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Shepard Fairey POWER, 2024 2-Phase Lenticular Print Edition 18 x 24 in (45.72 x 60.96 cm) Limited Timed Edition 464 of 831 COA Signed by the Artist Shepard Fairey’s prints are a cor...

This lithographic colored advertising poster entitled "Tom Sawyer Detective, A New Story by Mark Twain" was created by Edward Penfield in 1897 for Harper & Brothers. The artist's signature appears in the plate in the lower left. The poster depicts a man in a long black bathing suit sitting with his knees up, aimlessly smoking a cigarette, but looking out of the corner of his eyes at a woman in a olive green dress and tan blouse and a black hat, who sits to his left with her head propped in her left hand and a bored or concerned look on her face. The look on the faces of the couple creates an air of mystery. The title of the book is printed in red in the upper left and the issue "Harper's August" in bold letters in the lower poster. The poster promotes a new book by Mark Twain that was published initially in two issues of Harper's Monthly and also in book form by Harper & Brothers in 1896. It is a sequel to "The Adventures of Tom Sawyer", published in 1876, "The Adventures of Huckleberry Finn", published in 1884, and "Tom Sawyer Abroad", also published in 1894. The plot of the book involves Tom Sawyer attempting to solve a mysterious murder. The story is told using the first-person narrative voice of his friend Huck Finn...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The blue teal co...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Dining Room, Kanab, cinematic interior photograph from Richard Heeps Dream in Color sereis. Captured in an American region that was often used as Western movie locations due to its ...

Sol LeWitt (American, 1928-2007) Lines, Not Long, Not Heavy, Not Touching, Drawn at Random (Circle), 1970 Medium: Lithograph on wove paper Dimensions: 44.5 × 32.1 cm (17.5 × 12.6 in)...

This is a rare 18th Century hand-colored copperplate engraving entitled "Ciconia Nigra" (Black Stork) by Johann Leonhard Frisch is plate 197 fro...

Le Calvaire is an original etching, soft ground and colour héliogravure on Japanese paper, realized by Félicien Rops in 1882, signed on plate, plate from Les Sataniques In very ...

Original; linen-backed vintage travel poster Welcome Colorful Middle East, Scandinavian Airlines System vintage poster. Excellent condition. Arabic writing in gold foil. Features the Sphynx in Egypt; various mosques, the pyramids, and various columns of ancient temples. Beautifully designed poster. This is one of the very few travel posters created by Otto Nielsen that uses gold ink on the image. Otto Nielsen worked as an illustrator for a variety of authors' works including 1001 Nights in New translations 1976-80 with 1600 drawings. He wrote and illustrated many books, including travel books...

Pablo Picasso (1881-1973) - La Comédie Humaine Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and s...

Artist: Erhard Ratdolt (German, 1442-1528) Title: "Vol. 6, page 10-11", "Vol. 6, page 6-7", and "Vol. 6, 28-29" Portfolio: Breviarium Pataviense Year: 1490 (First edition) Medium: Set of Three Original Incunabula Leaves on watermarked laid paper Limited edition: Unknown Printer: Erhard Ratdolt, Ausburg, Germany Publisher: Friedrich von Öttingen and Christoph von Schachner, Passau, Germany Reference: Hain No. 3875; Bod-Inc No. B-542; GW No. 5426; Weale/Bohatta No. 335; Schreiber No. 3615 Sheet size (each): approx. 12.5" x 8.88" Condition: "Vol. 6, page 10-11", "Vol. 6, page 6-7", and "Vol. 6, 28-29" all have scattered wormholes, staining, foxing, and soiling about their sheets. The latter two have remnants of tape at their edges. "Vol. 6, 28-29" has heavier staining to its sheet and edge wear about. Have been professionally stored away for decades. They are all otherwise strong impressions in overall fair condition with strong colors Extremely rare Notes: Comes from Ratdolt's six volume "Breviarium Pataviense", (1490) (First edition), which consists of 378 pages of Gothic texts in Latin with red rubricated initials, psalms, readings, hymns, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on May 12, 1490. There was a subsequent printing on November 27, 1490. Both "Vol. 6, page 10-11" and "Vol. 6, 28-29" have a bow and arrow watermark in the center of their sheets. Some information and old prices inscribed in pencil to their sheets. Breviary is a liturgical book in the Roman Catholic Church that contains the daily service for the divine office, the official prayer of the church consisting of psalms, readings, and hymns that are recited at stated hours of the day. Biography: Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Melting Space Time MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Merrill Chase, Chicago/Alan Rich, New York E...

'Carnations and Picotees' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

Marc Chagall - Original Lithograph The Red Rider From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1957 See Mourlot 191 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.

'Plan et Elevation d'un Buffet en Niche' French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper. From Roubo's 'L'Art du ...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 21 x 18 inches Size: 29.5 x 2...

Color lithograph, Edition 25. In Man’s Ruin, a wolf is portrayed as a nurse, two iconic images often seen in tattoo flash. Below the wolf are two brigh...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Julia" first released on the Beatles "White Album" in 1968 and written about John's mother. This lim...

Robert Longo (b. 1953) Gretchen and Eric, from Men in the Cities, 1985 Two lithographs on rag paper Each signed, dated and numbered in pencil to lower margin Edition 27 of 48 (matchi...

'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.

A very good impression of this color lithograph on light gray Rives BFK. It is signed, dated and numbered 119/120 in pencil by Brown. Printed and published by Gemini, G.E.L., Los Ang...

Damien Hirst, an iconic figure in contemporary art, is celebrated for his bold and provocative exploration of life, death, and the human condition. Renowned for his use of formaldehy...

Set of four ready to hang framed pop art photography, featuring Richard Heeps 'ICES' Mustard, Lemon, Honey and Sherbet Yellow. ICES, is a bestselling artwork by Richard Heeps, photo...

Original vintage poster: YOU Buy a Liberty Bond. Linen Backed World War 1 bonds poster. Archival linen backed in good condition; ready to frame. Artist: C . R. Macauley created...

Original Las Vegas, Always Elvis 1978 vintage poster. Linen backed in very good condition, ready to frame. Photography: R. McGregor. This poster was created to promote Elvis ba...

Salvador Dali (1904-1989) - La victime de la Fête Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-...

A 19th century, hand coloured lithograph, the colours fresh and in good condition for its age. Artist: Captain Philip Meadows Medium: Hand coloured lithograph Plate 6 Created: 1842 Paper Size: 39 x 32.5 cm Plate Size: 27.5 x 21.2 cm With the description sheet on verso TAYLOR, Captain Philip Meadows (1808-1876). Plate from Sketches in the Deccan. London: published by J McLean 1842 Plate 6 From a series of views of the Deccan, at this time the state of Hyderabad. The suite of plates includes views, scenes and settings of places and buildings at Goa, Arungabad, Tooljapoor, Golcondag, Hyderabad, Ellors, Rozah, and the Tandoor hills, among others. Meadows Taylor arrived in India as a young man to work with a Bombay merchant, but quickly accepted a military commission...

This is an original 19th century 1st edition octavo hand-colored McKenney and Hall lithograph of a Native American entitled " Shar-I-Tar-Ish, A Pawnee Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. Shar-I-Tar-Ish's portrait has a reddish hue from the feathers in his headdress and amulet chain, with a brownish taupe color of the upper trim of his costume. He is wearing his presidential peace medal. He has a very serious and thoughtful expression. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are faint smudges in the margins. The print is otherwise in very good condition. The original descriptive text pages, 33-34, from McKenney and Hall's 19th century publication are included. A famous Pawnee chief, Shar-I-Tar-Ish led his people during the early part of the 19th century. He was descended from a line of chiefs. Shar-i-tar-ish was a young man when he went to Washington in 1822 at the invitation of President James Monroe...

Joan Miro (1893-1983) - Litografía original III Lithograph from 1972. Dimensions of work: 32 x 24.5 cm. Dimensions in frame: 52 x42 cm. Publisher: Maeght Éditeur, Paris. Printed ...

Vintage original Wimbledon Tennis Poster - 1970s Daily Express Artwork by Don Knight. The poster showcases a humorous and eye-catching illustration, with the word "Wimbledon" prominently displayed, capturing the tournament's spirit. Celebrate Wimbledon's timeless charm with this original Daily Express Tennis Poster by the renowned artist Don Knight. This vibrant and whimsical poster, with its unique Wimbledon-inspired artwork, captures the essence of the prestigious tennis tournament. Its vibrant colors, pink 'Wimbledon' text, and tennis ball and racquet imagery make it a must-have for any tennis enthusiast or art collector. This eye-catching poster, with its bold graphic design, captures the playful spirit of Wimbledon. The cartoon-style illustration shows a tennis player with an oversized pink "Wimbledon" text across their midsection, a yellow tennis...

Artist: Joan Miro Title: Plate V Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x ...

Original vintage poster: 24 Heures du Mans; 10-11 Juni 1978; Automobile Club De L'Ouest. Artist: Lardrot. Linen backed French vintage automotive racing poster. Event: 24 Heu...

'Brutalist Symphony', photograph by Richard Heeps from the London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of t...

Original French travel poster: Nice - Thermal health spa original vintage poster created by artist Emmanuel Bellini. Original linen backed, large French travel size: Nice - Therm...

ICES Multicolor Set of Nine Framed Artworks. A set of nine pop art prints by Richard Heeps from his Great British Staycation series 'On-Sea'. Taken betw...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

Salvador Dali (1904-1989) - Don Quichotte Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G The ...

Printed in chartreuse, dark green, bright yellow, orange, and brown, this surreal scene features a grey-walled room populated with strange machinery and a red chair. Paolozzi creates...

Anonymous, UK 1939 Keep Calm and Carry On Ministry of Information Lithographic poster 75 x 50 cm Very rare - we have traced copies in the Imperial War Museum collection but no other...

Pencil signed and dated, colored Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. his father was a butcher in Rahachow which was at that time within the Jewish Pale of Settlement in Russia. His background was therefore not dissimilar to that of Marc Chagall, born a generation earlier in 1887, and although their lives were very different, their art has much in common. The shtetl figures in many of Kaplan's paintings - autobiographical references are very clear in The Butcher's Shop (1972) and Tailor's Shops (1975) and in the many illustrations which he was to create to the works of Sholem Aleichem...

New York Bouquet Lithograph, 1917 Edition: 93 Signed with the artist's cipher in pencil lower right (see photo) This lithograph is inspired by Hassam's oil painting of the same title...

Summer Sky, limited edition lithograph, landscape, desert, turquoise, orange

ARTIST: Salvador Dali TITLE: 8 Mortal Sins Suite Anger Avarice Dalinean Envy Gluttony Lust Pride Sloth MEDIUM: 8 Etchings SIGNED: Each piece is Hand Signed PUBLISHER: Jean Schne...

Yellow Corridor Night, from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable Art Fair Milan 2019 and th...

Pink and purple abstract modern lithograph edition 16 / 100. The work features colorful geometric shapes that have been detailed with a hatch texture. Signed, titled, and editioned b...

Marilyn Manson is an icon, a figure synonymous with controversy within heavy metal music, embroiled in numerous contentious moments throughout his storied career. This signed poster, numbered 158/500, is likely part of the series promoting his 1994 concerts at the Houston International Ballroom. It embodies the vibrant creativity of its era, a time when independent artists infused their unique flair into promotional materials for punk rock and heavy metal gigs. With its captivating blend of colors, specific typography, and arrangement reminiscent of Russian Constructivism and horror movie posters...

This artwork titled "Figure Rouge avec Portrait de Quevedo" from the suite, Visions De Quevedo, 1975. is an original engraving with pochoir hand coloring on Richard de Bas paper, by ...

Offset print 4C process with cold stamp Edition of 300 Signed and numbered on the front Mint

A superb impression of this very scarce, early color pochoir. Signed, dated "1935" and numbered 58/60 in pencil by Miro. Published by Adlan, Barcelona. Ink stamp on the reverse indic...

A very good impression of this color screenprint on cream wove paper. Signed and numbered 112/126 in pencil by Frankenthaler. Printed by Brand X Editions, Ltd., New York. Published b...

Set of 3 color offset lithographs. The last panel is signed in pencil. Printed by Drukkerij Luii & Co., Amsterdam. Published by the Stedelijk Museum, Amsterdam. This is a reproductio...

Stencil Print by Sadao Watanabe, hand colored on hand-made washi paper. This image depicts the flames of fire seen on the day of Pentecost from the book of Acts. Artist’s chop mark a...

Artist: Robert Indiana, American (1928 - 2018) Title: Die Deutsche Liebe (The German LOVE) from the American Dream Portfolio Year: 1968 (1997) Medium: Silkscreen on Wove Paper Editio...

Artist: Marc Chagall Title: Blue Still Life Portfolio: Derriere le Miroir 99-100 Medium: Lithograph Date: 1957 Edition: 2500 Frame Size: 19 1/2" x 17 3/4" Sheet Size: 15" x 11" Signa...

Bitter Campari, Milan, 2019 49 Via Dezza at Sunset, Milan, 2019 TABACCHI at Twilight, Milan, 2019 Set of three framed ready to hang Italian architecture photographs by Richard Heeps....

Act I, Scene I - From “Romeo and Juliet”  is an artwork realized  in 1975. Mixed colored lithograph. Signed and dated in plate on the higher left margin. Perfect conditions. The ...

Original ROSE BOWL STORY authentic 1952 vintage movie poster. Archival linen-backed vintage theater used film poster. Very fine condition, ready to frame. Original story and screenplay by Charles R. Marion. Actors: Marshall Thomas; Vera Miles; Natalie Wood; Keith Larsen; Thom Harmon; Ann Doran; James Dobson; Jim Backus; Clarence Kolb; Barbara Woodell; Bill Welsh; Jean Andren; Gertrude Astor; Lela Bliss; Herbert Brackett; Oran Breeland; Paul Bryar; Willam Cabanne; Richard...