1730s Prints and Multiples
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Period: 1730s
'Dei Praestitis Signumexaere' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...
Category
Realist 1730s Prints and Multiples
Materials
Engraving
Al Dolo - Etching by Giovanni Antonio Canal - 1735/44
By Giovanni Antonio Canal (Canaletto)
Located in Roma, IT
Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768).
Original Etching on Laid paper...
Category
Modern 1730s Prints and Multiples
Materials
Etching
'The Deluge' from 'The Temple of the Muses' — 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated
'1730' lower left. Titled in French, English, German, and Dutch. A superb...
Category
Baroque 1730s Prints and Multiples
Materials
Engraving
'Bacchus Cumampelo' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus Cumampelo', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original...
Category
Realist 1730s Prints and Multiples
Materials
Engraving
Captain Mazin Rides, and the Marquis Gives the Lesson /// Equestrian Horse Art
Located in Saint Augustine, FL
Artist: William Cavendish (English, 1593-1676)
Title: "Captain Mazin Rides, and the Marquis Gives the Lesson" (Plate 17, Page 76)
Portfolio: Methode et Invention Nouvelle de Dresser ...
Category
Old Masters 1730s Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Etching, Intaglio
White Stork "Storch Ciconia": An 18th Century Hand-colored Frisch Engraving
Located in Alamo, CA
This is a rare 18th Century hand-colored copperplate engraving entitled "Der Storch Ciconia" (White Stork) by Johann Leonhard Frisch is plate 19...
Category
Naturalistic 1730s Prints and Multiples
Materials
Engraving
Black Stork, "Ciconia Nigra": An 18th Century Hand-colored Frisch Engraving
Located in Alamo, CA
This is a rare 18th Century hand-colored copperplate engraving entitled "Ciconia Nigra" (Black Stork) by Johann Leonhard Frisch is plate 197 fro...
Category
Naturalistic 1730s Prints and Multiples
Materials
Engraving
'The Death of Hercules' from 'The Temple of the Muses' — 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...
Category
Baroque 1730s Prints and Multiples
Materials
Engraving
Sir Francis Bacon: 18th C. Portrait of Philosopher, Scientist, Author, Statesman
Located in Alamo, CA
This is an 18th century copperplate engraved portrait of Sir Francis Bacon, Viscount St. Albans, Lord Chancellor by Jacobus Houbraken in 1738 after a p...
Category
1730s Prints and Multiples
Materials
Engraving
Ostrich, Porcupine and Hedgehog Engraving
Located in New York, NY
Original engraving with later hand-coloring from "Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historia...
Category
1730s Prints and Multiples
Materials
Laid Paper
A Harlot's Progress - Etching after William Hogarth - 1732
Located in Roma, IT
A Harlot's Progress is an etching print realized after William Hogarth in 1732
Signature on the plate on the lower right.
Good conditions, with some foxing.
A Harlot's Progress" i...
Category
Surrealist 1730s Prints and Multiples
Materials
Etching
'Bacchus' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original by Giovan...
Category
Realist 1730s Prints and Multiples
Materials
Engraving
Explorator
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Explorator', engraving, 1734, edition unknown, scarce. Signed 'Dom. Campiglia del.' in the matrix, lower left. A fine impression, on handmade antique, l...
Category
Realist 1730s Prints and Multiples
Materials
Engraving
The Company of Undertakers, Original period engraving
Located in Spokane, WA
Measurements
Engravings 10.5 x 7 inches sight
Framed 14.875 x 11.5 inches
The Company of Undertakers (1737) is a satirical print by William Hogarth that mocks the medical professi...
Category
1730s Prints and Multiples
Materials
Engraving
"A Harlot's Progress" Plate 3 Etching
Located in Houston, TX
Etching from the series titled "A Harlots Progress" by William Hogarth. The series consists of six paintings and engravings. The story is about a woman named M. Hackabout who arrived in London and started working as a prostitute. The third plate is of her getting arrest for her choice in profession. The series is a satirical story that emphasizes the dangers of being a prostitute and the health risks that come from it.
In 18th century engraving, the detail of the black mole on women and men's face is a symbol of the deadly venereal disease, syphilis. In this plate, Hackabout has already contracted the disease and that is why the black dot is visible on her forehead as well as her madam's.
In 1828, William Innell Clement published Harlot's Progress in columns on a single page of his newspaper Bell's Life in London #330. The detail with the cross seen in earlier reproductions of the engraving.
Dimensions without Frame: H 14.5 in x W 16.5 in.
Artist Biography: William Hogarth ( 10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", perhaps best known to be his moral series A Harlot's Progress, A Rake's Progress and Marriage A...
Category
Old Masters 1730s Prints and Multiples
Materials
Etching
Welbeck Park Belongs to the Marquis of Newcastle /// Equestrian Horse Old Master
Located in Saint Augustine, FL
Artist: William Cavendish (English, 1593-1676)
Title: "Welbeck Park Belongs to the Marquis of Newcastle" (Plate 38, Page 263)
Portfolio: Methode et Invention Nouvelle de Dresser Les Chevaux (New Method and Invention of Dressing Horses)
Year: 1737 (Second edition)
Medium: Original Hand-Colored Engraving and Etching on watermarked laid paper
Limited edition: Unknown
Printer: Jean Brindley, London, UK
Publisher: Jean Brindley, London, UK
Reference: Brunet I, 1699; Graesse II:93; Lowndes VI:1663; Mellon/Podeschi 26, page 34-35; Mennessier de la Lance II, page 246-247; Nissen ZBI 848; Huth page 21
Sheet size: 17" x 21.25"
Image size: 15" x 20"
Condition: Toning to sheet and some edgewear in right margins. Centerfold is separated at very top and bottom in margins. It is otherwise a strong impression in good condition with strong colors
Notes:
With overlapping centerfold as issued. Engraved by Dutch artist Theodor van Kessel (1620-1696) after a drawing by Dutch artist Abraham van Diepenbeeck...
Category
Old Masters 1730s Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio, Etching
18th C. Portrait of William Harvey, MD: 17th C. Circulatory System Discoveries
Located in Alamo, CA
An 18th century engraved portrait of William Harvey, MD by Jacobus Houbraken after a painting by Wilhem von Bemmel, from "The Heads of Illustrious Pers...
Category
1730s Prints and Multiples
Materials
Engraving
Coot Bird, "Wasserhuhn": An 18th Century Hand-colored Frisch Engraving
Located in Alamo, CA
This is a rare 18th Century hand-colored copperplate engraving entitled "Wasserhuhn" (Coot) by Johann Leonhard Frisch , which is plate 208 from ...
Category
Naturalistic 1730s Prints and Multiples
Materials
Engraving
WERNER. A Panoramic View of London
Located in London, GB
London
[WERNER, Friedrich Bernard].
Georg. Balthasar Probst, Augsburg, [c.1730].
A beautiful large, coloured panorama of ‘post fire’ London by Friedrich Bernhard Werner, a German pr...
Category
Land 1730s Prints and Multiples
Materials
Engraving, Handmade Paper, Watercolor
The Sleepy Congregation - Etching by Simon François Ravenet - 1736
Located in Roma, IT
The Sleepy Congregation is an artwok realized in 1736, by the French Artist Simon François Ravenet, after a print by William Hogarth.
Etching on paper. Monogrammed in plate on the ...
Category
Modern 1730s Prints and Multiples
Materials
Etching
York, from near the Confluence of the Rivers Ouse and Foss /// Francis Drake Art
Located in Saint Augustine, FL
Artist: Francis Drake (English, 1696-1771)
Title: "York, from near the Confluence of the Rivers Ouse and Foss" (Plate 20)
Portfolio: Eboracum: or The History and Antiquities of the City of York
Year: 1736 (First edition)
Medium: Original Engraving on light laid paper
Limited edition: Unknown
Printer: William Bowyer...
Category
Old Masters 1730s Prints and Multiples
Materials
Laid Paper, Engraving
Set of Four Gourds
Located in London, GB
Set of 4 double-page mezzotint engravings, printed in colour and finished by hand.
[Published: H. Lentz and H.G. Neubauer, Regensburg, 1737].
An attractive collection of fine plates...
Category
Naturalistic 1730s Prints and Multiples
Materials
Handmade Paper, Engraving, Mezzotint
Ananus Sclvestris ( Pineapple ) N. 110 mezzotint engraving with hand coloring
Located in Paonia, CO
Johann Wilhelm Weinmann
Ananus Sclvestris ( Pineapple ) N. 110
mezzotint engraving with hand coloring
paper size 15.50 x 9.50
image size 13 x 8.25
Ananus Sclvestris ( Pineapple ) N....
Category
1730s Prints and Multiples
Materials
Mezzotint
Bindon Abbey, Dorset engraving after Samuel and Nathaniel Buck
Located in London, GB
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after Samuel Buck (1696 - 1779) and Nathaniel Buck (active 1724 - 1759)
The South View of Bindon Abbey, in the County of Dorset (1733)
Engraving
20 x 37 cm
An engraved view of Bindon Abbey, a Cistercian monastery on the River Frome in Dorset. The monastery was founded in 1149 by William de Glastonia on the site since known as Little Bindon near Bindon Hill. In 1172 the monastery moved to a site near Wool, and was supported by the house of Plantagenet. The abbey was scheduled for Dissolution in 1536, and finally dissolved in 1539. Only ruins remain.
Samuel and Nathaniel Buck...
Category
1730s Prints and Multiples
Materials
Engraving
Winchester Palace, Southwark, London engraving after Samuel and Nathaniel Buck
Located in London, GB
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after Samuel Buck (1696 - 1779) and Nathaniel Buck (active 1724 - 1759)
The East View of Winchester Palace (1733)
Engraving
20 x 37 cm
An engraved view of Winchester Palace, a bishop's palace built in the 12th century. It served as the London townhouse of the Bishops of Winchester and remained in use until around 1700, when it was divided up into tenements and warehouses. The building was largely destroyed by fire in 1814.
Samuel and Nathaniel Buck...
Category
1730s Prints and Multiples
Materials
Engraving
Don Quichotte conduit par la Folie - Etching by Louis Surugne - 1730
Located in Roma, IT
Don Quichotte conduit par la Folie is an original artwork realized by Louis Surugne in 1730. Etching on paper.
Proof of the 1st tirage (chez Surugne). Titled and signed on plate on ...
Category
1730s Prints and Multiples
Materials
Etching
William the Conqueror Giving a Charter to his Nephew Alan Earl of Britain
Located in Saint Augustine, FL
Artist: Francis Drake (English, 1696-1771)
Title: "William the Conqueror Giving a Charter to his Nephew Alan Earl of Britain" (Plate 12)
Portfolio: Eboracum: or The History and Antiquities of the City of York
Year: 1736 (First edition)
Medium: Original Engraving on watermarked light laid paper
Limited edition: Unknown
Printer: William Bowyer...
Category
Old Masters 1730s Prints and Multiples
Materials
Laid Paper, Engraving
Ricinus Africanus Maximus N. 867 J.W. Weinman original engraving 1737
Located in Paonia, CO
Mezzotint Engraving with Some Hand Coloring image size 15.25 x 10 from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive scientific eight volume set w...
Category
1730s Prints and Multiples
Materials
Engraving
Exeter College Oxford University William Williams c. 1732 Engraving print
Located in London, GB
To see our other views of Oxford and Cambridge, particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
William Williams...
Category
Realist 1730s Prints and Multiples
Materials
Engraving
King Richard II /// Old Masters British Royal Family Portrait Engraving Art
Located in Saint Augustine, FL
Artist: George Virtue (English, 1684-1756)
Title: "King Richard II"
Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History
*Issued unsigned, though signed by Virtue in the plate (printed signature) lower right
Year: 1736
Medium: Original Engraving on laid paper
Limited edition: Unknown
Printer: Unknown, London? UK
Publisher: James, John, and Paul Knapton, London, UK
Reference: Brunet No. IV.1115; Bryan V. No. 294
Framing: Recently framed in a gold ornate moulding with 100% cotton rag matting
Framed size: 23.63" x 19.69"
Image size: 11.25" x 7.25"
Condition: In excellent condition
Notes:
Comes from Virtue's 1736 "The Heads of the Kings of England, Proper for Mr. Rapin's History" portfolio of approximately 63 engravings.
Richard II (1367-1400), also known as Richard of Bordeaux, was King of England from 1377 until he was deposed in 1399. Richard's father, Edward, Prince of Wales, died in 1376, leaving Richard as heir apparent to his grandfather, King Edward III...
Category
Baroque 1730s Prints and Multiples
Materials
Engraving, Laid Paper, Intaglio
Leopards and Mole Engraving
Located in New York, NY
Original engraving with later hand-coloring from "Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historia...
Category
1730s Prints and Multiples
Materials
Laid Paper
King Henry VII /// Old Masters Royal Family British Portrait Face Engraving Art
Located in Saint Augustine, FL
Artist: George Virtue (English, 1684-1756)
Title: "King Henry VII"
Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History
*Issued unsigned, though signed by Virtue in the plate (printed signature) lower right
Year: 1736
Medium: Original Engraving on laid paper
Limited edition: Unknown
Printer: Unknown, London? UK
Publisher: James, John, and Paul Knapton, London, UK
Reference: Brunet No. IV.1115; Bryan V. No. 294
Framing: Recently framed in a gold ornate moulding with 100% cotton rag matting, and filet from Italy
Framed size: 22.69" x 18.63"
Image size: 11" x 7"
Condition: Light toning and a few minor foxmarks to sheet. In very good condition
Notes:
Comes from Virtue's 1736 "The Heads of the Kings of England, Proper for Mr. Rapin's History" portfolio of approximately 63 engravings. Engraving of Henry VII, King of England. Half length with long hair, cap with jewelled brooch, jewelled collar, and robes edged in ermine, holding orb in left hand and sceptre in right. Within a rectangular frame with crown, orb, and sceptre above and with coat of arms, putti, and a portrait of Elizabeth of York below. With English inscription below.
Henry VII (1457-1509) was the King of England and Lord of Ireland from his seizure of the crown on 22 August 1485 to his death. He was the first monarch of the House of Tudor. Henry attained the throne when his forces defeated King Richard III at the Battle of Bosworth Field, the culmination of the Wars of the Roses.
Biography:
George Vertue...
Category
Baroque 1730s Prints and Multiples
Materials
Engraving, Laid Paper, Intaglio
Draught of a Galley /// Old Masters Ship Boat Seascape Construction Diagram Art
By William Henry Toms
Located in Saint Augustine, FL
Artist: William Henry Toms (English, c.1700-1765)
Title: "Draught of a Galley" (Plate 13, Vol. III, page 131)
Portfolio: La Spectacle de la Nature
Year: 1737
Medium: Original Hand-Colored Engraving on laid paper
Limited edition: Unknown
Printer: Unknown, London, UK
Publisher: Humphreys, London, UK
Framing: Recently framed in a Regency style gold moulding with 100% cotton rag matting and 99% UV protective Museum Glass. The frame is an antique frame we've reused, originally built by Knoedler Gallery, New York, NY
Framed size: 10.25" x 10.25"
Sheet size (irregular margins): 6.63" x 8.25"
Image size: 4.75" x 6.75"
Condition: In excellent condition with strong colors and good margins
Rare
Notes:
Comes from the 1737 volume edition of Noël-Antoine Pluche's "La Spectacle de la Nature", translated from the original French by Humphreys as "Nature Displayed". With two soft vertical folds within paper as issued. Various dealer reference numbers and an old price pencil inscribed in margins and on verso.
Biography:
William Henry Toms (c. 1700–1765) was an English engraver. He worked on portraits, book-plates, landscapes and prints of buildings. Among his works were the plates for Robert West's "Perspective Views of All the Ancient Churches in London" (1736–1739). In 1741, he worked with Thomas Badeslade on "Chorographia Britanniae or a New Set of Maps of all the Counties in England and Wales". The maps were republished on 29 September 1742, with additional place names. Among Toms's apprentices was the engraver and publisher John Boydell. W. H. Toms lived in Masham Street, London, and was the father of the painter Peter Toms. Toms died in 1765.
Noël-Antoine Pluche (1688-1761) , known as the abbé Pluche, was a French priest...
Category
Baroque 1730s Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Graphic Presence, 1975 Etching and aquatint on copper plate Signed, by artist
Located in Toronto, Ontario
Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century....
Category
Abstract Expressionist 1730s Prints and Multiples
Materials
Copper
Portrait of Sculptor John Michael Rysbrack - Mezzotint by John Faber II - 1734
By John Faber II
Located in Roma, IT
Portrait of Sculptor John Michael Rysbrack, from John Vanderbank is an original mezzotint artwork realized in 1734 by John Faber II (L'Aia 1684 ca. - Londra 1756).
Signed and dated ...
Category
Old Masters 1730s Prints and Multiples
Materials
Mezzotint
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