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Addisonjones artwork, Rise Up contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalgia washed over me. Memories of my childhood flooded back, reminding me of the simpler times when I would visit Grandpa in his cabinet wood shop or swing on the porch with Grandma, watching the hummingbirds feed. Life was all about the simple moments, and while I often got bored, it forced me to contrast constant stimulation with a state of peace and freedom. This boredom expanded my creativity in different ways.” This stunning print printed on acrylic is a piece that captures the essence of the beauty of used material. These pieces have hardware on the back and ready to be hung.With only 25 prints available, this is an opportunity to add a truly unique piece to your collection. You can purchase individually or as a collection. ADDISON'S FINE ART PHOTOGRAPHY HISTORY: Addison’s earliest expedition into fine art photography was through her inspiration of adding prints to create depth and drama in showroom booth designs. These images were captured during her deeply personal journeys of exploration and were never meant to become a collection, but as interior designers expressed...

Shakespeare's Room, 2006 Paula Rego The set of three lithographs in colours, on three sheets of Somerset Velvet Signed, initialled and numbered from the edition of 35 Printed by T...

Addisonjones artwork, Earth's Edge contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalgia ...

Addisonjones artwork, Midnight Emotions contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nosta...

PLEXI PRINT Addisonjones artwork, Obsidian Drizzle contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sen...

Addisonjones artwork, Etched Ash contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalgia wa...

Addisonjones artwork, Etched Ash contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalgia wa...

Addisonjones artwork, Mystic Motley contemporary artwork customs available A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a ...

Addisonjones artwork, Smelting Serif contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalg...

"Coca-Cola Girl 8" is a very special one out of Alex Katz's Coca-Cola Girl series. These figures bear witness of his deep engagement with the ideas of advertisment, figurative art an...

"Coca-Cola Girl 3" is one out of Alex Katz's Coca-Cola Girl series. These figures bare witness of his deep engagement with the ideas of advertisment, figurative art and how to come t...

"Coca-Cola Girl 2" is one out of Alex Katz's Coca-Cola Girl series. These figures bare witness of his deep engagement with the ideas of advertisment, figurative art and how to come t...

This 17-color screen print was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75. Available for local pick up from Mic...

Wall Art Photography, Butterfly Photos, Black and White Prints-Intimate Exposure ABOUT THIS PIECE: This piece of wall art photography titled "Intimate Exposure" features butterflied shot in Delaware, Ohio. This is a limited edition, hand-signed piece with a certificate of authenticity. ADDISON'S FINE ART PHOTOGRAPHY HISTORY: Addison’s earliest expedition into fine art photography was through her inspiration of adding prints to create depth and drama in showroom booth designs. These images were captured during her deeply personal journeys of exploration and were never meant to become a collection, but as interior designers expressed...

Butterfly Photography, Black and White Prints, Wall Art Prints-Winged Glory ABOUT THIS PIECE: This wall art print titled "Winged Glory" features butte...

Brown Cottonwood, 2005 By Andrew Millner (American, b. 1967) Lightjet Print Mounted on UV Plex Signed Lower Right Unframed: 87" x 44" Framed: 88" x 45" Andrew Millner is a visual artist based in St. Louis, MO. His work investigates the relationship between art and nature, the natural and the made. Millner received a BFA from University of Michigan, in Painting and Sculpture. He has had more than 56 group exhibitions since 1987 and over 15 solo exhibitions at institutions including Miller Yezerski Gallery, Boston, Massachusetts; Ellen Miller Gallery, Boston, Massachusetts; CCA, Santa Fe, New Mexico; Tria Gallery, New York City, New York; Richard Levy Gallery, Albuquerque, New Mexico; David Floria Gallery, Aspen, Colorado; Contemporary Museum St. Louis, St. Louis, Missouri. "I started drawing on the computer in 2005. Previous to that, most of my work had been about finding lines in nature; the contours of leaves, the ripples on rivers, the edges of overlapping hills. Although I was using traditional art materials, I prepared the canvases with slicker and slicker surfaces so that the lines wouldn’t soak into the background but sit on top, preserving the nuances of my hand. I thought of the drawings as photographic, in the diaristic sense of recording moments of time. I enjoyed the easy correspondence of the endless novelty of line in these natural forms and the endless variety of line created by my hand. I couldn’t draw the same leaf twice so my subject and process were well matched. I had the idea to draw every leaf of a tree, but I struggled with the scale and complexity of the subject. How does one bring a tree indoors? How can one see the whole tree and its individual parts simultaneously? I tried traditional strategies and materials but the results were unsatisfactory. I wondered if it would be possible to make the drawing on a computer. Since everything… music, photos, movies & books were being digitized, what about drawing? I wasn’t interested in something computer-generated, but sought to “dumb down” the computer and use it as a repository for simple line drawings. In the program I use, Adobe Illustrator, lines are called “paths”… an apt name since the line exists at no set scale or color. Only later do I assign the attributes of color and thickness. Taking my laptop outdoors, I drew my first tree “en plein air.” Using a digital tablet and pen, I drew simple contours of the leaves and branches. Having these drawings remain in digital form rather than in physical form, opened up interesting possibilities and enabled me to tackle the complexity of a tree in intriguing ways. My lines were free and separate from the background and from each other. I drew the branches individually and then later, I could cobble them together to reconstitute the whole tree. On the screen, I could zoom in and out and draw at different scales simultaneously. I could zoom out to draw a simple contour of the entire trunk and then zoom in to draw the smallest leaf with equal effort. I drew in layers so that as the drawings accumulated I could turn layers “off” so that they wouldn’t obscure subsequent layers. These two novelties, drawing at different scales simultaneously and making parts of the drawing invisible to allow for work on top or behind previous drawings, allowed for the accumulation of hundreds of simple outlines to create a dizzying visual complexity. Subsequent trees I drew from photographs. I would take hundreds of close-ups of a tree from a single point of view and then stitch all of these close ups together on the computer. Sometimes I photographed the same tree in the summer and then in the fall after it lost its leaves. This allowed me to see and draw all of the branches and limbs unadorned and unobscured. I would draw the tree twice, with and without leaves, merging the two drawings into one document. In this way, the drawings comprise and compress great spans of looking over vast time frames and seemingly contradictory close-up and distant points of view. My digital drawings have been outputted in different ways… mostly as photographs printed directly from the digital file or as archival inkjet prints. The results defy easy categorization. Are they drawings, prints, or camera-less photographs...

Black White Photograph, Butterfly Prints, Butterfly Photos-Shadowy Procession ABOUT THIS PIECE: This black white photograph titled "Shadowy Procession" features butterflies shot in Delaware, Ohio. This is a limited edition, hand-signed piece with a certificate of authenticity. ADDISON'S FINE ART PHOTOGRAPHY HISTORY: Addison’s earliest expedition into fine art photography was through her inspiration of adding prints to create depth and drama in showroom booth designs. These images were captured during her deeply personal journeys of exploration and were never meant to become a collection, but as interior designers expressed...

Large Wall Art, Black and White Prints, Butterfly Prints-Into the Abyss ABOUT THIS PIECE: This piece of large wall art titled "Into the Abyss" features butterflies shot in Delaware...

TECHNICAL INFORMATION: Kenny Scharf The Three Faces of Jackie 1997 Screenprint 40 x 46 in. Edition of 150 Pencil signed and numbered Condition: This work...

TECHNICAL INFORMATION: Kenny Scharf Sajippe Kraka Joujesh 1998 Screenprint 40 x 46 in. Edition of 150 Pencil signed and numbered Condition: This work is in excellent condition

This hand-colored etching on handmade paper was created in 1999. Signed in pencil and numbered, from the edition of 20.

Surf Lightbox BookScape by Max Steven Grossman Individually photographed books and bookshelves. LED lights and standard plug in; no hardware needed. Illuminated bookshelves featuri...

Sports / Hockey BookScape by Max Steven Grossman Individually photographed books and bookshelves. Hockey and Sports themed, including NHL, Canada, Hockey's Greatest Stars, Hockey B...

Nantucket BookScape Edition 1/5 by Max Steven Grossman Individually photographed books and bookshelves. Books on Nantucket gardens, houses, light houses, sharks, and beaches. Incl...

Nantucket SQ 2/5 BookScape by Max Steven Grossman Individually photographed books and bookshelves. Books on Nantucket gardens, houses, and light houses. Featuring "Moby Dick" by Herman Melville, "Nantucket Wedding" by Nancy Thayer...

Hip Hop Music BookScape by Max Steven Grossman Individually photographed books and bookshelves. Featuring Kanye West, Gambino, Drake, Rihanna, 2Pac vs. Biggie, Gucci Mane...

Erotica BookScape by Max Steven Grossman Individually photographed books and bookshelves. In his photographic series of "Bookscapes" the assembled libraries only exist in his pho...

A study in delicate beauty created as a textured, color screenprint by Donald Sultan in 2021, White Mimosa is hand-signed, titled, dated, and numbered in pencil, the artwork measurin...

Created as a textured color screenprint by Donald Sultan in 2012, Red Flowers is hand-signed, titled, dated and numbered, the artwork measuring 41 x 77 in. ...

This artwork, titled "Doreen", done in 1983, is an original color serigraph by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is hand signed and numbered E.P.I. in pencil by the artist ( E.P.I. refers to "Editions Press Impression", one of ten impressions done for the publisher.) With the blind stamp of the artist and the printer, Editions Press, San Francisco. The edition size was 150 plus proofs (a total of 45 proofs). The sheet size is 26.25 x 33.25 inches, framed size is 39.25 x 45.25 inches. Custom framed in a wooden oak frame, it is floating, with a deep red liner and with natural linen matting. The artwork is in excellent condition. The frame is in very good condition, it has minor restorations, practically invisible. Medium: Serigraph on Paper Dimensions: 26 1/4" x 33 1/4" Year Produced: 1983 Edition Size: 150 plus proofs (45 proofs) About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...

"Couleur Additive Perseus" has a stunning appearance and an optical effect, which catches the beholder's attention from the very first time. Carlos Cruz-Diez from Venezuela was one o...

MALCOLM X SPEAKS FOR US is a hand pulled, original limited edition relief print created using linocut printmaking techniques on white archival heavyweight Somerset paper 500 gsm., 100% acid free. Pencil signed, titled, dated by Elizabeth Catlett on the lower margin, embossed with printers chop mark lower left, print documentation provided. Printed at JK Fine Art Editions Co. MALCOLM X SPEAKS FOR US is an impactful graphic statement by the African-American woman printmaker and sculptor, Elizabeth Catlett, created as a tribute to the slain militant black activist...

Large, bold and stunningly beautiful – Silver Poppies, by Donald Sultan is a stunning screenprint on museum board, the artwork monogrammed, titled, date...

Large, bold and stunningly beautiful – Red Poppies, by Donald Sultan is a stunning screenprint on museum board, the artwork monogrammed, titled, dated and ...

This artwork titled "Panic in the Minefield" 2001 is an original color serigraph by noted American artist Mark Kostabi, born 1960. It is hand signed, dated and numbered 62/100 in pen...

This artwork titled "Careful with that Ax, Eugene" 2001 is an original color serigraph by noted American artist Mark Kostabi, born 1960. It is hand signed, dated and numbered 62/100 ...

Aquatint etching on paper (Edition of 75) Signed and numbered in pencil, l.r. This artwork is offered by ClampArt, located in New York City. Born in Naples, Italy, Francesco Clemen...

Ink and 24-karat gold leaf on Hahnemühle paper (Unique) Signed, verso This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massachusetts) and Sammy...

Cibachrome print face-mounted to Plexiglas Inscribed "Griechenland" in pencil, verso Provenance: Jay Gorney Gallery, New York Private collection, 1990 Private collection, 2005 This...

Monotype Dimensions : 44.5 x 30.75 inches image and paper Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas, who had helped to introduce Japanese wood firing aesthetics in the United States. After serving in the United States Army during the Second World War, Voulkos studied painting and printmaking at Montana State College, in Bozeman (now Montana State University), where he was also introduced to ceramics; Frances Senska...

Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...

Farah Khelil, Mo’jam, Fine Art Print, 99.7 x 150 cm, 2015 antoine lefebvre editions bookworm, curated by Antoine Lefebvre The boundaries between passion and destruction fade away. bookworms is an transnational transmedia artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction. From the encounter with a destroyed book stems a reflection between two artists who are both passionate about books. It is important for us to present this project in different countries because the issues of transmission of knowledge are everywhere the same. This project is about the ignorants for whom knowledge, intelligence and education has become a threat and who seek to drag others with them into darkness. For Khelil, the book eaters are thinkers and intellectuals against conservatism and dogmatism. *** bookworms is an artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction This project is the fruit of a very special encounter with an object… After the death of her grandfather in 2012, Tunisian artist Farah Khelil (b. 1980) explored his library and found an old family dictionary in Arabic (Mo'jam Arabia), at least what was left of it, for it had been devoured by book eaters. She decided to collect some fragments without knowing what she would do with them. Impressed by how carefully cut the pieces were, she wanted to transform them into artworks that would honor the memory of her grandfather. Because she knew how important the book object is in my artistic practice, she showed me the fragments and invited me to participate in an exhibition at the Tunisian gallery A.GORGI in her hometown Sidi Bou Said. I then thought about introducing her to Barbara Denis-Morel, the curator of the Avranches Library. This library conserves, among other treasures, more than 200 medieval manuscripts from the abbey of the Mont Saint-Michel, but it also holds a few books that were entirely devoured. Thanks to the curator, we could consult old books that were infected, quarantined, pierced by galleries and routes that revealed the passage of book-eating insects. We filmed these pages to create a video that we entitled ALL THE MEMORY IN THE WORLD, Toute la mémoire du monde, which is an appropriation of the eponymous film by Alain Resnais. Farah had also kept some intact pages of the devoured dictionary. Then we used this sequence of 120 pages to build the lay-out structure of an artist’s book. The idea was to empty all the textual content —captions and definitions— to keep only the figures, the dropped initials, and the page numbers. The emptied columns of the dictionary were then filled with artistic contributions and texts that we commissioned to invited authors. Printed in an edition of 500 copies, this artist book was made by Farah Khelil and antoine lefebvre editions from the remains of a devoured book. It will be a key element, of this second presentation of the project, and a special edition with a bookstand will produced especially for the fair. Behind the idea of book-eating insects, there is the issue of conservation but also of conservatism, as in Solitaire, an installation Khelil made with a peg solitaire game and mothballs. This work is a “portrait” of her grandfather, Abdelaziz Majdoub, who taught Arabic at the Sadiki High School for a long time where he specialized in “ilm al-kalam,” the science of language. This project is imbued with nostalgia, it is reminder for the artist of the time she spent as a child with this thinker always with his head in books. These encyclopedic pieces transformed into artworks draw the territories and communal places of knowledge. They are extensions of a family memory and reflect a culture going back and forth between book-loving and book-eating, conservation and conservatism. This idea of book destruction is one of the main dangers threatening the library and the books that compose it: fire, water and confinement. But there is also this minor or mediocre scourge that intend to harm the books: the book eaters. This exhibition is a metaphor, a reflection on ignorance, not as opposed to knowledge but as an enemy of knowledge. Ignorance is what attempts to undermine the intelligence, kill or reduce it. Just like the bookworms...

Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss. The artist created PS III -...

This 17-color screen print was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring.

This 17-color screen print was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring 33 x 42 in., unframed.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring.

This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring 33 x 42 in., unframed.