Late 20th Century More Prints

A superb impression of this color lithograph with hand coloring in watercolor and gouache on Velin Arches mould-made paper. Signed, dated and numbered 88/90 in pencil by Hodgkin. Pri...

Abstract, large scale earth toned red, black, taupe and grey scene with dynamic lines, shapes and hand painted brushstroke texture. This dramatic Howard Hodgkin work is ideal for dis...

Study for Sculpture in the Form of an Inverted Q: Above and Below Ground, 1975 Lithograph, soft-ground etching, and aquatint in six colors on cream, thick, slightly textured Rive BFK paper 14 × 11 in. / 35.2 × 28 cm Signed and dated in pencil, lower right, numbered in pencil, lower left. Edition of 100 with 20 AP. Printed by Bill Law, Winston Roeth and Allan Uglow at Petersburg Press...

Lithograph on butcher paper. Signed lower middle of plate in blue pen. One of 21 signed, unnumbered lithographs, this impression is in gray/blue ink. In ...

Joan Miro (1893-1983) - Composition Lithograph from 1974. Dimensions of work: 56.2 x 27.5 cm. Plate signed. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Lunar Eclipse by John Hogan etching landscape red, brown, black limited edition ACPI © 1999 John Hogan A graduate of Northeast Louisiana State University with a bachelor's degree a...

Vintage offset poster realized in occasion of Baj's Exhibition at Galleria Rondanini, Rome. Very good condition.

Original WATERFALL by the IF Band on Metromedia Records vintage record poster. Note that this is a vintage poster and not an album cover. Unlike th...

Untitled  is an artwork realized by Dorothea Tanning  in 1974. Colored lithograph. Good conditions. Printed by  Atelier Pierre Chave in Vence, France. This lithograph was realized...

A very good impression of this color screenprint on Rives BFK. Signed and numbered 26/175 in pencil by Chamberlain. Published by London Arts, Inc., Detroit, with the blind stamp lowe...

A very good impression of this color offset lithograph on Arches. Signed and numbered 17/75 in pencil by Francis. Printed by Imprimerie Arte, Paris. Published by the Fondation Maeght...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Vintage offset poster realized in occasion of Baj's Exhibition at Galleria Rondanini, Rome. Very good condition.

Landscape is a retouché on paper, realized by the Belgian artist Fredy Lapenna. This original print, representing a natural country landscape with sweet hills, is numbered in Roman ...

Composition 3: Rose Beige, Yellow, Lime is an original hand drawn color linocut/litho by the New York artist Bruce Porter, printed from hand carved linoleum blocks and hand drawn lit...

Fiore disponibile is an original lithograph realized by Renzo Margonari in 1976. Hand-signed. Artist's Proof.

Los Alamos Hills monotype by John Hogan, landscape cliffs, greens, yellow white John Hogan A graduate of Northeast Louisiana State University with a bachel...

Heropass Tighe O’Donoghue, American (1942–2023) Date: circa 1975 Aquatint Etching, signed in pencil Size: 30 x 22 in. (76.2 x 55.88 cm)

Nicholas Krushenick 's "North End" is a color silkscreen pencil signed, dated, and editioned; proof from the published edition of 200, . Nicholas Krushenick (American, 1929 – 1999) ...

This artwork titled "Purim" from the suite "The Seven Festivals" 1981, is an original colors serigraph on Arches paper by noted Israeli artist David Sharir,b. 1938. It is hand signed...

This artwork titled "Cantique du Singulier" 1977, is an original colors lithograph on Japan paper by noted French artist Aristide Caillaud, 1902-1990. It is hand signed and numbered ...

OPERATION MOSES is an original hand drawn lithograph by the American artist/sculptor Chaim Gross, hand proofed and printed from lithographic plates on archival Arches paper, 100% acid free. OPERATION MOSES is a contemporary style figurative watercolor drawing created to commemorate the evacuation of African Jews to Israel here represented by visual elements including colorful doves, a yellow menorah, an out stretched hand, city of Jerusalem, the U S White House, stone tablets, and a group of seated Ethiopian people studying Torah. OPERATION MOSES was printed in watercolor shades of light blues, reds, yellow, green, salmon pink, purple, browns and graphite black for the pencil drawing using the age-old hand printing methods first used in fine art lithography printmaking. OPERATION MOSES is a very unique, extremely limited edition lithograph created in commemoration of the historic airlift of Ethiopian Jews to Israel in 1984. Operation Moses refers to the covert evacuation of Ethiopian Jews (known as the "Beta Israel" community or "Falashas") from Sudan during a civil war that caused a famine in 1984. Print size - 16 x 20 inches, unframed, excellent condition, pencil signed by Chaim Gross Image size - 10.5 x 15 1/8 inches Edition size - 10, plus proofs Printer - J K Fine Art Editions Co. NY Never been framed or mounted, pencil signed A.P.(Artist Proof) aside from an edition of 10, printers chop on lower left corner, from the master printers private collection Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1963, Gross and his family moved from their longtime residence at 30 W. 105th Street to Greenwich Village, following the purchase of a four-story historic townhouse at 526 LaGuardia Place, which is now the Renee & Chaim Gross Foundation. In 1974, the Smithsonian American Art Museum held the exhibition, Chaim Gross: Sculpture and Drawings, and in 1976, a selection from Gross's important collection of historic African...

Silk Stockings and Candlelit Cafes, is an original hand drawn lithograph by Sharon E. Sutton printed using hand lithography techniques on archival paper 100% acid free. An architectu...

This artwork titled "Cantique du Singulier" 1977, is an original colors lithograph on Japan paper by noted French artist Aristide Caillaud, 1902-1990. It is hand signed and numbered ...

Lithographic poster produced for an exhibition of Picasso's paintings at Galerie Louise Leiris in 1962. Designed by Henri Deschamps using Picasso's oil...

This artwork titled "Shavuoth" from the suite "The Seven Festivals" 1981, is an original colors serigraph on Arches paper by noted Israeli artist David Sharir,b. 1938. It is hand sig...

Peter Halley New Works, Galerie Bruno Bischofberger (Hand signed), 1994 Offset lithograph poster (signed by Peter Halley) 19 × 26 1/2 inches Boldly signed in black marker on the fron...

Peter Halley Paintings (Hand Signed), 1995 Offset lithograph poster (hand signed by Peter Halley) 28 1/2 × 18 3/4 inches Hand signed in black marker on the front Unframed Alpha 137 G...

This artwork titled "Blue Bird' c.1990 is a dye sublimation print on aluminium by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and number...

ARTIST: Salvador Dali TITLE: L'Alchimie MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Joseph Foret EDITION NUMBER: 31/5 MEASUREMENTS: 22.25" x 30" YEAR: 1972 FRAME...

This artwork titled "Cantique du Singulier" 1977, is an original colors lithograph on Japan paper by noted French artist Aristide Caillaud, 1902-1990. It is hand signed and numbered ...

ALGARVE LANDSCAPE is an original hand drawn lithograph by the American woman artist Mary Faulconer printed using traditional lithography techniques on archival paper 100% acid free. ...

Joan Miro (1893-1983) - Litografía original IX Lithograph from 1972. Dimensions of work: 49.5 x 32 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. Each...

Mt. Christo Rey Afternoon by John Hogan rock cliff, red, brown, black and white framed edition ACPIV

A very good impression of this color aquatint and lift-ground etching and aquatint on Arches Cover paper. Signed and numbered 15/100 by Motherwell. There are 20 artist proofs, number...

Printed in the same scale as the original James Rosenquist painting, this black and white, abstract pop art composition features a car door collaged over a gleaming, metallic chrome circle. The shining metal and automobile imagery is characteristic of Rosenquist’s work. Bold, minimalist and monochrome, with a hint of yellow and cobalt blue, Tube's circular composition became a recurring motif for Rosenquist. Circles appear in the artist’s prints from the late 60s – he was interested in the “circles of confusion”, or the phenomenon of a camera lens being pointed directly at the sun. Lithograph based on Rosenquist’s 1963 painting...

Original Quale Capri? Original Italian vintage travel poster. Conservation archival linen backed in very good condition, ready to frame. Quale Capri? Is which Capri? in Italian. The image is the outline of the island of Capri, off the coast of Naples, Italy. The poster has two different sides, which Capri do you like or want? One side represents progress with large commercial skyscrapers and the other side the small homes and businesses on the island. The question is do you want to allow development on this beautiful Mediterranean island. Capri was first “discovered” by emperor Augustus in the early years of the Roman Empire. He often resided there and built many temples, villas and gardens as a way of having his own private paradise. The meaning of the name Capri can be traced to the ancient Greeks, where the ancient Greek word 'kapros' means 'wild boar'. The island of Capri has had dozens of famous vintage posters...

Original American Airlines World Cup ’94 vintage soccer poster. La Coupe Du Monde Aux Couleurs D’American. Bringing the World to the World Cup. Archi...

Joan Miró Litografia Original VII (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, ...

From the celebrated Alphabet Suite, this stunning Art Deco lithograph/serigraph was designed by the Russian-born French artist and designer known by the pseudonym Erté, and produced ...

Huts is an original etching and drypoint on cream colored paper, hand-number and signed in pencil on the lower margin by Pierre Boncompain. Edition of 24 prints. In excellent condit...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered 1/50 in pencil by the artist...

"AXO-CHARGA" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A VISIONARY MASTERWORK OF OP ART "Axo-Charga" is a striking original serigraph by V...

Untitled is a wonderful colored lithograph on paper, realized in the Seventies of XX century by the Italian artist, Marcello Ercole, published by La Nuova Foglio, the publishing hous...

This artwork titled "Wrapped Statues, Aegina Temple, Project for the Munich Glyptotek" from the "Official Arts Portfolio of the XXIV Olympic" 1988, is ...

Joan Mitchell Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972 Lithograph on wove paper 15 × 22 inches Limited Edition of 1000 (unnumbered) Printer: Maeght...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

A very good impression of this color aquatint, etching and lithograph. With the artist's signature ink stamp and numbered 26/65 in pencil. With the artist's estate ink stamp and sign...

Born in Charleroi, Belgium, Christine Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black hills that dot the landscape of the ...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...

Abstract Composition is an original etching realized in the 1960s by Eugenio Carmi (Genoa, February 17, 1920 - Lugano, February 16, 2016). Hand-signed and dated in pencil on the lo...

Marc Chagall (1887-1985) - Couple sur fond noir Lithograph from 1974. This impression is notated as “Epreuve d’exposition H.C”. apart from the edition of 50 on Japon paper. Unsign...

This artwork titled "Succoth" from the suite "The Seven Festivals" 1981, is an original colors serigraph on Arches paper by noted Israeli artist David Sharir,b. 1938. It is hand sign...

Peter Halley Painting as Sociogram: The Kitakyushu Municipal Museum of Art, Japan (Hand Signed), 1997 Double-sided offset lithograph poster (hand signed by Peter Halley) 11 3/4 × 8 1...

Image dimensions: 33x22.5 cm. Edition of 25 prints, numbered and hand signed. Very good conditions.

Shirin Neshat (b. 1957) is a renowned Iranian-American photographer and visual artist. Neshat is acclaimed for her poignant images exploring gender and cultural identity frequently c...

Marte is a modern artwork realized by Umberto Mastroianni in 1970s. Mixed colored etching Hand signed, numbered and titled on the lower margin Edition of 48/75 Includes frame: 65...

Original exhibition poster for Ruckus Manhattan by Red Grooms and the Ruckus Construction Company, 1975. Presented by Creative Time, Inc. Lithograph with offset lithographic photo elements, sheet measures 23 x 29 inches; 24 x 30 inches framed. Design by M. Samuels. Produced by Polychrome Lithography Co., Inc, NYC. Condition is outstanding with no damage or conservation. No creasing, staining, toning or fading. A rare poster from an early show produced by Creative Time Inc. while only in their 2nd season. A lovely document of NYC art history. Ruckus Manhattan was a multimedia, three-dimensional representation of Manhattan on display on the ground level of 88 Pine Street. The out-of-scale model, constructed of papier-mâché, wood, plastic, fiberglass, and vinyl, was designed to conform to Manhattan’s psychic dimensions, rather than its physical ones, and included such landmarks as the Apollo Theatre, the Brooklyn Bridge, Central Park, the Chrysler Building, the Stock Exchange floor, Trinity Church, and the World Trade Center. Finding inspiration in sources as diverse as cubism and newspaper comics, Red and Mimi Gross Grooms...