1890s Prints and Multiples
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Period: 1890s
The Promenade - Etching by P. G. Jeanniot - 1895
Located in Roma, IT
The Promenade is an Original Etching realized by Pierre Georges Jeanniot (1848-1934) in 1895.
Hand-Signed by the artist on the lower left corner.
Good condition included a white c...
Category
Modern 1890s Prints and Multiples
Materials
Etching
James Woodburn Spy Vanity Fair June 21 1890
Located in Bristol, CT
1890
Sz: 20"H x 12 7/8"W
James Woodburn
1863-1919
Born at York on September 20, 1863, James began life as a doctor’s errand boy but, wanting to become a jockey, he ran away from home. Covering the 13 miles on foot, he arrived at the Hambleton stables of Mr Sanderson, who took an instant liking to the runaway. Woodburn rode his first winner for the stable...
Category
1890s Prints and Multiples
Materials
Lithograph
Gonthier-Meymans by Henri Meunier, Art Nouveau Japon lithograph, 1897
By Henri Meunier
Located in Chicago, IL
Henri Meunier’s Gonthier-Meymans lithographic poster, published by Verlag von Gerhard Kühtmann in Dresden, 1897. While this poster was printed in multiple sizes and formats, this edi...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Jellyfish Antique Print
Located in Sydney, NSW
1896 Jellyfishes Original Antique Print - Jellyfish - Natural History
From a volume of Cassell's Natural History published in 1896
Matt size 37cm x 28cm
...
Category
Academic 1890s Prints and Multiples
Materials
Lithograph
Original Antique Poster Stansstad Engelberg Railway Switzerland Swiss Alps View
Located in London, GB
Original antique travel poster promoting the Stansstad Engelberg Bahn railway in Switzerland featuring a scenic painting by the Austrian artist and cartographer Anton Reckziegel (186...
Category
1890s Prints and Multiples
Materials
Paper
Crépuscule (Twilight) - Original lithograph (1897/98)
Located in Paris, FR
Paul Balluriau
Crépuscule (Twilight)
Original lithograph
Printed signature in the plate
1897/98
Printed on paper Vélin
Size 40 x 31 cm (c. 16 x 12")
INFORMATION : Published by 'E...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Woman on her Bicycle - Original Lithograph (Les Maîtres de l'Affiche), 1899
Located in Paris, FR
William H. BRADLEY (1868-1962)
Woman on her Bicycle (Victor Bicycles), 1899
Stone lithograph
Printed signature in the plate
On vellum
Size 39 x 29 cm (c. 15.3 x 11.4")
INFORMATION...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
"Quinquina Dubonnet" Original Jules Cheret Maitre de l'Affiche
By Jules Chéret
Located in Hinsdale, IL
CHERET, JULES
(1836 - 1932)
"Quinquina Dubonnet"
Original lithograph from “Les Maitres de L’Affiche” series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #28, 1898. Plate #109
Unframed Size: 11 3/8 x 15 3/4”
The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind
embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts.
“The Dubonnet poster...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Original Kola Marque, 1895 vintage French liquor poster by Jules Cheret
By Jules Chéret
Located in Spokane, WA
Original stone lithograph KOLA MARQUE, created by the artist Jules Cheret in 1895. Size: 16" x 23.5". Professional acid free archival linen backed and ready to frame. Full boarders. Printer: Chaix. Jules Cheret is known as the father of the poster helping bring color printing to the world.
Kola Marque. Tonique et Aperitif. Stimule forces physiques et intellectuelles. It indicates that if you drink this it helps give you physical and intellectual stimulus. In addition, it is served in all the local cafes and restaurants. I haven't found a breakdown of what 'special' ingredients in this liquor would make you feel and think so much better.
Condition. This 1895 poster...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Original Harper's Magazine vintage poster by Edward Penfield, 1895
Located in Spokane, WA
Original. Harper's magazine poster. "On snow shoes to the barren grounds" Very old poster advertising the famous Harper's magazine. Artist Edward Penfield. Edward Penfield (1...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
The Opening of the Temporary Diet - Woodcut by Ginko Adachi- 1890s
Located in Roma, IT
Picture of the opening of the temporary Diet building is an original artwork realized in the 1890s by Ginko Adachi (born 1853; active c. 1870 – 1908).
Sheet dimensions: 22 x 48 cm.
...
Category
Modern 1890s Prints and Multiples
Materials
Woodcut
Original Antique War Poster Admiral Cervera Navy Squadron Santiago De Cuba 1898
Located in London, GB
Original antique poster - La Malograda Escuadra del almirante Cervera navegando para Santiago de Cuba ano 1898 / The ill-fated squadron of Admiral Cervera sailing to Santiago de Cuba 1898 - depicting the fleet of naval cruisers and battleships under the command of Admiral Pascual Cervera y Topete (1839-1909), flying the Spanish flags...
Category
1890s Prints and Multiples
Materials
Paper
The Quest of the Golden Girl - Lithograph (Les Maîtres de l'Affiche), 1897
By Ethel Reed
Located in Paris, FR
Ethel REED (1874-1912)
The Quest of the Golden Girl, 1897
Stone lithograph
Printed signature in the plate
On vellum
Size 39 x 29 cm (c. 15.3 x 11.4"...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Two Women and a Knight - Original lithograph (1897/98)
Located in Paris, FR
Robert ENGELS (1866 - 1926)
Two Women and a Knight
Original litograph
Printed signature in the plate
1897/98
Printed on paper Vélin
Size 40 x 31 cm (c. 16 x 12")
INFORMATION : P...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Sam Loates Spy Vanity Fair Nov 5th 1896
Located in Bristol, CT
1896
Print Sz: 14 1/2"H x 9"W
Mat Sz: 20"H x 12 7/8"W
Samuel Loates (1865–1932) was a British Thoroughbred horse racing jockey who was the Champion Jockey of 1899 in his home coun...
Category
1890s Prints and Multiples
Materials
Lithograph
Eros Vanne - Cupid Exhausted
Located in Santa Monica, CA
HENRI de TOULOUSE-LAUTREC (French 1864 - 1901)
EROS VANNE (Cupid Exhausted), 1894 (Delteil 74; Adhemar 81; Adriani 92)
Original lithograph, cover of music / song sheet words by Maur...
Category
Impressionist 1890s Prints and Multiples
Materials
Lithograph
Circa 1890 Original Poster Auteuil Longchamp Grand Prix winners Horse Racing
Located in PARIS, FR
The event is considered to be France's oldest surviving horse race. It was established in 1807, and was originally called the Grand Prix. The first version was contested over two cir...
Category
1890s Prints and Multiples
Materials
Linen, Paper, Lithograph
A Set of Six Bust Portraits of Beauties - Jidai Kagami (Mirror of the Ages).
Located in London, GB
CHIKANOBU, Yoshu (1838–1912)
A Set of Six Bust Portraits of Beauties - Jidai Kagami (Mirror of the Ages).
1896-1898
A Set of Six oban tate-e woodblock prints of okubi-e (bust portraits) of beauties, titled Jidai kagami (Mirror of the Ages), documenting the fashions of former times (from the Keicho to the Meiji era) in chronological order, each sheet with a beautiful woman in sumptuous costume depicted at the lower section and a rectangular panel at the top which makes a reference to the era, some sheets with lacquer and embossed details, published by Matsuki Heikichi, variously dated Meiji 29, 30 and 31 (1896-8), all signed Yoshu Chikanobu. Each sheet approx. 36 x 23.7 cm (14 1/8 x 9 3/8 in).
oyohara Chikanobu (1838–1912), better known to his contemporaries as Yōshū Chikanobu, was one of the most successful woodblock print artists of Japan's Meiji period. He lived at a time when Japan saw the reinstatement of the emperor as ruler and underwent rapid westernization. He worked both with traditional subjects, such as actors, courtesans, scenes of famous sites, beautiful women, and with topical subjects, such as the Satsuma Rebellion (1877) and the Sino-Japanese War (1894-1895). Chikanobu used the flat planes and decorative patterning of the ukiyo-e tradition to striking effect, adding brilliant colors, especially reds, purples, and blues to his compositions.
More precisely, Ukiyo-e, or ukiyo-ye (in Japanese: "pictures of the floating world"), is a genre of woodblock prints and paintings that flourished in Japan from the 17th through 19th centuries. It was aimed at the prosperous merchant class in the urbanizing Edo period (1603–1867). Amongst the popular themes were depictions of beautiful women, as is the case here with these okubi-e prints (i.e. bust portraits); kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
One of Chikanobu’s best series, A Mirror of the Ages shows women by fashion and hair style throughout history. Despite a sense of longing for the past, these prints are unmistakably modern and of their time. Each print depicts a beauty from a certain period in the lower part and customs at that time, in grisaille, in the upper part - a way to tell viewers about the latest fashion and historical backgroud at that time. The quality of printing is outstanding, especially in Chikanobu’s use of white for the rendering of the powdered faces. Indeed, Chikanobu was known as a master of bijinga (images of beautiful women), and for illustrating changes in women's fashion, including both traditional and Western clothing...
Category
Other Art Style 1890s Prints and Multiples
Materials
Wood
ШУТ (Jester) by Sergey Solomko, Russian Art Nouveau folklore lithograph
Located in Chicago, IL
“Each country that approached the ideology of the Art Nouveau clearly had their own unique contribution to the movement; these artworks are rare and perfect examples of how Russian artists incorporated the aesthetics of their homeland... The periodical Jester was published in St. Petersburg from 1897 to 1914 and commented on the arts, theater, and public life with humorous prose and illustration. Sergey...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Woman - Original Lithograph by Charles Guérin - 1897
Located in Roma, IT
Woman is an original lithograph on paper, realized in 1897 by Charles Guérin (1875-1939).
Hand-signed on the lower right.
The status of preservation i...
Category
Modern 1890s Prints and Multiples
Materials
Lithograph
Vachère au Bord de l'Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
Impressionist 1890s Prints and Multiples
Materials
Etching, Drypoint
Bath of the Nymphs - Original lithograph - 1897
By Paul Albert Laurens
Located in Paris, FR
Paul Albert LAURENS
Bath of Nymphs
Original lithograph
Plate signed
1897/98
Printed on paper Vélin
Size 40 x 31 cm (c. 16 x 12")
INFORMATION : Published by 'Estampe Moderne, Pari...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Original Cabourg la plus belle plague vintage French beach poster
Located in Spokane, WA
Original poster: CABOURG. "Casino. Grand Hôtel Noël & Pattard, propriétaires du Grand Hôtel à Monte-Carlo".
Caubourg, la plus belle plage. Artist: ...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Count Strickland Hay Vanity Fair May 4 1893
Located in Bristol, CT
1893
Print Sz: 14 1/2"H x 9"W
Mat Sz: 20"H x 12 7/8"W
He is a noble of Malta who has added a complete English education to a Maltese schooling; has been made a C.M.G.; has ridden ...
Category
1890s Prints and Multiples
Materials
Lithograph
Musée Grévin, Pantomimes Lumineuses by Jules Cheret, Commedia lithograph, 1896
By Jules Chéret
Located in Chicago, IL
Jules Chéret’s poster advertising the Théâtre Optique (Optical Theatre) immortalized a momentous convergence of technology, culture, history, and art with the 1892 debut of Emile Reynaud’s praxinoscope at the Musée Grévin in Paris. Reynaud presented his Pantomimes Lumineuses, the world’s first animated films, using his innovative system which projected light through moving pictures to offer illuminated pantomimes. Among the three short films Reynaud screened through his praxinoscope was Pauvre Pierrot (Poor Pierrot), a story of Pierrot courting Columbine based on the timeless archetypal love triangle featured in many Commedia dell’arte pantomimes.
As a member of the Cercle Funambulesque (roughly “Friends of the Tightrope-walkers”), a French society which championed the contemporary creation of Commedia dell-arte-inspired pantomimes, Jules Chéret was often inspired by Pierrot and produced a large number of works depicting him, often with his beloved Columbine. Cheret’s involvement with the Cercle, combined with the immense popularity of these archetypes in the late 19th century, meant that they appeared frequently in his works.
This work comes from the extremely scarce edition of 25 strikes on Imperial Japon paper, a mulberry bark-based stock inspired by the smooth-surfaced papers used in Japanese printmaking. This world-class example of lithography captures superior resolution and color-richness to that of its large-format counterpart. The use of marbled Imperial Japon paper allows inks to rest upon its surface rather than being absorbed by a more porous paper stock. An extremely scarce fraction of the edition of 25 are estimated to have survived to date.
Stone lithograph of Jules Chéret’s Musée Grévin...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
His Timmer Staff
Located in New Orleans, LA
"His Timmer Staff" is an image of herding pigs by William Strang. It is a fine impression in fine condition in an edition of 20 signed and inscribed by the artist. Binyon 119
One...
Category
Modern 1890s Prints and Multiples
Materials
Mezzotint, Etching, Engraving
Seki Station - Woodcut after Utagawa Hiroshige - 1890s
Located in Roma, IT
Seki Station is an original modern artwork realized after Utagawa Hiroshige in the Late 19th Century.
Original Woodcut print From the Famous "Tokaido Se...
Category
Modern 1890s Prints and Multiples
Materials
Woodcut
Fall - Original lithograph - 1897
By Émile-René Ménard
Located in Paris, FR
René Menard
Fall
Original lithograph
Printed signature in the plate
1897/98
Printed on paper Vélin
Size 40 x 31 cm (c. 16 x 12")
INFORMATION : Publishe...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Original Japanese Watercolor and Woodblock Print of Orchid and Swallows
Located in Burbank, CA
Orchid and small swallows (Hokuri, kotsubame). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparatory watercolo...
Category
Art Deco 1890s Prints and Multiples
Materials
Woodcut, Watercolor
Ladies in The Paris Street - Belle Epoque Period - Original Pair
Located in Saint-Ouen, FR
LEBAS Léonie (19th-20th) -
Paris Belle Epoque Genre Scene -
Oil on wood in pair -
Copper leaf frames. Wood Dim (each) : 22 X 16 cm - Dim frame (eac...
Category
Post-Impressionist 1890s Prints and Multiples
Materials
Oil
Vision /// French Romantic Classical Figurative Lady Woman Soldier Angel Litho
Located in Saint Augustine, FL
Artist: Henri Fantin-Latour (French, 1836-1904)
Title: "Vison"
Portfolio: Gazette des Beaux-Arts
*Issued unsigned
Year: 1895
Medium: Original Lithograph on chine appliqué on wove paper
Limited edition: approx. 1,500
Printer: Imprimeries Lemercier, Paris, France
Publisher: Gazette des Beaux-Arts, Paris, France
Reference: Hediard No. 122 (IV/IV); Sanchez & Seydoux 1895-6, page 126
Sheet size: 11" x 7.38"
Image size: 7.5" x 5.75"
Condition: Some minor discoloration in margins. In excellent condition
Notes:
Original cover tissue sleeve mounted at left margin as issued.
This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002.
Biography:
Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour (born Jan. 14, 1836, Grenoble, France—died Aug. 25, 1904, Buré), French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts.
Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés.
Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild portraits...
Category
Impressionist 1890s Prints and Multiples
Materials
Lithograph
Naked Man - Etching, 1897
Located in Paris, FR
Auguste RODIN (after)
Naked man, 1897
Etching enhanced with watercolor
On vellum 42.5 x 31 cm (c. 16.7 x 12.2 inches)
Edition limited to 125 copies, send wi...
Category
Modern 1890s Prints and Multiples
Materials
Etching
Le Pater: "Forgive Us Our Trespasses" 1899 mystical lithograph by Alphonse Mucha
Located in Chicago, IL
Alphonse Mucha's hand-colored pochoir illuminated manuscript plate of Forgive Us Our Trespasses As We Forgive Those Who Trespass Against Us from his masterpiece of mysticism, Le Pate...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Passage d'une Ame - Etching by O. Redon - 1891
By Odilon Redon
Located in Roma, IT
Passage of a Spirit is an original etching, realized by Odilon Redon in 1891, frontispiece for “La Passante”, edition of 420 copies, titled: " Passage d’une âme ".
Image dimensio...
Category
Symbolist 1890s Prints and Multiples
Materials
Etching
Lovers - Etching, 1897
Located in Paris, FR
Auguste RODIN (after)
Lovers, 1897
Etching enhanced with watercolor
On vellum 42.5 x 31 cm (c. 16.7 x 12.2 inches)
Edition limited to 125 copies, send with the certificate of authen...
Category
Modern 1890s Prints and Multiples
Materials
Etching
The Goatherd Ziegenhirtin, 1891 - German Impressionism
Located in London, GB
MAX LIEBERMANN 1847-1935
Berlin 1847-1935 (German)
Title: The Goatherd Ziegenhirtin, 1891
Technique: Original Hand Signed Etching on Japan Paper
Paper size: 18 x 23.8 cm. / 7.1 ...
Category
Impressionist 1890s Prints and Multiples
Materials
Etching
Fleurs de Mousse - Vintage Adv Lithograph by L. Metlicovitz - 1898
Located in Roma, IT
Image dimensions: 26x18.8 cm.
Fleurs de Mousse is an amazing colored lithograph on cardboard, realized by the Italian artist and one of the fathers of the modern Italian poster art, Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944). Printed by Officine Ricordi, Milan in 1898, the advertising manifesto for the Fleurs de Mousse fragrance is inspired by the art nouveau graphics of the master Adolf Hohenstein.
This is a wonderful vintage advertising poster for the "Fleurs de Mousse, le grand parfum à la mode", monogrammed on lower right margin and with the inscriptions printed on lower margin, under the image: "L. Metlicovitz / Off. G. Ricordi and C. Milano / 90 x 125. In excellent conditions, except for some light abrasions of the paper on the right and lower margins.
This modern original poster shows the vintage Art Nouveau taste and the Metlicovitz's full mastery of the artistic medium, has the dignity of an object of art to collect and could be a colorful and fashionable piece for your sophisticated home furniture.
Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944)
The Italian painter, illustrator, theatrical and advertising scenographer is considered one of the precursors of Futurism and, together with Leonetto Cappiello, Adolf Hohenstein, Giovanni Maria Mataloni and Marcello Dudovich, one of the fathers of modern Italian poster art.
He began his artistic career at the age of fourteen working as an apprentice in a typography in Udine, where he learned the technique of lithography. Here he is noticed by Giulio Ricordi, owner of the namesake Officine Grafiche, who invites him to Milan to work as a lithographer. In 1892, after collaborating with Tensi, a photographic product company, he returned to Ricordi as technical director. At the same time, he entered the theatrical environment and began his career as a set designer and costume designer at La Scala. The Mele di Napoli tailoring company entrusted him with the task of advertising his clothes and in 1906, on the occasion of the great Universal Exposition in Milan, he won the competition for the fair poster, establishing himself also as a poster artist and then collaborating with several magazines as an illustrator. For Ricordi he takes care of the illustrations of calendars, opera librettos, postcards. Other famous images created by him are those for the poster of the film Cabiria, a blockbuster of the silent film scripted by Gabriele D'Annunzio, and the trademark that is still used today by the Brothers Branca Distilleries, producers of Fernet Branca...
Category
1890s Prints and Multiples
Materials
Lithograph
La servante - original lithograph (1897/98)
By Ferdinand-Jean Luigini
Located in Paris, FR
Ferdinand Luigini
La servante
Original lithograph
Plate signed
1897/98
Printed on paper Vélin
Size 40 x 31 cm (c. 16 x 12")
INFORMATION : Published by 'Estampe Moderne, Paris, 18...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
"Fillette Assise de Profil a Gauche" (Mlle. P), Paul Cesar Helleu
Located in Hinsdale, IL
HELLEU, PAUL CÉSAR
(1859 -1927)
"Fillette Assise de Profil àGauche (Mlle. P)
(Profile of a Seated Girl to the left)
Drypoint in colors, c. 1895
Signed in pe...
Category
Abstract Impressionist 1890s Prints and Multiples
Materials
Drypoint
Cercle des Beaux-Arts de Liege Annual Exhibition by Auguste Donnay
Located in Chicago, IL
Lithograph of Auguste Donnay’s Cercle des Beaux-Arts de Liege Exposition Annuelle, published by Imprimerie Chaix, the printing house known for publishing the ...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Le Mais (Corn on the cob) in woven basket)
Located in New Orleans, LA
Maize by Scholnyk is a mezzotint of ears of corn in a woven basket. This impression is #25 of an edition of 80.
Schkolnyk was born in Paris, France in 1953 and currently resides in...
Category
American Modern 1890s Prints and Multiples
Materials
Mezzotint
"The New Woman" from Les Maitres de l'Affiche by Morrow
Located in Hinsdale, IL
MORROW, ALBERT GEORGE
(1863 -1927)
"The New Woman"
Original lithograph from "Les Maitres de L'Affiche" series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, c. 1897. Plate #79
Unframed Size: 11 3/8 x 15 3/4
”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Orient Cycles by Edward Penfield, Bicycle motorcycle lithograph, 1897
Located in Chicago, IL
The Waltham Manufacturing Company was co-founded in 1893 in New York by Charles Metz and three business partners. The company's designer, Metz, called his cycles “Orient racing bicycles,” named after the Orient Fire Insurance...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
L'Hippodrome Granbd Championnat du Monde Luttes Libres original original poster
Located in Spokane, WA
L'Hippodrome Grand Championnat du Monde des Luttes Libres
Original antique vintage poster. Mounted on acid free archival linen.
L'Hippodrome - ...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Bretagne
By Emile-Auguste Wery
Located in Fairlawn, OH
Bretagne
Color lithograph, 1897
Signed in the stone lower right edge (see photo)
Published in L’Estampe Moderne
with their blindstamp lower right corner, Lugt 2790 (see photo)
Edition 2000
Printed by Chapenois, Paris
Condition: Excellent
Image size: 10 x 12 7/8 inches
Émile Auguste Wéry, born in Reims on September 3, 1868 and died in Paris in 1935, was a French painter. He was a pupil of Léon Bonnat, Jules Lefebvre and François Flameng...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
La Fille au Violon
Located in Fairlawn, OH
La Fille au Violon
Color lithograph, gypsograph with embossed publisher's stamp
Signed and numbered in ink (see photo)
From: L'Estampe Originale, Paris, Vol. VII
Published by Andre M...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Apocalypse de Saint Jean - Lithographs on Chine collé by Odilon Redon - 1899
By Odilon Redon
Located in Roma, IT
Apocalypse de Saint Jean is a complete suite of 13 b/w lithographs (cover + 12 lithographs) on Chine collé , realized by Odilon Redon. All the lithographs are unsigned, as issued.
P...
Category
Symbolist 1890s Prints and Multiples
Materials
Lithograph
The July Century - Original Lithograph (Les Maîtres de l'Affiche), 1895
Located in Paris, FR
Charles Herbert WOODBURY
The July Century, 1895
Lithograph
Printed signature in the plate
On vellum
Size 39 x 29 cm (c. 15.3 x 11.4")
INFORMATION : Plate 32 of "Les Maîtres de l'A...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
"Grande Tuilerie d’Ivry" from Les Maitres de l'Affiche
Located in Hinsdale, IL
CHARPENTIER, ALEX
(1856 -1909)
"Grande Tuilerie d’Ivry"
Original lithograph from "Les Maitres de L'Affiche" series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, issue # 33, 1898. Plate #131
Unframed Size: 11 3/8 x 15 3/4”The
"Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Horse Pulling Hay Cart by Félix Pissarro - Animal etching
Located in London, GB
Horse Pulling Hay Cart by Félix Pissarro (1874-1897)
Etching
19.5 x 15 cm (7 ⅝ x 5 ⅞ inches)
Exhibition
London, Stern Pissarro Gallery, Camille Pissarro & hi...
Category
Post-Impressionist 1890s Prints and Multiples
Materials
Etching
"Femme au Tub" from "Elles" by Toulouse-Lautrec
Located in Hinsdale, IL
TOULOUSE-LAUTREC, HENRI DE
(1864-1901)
"FEMME AU TUB"
(Woman with Tub)
From the series, “Elles”, c. 1896
Wittrock 159, Adhemar 204
From the edition of 100; per Wittrock
Original color crayon brush and splatter lithograph, five colors, printed on wove paper
Printed without margins to deckled edge of paper
Bearing Artist’s Monogram Stamp...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph, Crayon
Hélyett Marjolaine by Georges de Feure, Art Nouveau theater lithograph, 1896
Located in Chicago, IL
Lithograph of George de Feure’s 1896 theatrical Art Nouveau poster promoting Mistinguett’s role as Hélyett in Marjolaine.
Hélyett is shown in a delicate pastel palette, enveloped b...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
BAIGNEUSES
Located in Santa Monica, CA
HENRI FANTIN-LATOUR (French 1836-1904)
BAIGNEUSES (4e grande planche), 1898 (Hediard 138 II/II)
It’s one of 6 works that formed a suite of images published ...
Category
French School 1890s Prints and Multiples
Materials
Lithograph
Renouveau
Located in Fairlawn, OH
Renouveau
Color lithograph, 1897
Signed in the stone lower right (see photo)
Published in L’Estampe Moderne
with their blindstamp lower right corner, Lugt 2790, (see photo)
Edition ...
Category
Art Nouveau 1890s Prints and Multiples
Materials
Lithograph
Knackers
Located in New Orleans, LA
Binyon 232 - A fine impression in fine condition in an edition of 55 signed and inscribed by the artist.
Strang was a prolific printmaker and across his lifetime produced over 750 o...
Category
Modern 1890s Prints and Multiples
Materials
Etching
A Disturber of Traffic
Located in New Orleans, LA
Binyon 396 - A fine impression in fine condition in an edition of 20 signed and inscribed by the artist.
Strang was a prolific printmaker and across his lifetime produced over 750 o...
Category
Modern 1890s Prints and Multiples
Materials
Aquatint, Etching
Buffalo in the Roman Countryside - Original Etching by Charles Coleman - 1992
Located in Roma, IT
Buffalo in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992.
Good condition.
Not signed.
1992 edition in 25 copie...
Category
Modern 1890s Prints and Multiples
Materials
Etching
Bulls in the Roman Countryside - Original Etching by Charles Coleman - 1992
Located in Roma, IT
Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992.
Good condition.
Not signed.
1992 edition in 25 copies....
Category
Modern 1890s Prints and Multiples
Materials
Etching
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