was seen across the world. The event shocked Longo, triggering his interest in political activism and media imagery. In 1972, Longo received a grant to study restoration and art history in Florence. While touring the museums of Europe, he realized he wanted to make, rather than restore art. In 1973, Longo enrolled at Buffalo State College, where he worked for artists Paul Sharits and Hollis Frampton, who introduced him to structuralist filmmaking. Along with Charles Clough, Longo also co-founded Hallwalls (1974–ongoing), an alternative non-profit art exhibition space where he organized shows and talks with artists such as John Baldessari, Lynda Benglis, Robert Irwin, Joan Jonas, Bruce Nauman, and Richard Serra. At Buffalo State, Longo started a friendship–that still exists to this day–with Cindy Sherman, and in 1977 the two moved to New York together, where Longo began working as a studio assistant to Vito Acconci and Dennis Oppenheim. That year he was included in the exhibition Pictures at Artist’s Space, curated by Douglas Crimp, which showcased work by a group of five young artists who were engaged with the politics of image-making, drawing from advertisements, newspapers, film, and television. The “Pictures Generation,” as they became known, included artists such as Cindy Sherman, Richard Prince, Louise Lawler, David Salle, and drew from semiotics and poststructuralist theory to investigate the way meaning is made and circulated in modern society. Their work often critiqued the anaesthetizing power of consumer capitalism and the indoctrinating effects of mass media. At his first solo show at Metro Pictures in 1981, Longo presented his charcoal and graphite Men in the Cities drawings, which instantly became icons of the “Pictures Generation,” and some of the most recognizable artworks of the 1980s. Longo performed in New York rock clubs with the band Menthol Wars with Richard Prince, throughout the 1980s. During that period, he also designed numerous album covers, including Glenn Branca’s The Ascension (1981) and The Replacements’ Tim (1985). In 1986, he directed his first music video for New Order’s chart-topping song Bizarre Love Triangle, and the following year directed The One I Love, a video for R.E.M.’s first hit single. Longo began working with diverse materials at increasingly ambitious scales. His Combines series, first exhibited in 1983, incorporated materials such as paint, graphite, wood, plaster, cast bronze, and steel in works that were part-painting, part-sculptural reliefs. Using Sergei Eisenstein...

Nude Figure with Breast & Hand, Platinum Palladium Print on Wove by Contemporary British Artist, Malcolm Pasley (Born 1956) Art measures 14 x 11 inches...

Limited Edition Keith Haring spray paint can set published circa 2018 featuring the Estate trademark of Keith Haring. A unique Keith Haring collector’s set that makes for standout ho...

Signed, lower left, 'T. Nakayama' for Tadashi Nakayama (Japanese, 1927-2014), dated 1973 and inscribed, lower right, with number and edition limitation, '21/75'. Paper dimensions: 3...

Limited Edition Geclee Print Edition of 50 on watercolor paper, hand-embellished by watercolor, crown , earrring is hand-embellished by gold leaf. The print is meticulously created ...

This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. Government is supposed to create the greatest good f...

Helmut Newton’s SUMO - Edition 08065 of 10,000 Hardcover with book stand, size 28'H x 20.5"W x 3" D, 34.80 kg, 464 pages. This edition is sold out. Almost as enormous as its subject is influential, the original SUMO is an homage to the astounding photographer Helmut Newton. Edited by June Newton...

With my ICONS art show happening this weekend, it made sense to celebrate the musical and philosophical icon Joe Strummer, lead singer and lyricist of the Clash who are my all-time f...

Manuel Lozano presents his new series of photography, hand-sketches, and sculptures during his residency at Proyecto Marea in LA PAZ, Baja California Sur. Notably, he attained the to...

Own a piece of history with this rare and limited edition poster from the MCA! Commemorating Christo's iconic exhibition "Wrap In Wrap Out," this poster is a true collector's item. T...

Jose Bedia (Cuban, 1959) 'Tumba y Raja', 2019 Sugarlift on iron plate Limited edition of 30 Image size: 89.5 x 151.5 cm. (35.2 x 59.6 in.) Overall size: 109 x 172 cm. (42.9 x 67.7 in...

Manuel Lozano presents his new series of photography, hand-sketches, and sculptures during his residency at Proyecto Marea in LA PAZ, Baja California Sur. Notably, he attained the to...

Shepard Fairey OBEY Peace and Freedom Dove Sign 24” Reflective BTS Signed 2021. Shepard Fairey Peace and freedom dove on metal sign 24 inch diamet...

Manuel Lozano presents his new series of photography, hand-sketches, and sculptures during his residency at Proyecto Marea in LA PAZ, Baja California Sur. Notably, he attained the to...

Christo and Jeanne-Claude LIMITED EDITION - CHRISTO ET JEANNE-CLAUDE | EXHIBITION CATALOGUE From July 1st to October 19th, the Centre Pompidou is hosting Christo and Jeanne-Claude, ...

Illuminated Manuscript featuring a group scene of a crowd of men. A few of them dance in the middle of the crowd surrounded by spectators. Two men sitting in a stage structure watch ...

Christo The MCA (Museum of Contemporary Art) Wrapped, Chicago, 1969, 2019 Limited Edition Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil...

Available sizes: 18” x 24.5” - Edition of 8 28” x 38.11” - Edition of 8 38” x 51.73” - Edition of 6 48” x 65.34” - Edition of 6 It has been a dream to pair one of the world's most c...

Available sizes: 18” x 25.85” - Edition of 8 28” x 40.21” - Edition of 8 38” x 54.57” - Edition of 6 48” x 68.93” - Edition of 6 The Serengeti is believed to hold the largest population of lions in Africa, with over 3,000 individuals, making it undoubtedly the land of lions. When I found this pride of lions on the open short grass plains of Eastern Serengeti, I immediately thought I needed to create a group portrait. I am always looking to make photographs different from anything I have ever taken, and this was definitely one of those moments. I often aim for my portraits, especially of predators, to be striking and imposing, which means my camera needs to be extremely close to the subject. I used a remote-controlled camera to safely capture the shot without disturbing them with a large vehicle. My remote-controlled buggy allowed me to move the camera into position and adjust the composition, a technique I mastered over the past five years. In the morning, lions are often very active; seeing a foreign object...

ROY LICHTENSTEIN Clinton Gore (Limited Edition Campaign Button), 1992 Mixed Media Screenprint on political button (Plate Signed Roy Lichtenstein) 1 3/...

Illuminated manuscript with images of sailboats on the front and writing on the back, visible through the glass frame backing. Image Size: 9.75" x 11.5" Frame Size: 15" x 16.75"

Jiri Kolar (Jiří Kolář) Analphabetogramme - Signatur Objekt Nr. 23 (Collages, Assemblages, Poetry, Surrealism) Analphabétogramme (hand-pressed copper print) with matte Year: 1995 Size: 12×11.6×0.6in Edition: 756 of 990 Signed, numbered by hand Publisher: First Edition, Verlag Rommerskirchen, Rolandseck - Germany COA provided Ref.: 924802-1933 White original cardboard in a Plexiglas slipcase, signed and numbered, number 756 of 990. 28 pages in block book form, texts and colored illustrations of collaged sculpture photographs, 1 loosely enclosed hand-signed original hand-pressed copper print ("Analphabétograms") under passepartout. The cardboard cover is cut out like a passe-partout so that the title illustration is visible when the book is hung on the wall as an art object using the acrylic glass frame provided. Tags: Czech artist,Poet,Visual artist,Political activist,Collages,Assemblages,Poetry,Surrealism,Dada...

Jorinde Voigt (German, b. 1977) Grüne Treppe (II), 2015 Medium: Digital print, gold leaf applied by hand, on 320g cotton paper Dimensions: 80 x 51.8 cm Edition of 35: Hand-signed, nu...

woven silk, gold leaf, photo collage screen print

Bardot Femme Fatale 2017 , signed and numbered on the front - limited edition n. III/X on paper White wood frame and glass About the artist : Russell Young is a American-British Pop...

Erté The Dancer, from the At the Theatre Suite (Cloud Commander) 1984 Serigraph with gold foil on paper Ed: 226/300 26 x 20 inches, 36.5 x 30.5 (framed) Hand-signed in pencil lower ...

Erté Six Serigraph with gold foil on paper 1980 Ed: 205/350 18 x 13.5 inches, 28 x 23.5 (framed) Hand-signed in pencil lower right recto and numbered in pencil lower left recto

Rare Limited Edition Jean-Michel Basquiat, Keith Haring spray paint cans (set of 4), published circa 2017 featuring the Estate trademark's of Jean-Michel Basquiat & Keith Haring (eac...

This piece titled "Nevermore" is an original print by Samantha Mendoza and is made from copper etching with aquatint and copper leaf. This piece measu...

Peter Blake A Walk in the Tuileries Gardens, 2004 26 colour Screenprint with Silver leaf and 3 Glazes Hand signed and numbered 28/200 by artist on lower front 30 1/5 × 22 1/2 inches Unframed A Walk Through the Tuileries Gardens is based on a memory of a stroll in Paris distilled through the ephemera he found along the way. ' The legendary Peter Blake, the father of British Pop Art, is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationships with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A Walk Through the Tuileries gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Caroussel. This whimsical Peter Blake print would make a great gift for any Blake fan. The work is matted and unframed as it had been removed from its original frame. Measurements: Board: 30 1/8 x 22 1/2 inches Sheet: 24 x 20 inches Legendary British Pop Art pioneer British Blake was born in 1932, and after his formal training at the Gravesend School of Art, then at the Royal Academy of Art, he broke away from tradition, producing work from 1960 on that would come to define the British Pop Art Movement. He came to be known as the Grandfather of Pop Art, and his art achieved iconic status with his sleeve for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band. Blake’s art draws on imagery from the popular culture of the past and present, as well as from the canon of fine art, thus creating an alternative, more democratic visual aesthetic. He freely mixes the ‘high’ with the ‘low’, ultimately inviting us to see beyond such distinctions. Always playful, and at times irreverent, he sets up the most unlikely juxtapositions across time and space, creating conversations and ‘parties’ to which all are invited. An abiding theme is an investigation, and celebration, of England and Englishness. Collage has always been a hallmark of Blake’s work, allowing him to freely mix found objects and images of people and other artworks; screenprinting, with its use of stencils and layers, lends itself perfectly to this technique, and indeed it was Pop Art that fully realised the potential of screenprinting as a medium for complex replication. More about Peter Blake: Sir Peter Thomas Blake...

Available sizes: 18” x 33.25” - Edition of 8 28” x 51.72” - Edition of 8 38” x 70.19” - Edition of 8 "Drawn Swords is an image I have been dreaming of making for several years. Even...