Lithograph More Prints

STREET SCENE, NYC Crowd, is an original, hand drawn lithograph by Raphael Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. Printed using traditio...

Dali's Presentation is the title page for Dali's interpretation of the Currier & Ives series which reproduces the original ornate border used for the Currier & Ives logo with a Dalian touch by turning it upside down and putting his own crown on the top and adding calligraphic flourishes. It reads.... Colored Lithographs For the People... The World of Currier & Ives as interpreted by Salvador Dali Les Fleurs et Fruit, Fire, Fire, Fire, American Yacht Race, Central Park Winter New York, American Trotting...

Lithograph from the exposition made in Geneva for engravings and drawings by Picasso in 1971. Dimensions framed: 84x64 cm.

SPIRIT COSAS VIII is a limited edition color lithograph by the American painter Lamar Briggs printed using traditional lithography techniques on archival Arches paper. Lamar Briggs (...

Since 1960, Dorfman has had fifty-six solo exhibitions in New York, across the United States and abroad. Dorfman had his own studio, with an assigned master print assistant in 1968. During that time, he developed friendships with Jose Cuevas...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Hans Schleger 'Zero' (1898-1976) London Transport Coach Stop Poster Screenprint poster c. 1970 16x17.8 cm Printed for London Transport These posters were designed to be used as temporary stops when the usual stop required amendment for instance owing to road works or similar events. Printed on paper they were designed to be posted up at the alternative site, possibly over a different sort of stop (bus stop, coach stop, request stop, etc.). Working with Edward Johnson's special typeface created for London Transport, Hans Schleger - or Zero as he signed himself - adopted the famous roundel used by London Underground for use at Bus Stops. Born in Germany, Schleger was an influential graphic designer. After serving during the First World War, he studied at the Berlin Kunstgewerbeschule, being taught by Emil Orlik. The same year Walter Gropius founded the Bauhaus at Weimar and Schleger learned the same principles of breaking down the barriers between architecture, design, fine art and craft. A firm believer in the Bauhaus principles of simplicity in design and reduction to essentials, these may be seen in the clean lines of the roundel. In 1924 he moved to New York, applying Modernism to American advertising, and then returned to Berlin in 1929 working for the British advertising agency Crawfords, where he met Edward McKnight Kauffer who introduced him to Jack Beddington the head of advertising at Shell Mex...

Artist: Alexander Calder Title: Cover, from Derriere le Miroir # 221 Portfolio: Derriere le Miroir #221 Medium: Lithograph in colors Date: 1975 Edit...

"Rat" lithograph from 1971 "No Gas" portfolio by Red Grooms. Hand-signed AP Red Grooms inside blue of Clorox bottle on front lower right. Image size: 22 x 27 1/2 inches. Depicts a N...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Anonymous Boston Museum Centennial 1870-1970 "Mandala of Eight Bodhisatlvas, Nepal 12th Century, Centennial Acquisition" 97x70cm Vintage poster 1970

A very good impression of this large color lithograph on Arches. Signed and numbered 94/100 in pencil by Calder. Printed and published by Mourlot, Paris.

Signature: Signed "R. Motherwell" in pencil lower right Inscriptions: Numbered in pencil lower right; workshop chop mark lower right Edition: 16

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

Artist: Joan Miro Title: Plate IV Portfolio: Lithographe II Medium: Lithograph Date: 1975 Edition: Unnumbered Frame Size: 19 5/8” x 16 3/4” Sheet Size: 12 1/2” x 9 1/4” Image Size: 1...

Robert Rauschenberg Untitled [Sketch for Monogram, 1959], 1973 Screenprint and lithograph in colours, on rag paper Signed, dated and numbered from the edition of 300 With the artist...

McArthur Palm Marion Sheehan. American Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 250, AP Size: 28.5 in. x 22 in. (72.39 cm x 55.88 cm)

"Nuits de La Fondation Maeght" Poster with gold stamp by SAUL STEINBERG (Romanian-American, 1914-1999). The print measures 35 x 22.75 inches and is unframed. ...

Artist: Henri Matisse Title: La Petite Ile Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 7/8" x 11 1/8" Signa...

Artist: Alexander Calder Title: Derriere le Miroir #221 Portfolio: Derriere le Miroir #221 Medium: Lithograph in colors Date: 1975 Edition: Unnumbered Sheet Size: 15" x 22" Image Siz...

Artist: Henri Matisse Title: Hier, de tes Doights d'Or Pale Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition Size: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 1...

Artist: Henri Matisse Title: Eglise des Bois Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 7/8" x 11 1/8" Sig...

Artist: Henri Matisse Title: Dans la Chaleur et la Silence Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image SIze: 14 7/8"...

Joan Miro (1893-1983) - Litografía original X Lithograph from 1972. Dimensions of work: 49.5 x 32 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. Each ...

Лауреаты Государственных Премий [State Prizewinners] Moscow 1971 28 x 44 cm This folio introduces to the population of Soviet Russia the dozen winners of the State Prizes in 1971 fo...

"The Guggenheim, 10 Independents" 1972 lithograph hand-signed Red Grooms AP inside figure of woman on bottom right corner of work. The work promotes the January 14 through February 2...

Artist: (after) Yves Klein (French, 1928-1962) Title: "Galerie Karl Flinker (Peintures de Feu)" Year: 1976 Medium: Original Offset-Lithograph, Exhibition Poster on light smooth wove paper Limited edition: Unknown Printer: SMI (Société Mondiale d'Impression), Paris, France Publisher: Galerie Karl Flinker, Paris, France Sheet size: 30.75" x 19.75" Condition: Soft handling creases throughout sheet, scattered faint surface abrasions, and light edge wear. In otherwise good condition with full margins Extremely rare Notes: Provenance: private collection - Bretteville-du-Grand-Caux, France. Poster produced for a special posthumous exhibition of Klein's work "Peintures de Feu" at Galerie Karl Flinker, Paris, France from October - November, 1976. Text printed lower left: "photo pierre joly - vera cardot / smi paris 580 50 42". Yves Klein's Fire Paintings: These celebrated works were executed largely in 1961 shortly after the artist founded the New Realist...

Artist: Alexander Calder Title: Derriere le Miroir #221 Portfolio: Derriere le Miroir #221 Medium: Lithograph in colors Date: 1975 Edition: Unnumbered Sheet Size: 15" x 22" Image Siz...

A very good impression of this color lithograph on wove paper. Signed, dated and numbered 23/90 in pencil.

Pablo Palazuelo - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San Lazzaro. Pablo Palazuelo B. 19...

Artist: Robert Whitman Title: Untitled Portfolio: The New York Collection for Stockholm Medium: Lithograph on paper Date: 1979 Editio...

The work of artist G.H. ROTHE (German-American, 1935-2007) is featured in this event poster for Wash Art '77, May 4-9, Edward Weston Graphics- New York, Paris...

Hand Signed. Edition of 99 pieces.

"Hommage á Miró, Le Monde de Miró, Lithographies, Aquarelles, Gravures, Dessins, et Gauches 1924-1972, Gabos Art Center, Univ. Heights, Ohio. June 2-30 1974" Event Poster; After JOA...

Pierre Lamby Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation ...

A very good impression of this color lithograph. One of 25 numbered artist's proofs, aside from the edition of 50. Signed, inscribed "AP" and numbered X/XXV in pencil by Moore. Print...

Night Driver is a contemporary artwork realized by Mario Schifano in the 1970s. Hand-signed and titled on the lower margin. Good conditions. Numbered on the lower margin. Edition ...

Joan Miro - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Reference : Mourlot 1106 Edition: Cahiers d'art published under the direction of G. di San Lazzaro. Unsi...

A very good impression of this color lithograph on Special Arjomari paper. Signed and numbered 19/200 in pencil by Christo. Printed by Landfall Press, Chicago, with the ink copyright...

Fioritura del Tuttocuore is a lithograph realized by Renzo Margonari in 1976. Hand-signed. Artist's proof. Good conditions.

Flower Signal is a lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition 30/125. Good conditions.

Fiore Segnale is a lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition 51/125. Good conditions.

The Tomb is a lithograph print on paper realized by Paolo Pasotto in the 1970s. Hand-signed. Numbered on the lower, edition of 100 prints. Good condit...

Portrait of Herbert von Karayan, b/w photo is a photograph realized by Lauterwasser in the 1970s. Very good conditions.

Night Driver is a contemporary artwork realized by Mario Schifano in the 1970s. Hand-signed and titled on the lower margin. Numbered on the lower left. Edition 16/60 Good conditio...

Flower is a lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition, XX/XXV.

Edition of 24 73.7 x 64.8 cms (29 x 25 1/2 ins)

Hommage à San Lazzaro is a lithograph realized after Marc Chagall in Honor of Gualtieri di San Lazzaro, Director of the Art Review "Xème Siècle". This print (not signed and not numb...

Night Driver is an original contemporary artwork realized by Mario Schifano in the 1970s. Hand-signed and titled on the lower margin. Numbered on the lower left. Edition 22/60 Goo...

Fioritura del Tuttocuore is an original lithograph realized by Renzo Margonari in 1976. Hand-signed. Artist's proof.

Fiore Segnale is an original lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition 115/125.

Fioritura del Tuttocuore is an original lithograph realized by Renzo Margonari in 1976 Hand-signed. Artist's proof.

Fiore disponibile is an original lithograph realized by Renzo Margonari in 1976. Hand-signed. Artist's Proof.

Valerio Adami - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San Lazzaro. Valerio ADAMI was born ...

Zao Wou-ki - Lithograph 1971 Dimensions: 32 x 24 cm Edition: G. di San Lazzaro. From the art review XXe siècle Unsigned and unnumbered as issued

The Degrees of Meaning 1973 Signed and numbered, recto Lithograph 31 x 23.25 inche This work is offered by CLAMP in New York City.

The Shape is an original lithograph on arches paper by Antonio Recalcati. Hand-signed and numbered on the lower right. 11/100 Good conditions except for aged margins. Antonio Reca...

CONSTANTIN TERECHKOVITCH (Russian, 1902-1978). Galerie La Lithographie, Lithographies, Juin-Septembre 1975 Event Poster. Published by Mourlot. Measures 2...

Nude and Hand is an original lithograph artwork, realized by Sergio Barletta, In excellent conditions. Sheet dimension: 50x 72. Here the artwork represents a different pose of nu...