Lithograph More Prints

This artwork titled "George Inn, Norton St. Philipr" is a chromolithograph by noted British artist Cecil Charles Windsor Aldin, 1870-1935. It is hand signed at the lower left corner by the artist. With the blindstamp of the Fine Art Trade Gulid, published and printed by Eyre and Spottiswoode ltd, London. The image size is 12.75 x 15 inches, sheet size is 15 x 16.25 inches. it is in excellent condition. About the artist: Cecil Charles Windsor Aldin RBA (28 April 1870 - 6 January 1935) was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Born in Slough, he was educated at Eastbourne College and Solihull Grammar School. He studied anatomy at South Kensington and animal painting under William Frank Calderon. He lived at The Abbots, Sulhamstead Abbots from 1913 to 1914 and was church warden of St Mary's church. Early influences included Randolph Caldecott and John Leech. His drawings first made their way into print in The Building News of 12 September 1890, and began to appear throughout many popular journals and magazines; his work was published in The Graphic in 1891. His illustrations include two of the original 1894 magazine publications of stories from Rudyard Kipling's The Second Jungle Book, the 1910 edition of Charles Dickens' The Pickwick Papers and The Bunch Book (1932, about Bunch, a Sealyham Terrier) by James Douglas...

Original Bendix vintage poster created by Herve Morvan in a mid-century modern style. Professional acid-free archival linen backed in very good condition. Fine. Today this original poster is difficult to find; especially in great condition. No tears, clean edges, bright colors, fine condition poster over 50 years old. This modern housewife now had the advantage of having a new Bendix washing machine that is swirling the clothes out of the machine showing the speed of this time savings appliance. The clothes seem to gain speed and turn into arrows and they spin back to this housewife. A fun and bright horizontal original French antique poster...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Sell...

Realized for the Editions "Europaische Grafik". Edition of 130 prints, numbered and hand signed. Dry stamp on bottom right. Publisher: Wolfgang Ketterer, Munich. Very Good conditions.

Color lithograph, Ed. 25. The artist describes this project: “I have a long history of exploring the possibilities of animal and naturalist imagery to fabulist ends. These works se...

Artist: Alexander Calder Title: Plate 1 Portfolio: Derriere le Miroir #141 (Stabiles) Medium: Lithograph Year: 1963 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" ...

Color lithograph/triptych, Ed. 25. Hung Liu’s Xiao Lu triptych was inspired by the artist’s encounters with two fallen deer. In November of 2008, Liu was taking a morning walk in the Oakland hills...

Edition size: 75 Signed

Poster. Measures 36 x 24 inches and is Unframed. Good Condition.

Edition size: 50 Signed

Charles-Éduard Jeanneret, known as Le Corbusier, was a Swiss architect and designer who is generally regarded as a key figure in the development of modern architecture, his work bein...

RENÉ CARCAN (Belgian, 1925-1993) “Gravures”, 18 Mai-14 Juillet 1982, Galerie Pierre Hautot, Paris Poster 29.5 x 19.5 in. Unframed Publishing Information: E...

Jean Cocteau - Christ - Original Handsigned and Handcolored Lithograph Signed in the plate Handsigned and dated in color pencil. Handcolored in pencil. Dimensions: 50.5 x 33 cm 1957 ...

Signed limited edition print after painting by John Stobart (b.1929). Born and raised in England, John Stobart emigrated to the United States in the 1960's and became interested in America's maritime history. His first exhibition of marine paintings in New York was an immediate sellout. Since then he has dedicated his work to capturing the great port scenes during the golden age of American commerce. Based on hours of thorough research and on-site drawings, and enhanced with lighting to create a sense of season and time of day, his paintings vividly recreate what it must have been like to stroll the cobblestones along a busy wharf at dawn or under the glow of moonlight. Maritime Heritage Prints was established in 1976 by Stobart to ensure control of the highest quality production of his prints. Top: Published by Maritime Heritage Prints, Inc., in limited signed edition of 850 (35 remarqued), from the original painting...

Marc Chagall - Summer's Dream - Original Handsigned Lithograph 1983 Printed by Mourlot Dimensions: 48 x 65 cm Handsigned in pencil Justified EA (Epreuve D'artiste, Artist proof) asi...

Original. ERP European Reunification Program, Inter-europaische Zusammenarbeit fur bessere Lebenbedingungen. Mounted on acid free archival linen. Lithography Kühn & Zoon, Rotterda...

Edition size: 12 Signed

Art Deco signed Print from the Louis Icart era of 'Les Elegantes' Signed in pencil by the artist and Numbered 67 Original print produced for the artist ...

Original French vintage travel poster: FRANCE, Societe Nationale des Chemins de Fer Francais. Printed in France for and by French National Ra...

Alberto Magnelli (After) Lithograph, Charles Sorlier 32 x 24 cm 1971 XXe siècle, San Lazzaro Signed in the plate Unumbered as issued

Color lithograph with cut-outs, Edition 30. Words from the artist's poem: Swelling inside the mud, blackness damp and robust, flowers full of star’s yearning, brimming under ange...

Nelson Mandela, The Ward, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

This artwork titled "New Inn, Gloucester" is a chromolithograph by noted British artist Cecil Charles Windsor Aldin, 1870-1935. It is hand signed at the lower left corner by the artist. With the blindstamp of the Fine Art Trade Gulid, published and printed by Eyre and Spottiswoode ltd, London. The image size is 15 x 13 inches, sheet size is 17.5 x 14.25 inches. it is in excellent condition. About the artist: Cecil Charles Windsor Aldin RBA (28 April 1870 - 6 January 1935) was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Born in Slough, he was educated at Eastbourne College and Solihull Grammar School. He studied anatomy at South Kensington and animal painting under William Frank Calderon. He lived at The Abbots, Sulhamstead Abbots from 1913 to 1914 and was church warden of St Mary's church. Early influences included Randolph Caldecott and John Leech. His drawings first made their way into print in The Building News of 12 September 1890, and began to appear throughout many popular journals and magazines; his work was published in The Graphic in 1891. His illustrations include two of the original 1894 magazine publications of stories from Rudyard Kipling's The Second Jungle Book, the 1910 edition of Charles Dickens' The Pickwick Papers and The Bunch Book (1932, about Bunch, a Sealyham Terrier) by James Douglas...

Color lithograph with chine collé and collage, Edition 60. We are deeply saddened by the passing of Betty Woodman January, 2, 2018 Betty Woodman was a leading American ceramist who...

Chromolithographs from “Birds of Pennsylvania. With Special Reference to the Food-Habits, based on over Four Thousand Stomach Examinations”. By B.H. Warren, M.D., Ornithologist, Penn...

Edition size: 15 Signed

Color lithograph, Edition 20. The artist describes this project: "My recent collaboration with Bud Shark resulted in three images based on classic sailing ships, as seen in traditional American tattoo design. Along with sails, they’re rigged out with trellis forms. Both themes have fascinated me since childhood. The house I grew up in was surrounded by trellises. Our small beachfront town was part of Newport Harbor in Southern California, where I saw many varieties of sailing craft. At ten, when I became transfixed by traditional American tattooing...

Temple of Mars is offset print artwork on paper, realized by G. Engelmann in 1826, the artwork is signed on the plate and dated. In very good condition. The artwork represents the roman landscape of the temple of Mars, The temple of Mars in the Circus was a temple of ancient Rome dedicated to Mars, located near the Circus Flaminio, in the IX Augustan region. the temple contained a colossal statue of...

Decorative Motifs of the Indian Renaissance is a vintage chromolithograph realized by an anonymous artist in the early 20th Century, Good conditions.

Edition of 2 Signed

Artist: Joan Miro Title: Plate 19 Portfolio: Peintures sur Cartons Date: 1965 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image Size: 15" x 11" Signature:...

Edition of 75 Signed

Maritime Palio is an original artwork realized by Osvaldo Peruzzi in 1989. Mixed colored lithograph. Hand-signed by the artist on the lower right. Numbered on the lower left margin...

Original poster: II FESTIVAL MELODIA DE LA COSTA VERDE, 1961. This image for the second music festival held in Gijon, a city in north-western Spain. Located on the coast of the ...

A fresh, hand-colored stone lithograph titled 'Tom, Dick and Harry' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and stamped wit...

This abstract composition features a cropped view of the words SIGHT SEEING, in bold all-capital lettering. Roses fill the top line of text, and the bottom line of text in white is s...

Edition size: 75 Signed

Charles-Éduard Jeanneret, known as Le Corbusier, was a Swiss architect and designer who is generally regarded as a key figure in the development of modern architecture, his work bein...

Wrapped Fountain, Project for La Fontana de Jujol, Plaza de Espana, Barcelona Lithograph with collage (Architectural Drawings by Pere Casajoana Architect) Signed and dated in pencil ...

Edition size: 10 Signed

Edition size: 12 Signed

Original Herve Movan vintage French poster: BENDIX ALUFROID. Horizontal format size: 43" wide by 30.5. Professional acid-free archival linen backed, very good condition; ready to ...

Hand-numbered in front lower left corner. Hand-signed in front lower right corner. Framed under glass in natural wood frame. Framed dimensions are 32 1/2 x 24 1/2 inches. Image size ...

Collage multiple on cream wove paper. Signed, dated and numbered in pencil by the artist, from an edition of 57. With the artist's work number in pencil on verso.

This scarce color lithograph is signed, dated and numbered 11/48 by the artist in pencil.

Edition size: 30 Signed

Ex Libris Marta Cinnerova is a Contemporary Artwork realized in the late 20th Century. Original B/W Lithograph on ivory-colored paper. The work is glued on cardboard. Total di...

Edition size: 75 Signed

Ex Libris Marta Cinner is an original Contemporary Artwork realized in the mid-20th Century. Original B/W Lithograph on ivory-colored paper. The title is inscripted in the center i...

Ex Libris Miroslav Cinner is an original Contemporary Artwork realized in the mid-20th Century. Original Ex Libris. Original B/W Lithograph Artwork on ivory-colored paper. The ...

Art Deco signed Lithograph from the Louis Icart era of 'Les Elegantes' Signed in pencil by the artist and Numbered 22 Original print produced for the ar...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm As published in Chagall Lithographe 1957-1962. VOLUME II. Unsigned, as issued, from the edition of several thousand Condition : Excellent Reference: Mourlot/Gauss 401 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion...

Original AIR FRANCE EUROPE, Editions Perceval, artist: Jacques Nathan Garamond. Professional acid-free archival linen backed vintage travel post...

Original Lithograph by Jean Cocteau Title: The Boxer Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumb...

This offset / Lithographic poster was designed both as a poster edition and a signed and numbered edition on Arches for an exhibition at the Musee Dynamique in Dakar, Senegal, in 1972. While it was reproduced under the artist's supervision by Mourlot Master Printer, Henri Deschamps, from a color pencil drawing from December 1970...

This lithograph was printed in 1960 and is based on the glassworks of the Saint Dominique church in Varengeville, in Normandy, where Braque had his country house. The original gouach...

Antar, artist: Georges Redon. Size: 49 x 90. Year: 1905. Archival linen backed in very good condition; ready to frame. Original linen backed stone lithograph: GEORGES REDON (1869-1943) BOULOGNE S. MER. 1905. 41 3/4x29 1/2 inches, 55 1/4x75 cm. While on the surface this appears as an innocent enough image promoting travel to one of France's premier beach resorts, it is, in fact, also one of the most suggestive Belle Epoque posters. Despite the staid Victorian style of swimwear in red, the relationship between the woman and the waves is hard to ignore. Like all great posters, once it has the viewer's attention it also advertises many of the other pleasures and attractions available in Boulogne. Listing off a few of the wonderful things that you can do in Boulogne is magnificent theatre, casinos, golf, horse races, pigeon shooting...