Tape Prints and Multiples

Limited edition of 10, fine art print. Signed by the author.

Yves Klein La Conférence à la Sorbonne, 3 Juin, 1959, 1959-1963 Two 12-inch vinyl records held in gatefold sleeve with silkscreen cover jacket in IKB International Klein Blue...

"Abstract II" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is belie...

Banksy (after) Walled Off Hotel Boxed Set Assemblage, 2018 Mixed Media assemblage: unique piece of concrete/cement wall with framed lithograph. Accompanied by original embossed rece...

John Baldessari The Sprinters, 1982 Limited Edition Offset Lithograph on Parson's Diploma paper Signed in graphite pencil on the front. Accompanied by letter of authenticity from the publisher 36 x 24 inches Unframed Provenance: Acquired as part of the complete SIGNED 1984 Olympic Lithographic Print Portfolio Exhibition History: Olympic Museum in Lausanne, Switzerland, 2017 (different edition) Accompanied by a letter of authenticity from the publisher on Olympic Committee letterhead. This is one of 750 hand signed lithographic posters, published in 1982 to celebrate the 1984 Los Angeles Olympics...

Louise Bourgeois I Have Been to Hell and Back Handkerchief, 2007 Embroidery on 100% Cotton Handkerchief With the artist's silkscreened initiala Han...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...

John Kato's print, titled "Still Thinking of Her: Orange Breakfast," captures a poignant yet cheery scene. The composition centers on a cut-up orange placed ...

Louise Bourgeois Red Room (Parents) detail (double sided work), 2009 Screenprint and embroidery on two sided pillowcase with plate signature, artist's copyright and printed name 21 ×...

Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...

"Renee's Breakfast" depicts a simple image of three eggs on a plate with bacon, a breakfast so familiar to many, and serves as a poignant reminder of the passage of time and the transience of even the most ordinary moments. Just as the morning sun rises and sets, casting shifting shadows and changing the hues of the yolks, so does life move forward, never standing still. The sizzling bacon mirrors life's moments, fleeting and ephemeral, yet leaving behind a savory residue of memories. In this seemingly mundane tableau, we find an allegory for the ceaseless march of time, urging us to savor each bite, each moment, for they are as precious as the breakfast on our plate. John Kato...

The first edition to wear. The striking orange roughfiber work is brought to life by printing on high-quality satin silk and can be admired or worn....