Horizontal Nude Prints

The Dead Bastard, Mystery East Village Untitled, 1972 Lithograph Sheet: 18 x 24 in. Image: 16 x 22 in. Singled lower right: The Dead Bastard, 1972

Artist: Dan May (American, 1955-) Title: "A Man and His Dreams" *Signed by May in pencil lower left Year: 1991 Medium: Original Screenprint on unbranded white wove paper Limited edit...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Study 1 by Artist Wim van Broekhoven. A beautiful artwork that looks good in every room and especially in the living room or hallway. Can be framed. Hand Signed. Image Size: 50 x...

Standing Nude by Wim van Broekhoven. Drawing from models and observing urban, industrial and natural landscapes are recurring motifs. Drawing from a model is about representing expr...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: harlequin clown Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Artist: Henri Matisse (after) Medium: Lithograph Title: La Danse Year: 1938 Edition: Unnumbered Framed Size: 20 1/2 x 27 inches Sheet Size: 14 x 21 inches Ref...

Standing Nude by Wim van Broekhoven. Drawing from models and observing urban, industrial and natural landscapes are recurring motifs. Drawing from a model is about representing expr...

Reclining on a sofa, the nude female model looks backward toward her raised feet as the painter renders her portrait. Comprised of short, wavy lines, this scene by Pablo Picasso focu...

A topless woman basking in the sun on an NYC rooftop. In the distance behind her, the twin towers are visible. Artist: Hilo Chen Title: Rooftop Sunbather from the City Scapes Portfo...

Nude with Winter Bouquet 11/30 is a vintage aquatint etching by American printmaker Doel Reed (1894-1985), created in 1972. This exquisite work depicts a reclining female figure, elegantly posed alongside a vase of flowers and flowing drapery, capturing the quiet intimacy of the scene. The etching is signed by Reed in the lower right margin and numbered 11 of a limited edition of 30 in the lower left margin. The print is presented in a custom frame with archival materials, with outer dimensions of 20 ½ x 26 ¼ x 1 inches and an image size of 11 ¾ x 17 ¾ inches. This stunning piece is illustrated in Doel Reed: The Graphic Works by Harry B. Cohen and Ann L. Rogers (page 83, plate 124), showcasing Reed's mastery in the aquatint technique. The etching is part of several esteemed collections, including the University of Wyoming, Museum of Fine Arts in Santa Fe, University of Oklahoma, and Oklahoma State University. It has also been exhibited in notable shows, including the 147th National Academy of Design in New York, Indiana Printmakers in 1972, the 32nd Annual Print Show at the Philbrook Museum in 1972, and the 53rd Annual Exhibition of the Society of American Graphic Artists in New York in 1975. About the Artist: Doel Reed’s dedication to printmaking and his unique approach to aquatint solidified his reputation as a master of the medium. Early in his career, Reed became fascinated with Goya's aquatints, which inspired him to teach himself the technique and establish a lifelong passion for creating etched works. Known for his emotionally charged landscapes marked by dramatic tonal contrasts, Reed’s prints evoke a sense of mystery, blending modernist forms with a romantic, moody atmosphere. Born in Indiana and initially studying architecture, Reed’s understanding of structure deeply influenced his artistic style, which he described as architectonic. He later transitioned to fine arts, studying at the Cincinnati Art Academy, but his studies were interrupted by World War I. A gas attack during the war temporarily blinded him, and the lasting effects of the attack led him to seek the dry climates of Oklahoma and New Mexico for relief. After the war, Reed discovered Goya’s aquatints...

La blouse turque - Étude de jambes is a lithograph from 1925 printed on Japan paper. There were 50 in the regular edition and 10 Artist Proofs. The piece is signed and numbered 30...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

Amleto dalla Costa Untitled 1980 Unique pencil drawing on paper Hand signed and dated "1980"

La Pierre aux Trois Croquis From: Douze lithographies originales de Pierre-Auguste Renoir Publisher: Ambrose Vollard Edition: 950 (signed in the stone) on wove paper as here (see pho...

Pablo Picasso's print features a painter in his studio capturing the likeness of a nude woman posing on a setee or chaise lounge. Sitting at his easel, the painter uses blue paint on...

Artist: Jacques Villon, French (1875 - 1963) Title: Le Mort de Daphnis for Les Bucoliques Year: circa 1960 Medium: Lithograph, Signed in Pencil Image Size: 8 x 19 inches Size: 15 in....

Untitled (Nr. 0979) Photography 36" x 44" Edition of 12 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six...

Plate 2 2 plate drypoint with hand coloring, 1984 Signed and numbered in pencil (see photos) From: Barcelona Suite (6 plates) Edition: A/P 8/10 in pencil lower left Signed in pen...

Etching on paper. Hand signed and numbered by the artist. From the 347 series. Bloch 1502. Edition of 50. Sheet size: 18 x 22 inches. Image size 12.375 ...

Untitled (Nr. 1751) Photography 18" x 24" Edition of 20 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a s...

Tracey Emin, Tattoo, Offset Lithograph on Paper, 2001 Colour photocopies on A4 paper, from a limited edition of 200 (No. 129). Hand signed and numbered in pencil by the artist, rect...

Untitled (Nr. 1789) Photography 18" x 24" Edition of 20 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a s...

Le Corbusier (1887-1965) Three Nudes, 1938 Original lithograph Signature printed in the plate Dated in the plate On light vellum 21 x 27 cm (c. 8 x 11 inch) Very good condition, pa...

The Dream [2022] original Acrylic, natural pigments on paper Image size: H:70 cm x W:100 cm Complete Size of Unframed Work: H:70 cm x W:100 cm x D:0.1cm Sold Unframed Please note th...

Henry Moore Reclining Figure Original etching in sepia, hand signed 1979 Image size: 12 5/8 x 15 7/8 inches Framed Dimensions: 25 x 25 inches Numbered 32/50 from the edition of 50 on...

Artist: Steven Pollack Title: Rie Miyazawa Les Demoiselles d' Avignon Year: 1992 Medium: Lithograph with Superfine Glitter, Signed in Pencil. Edition: AP Size: 31 x 43 inches

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend. In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges. From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, ​​Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara. His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano, Ignacio Zuloaga Y Zabaleta, Andre Beaudin, Francisco Domingo Y Segura, Jose Armet Y Portanel, Jose Ventosa Domenech, Antonio Vila Arrufat, Montserrat Gudiol...

Alberto Giacometti's "Nu Assis", seated nude, is an original lithograph numbered 40 of 75. It is from 1961 and is signed lower right. 22" x 30" art 31 1/4" x 39 1/4" framed "Alber...

Artist: Reuben Nakian Title: View from Olympus: Plate II, Reclining Nymph Medium: Etching & Chine Colle, signed and numbered in pencil Edition: 75 Paper Size: 29.5 x 42 inches

Lithograph print signed by artist-- possibly Etienne--however, illegible. The print measures is 22 x 29; it is in fair/good condition, with slight discoloration around the edges.

Artist: Reuben Nakian Title: Leda and the Swan no. 2 Medium: Etching and Chine Colle , signed and numbered in pencil Edition: XXV Paper Size: 31 x 42 inches

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs with a poem verso. The individual sheets are not signed or numbered. This listing is just...

Triptych Tom Huck Three Scenes from a Tiny Riot, 2016 Woodcut Triptych on Arches 88 paper 20 h x 21 w (Ball of Hate) 17 h x 14 w (Rumble Thumpin) 17 h x 14 w (Bag-O-Hedz) 20/25

Untitled (Nr. 7071) Photography 36" x 44" Edition 1/12 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey...

Artist: Reuben Nakian, Armenian/American (1897 - 1986) Title: Leda and The Swan - 1 Medium: Etching and Chine Colle [Signed and Numbered in Pencil] Edition: 75 Paper Size: 42 x 29.5...

Under The Trees’ by AGNESSAGA Limited Edition Silkscreen Print Edition of 45 Silkscreen Print on Paper Water-based inks on 240gsm natural white paper. Image Size: 74 cm x 48 cm Sheet...

Artist: Reuben Nakian Title: Leda and the Swan no. 4 Medium: Etching and Chine Colle, signed and numbered in pencil Edition: 75 Paper Size: 29.5 x 42 inches

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish...

Lithograph in colors on Rives paper. Hand signed lower right by Henry Moore. Hand numbered XV/XV lower left, one of 15 artist's proofs, aside from the edition of 50. Sheet size 2...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend. In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges. From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, ​​Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara. His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano, Ignacio Zuloaga Y Zabaleta, Andre Beaudin, Francisco Domingo Y Segura, Jose Armet Y Portanel, Jose Ventosa Domenech, Antonio Vila Arrufat, Montserrat Gudiol...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

Artist: Mel Ramos (American, b. 1935) Title: Toblerone Tess Year: 2007 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 30 in. x 44.5 in. (76.2 cm x 113.03 cm)

Artist: Reuben Nakian, American (1897 - 1986) Title: Leda and the Swan no. 5 Year: circa 1980 Medium: Etching and Chine Colle, signed and numbered in pencil Edition: 75, XXV Size: 31...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend. In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges. From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, ​​Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara. His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

"No title No 58" Photography 26" x 32" inch Ed. of 25 by Yevgeniy Repiashenko No title (No 58) by Yevgeniy Repiashenko Year photo was taken: 2020 Limited Edition of 25 Picture size...

Plate 26 from La Suite Vollard. Bloch 226. Baer 440. Etching, engraving and aquatint, on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 wit...

This is from a series of linocuts made with a single horizontal line. The resulting mesh of black and white creates a shimmering effect that both defines and blurs the image. Object...

Raymond Pettibon Black Flag Live 1985: Rare folding double-sided promotional tour flyer illustrated by Raymond Pettibon for SST Records, advertising 1985 Black Flag concert dates. O...

Artist: Dan May (American, 1955-) Title: "Nude" *Signed and numbered by May in pencil lower left Year: 1987 Medium: Original Screenprint on unbranded soft-cream wove paper Limited ed...

Hand signed, titled, dated and numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 175. All reasonable offers will be conside...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish...

A superb impression of this offset lithograph with vibrant pochoir color. Signed and numbered in ink, from an edition of 185.

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend. In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges. From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, ​​Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara. His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend. In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges. From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, ​​Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara. His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano, Ignacio Zuloaga Y Zabaleta, Andre Beaudin, Francisco Domingo Y Segura, Jose Armet Y Portanel, Jose Ventosa Domenech, Antonio Vila Arrufat, Montserrat Gudiol Corominas, Juan Abello Prat, Francesc Artigau. In 1981, the UNESCO commissions a bronze sculpture given every year to the laureate of the Unesco Prize for Peace Education. Fenosa creates L'Olivier, the "Olive Tree", symbol of peace and attribute of the poet. In 1982, he receives the Gold Medal of the Government of Catalonia, in 1983 the Legion d'Honneur ( French Legion of Honour) and in 1987 the Gold Medal of Barcelona. He is commissioned to make a bronze sculpture award for the Joan Crexells Narrative Prize, the premier Catalan language literary prize awarded by the Ateneo Barcelonés to the best narrative work in Catalan published during the previous year. Selected Solo Exhibitions 2021 Apel·Les Fenosa ,Galeria Marc Domenech ,Barcelona, Spain Selected Group Exhibitions 2022 Figurative Expressionism ,Galeria Marc Domenech ,Barcelona, Spain (with Josep Guinovart and Jean Dubuffet) 2021 The point of sculpture ,Fundació Joan Miro ,Barcelona, Spain 2019 Picasso and the Exodus. A history of Spanish art in resistance, Les Abattoirs ,Toulouse, France (with Oscar Dominguez, Antoni Clavé, Josep Renau...