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Alphonse Mucha
Original 1896 Poster By A. Mucha - La Dame Aux Camelias Starring Sarah Bernhardt

1896

$7,503.01List Price

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Alphonse Mucha JOB Original Poster, 1898
By Alphonse Mucha
Located in Dallas, TX
Alphonse Mucha 1898 "JOB" poster. Printed by: “Imp. F Champenois 66 Boul, St Michel, Paris” in 1898 Very good (A-) condition with toning throughout and less under matting. Linen b...
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Adolph Willette “Cacao Van Houten” Original 1896 Poster Chaix
By Adolphe Willette
Located in Dallas, TX
Willette- Maitres de L'affiche: Cacao Van Houten, original lithograph 1896, Impremie CHAIX. PL. 43 France, 1890-1919, paper Willette: Cacao Van Houten Original stone Lithograph on vélin paper 1896 Sheet Size: 15.75 x 11.4 in. / 39.5 x 29 cm Printed by: Imprimerie Chaix 1896 In very good condition (A) unbacked, This plate is from the famous set "Les Maitres de l'affiche" The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors. Every month for 60 months, from December 1895 through November 1900, subscribers received by mail, 4 loose sheets (Maitres) with a cover sheet. Willette's elegant vertical poster...
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Alphonse Mucha Flirt Biscuits Lefevre Utile Poster
By Alphonse Mucha
Located in Dallas, TX
Alphonse Mucha (Czech, 1860-1939) Flirt Biscuits Lefevre Utile. 1899, Lithograph in colors on wove paper. Linen backed. Imp F. Champenois Paris. Measures : sheet: 24.75 x 11.75 inche...
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Lucien Henri Weil " WEILUC" Le Frou Frou French Vintage Poster, Wall Art
Located in Plainview, NY
A fine vintage reproduction of Le Frou Frou French poster originally created by WEILUC (Lucien-Henri Weil, 1873-1947). Le "Frou Frou", which in French mea...
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Death and Life / - United in Laughter -
By Hans Frank
Located in Berlin, DE
Hans Frank (1884 Vienna - 1948 Salzburg), Death and Life, 1911. Lithograph, 18 cm x 31 cm (depiction), 25.5 cm x 38.7 cm (sheet size), signed “H.[ans] Frank” in pencil lower right and inscribed “Tod und Leben” lower left. - darkened, remains of an old mounting on the verso - United in Laughter - Here, Hans Frank refers to the skull as a vanitas motif. In Renaissance and Baroque portraits, this motif symbolizes the transience of the sitter, whose head has become a skull over time. Penitents, such as St. Jerome, often hold skulls in melancholy contemplation. Here, however, the boy stands up for life itself. He boldly grabs the skull and laughs at the absurdity of life and death. The laughter of death joins the laughter of life, and vice versa. The child's thumb penetrates the skull's cheekbone to illustrate the inseparable connection between death and life. About the artist Hans Frank studied at the Vienna School of Applied Arts from 1902 to 1906 and then studied painting under Franz Rumpler at the Vienna Academy of Fine Arts from 1907 to 1911. In 1911, he received a substantial travel grant from the emperor, which he used to travel to Switzerland, Paris, London, Belgium, the Netherlands, and Germany. After serving in World War I, Frank moved to St. Marein im Mürztal, returning to Vienna in 1925. He took further study trips to Italy, southern France, and the Austrian countryside. In 1927, Frank became a member of the London Society of Color Printers. An exhibition of his work at the Medici Gallery in London brought him international recognition. He joined the Pasadena Printmakers Society of California and established contacts in Canada. In addition to his highly regarded paintings, Frank primarily worked as a graphic artist. He created over 300 prints and developed a new gradient technique for the fern woodcut with his twin brother, Leo Frank...
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Performance by members of the Deutsches Theater zu Berlin / - Ornamental Flow -
By Emil Orlik
Located in Berlin, DE
Emil Orlik (1870 Prague - 1932 Berlin), Ensemble guest performance by members of the Deutsches Theater zu Berlin, 1899. Color lithograph on wove paper, 20 cm x 13.3 cm (image), 29.5 ...
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Late 19th century color lithograph art nouveau ornate bookplate verso
By Alphonse Mucha
Located in Milwaukee, WI
"From: Ilsée, Princess of Tripoli Recto: "Oasis Beetles" Verso: "Visiting Ilsee's Palace" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs ...
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Late 19th century color lithograph art nouveau ornate bookplate medieval
By Alphonse Mucha
Located in Milwaukee, WI
This color double-sided lithograph is from Alphonse Mucha's "Ilsee, Princess of Tripoli." The front of this piece, "Rudel of Blaye" features the royal family and subjects (sans text)...
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Original early 20th Century German signed lithograph by Marcus Behmer
By Marcus Behmer
Located in Petworth, West Sussex
Marcus Behmer (German, 1879 – 1958) Die Geravbte orchidee (The robbed orchid), 1903 Signed ‘Marcus Behmer’ (lower right in pencil) Lithograph on paper 16.1/8 x 12in. (40.8 x 30.5cm.) It is apparent Behmer is influenced by the work of Aubrey Beardsley, though this work is no less beautiful in its execution. Little is known regarding his connections to Oscar Wilde though he is obviously an admirer and has many similarities with his private life and incarceration in prison. These works were a personal gift to Baron Detlev von Hadeln, the aristocrat and prominent art historian of the age. Behmer is known to be, since 1903, a member in the first ever homosexual organization in Berlin and was thus probably a part of Adolf Brand’s circle, and may have contributed to Brand’s publication Der Eigene. Until now, few know that Behmer was sentenced in April 1937 by a court in Konstanz to imprisonment for two years, being arrested in Freiburg and at other locations in southern Germany for being a homosexual. At times he was given the opportunity to work as an artist in prison. The works produced in this period are mostly calligraphic designed tablets with Greek text (prayers and Bible quotes...
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Leon Bakst Three Costume designs from Le Dieu Bleu Ballet 1911
By Leon Bakst
Located in Paonia, CO
Three iconic Leon Bakst costume designs for Le Dieu Bleu ( The Blue God ) a ballet choreographed by Michel Fokine and written by Cocteau. The ballet premiered in Paris in 1912. It tells the story of a girl who tries to dissuade her fiancé from becoming a priest and is thereafter tormented by demons; but she is eventually saved by the Blue God, a part performed by Vaslaw Nijinsky, the greatest male dancer of his time. Fokine’s choreography and Bakst’s costumes drew upon Siamese dance and Hindu sculpture. These three prints are vintage reproductions quite unlike the reproductions of today. They each have the look of original watercolors and are backed on heavy grey rag paper with a hand painted gold border. Properly framed they will definitely look like the original drawing. The size of the actual prints varies slightly but the background paper size is consistently 10.5 x 15.5. Born in Russia in 1866, Léon Bakst belonged to a young generation of European artists who rebelled against 19th-century stage realism, sparking a revolution in theatre design. His fame lay in the sets and costumes he designed for Serge Diaghilev’s (1872 – 1929) legendary dance company the Ballets Russes, and his huge pageant spectaculars for the dancer and patron of the performing arts, Ida Rubinstein...
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