1890s Prints and Multiples
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Period: 1890s
Gerlach's Allegorien Plate #20: "Song, Love, Music, Dance" Lithograph
Located in Palm Beach, FL
Koloman Moser
(1868 –1918), AUSTRIAN
Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art w...
Category
Vienna Secession 1890s Prints and Multiples
Materials
Lithograph
Gerlach's Allegorien Plate #35: "Love & Wine" Lithograph
Located in Palm Beach, FL
Koloman Moser
(1868 –1918), AUSTRIAN
Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury.
Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession.
In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings.
Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category
Vienna Secession 1890s Prints and Multiples
Materials
Lithograph
1892 Original poster by Eugène Grasset - Chocolat Mexicain Masson Paris
Located in PARIS, FR
Masson was a Parisian chocolatier who relied heavily on the Art Nouveau style to promote his products. His two favorite artists were Mucha and Grasset. "The Mexican Bandit," as this ...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Linen, Paper, Lithograph
Gerlach's Allegorien Plate #114: "Vignettes" Lithograph by Carl Otto Czeschka
Located in Palm Beach, FL
after Carl Otto Czeschka, (1878-1960), Austrian
A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...
Category
Vienna Secession 1890s Prints and Multiples
Materials
Lithograph
UNDER THE BROOKLYN BRIDGE, EAST RIVER.
Located in Portland, ME
Mielatz, Charles W.(American, born Germany, 1864-1919) UNDER THE BROOKLYN BRIDGE, EAST RIVER. Published by the New York Etching Club, circa 1893. Sign...
Category
1890s Prints and Multiples
Materials
Etching
Au Bois De Boulogne (illustrating the congregation of French nobility outside
Located in Fairlawn, OH
Au Bois De Boulogne (illustrating the congregation of French nobility outside the Chalets du Cycle
Chromolithograph, 1897
Signed in the plate lower right corner
From the Special Supp...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Spring by Robert Engels, Medieval Art Nouveau lithograph with gold ink, 1897
Located in Chicago, IL
Allegorien-Neue Folge was a serialized folio published in installments between 1895 and 1900. Martin Gerlach, its publisher, was inspired by the rise of modernist design in Vienna an...
Category
Vienna Secession 1890s Prints and Multiples
Materials
Lithograph
"Lead Us Not Into Temptation" Original 1899 Color Lithograph by Alphonse Mucha
Located in Palm Beach, FL
Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Untitled (Mythological Scene) - Etching by Eugene Decisy - 1899
Located in Roma, IT
Etching and drypoint on laid paper.
Signed in the plate lower right, with remarque proofs below; annotated on verso with artist details and date.
Early impression, before the lette...
Category
Modern 1890s Prints and Multiples
Materials
Etching, Drypoint
"Antonin Proust" original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. Catalogue reference: Delteil 10. Published in Paris in 1899 by H. Floury for Auguste Rodin "Statuaire" by Lon Maillard. This impression is prin...
Category
1890s Prints and Multiples
Materials
Drypoint, Etching
Corinne
Located in Fairlawn, OH
Corinne
Color lithograph, 1898
Signed in the stone lower left (see photo)
Published in L’Estampe Moderne with their blindstamp lower right corner, Lugt 2790 (see photo)
Edition 2000
...
Category
1890s Prints and Multiples
Materials
Lithograph
Musée Grévin, Pantomimes Lumineuses by Jules Cheret, Commedia lithograph, 1896
By Jules Chéret
Located in Chicago, IL
Jules Chéret’s poster advertising the Théâtre Optique (Optical Theatre) immortalized a momentous convergence of technology, culture, history, and art with the 1892 debut of Emile Reynaud’s praxinoscope at the Musée Grévin in Paris. Reynaud presented his Pantomimes Lumineuses, the world’s first animated films, using his innovative system which projected light through moving pictures to offer illuminated pantomimes. Among the three short films Reynaud screened through his praxinoscope was Pauvre Pierrot (Poor Pierrot), a story of Pierrot courting Columbine based on the timeless archetypal love triangle featured in many Commedia dell’arte pantomimes.
As a member of the Cercle Funambulesque (roughly “Friends of the Tightrope-walkers”), a French society which championed the contemporary creation of Commedia dell-arte-inspired pantomimes, Jules Chéret was often inspired by Pierrot and produced a large number of works depicting him, often with his beloved Columbine. Cheret’s involvement with the Cercle, combined with the immense popularity of these archetypes in the late 19th century, meant that they appeared frequently in his works.
This work comes from the extremely scarce edition of 25 strikes on Imperial Japon paper, a mulberry bark-based stock inspired by the smooth-surfaced papers used in Japanese printmaking. This world-class example of lithography captures superior resolution and color-richness to that of its large-format counterpart. The use of marbled Imperial Japon paper allows inks to rest upon its surface rather than being absorbed by a more porous paper stock. An extremely scarce fraction of the edition of 25 are estimated to have survived to date.
Stone lithograph of Jules Chéret’s Musée Grévin...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
(after) Rhoda Holmes Nicholls - chromolithograph "St Mark's" Venice
Located in Henderson, NV
Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life....
Category
1890s Prints and Multiples
Materials
Lithograph
Gerlach's Allegorien Plate #47: "Morning in the Spring" Lithograph
Located in Palm Beach, FL
Koloman Moser
(1868 –1918), AUSTRIAN
Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury.
Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession.
In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings.
Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category
Vienna Secession 1890s Prints and Multiples
Materials
Paper
"La Vache Enragee" iconic vintage poster by Toulouse-Lautrec
Located in Hinsdale, IL
TOULOUSE-LAUTREC, HENRI DE
(1864-1901)
"LA VACHE ENRAGÉE"
Wittrock P27B, Adhemar 197
Original color lithograph
Wittrock’s State III of III with letters
Printed on buff wove paper, c. 1896
Bears artist stamp “TL” upper right, dated 96
Image size: 22 1/2” x 23 5/8”
Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Astronomy, Plate 120 from Gerlach's Allegorien, Vienna Secession lithograph
By Hanus Schwaiger
Located in Chicago, IL
Allegorien-Neue Folge was a serialized publication of artworks by a group of Viennese artists and students beginning in 1897. Martin Gerlach, its publisher, was inspired by the new rise of modernist design in Vienna and selected those who were demonstrating a new command of the style to contribute works to the series, including Gustav Klimt, Koloman Moser, Carl Otto Czeschka, and Hanus Schwaiger. Each plate explores a different theme or collection of topics, such as dance, astronomy, electricity, and graphic arts, which brought a new aesthetic of design to the traditional allegory genre.
Stone lithograph of Hanus Schwaiger’s Astronomie, published as Plate 102 in Gerlach’s Allegorien...
Category
Vienna Secession 1890s Prints and Multiples
Materials
Lithograph
"Lorenzaccio" by Alphonse Mucha from Les Maitres de l'Affiche
Located in Hinsdale, IL
Alphonse Mucha
"Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet"
Plate #114
Image Size: 15" x 11"
1896
Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
The Second Army Bombarding, Ukiyo-E Wooblock by Watanabe Nobukazu
By Watanabe Nobukazu
Located in Long Island City, NY
Artist: Watanabe Nobukazu, Japanese (1872 - 1944)
Title: The Second Army Bombarding and Occupying Port Arthur
Year: 1894
Medium: Woodblock Triptych...
Category
Other Art Style 1890s Prints and Multiples
Materials
Woodcut
Portrait of a Man Facing Left
Located in Fairlawn, OH
Portrait of a Man Facing Left
Monotype printed in brown ink, c. 1880-1914
Signed in ink lower left: Chase (see photo)
Provenance:
Helen Chase Storm (the artist's daughter)
Jackson Chase Storm (her son)
Chapellier Galleries (as agent)
James Bergquist, Boston
References And Exhibitions:
Exhibited at the Museum of Fine Arts, Boston and the Clark Art Institute, Williamstown, MA. (See MFA paperwork in photos)
Reference:
Ronald G. Pisano, Completed by D. Frederick Baker and Carolyn K. Lane, William Merritt Chase: Still Lifes, Interiors, Figures, Copies of Old Masters, and Drawings, Catalogue Raisonne, Vol. IV (New Haven and London: Yale University Press, 2010), Vol. 1, M. 8. (See photos of entry)
William Merritt Chase (1840-2016)
Born in Nineveh, Indiana Died New York, New York
In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902.
On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre.
In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn...
Category
Impressionist 1890s Prints and Multiples
Materials
Monoprint
"Bénédictine" original 1898 advertising poster by Lucian Lopes Silva
Located in Boca Raton, FL
"Bénédictine" original 1898 advertising poster for Bénédictine de L'Abbaye de Fécamp liqueur by Lucian Lopes Silva.
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Hélyett Marjolaine by Georges de Feure, Art Nouveau theater lithograph, 1896
Located in Chicago, IL
Lithograph of George de Feure’s 1896 theatrical Art Nouveau poster promoting Mistinguett’s role as Hélyett in Marjolaine.
Hélyett is shown in a delicate pastel palette, enveloped b...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
"La Phalène des Isles de la Mer, " figurative art nouveau ornate print
Located in Milwaukee, WI
"La Phalène des Isles de la Mer" or "The Moth of the Islands of the Sea" is an original color lithograph by Franz Melchers. This piece was published in L'Estampe Moderne I, an Art No...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Beauty of Last Century - Original lithograph (1897/98)
Located in Paris, IDF
Lucien LEVY DHURMER (1865 - 1953)
Beauty of Last Century
Original litograph
Platesigned
1897/98
Printed on paper Vélin
Size 40 x 31 cm (c. 16 x 12")
I...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Gerlach's Allegorien Plate #30: "Love" Lithograph
Located in Palm Beach, FL
Koloman Moser
(1868 –1918), AUSTRIAN
Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art w...
Category
Vienna Secession 1890s Prints and Multiples
Materials
Lithograph
Alphonse Mucha -- The Flowers / Lily (Les Lys) 1898
Located in BRUCE, ACT
Alphonse Mucha (Czech, 1860–1939)
Lily from The flowers
Les Lys : Les fleurs
Original Poster, 1898
Image size: 102.2×41.6 cm
Sheet size: 105.7×45.7 cm
Framed
Condition: laid down...
Category
1890s Prints and Multiples
Materials
Lithograph
$14,880 Sale Price
20% Off
Original circa 1890 poster by G. Lion - L’Écho de la Gaîté Française
Located in PARIS, FR
A dazzling artifact of Belle Époque Paris, this original circa 1890 poster by G. Lion captures the exuberant spirit of the era's vibrant cabaret and café-concert scene. Designed for ...
Category
1890s Prints and Multiples
Materials
Linen, Paper, Lithograph
Femme Sous la Lampe (Woman Under the Lamp) signed lithograph; József Rippl-Rónai
Located in Palm Beach, FL
Framed lithograph, signed ("Rónai") and numbered ("no. 50") by the artist. Also includes a silver József Rippl-Rónai coin, made in 1977 for the 50th anniversary of his death.
The li...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Eugénie Buffet Ambassadeurs by Lucien Métivet, Imperial Japon lithograph, 1897
Located in Chicago, IL
Eugénie Buffet was a French singer, actress, and pioneer of the chanson réaliste (realist song) genre, which portrayed the day to day lives of the poor and working-class in Paris. Métivet’s Ambassadeurs poster depicts Buffet as a prostitute working on the cold, windy streets of Paris; Buffet describes following working women to effectively reflect their demeanor in her roles, “Huddled in the shadow of dark alleys, I espied their beckoning calls to passersby, followed them from afar, scraping invisibly along the walls, listened to their words in the doorways of seedy hotels; sometimes, even, made up and dressed like them, I would slip among them, sitting at tables in their dives, and join in the conversation” (Buffet, 1930 via Conway, 2004). Her name, much like that of fellow performer Aristide Bruant, was further solidified in history by their likenesses in iconic and historically important artworks by Métivet’s and Henri de Toulouse-Lautrec.
“Métivet’s talent is seen at its best in the Eugénie Buffet advertisements, two studies worthy a place amongst the best posters which have come from the hands of contemporary French artists” (Hiatt, 1896).
This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity.
Notable museum collections containing this work include: Yale University Art Gallery (large-format version) (1969.3.3)
Notable museum collections featuring works by Lucien...
Category
1890s Prints and Multiples
Materials
Lithograph
Art Nouveau Lithograph 1800s Landscape Romantic Figure Floral
Located in Milwaukee, WI
"Retour (L'Estampe Moderne I)" is a color lithograph by Georges de Feure. It features a woman with red hair in an environment of flora and fauna with muted colors and the Art Nouveau...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
"Circus, " Original Lithograph signed by Henri-Gabriel Ibels
Located in Milwaukee, WI
"Circus" is an original lithograph by Henri-Gabriel Ibels. The artist signed the piece lower right and wrote the edition number (12 out of 100) in the lower left. This piece depicts a few disconcerted circus performers.
17 1/2" x 20 1/2" art
19 1/2" x 22 1/2" frame
Henri-Gabriel Ibels (30 November 1867 Paris – February 1936 Paris), was a French illustrator, printmaker, painter and author.
He studied at the Académie Julian with Pierre Bonnard and Édouard Vuillard and was a member of Les Nabis...
Category
Modern 1890s Prints and Multiples
Materials
Lithograph
Late 19th century color lithograph art nouveau ornate bookplate figures
Located in Milwaukee, WI
"Student and Teacher" and "Jaufre in Nature" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 13 & 14 of "Il...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
A Vase in grey-blue Jasper, with reliefs of the Muses, &c. Pl. XII
Located in London, GB
RATHBONE, Frederick
A Vase in grey-blue Jasper, with reliefs of the Muses, &c. Pl. XII
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs from Old ...
Category
Naturalistic 1890s Prints and Multiples
Materials
Paper, Lithograph
The Water Vase. Jasper.
Located in London, GB
RATHBONE, Frederick
The Water Vase. Jasper.
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs from Old Wedgewood, the Decorative or Artistic Ceram...
Category
Naturalistic 1890s Prints and Multiples
Materials
Paper, Lithograph
A Cup and Saucer, Flower Pot, Teapot. Jasper. Pl. XLIV
Located in London, GB
RATHBONE, Frederick
A Cup and Saucer, Flower Pot, Teapot. Jasper. Pl. XLIV
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs from Old Wedgewood, t...
Category
Naturalistic 1890s Prints and Multiples
Materials
Paper, Lithograph
Colonialism- Lithograph by Hermann Paul - 1903
Located in Roma, IT
L'Inspecteur Général "Revizor" is a Lithograph realized by Hermann Paul, in 1903.
Signed on Plate.
Good condition.
René Georges Hermann-Paul (27 Decemb...
Category
Modern 1890s Prints and Multiples
Materials
Paper, Lithograph
The Wine Vase. Jasper. Pl. XXVI
Located in London, GB
RATHBONE, Frederick
The Wine Vase. Jasper. Pl. XXVI
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs from Old Wedgewood, the Decorative or Artist...
Category
Naturalistic 1890s Prints and Multiples
Materials
Paper, Lithograph
Albert Morrow's Illustrated Bits, 1897 Art Nouveau lithograph on Japon paper
Located in Chicago, IL
Stone lithograph of Albert Morrow’s Illustrated Bits, printed by Imprimerie Chaix (Ateliers Chéret), Paris in 1897. This world-class example of lithography captures superior resoluti...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Vachère au Bord de l'Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
Impressionist 1890s Prints and Multiples
Materials
Drypoint, Etching
$1,463 Sale Price
24% Off
Der Büsser - Original Woodcut by J.J. Weber - 1898
Located in Roma, IT
Image dimensions: 34 x 19 cm.
Der Büsser is an original print, realized in 1898.
Black and white xylograph on applied Japon paper.
Good conditions except for yellowing of paper (especially along the margins), and little stains on lower margin.
The print was realized by Johann Jacob Weber and it's part of the series Meisterwerke der Holzschneidekunst (original title: SECHZEHN HOLZSCHNITTE NACH GEMÄLDEN ARNOLD BÖCKLIN...
Category
Symbolist 1890s Prints and Multiples
Materials
Woodcut
Alphonse Mucha Flirt Biscuits Lefevre Utile Poster
Located in Dallas, TX
Alphonse Mucha (Czech, 1860-1939) Flirt Biscuits Lefevre Utile.
1899, Lithograph in colors on wove paper. Linen backed.
Imp F. Champenois Paris.
Measures : sheet: 24.75 x 11.75 inche...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Paper
Late 19th century color lithograph art nouveau ornate bookplate female subject
Located in Milwaukee, WI
In 1897, Alphonse Mucha created illustrations for "Ilsee, Princesse de Tripoli." This double-sided print is a rare proof of an original color lithograph before any text from the story was added. This is a special edition print from edition 252 and is 12/35 on Chinese paper.
4.25" x 5.0625" image
20.75" x 17.5" frame
Alphonse Mucha was born in 1860 in what is now the Czech Republic. His career began in decorative painting for theater scenery...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Late 19th century color lithograph art nouveau owl border woman figure
Located in Milwaukee, WI
"From: Ilsée, Princesse de Tripoli Recto: "Blaye Castle" Verso: "Reflecting Pool" is an original color lithograph by Alphonse Mucha. Exquisite double-s...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Original poster of 1895 by Dudley Hardy: In view of St Paul's "The Panther"
By Dudley Hardy
Located in PARIS, FR
Dudley Hardy (1867 – 1922) was an English painter and illustrator.
His interest in illustration led to the production of French graphic influenced poster imagery, most notably the Yellow Girl...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Linen, Paper, Lithograph
Exhibition of the Rose (Plate 74)
Located in Greenwich, CT
Exhibition of the Rose (Plate 74) is an 1887 lithograph of Carlos Schwabe's poster, printed at Imprimerie Chaix by Jules Chéret and included in the fame...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Paper, Lithograph
Femme de Chagrin
Located in New York, NY
Theophile Alexandre Steinlen (1859-1923), Femme de Chagrin, 1894, lithograph, signed in pencil lower right [also signed in the plate lower center]. Reference: Crauzat 454, first stat...
Category
Post-Impressionist 1890s Prints and Multiples
Materials
Color Pencil, Lithograph
"H. L'Illusion (L'Estampe Moderne I), " Color Lithograph
Located in Milwaukee, WI
"H. L'Illusion (L'Estampe Moderne I)" is an original color lithograph by Henri Bellery-Desfontaines. This piece depicts a nude child before a dream-like woman in a blue translucent robe. This piece was published in the French Art Nouveau publication L'Estampe Moderne. Signed in plate.
15 3/4" x 12" art
Henri Bellery-Desfontaines , born with Paris in 1867 and dead the October 6th 1909, is a French Noveau artist Jack-of-All- Trades, who produced tables, illustrations, posters, lithographies, drawings of carpet, pieces of furniture and banknotes, and even dabbled with decoration & architecture.
In the 1900s, Paris was the perfect place for a group of young artists influenced by artistic currents like neogothic style or symbolism. Most of them started as painters and they switched later to decorative arts, attracted by the idea of an ever-present art, a lifeless art, a total art. Henri Bellery-Desfontaines was a member of this group and he started as as painter in Pierre-Victor Galland’s atelier. He entrusted him the decorative motifs which would frame Panthéon de Paris' drawings: Maillot, Bonnat, Humbert and specially Jean-Paul Laurens, who proposed him to join his atelier in l’École des Beaux-Arts de Paris. With him, he decorated l'Hôtel de Ville de Paris or Le Salon Lobau, Henri Bellery-Desfontaines is thought to have Luc-Olivier Merson (1846-1920) as a teacher.
During his years as a student, he started to illustrate magazines and books of tales and in 1895, Bellery-Desfontaines opted rapidly for illustration, probably due to financial problems, and he participated in magazines such as L’Image, L’Estampe Moderne or L’Almanach des Bibliophiles. This year, the Salon des Artistes Français hosted one of his design of tapestry.
From 1900 on, he gradually evolved toward an ambitious decorative artist, making tapestries and furniture for rich leaders and patrons. Bellery-Desfontaines was an important artist of his epoch, and he took part in numerous events like Bal de...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Chromolithograph after Childe Hassam
Located in Henderson, NV
Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam ...
Category
1890s Prints and Multiples
Materials
Lithograph
Three Vases in Grey-Blue Jasper. Pl. XXXVIII
Located in London, GB
RATHBONE, Frederick
Three Vases in Grey-Blue Jasper. Pl. XXXVIII
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs from Old Wedgewood, the Decorat...
Category
Naturalistic 1890s Prints and Multiples
Materials
Paper, Lithograph
Wedgewood Vases, Green and Tri-colour Jaspar. Pl. XLV
Located in London, GB
RATHBONE, Frederick
Wedgewood Vases, Green and Tri-colour Jaspar. Pl. XLV
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs from Old Wedgewood, th...
Category
Naturalistic 1890s Prints and Multiples
Materials
Paper, Lithograph
A Large Jardiniere or Monteith. Jasper. Pl. XXXVII
Located in London, GB
RATHBONE, Frederick
A Large Jardiniere or Monteith. Jasper. Pl. XXXVII
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs from Old Wedgewood, the D...
Category
Naturalistic 1890s Prints and Multiples
Materials
Paper, Lithograph
Wine Cooler or Jardiniére in White, and Two Vases in Blue Jasper. Pl. XLI
Located in London, GB
RATHBONE, Frederick
Wine Cooler or Jardiniére in White, and Two Vases in Blue Jasper. Pl. XLI
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs fr...
Category
Naturalistic 1890s Prints and Multiples
Materials
Paper, Lithograph
HARPER'S WEEKLY - BICYLCE NUMBER
Located in Portland, ME
Parrish, Maxfield. HARPER'S WEEKLY - BICYLCE NUMBER. Vol XL, April 4, 1896. 16 x 12 inches. With front and back covers by Parrish, and an ad by Will Bradley for Victor Bicycles on th...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Offset
Henri Toulouse Lautrec "À La Gaieté Rochechouart: Nicolle", 1893
Located in Dallas, TX
Henri de Toulouse-Lautrec (French 1864-1901)
"À La Gaieté Rochechouart: Nicolle", 1893
Printer: Edward Ancourt
Lithograph in black on velin paper
Artist's red monogram stamp lower le...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Ink, Archival Paper
Late 19th century lithograph art nouveau ornate bookplate figures floral
Located in Milwaukee, WI
"From: Ilsee, Princesse de Tripoli "Ilsee and Jaufre" is an original lithograph by Alphonse Mucha. From "Ilsee, Princesse de Tripoli," a rare illustrated book.
Image: 8.12" x 6"
F...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Baigneuse vue de dos
Located in Barbizon, FR
Etching , fifth state , numbered 14/50, signed with stamp used for the edition of 50 by Lucien Pissarro on 1920.
provenance : collection Henri PETIET , stam...
Category
Impressionist 1890s Prints and Multiples
Materials
Etching
Alphonse Mucha 1896 Lorenzaccio Theatre De La Renaissance Lithograph Poster
Located in Dallas, TX
Alphonse Mucha (Czech, 1860-1939) Lorenzaccio Theatre De La Renaissance.
Printed: 1896
Printed By: F. Champenois, Paris
Signed in plate; Mucha,
F. Champenois, Paris
Lithograph paper ...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Archival Paper, Lithograph
At the Buttes-Chaumont (Plate 169)
By Jules Chéret
Located in Greenwich, CT
At the Buttes-Chaumont (Plate 169) is an 1899 lithograph of Jules Chéret's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque po...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Paper, Lithograph
Late 19th century color lithograph art nouveau bookplate figure ornate text
Located in Milwaukee, WI
"From: Ilsée, Princess of Tripoli Ilsee's Vision" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs from "Ilsee, Princesse de Tripoli," a ra...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Original Victorian card with flower arrangement and ice skating scene
Located in Milwaukee, WI
Business cards like this fall into the category of what art historians today generally refer to as "ephemera." Ones like this were produced for companies in the late 19th century, pr...
Category
Romantic 1890s Prints and Multiples
Materials
Lithograph
Grassot Punch (Plate 5)
By Jules Chéret
Located in Greenwich, CT
Grassot Punch (Plate 5) is an 1896 lithograph of Jules Chéret's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque posters 'Les ...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Paper, Lithograph
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