Contemporary More Prints

Artist: Jim Dine, American (1935 - ) and Lee Friedlander, American (1934 - ) Title: Photographs and Etchings Year: 1969 Medium: Portfolio of 16 Diptychs of Gelatin Silver Prints and ...

Artist: Tito Salomoni Title: Toy Boat Medium: Lithograph Signed: Hand Signed Edition: Edition of 200 Measurements: 23" x 29" Frame: This piece is sold UNFRAMED Condition: Excel...

Archival pigment print Signed, titled, dated, and numbered, verso 20 x 24 inches (Edition of 10) 30 x 36 inches (Edition of 5) 40 x 48 inches (Edition of 5) This artwork is offer...

Famous Mexican Artist, Rufino Tamayo personally supervised the printing of this book with 13 folders that include most of his work, clasified by color. Edition of 1000.

Tyler Stout MAD MAX Movie print Event: Spoke Art Mystery Movie @ Roxie SF & Clinton Street Portland. Run: 216/250 Technique: Screen Print with Gold Metall...

Arriving, Las Vegas, photograph from Richard Heeps' 'Dream in Colour' series, this artwork captures a classic American neon Googie sign, with the famous Vegas cityscape in the backgr...

Archival pigment print Signed, titled, dated, and numbered, verso 20 x 24 inches (Edition of 10) 30 x 36 inches (Edition of 5) 40 x 48 inches (Edition of 5) This artwork is offer...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The monochrome g...

'Raw Earth' Iris with Silver Leaf is a silkscreen print on paper created in 2023 by Marc Quinn. This signed print is an exclusive edition of only 50 in existence. The custom framed d...

Pool House by Andy Burgess is a limited edition Lithography, chine collé. It is an edition of 30, signed and numbered. It is 6/30. It is 29 1/2 x 37 inches, framed to 32 x 39.75 in a light wood frame with UV glass. This print is published by Tandem Press, Madison, Wisconsin Andy Burgess (b. 1969), a London-born painter and collage artist, is best known for his colorful explorations of modernist and mid-century architecture as well as his mosaic-like collages created using vintage matchbooks...

A Vocabulary of Ornaments by Benjamin Thomas Taylor [2022] limited_edition Signed and numbered limited edition Giclée print hand finished with screen printed layers of varnish, acry...

Palm Springs Poolside, photograph by Richard Heeps. Classic mid-century Palm Springs architecture, featuring cool blue skies and pool with accents of pink and almost neon yellow. Th...

Buick in the Dust, this photography series features an American Car, on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as a drag racing...

Original poster of the Tom Sachs: Rocket Factory collection. This offset print measures 36" H x 24" W and was published by Tom Sachs in 2021.

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Reflection of real world on a metallic sphere ...

Silkscreen Print – A printing technique whereby the artist paints glue or stencils their work onto a mesh stretched over a wooden frame. Colour is then pushed through the mesh (whic...

Signed, titled and numbered in pencil, from the edition of 30. This is one of a group of prints he completed during a residency in China. Using traditional stone lithography, Sustov...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The sky blue col...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The plum purple ...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The lilac purple...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The deep purple ...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The green color ...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The raspberry re...

Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). From a limited edition of 100. Edition 91/100 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Text image from Richard Prince's iconic Jokes series. Signed and numbered by the artist in ink on interior of card. Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...

Three and a Half Feet, Ballantines Movie Colony, Palm Springs, California, photograph from Richard Heeps Dream in Colour series. A palm tree casts a shadow on a Palm Springs swimming...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

Zzyzx Resort Pool, Soda Dry Lake, California. Photograph from Richard Heeps 'Dream in Color' Series, from a California road trip, this abandoned structure...

Signed, titled and numbered from the edition of 25. The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their ...

Color woodcut, Edition 15. Since 1985, Woodman collaborated with Master printer Bud Shark to produce monotypes, woodcuts and lithographs with the same inventiveness and exuberance o...

'Buick in the Dust II', features an American Car, on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as a drag racing...

Zzyzx Resort Pool, Soda Dry Lake, California. Photograph from Richard Heeps 'Dream in Colour' Series, from a California road trip, this abandoned structure...

Color lithograph, Ed. 30. Sherman’s paintings and prints propel the viewer into a claustrophobic and unstable world through a perspective that shimmies between representation and ab...

DREAMFIELDS II is a hand drawn original lithograph by the artist Sybil Kleinrock (spouse of the renowned jewelry designer David Yurman. It was printed in seven colors using tradition...

Vipers Tongue By Billy Childish Billy Childish is a British artist, musician, and poet known for his prolific work across various mediums, including painting, punk rock music, and...

'Monte Amiata II', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing ...

Campbell's Soup, iconic British architecture of their first UK factory. Photograph by Richard Heeps. This artwork is a limited edition of 25, gloss photographic print, accompanied b...

DIMENSIONS 24 × 18 in 61 × 45.7 cm Edition 133 of 250 He gets to know the universe of graphic design very early, at age 14, when he draws images to be printed on t-shirts and skate...

I Drink Therefore I Can By The Connor Brothers The Connor Brothers are a contemporary British art duo known for blending fiction with reality, often creating works that mix vintage...

Black Ice, from the original sketches on Richard's first discovery of ICES in Bexhill in 2018. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to alum...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The baby blue color blocking, typography and the surreal twist of the suspended ice cream cone, cross many of Richard’s artistic signatures. Richard runs his own color darkroom in Cambridge printing his photographs from negative and chose to frame this image with the Kodak film...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The coral color ...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The viridian gre...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The light blue c...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The raspberry pi...

TABACCHI at Twilight, Italian architecture photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' b...

TABACCHI at Night, Italian architecture photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' bega...

Type II Pink, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Ri...

Tyre Pressure Gauge, from Richard Heeps' series A Short History of Milan. 'A Short History of Milan' began in November 2018 for a special project featur...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The plum purple ...

Kiss in Venice.

Jennifer Jokhoo Riverbank SE1 (Petrol) Limited Edition Handmade Reduction Linocut Print Edition of 15 Sheet Size: H 20cm x W 20cm x D 0.1cm Sold Unframed Please note that in situ ima...

'NOMAD VIII (Film Rebate)', New York. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photographs capture the art deco architecture illuminated by changing colours, and is part of Richard's street photography portfolio...

ICES Blue, Pink and Yellow A set of three pop art prints by Richard Heeps from his Great British Staycation series 'On-Sea'. Taken between lockdowns in September 2020, it has proved ...

Mini Summer Treats Triptych by Gavin Dobson Consists of Mini 99 Reasons Mini Cornetto Mini Rocket Each piece is individually £60 Each piece is individually H21cm x W14.8cm x D0.2c...

New York, London, Hong Kong, Three Framed fine art Photographs by Richard Heeps, capturing his unique approach to cityscapes, all with a purple tonal palette. Featuring 'NOMAD V', taken in 2017 capturing iconic New York architecture printed from negative full frame with the Kodak film border. Featuring 'Brutalist Symphony II', taken in 2019 capturing iconic London architecture, The Barbican Estate, printed from negative with Richard's signature ragged edge. Featuring 'HK$1', from the Heidler and Heeps...

'The Last Kiss', from Richard Heeps series, 'A Short History of Milan', featuring a traditional Italian street book kiosk. A Short History of Milan began in November 2018 for a spe...

AILA Lilac, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal pa...