1980s Prints and Multiples

Tom Alan Lieber, (American, born 1949), GTW #11 -7, 1986, Oil and mixed media on paper, 30.25 x 44 inches, Hand signed and dated lower right Provenance: Garner Tullis Workshop, ...

Bird is a lithograph by Aldo Turchiaro, realized in 1980. Hand-signed on the lower right. Numbered, edition V/XXV. Good conditions except for aged margins. The artwork represents...

Friedensreich Hundertwasser, Austrian (1928 - 2000) - XIV Olympic Winter Games, Year: 1983, Medium: Poster, Edition: 5000, Size: 33.5 x 24.25 in. (85.09 x 61.6 cm)

Artist: Terry Allen, American (1943 - ) Title: Details from the Text - G Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 20/32 Size: 31 x 23 in. (78.74 x 58.42 ...

A print from John Chamberlain's Suite "Ten Coconuts". Although known widely for his sculptural work, John Chamberlain was a prolific printmaker. The etching is hand-signed and numbe...

A print from John Chamberlain's Suite "Ten Coconuts". Although known widely for his sculptural work, John Chamberlain was a prolific printmaker. IV from the Ten Coconut Suite by J...

Four Reddish Arches a vintage offset print after Antoni Tàpies, printed on handmade paper and part of a deluxe edition of reproductions published in 1982 and limited to 2.000 specime...

Tim Engelland (American, 1950-2012) Untitled, 1989 Woodcut 11 x 8 1/2 in. Signed and dated lower right Numbered lower left 29/250 A lifelong artist, Engelland specialized in oil po...

In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as re...

Very nice poster made by Konrad Klapheck in 1983 to promote the Davis Cup. Konrad Klapheck 🇩🇪 born February 10, 1935 in Düsseldorf, is a German painter, close to surrealism and so...

Blue composition is an original contemporary artwork realizedby Otto Hofmann in 1989. Mixed colored screen print. Hand signed on the lower right margin. Numbered on the lower left...

Lithograph, 1984 Handsigned by the artist in pencil and numbered 108/125 Publisher : Graphos Verlag A.G. Printer : Silium (Paris) Catalog : Benavides 986 61.00 cm. x 78.00 cm. 24.02...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Barns. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, Size: 27 x 30.5 in. (68.58 x 77.47 cm), Des...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

David Gilhooly (1943-2013) Early Autumn Years of My Dog Spot, 1988 Monoprint on BFK Rives Paper Titled on the verso in pencil Signed and dated in pencil, lower right Published by Ma...

Takashi Murakami Flowers Skateboard Decks: set of 3 works: Vibrant Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus E...

The visible of the invisible - Blu composition is an original contemporary artwork realized by Italo Bressan in 1989. Mixed colored screen print. Hand ...

Artist: Dan May (American, 1955-) Title: "Dog Dreams" *Signed and numbered by May in pencil lower left Year: 1985 Medium: Original Screenprint on unbranded turquoise wove paper Limited edition: 7/75 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 24" x 21.38" Image size: 18" x 18" Condition: Minor edge wear at upper left corner and some minor scuffing to image. In excellent condition Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing...

One of Jim Dine’s most iconic motifs, the romantic Rancho Woodcut Heart work illustrates the story of hope and love through a symbolic image of a large red heart. With the contrast o...

Artist: Francois Batet Title: Soiree Chez Maxine Date: 1986 Medium: Lithograph, signed and numbered in pencil Edition: 155/200 Image Size: 19 x 23 inches Paper Size: 22 x 27 inches

Abstract composition is a contemporary artwork realized by Otto Hofmann in 1989. Mixed colored screen print. Hand signed on the lower right margin. Num...

Poseidon ( Neptune ) is a rare Salvador Dali original lithographic poster published by Arte, Paris 1980 for the exhibition of his suite ” The Mythology ” . This series has 16 i...

Vibrant screen print of people gathering around a pond by Jane Leddy (American, 1925-2019). People and various animals - including goats, ducks, and cows - ...

Eduardo Arranz-Bravo - Casa negra (Black House) Date of creation: 1988 Medium: Lithograph on paper Edition: 75 Size: 56 x 76 cm Condition: In perfect conditions and never framed Obse...

screenprint printed in color ink on wove paper. New York City subway station interior. Anthony Velonis (1911 – 1997) was an American painter and designer born in New York City who helped introduce the public to silkscreen printing in the early 20th century. While employed under the federal Works Progress Administration, WPA during the Great Depression, Velonis brought the use of silkscreen printing as a fine art form, referred to as the "serigraph," into the mainstream. By his own request, he was not publicly credited for coining the term. He experimented and mastered techniques to print on a wide variety of materials, such as glass, plastics, and metal, thereby expanding the field. In the mid to late 20th century, the silkscreen technique became popular among other artists such as Robert Rauschenberg and Andy Warhol. Velonis was born into a relatively poor background of a Greek immigrant family and grew up in the tenements of New York City. Early on, he took creative inspiration from figures in his life such as his grandfather, an immigrant from the mountains in Greece, who was "an ecclesiastical painter, on Byzantine style." Velonis attended James Monroe High School in The Bronx, where he took on minor artistic roles such as the illustration of his high school yearbook. He eventually received a scholarship to the NYU College of Fine Arts, into which he was both surprised and ecstatic to have been admitted. Around this time he took to painting, watercolor, and sculpture, as well as various other art forms, hoping to find a niche that fit. He attended NYU until 1929, when the Great Depression started in the United States after the stock market crash. Around the year 1932, Velonis became interested in silk screen, together with fellow artist Fritz Brosius, and decided to investigate the practice. Working in his brother's sign shop, Velonis was able to master the silkscreen process. He reminisced in an interview three decades later that doing so was "plenty of fun," and that a lot of technology can be discovered through hard work, more so if it is worked on "little by little." Velonis was hired by Mayor LaGuardia in 1934 to promote the work of New York's city government via posters publicizing city projects. One such project required him to go on a commercial fishing trip to locations including New Bedford and Nantucket for a fortnight, where he primarily took photographs and notes, and made sketches. Afterward, for a period of roughly six months, he was occupied with creating paintings from these records. During this trip, Velonis developed true respect and affinity for the fishermen with whom he traveled, "the relatively uneducated person," in his words. Following this, Velonis began work with the Public Works of Art Project (PWAP), an offshoot of the Civil Works Administration (CWA), where he was assigned to serve the different city departments of New York. After the formation of the federal Works Progress Administration, which hired artists and sponsored projects in the arts, he also worked in theater. Velonis began working for the federal WPA in 1935. He kept this position until 1936 or 1938, at which point he began working in the graphic art division of the Federal Art Project, which he ultimately led. Under various elements of the WPA program, many young artists, writers and actors gained employment that helped them survive during the Depression, as well as contributing works that created an artistic legacy for the country. When interviewed in December 1994 by the Library of Congress about his time in the WPA, Velonis reflected that he had greatly enjoyed that period, saying that he liked the "excitement" and "meeting all the other artists with different points of view." He also said in a later interview that "the contact and the dialogue with all those artists and the work that took place was just invaluable." Among the young artists he hired was Edmond Casarella, who later developed an innovative technique using layered cardboard for woodcuts. Velonis introduced silkscreen printing to the Poster Division of the WPA. As he recalled in a 1965 interview: "I suggested that the Poster division would be a lot more productive and useful if they had an auxiliary screen printing project that worked along with them. And apparently this was very favorably received..." As a member of the Federal Art Project, a subdivision of the WPA, Velonis later approached the Public Use of Arts Committee (PUAC) for help in "propagandizing for art in the parks, in the subways, et cetera." Since the Federal Art Project could not be "self-promoting," an outside organization was required to advertise their art more extensively. During his employment with the Federal Art Project, Velonis created nine silkscreen posters for the federal government. Around 1937-1939 Velonis wrote a pamphlet titled "Technical Problems of the Artist: Technique of the Silkscreen Process," which was distributed to art centers run by the WPA around the country. It was considered very influential in encouraging artists to try this relatively inexpensive technique and stimulated printmaking across the country. In 1939, Velonis founded the Creative Printmakers Group, along with three others, including Hyman Warsager. They printed both their own works and those of other artists in their facility. This was considered the most important silkscreen shop of the period. The next year, Velonis founded the National Serigraph Society. It started out with relatively small commercial projects, such as "rather fancy" Christmas cards that were sold to many of the upscale Fifth Avenue shops...

extract from the catalogue raisonné: CR 309 Signature:Signed “Motherwell” in pencil lower right Inscriptions:Numbered in pencil lower right; workshop chop mark lower right; workshop...

"Door County" is an original silkscreen by Pamela Bachman. IT depicts an aerial view of different attractions in Door County, Wisconsin. The artist signed ...

"Spring/Daffodils" captures the essence of the colors of spring and its meaning by choosing Daffodils, the first large common flower of the season that is so welcomed after a long hard mid-west winter. Flowers, also, are an iconic choice of subject matter for many artists from the Dutch Masters and their large vases of flowers to Alex Katz and his mammoth portraits of "flowers." Some of Manet's last paintings that were exquisitely rendered were of the common flowers lilacs and roses. Joyce Nagel...

Artist: (after) Robert Motherwell (American, 1915-1992) Title: "Art 1981 Chicago" *Issued unsigned, though signed and dated by Motherwell in the plate (printed signature) upper right Year: 1981 Medium: Original Lithograph, Exhibition Poster on Dove paper Limited edition: 2,000. (There was also a signed and numbered edition of 150 on Arches Cover paper without margins or text) Printer: Roger Campbell and Lee Funderburg of Tyler Graphics Ltd., Mount Kisco, NY Publisher: Lakeside Group, Chicago, IL Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap No. 249, page 247; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 282; "Tyler Graphics - Catalogue Raisonné, 1974-1985" - Tyler No. 410:RM29, page 246 Sheet size: 39.5" x 27.5". Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Notes: Printed in four colors: light tan, orange, deep red, and black. Poster produced for a special exhibition of various artists' work at the Chicago International Art Exposition, Chicago, IL from May 14-19, 1981. The image featured on this poster is Motherwell's 1977 collage "Untitled". This poster was the official poster for the 1981 Chicago International Art Exposition. Printer's imprint and artist's copyright lower center. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Artist: Jean-Marie Haessle - French/American (1939-) Title: Bermuda Triangle Year: 1980 Medium: Screen Print Sight size: 19.5 x 25.5 inches. Sheet s...

Jean-Michel Basquiat 1982: RARE original 1982 Jean-Michel Basquiat illustrated poster for “Ikonoklast Panzerism versus Tricnology” lecture with Rammellzee, Squat Theater, New York, ...

Complete set of 4 screen prints in color on wove paper. Each hand signed, numbered, and dated by Keith Haring. Image size 10.5 x 13.375 inches (each). Sheet size 12 x 15 inches (...

Free Horses is a beautiful lithograph realized by Agostino Cancogni in the 1980s. Hand-watercolored lithograph on paper. Unique specimen. Personally colored by the artist and hand...

Figures in Interior is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1955. Signed o the plate on the lower. The print suite was...

Publisher GKM. Unframed. Edition of 200 ex. Signed, dated and numbered. Free shipment worldwide. César Baldaccini (1921 – 1998) is one of the great sculptors of the twentieth...

Engraving, 1988 Handsigned by the artist in pencil 24.00 cm. x 18.00 cm. 9.45 in. x 7.09 in. (paper) 20.00 cm. x 15.00 cm. 7.87 in. x 5.91 in. (image) This greetings card gracef...

Ed Ruscha 200 Years Old, 1980 Lithograph with offset lettering Hand signed and numbered 132/425 by Ed Ruscha in graphite pencil on the front 30 1/2 × 25 inches Unframed Bibliography...

Erte, Russian (1892 - 1990) - On The Avenue Metropolis, Year: 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 96/300, Size: 25.5 x 29.75 in. (64.77 x 75.57 cm)

Rare 1990s Guerrilla Girls Announcement Cards: Set of 3 printed works published on the occasion(s) of: 1) Guerilla Girls, A New Years Resolution for the 90's, 1990 announcement card...

Jules Olitski (1922-1977) is one of the most collected and accomplished artists associated with the color-field movement, if not 20th-century American abstraction. Possibly one of ...

The poster is promoting the use of Christofle’s products as in Wedding Registry items. Christofle is a manufacturer of fine silver flatware and home accessories based in France. It w...

Star Wars: The Empire Strikes Back 1980 Vintage Lobby Card #10 Original Star Wars lobby card of Darth Vader walking through Hoth base Framing options available: Black, brown, whit...

Erté Title: Firebird Date: 1987 Medium: Screenprint with foil stamping, signed and numbered in pencil Edition: CCXXVIII/CCL (228/250) Size: 39.5 x 25.7 in. (100.33 x 65.28 cm) Frame...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint with metal foil Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approxi...

Hand signed and dated. Edition of 99 prints. Good conditions.

Artist: Karel Appel (1921-2006) Title: Stalking Cat Year: 1980 Medium: Silkscreen on Arches paper Edition: 80/125, plus proofs Size: 24.75 x 32.25 inches Condition: Good Inscription:...

DaVinci Tee Threesome is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson(1919-2010). DaVinci Tee Threesome was printed using hand lithogr...

Artist: Jean-Marie Haessle - French/American (1939-) Title: To and Fro Year: 1980 Medium: Screen Print Sight size: 20 x 26 inches. Sheet size: 23 x 29 inches. Signature: Signed lower right Edition: 295 This one: 82/295 Condition: Very good Unframed This bold abstract geometric print is by the well-known French/American artist, Jean-Marie Haessle (1939- ). It is in very good, never-framed condition with no flaws to note. Jean Marie Haessle was born in Buhl, Haut-Rhin, France. After living for a few years in Paris, he moved to New York City in 1967 where he still works and lives in his studio on Spring Street in Soho. Over the years, he had numerous shows in the US, New York, Miami, Texas and California, France and Italy (see the resume). In the mid-80’s he worked for a period in France (Paris, Lyon, and Cannes). In the late 90’s he worked in Mexico (San Miguel de Allende) where he had a one person show in 1997 in the Museo de Art in Queretaro. He had a survey exhibition of the last 30 years of his work at the Korean University Museum, Seoul, Korea in spring 2014 and a major one person show in the Namu Modern &Contemporary gallery in Seoul in September of the same year. In September 2016 he had a sold out show at the Wada Garou gallery in Tokyo, Japan. In recent years, he had numerous shows in Korea, Seoul and Busan as well as in Japan, Tokyo, Kyoto, and Osaka. One-Person Exhibitions 2021 Mizuma, Kips Gallery New York, USA 2020 Shijimi Gallery and Wada Garou, Tokyo, Japan Mizuma, Kips Gallery New York, USA Keumsan Gallery, Seoul, Korea 2019 Mizuma, Kips & Wada Art, New York, USA 2018 Wada Garou, Tokyo, Japan Superior Gallery, Gangnam Seoul Korea 2017 Foley Gallery, New York, USA KOUDOURAN, Kyoto, Japan 2016 Wada Garou Gallery, Tokyo, Japan 2015 Soohoh Gallery, Korea Kips Gallery New York, USA 2014 Paintings 1983 – 2013, Korea University Museum, Seoul, Korea NaMu Modern & Contemporary, Seoul, Korea 2013 Wada Garou Gallery Tokyo, Japan Keumsan Gallery, Seoul, Korea 2012 Hillwood Art Museum, LIU Post, NU USA Gallery Wooduk. Seoul Korea SOOHOH Gallery, Seoul, Korea bcs Gallery, Long Island City, NY, USA 2011 Chantal Bamberger Galerie, Strasbourg, France Whitelabs Gallery, Milan, Italy Kips Gallery New York, NY USA 2010 David Richard Contemporary, Santa Fe NM, USA Gallery AKA Space, Seoul Korea Gallery One Tokyo, Japan 2009 Kips Gallery New York, NY USA La Minoterie Penze, France 2008 Galerie Claire Gastaud, Clermont-Ferrand, France Kips Gallery, New York, NY USA 2007 Kips Gallery, New York, NY USA 2000 Gallery Yvonamor Palix, Mexico DF Mexico 1997 Galerie Gastaud & Caillard, Paris France Galerie Prebet, Roanne France Galerie de la Tour, Altkirch France Ecole des Beaux Arts de Metz, Metz France Kunsthous Santa Fe, San Miguel de Allende Mexico Museo de Art, Queretaro Mexico Museo Regional de Tlaxcala, Tlaxcala Mexico 1996 Kim Foster Gallery, New York NY USA Galerie Gastaud, Clermont-Ferrand France 1995 Kim Foster Gallery, New York NY USA Galerie Gastaud & Caillard, Paris France Center Europeen d'action Artistiques Contemporaines, Strasbourg France Galerie Athisma, Lyon France 1994 Chateau du Grand Jardin, Joinville France 1993 Galerie Catherine Fletcher, Paris France 1991 Galerie Gastaud, Clermont-Ferrand France Galerie Athisma, Lyon France 1989 FCI Institut, New York NY USA Galerie Jade, Colmar France Galerie Laurentienne, Bordeaux France 1988 Galerie Lucien Durand, Paris France 1987 Galerie Lucien Durand, Paris France Guggenheim Gallery, Miami Florida USA 1986 LittleJohn-Smith Gallery, New York NY USA 1985 Reynold Kerr Gallery, New York NY USA Taylor Hudson Gallery, Boca Raton Florida USA 1981 Gabrielle Bryers Gallery, New York NY USA 1980 RR Gallery, New York NY USA 1979 National Academy of Sciences, Washington DC USA The Atlantic Gallery, Washington DC USA 1973 Westbroadway Gallery, New York NY USA 1972 Westbeth Gallery, New York NY USA 1968 Panoras Gallery, New York NY USA Selected Group Exhibitions 2021 KIAF art fair Seoul, Korea Busan Art Fair, Kips gallery, Busan, Korea Miami art fair, Miami, USA 2019 Busan Art Fair, Kips gallery, Busan, Korea Kiaf Art Fair, Mizuma, Kips & Wada Art, Seoul, Korea Osaka art fair, Wada Garou, Tokyo, Japan 2018 Mizuma, Kips & Wada Art, New York, NY USA Busan Art Fair, Kips gallery, Busan, Korea Wada Garou, Tokyo, Japan 2017 Busan Art fair, Kips Gallery, Busan, Korea 2016 Busan Art fair, Kips Gallery, Busan, Korea Art Hamptons, Kips Gallery, NY USA Busan Museum of Art, Busan, Korea “Master Works” Galerie Claire Gastaud, Clermont-Ferrand France “Diaspora in Contemporary Art” Permanent Mission of the Republic of Korea to the United Nation , NY USA Corps Accords Pôle Culturel, Drusenheim, France Salon Zurcher, Zurcher Gallery, New York, NY USA 2015 Palm Springs Art Fair, Kips Gallery, CA USA Houston Art Fair, Kips Gallery, Houston TX, USA Art Hamptons, Kips Gallery, NY USA KIAF Art Fair, Kips Gallery, Seoul, Korea Busan Art fair, Kips gallery, Busan Korea 2014 CIGEE China International Gallery Exposition, Kips Gallery, Beijing, China Palm Springs Art Fair, Kips gallery, CA USA Houston Art Fair, Kips Gallery, Houston TX, USA Art Hamptons, Kips Gallery, NY USA KIAF Art Fair, Kips Gallery, Seoul, Korea David Richard Contemporary, Santa Fe NM USA 2013 Art Hamptons, Kips gallery, NY USA Houston Art Fair, Kips gallery, Houston, TX USA KIAF Art Fair, Keumsan Gallery, Seoul, Korea 2012 Art Karlsruhe Germany, Galerie Chantal Bamberger Kips Gallery, New York, NY USA Lee C gallery, Seoul Korea 2011 KIAF Art Fair, Kips Gallery, Seoul Korea St-Art, Galerie Chantal Bamberger, Strasbourg France Houston Art Fair, DavidRichard Conremporary, TX, USA Red Dot Art Fair, Kips Gallery, New York, NY, USA Red Dot Art Fair, Miami, FL, USA Art Chicago, Kips Gallery, New York, NY, USA Wada Garou, Tokyo Japan San Francisco Art Fair, Kips Gallery NY, USA Dallas Art Fair, DavidRichard Contemporary Santa Fe, NM, USA 2010 David Richard Contemporary, Santa Fe, NM, USA Claire Gastaud Galerie, Clermont-Ferrand, France KIAF Art Fair, Kips Gallery, Seoul Korea Korean Art Fair, New York, NY Hong Kong Art Fair, Kips gallery Hamptons Art Fair, USA Kips gallery 2009 Kips Gallery, New York NY 10012 Scope Art Fair Miami, Kips Gallery NY, USA 2008 Bridge Art Fair Miami, Kips Gallery, Fl. USA 2007 Kips Gallery, New York NY, USA 2004 Mexico Arte Contemperano, Gallery Yvonamor Palix, Mexico DF 2003 Galerie Kahn, Strasbourg, France 2002 Art Chicago, Yvonamor Palix Gallery, Chicago USA St-Art, Galerie Khan, Strasbourg France Art Paris, Galerie Claire Gastaud, Paris France 2001 Art Chicago, Yvonamor Palix Gallery, Chicago USA 2000 Art Chicago, Yvonamor Palix Gallery, Chicago USA En construccion, Universidad de Guanajuato, Guanajuato, Gto Mexico Nomad Territories, DFN Gallery, New York NY USA 1999 Gallery Yvonamor Palix, Mexico DF Mexico 1998 Albright-Knox Galleries, Buffalo NY USA Galerie Gastaud, Clermont-Ferrand France 1997 Kim Foster Gallery, New York NY USA Galerie Gastaud, Clermont-Ferrand France Eric Linard Galerie, La Garde Adhemar France Museo de Arte, Queretaro Mexico 1996 Art Chicago, Kim Foster gallery, Chicago USA "Blue" Broadway Gallery, New York NY USA 1995 Galerie Cocotier, St Etienne France Centre Europeen d'Action Artistiques Contemp., Strasbourg France 1994 Kim Foster Gallery, New York NY USA Galerie Catherine Fletcher, Paris France Foster-Peet Gallery, New York NY USA 1993 Andover-White Gallery, New York NY USA Galerie Athisma, Lyon France Cavaliero/Navarra Fine Arts, New York NY USA 1992 Cavaliero/Navarra Fine Arts, New York NY USA "Contemporary Works on Paper" Gallery Standhal, New York NY USA Foster-Peet Gallery, New York NY USA 1991 Cavaliero Fine Arts, New York NY USA Salon de Montrouge, Paris France Galerie Lucien Durand, Paris France 1990 Galerie Lucien Durand, Paris France Galerie Jade Colmar, France, Chicago International Art Fair, Chicago, USA 1989 Galerie Lucien Durand, Paris France 1988 Salon de Montrouge, Paris France Galerie Lucien Durand, Paris France 1987 Art Barn Association, Washington DC USA LittleJohn-Smith Gallery, New York NY USA Galerie Jade Colmar France 1986 LittleJohn-Smith Gallery, New York USA 1985 Reynold Kerr Gallery, New York NY USA 1984 Reynold Kerr Gallery, New York NY USA 1983 Cavaliero Fine Arts, Kunstmess, Basel Switzerland Galerie Bertin, Lyon France 1982 Cavaliero Fine Arts, Kunstmess, Basel Switzerland 1981 Gabrielle Bryers Gallery, New York NY USA 1980 Gabrielle Bryers Gallery, New York NY USA 1979 Katheryn Markel Gallery, New York NY USA Haber-Theodore Gallery, New York NY USA 1977 The Aldrich Museum of Contemporary Art, Ridgefield, CT USA Contemporary Reflexions. Untitled, acrylic and pencil on wall. 1977 Robert Friedus Gallery, New York NY USA OIA, New York NY USA 1976 Fine Art Gallery, New York NY USA 1975 "Young Talent Festival" "75"Union Carbide, New York NY USA 1974 "Young Talent Festival" Pace Editions, New York NY USA "59th Annual Juried Exhibition" Hudson River Museum, Yonkers NY 1973 Springfield Art Association, Springfield CT USA Works on Paper, Triangle Church, New York NY USA "Young Artists 73" Union carbide, New York NY USA New York Contemporary Graphic Exhibition, Taiwan Museum, Taipei 1972 Palace of Fine Arts, Mexico DF Mexico Albright-Knox Gallery, Buffalo NY USA "9th Annual print Exhibition" Silvermine Guild, New Canaan, CT USA 1971 Martha Jackson Gallery, New York NY USA Cornell University, Ithaca NY USA Publications 1985 Renold Kerr Gallery, New York, NY USA Text by David Shaff 1989 Galerie Jade, Colmar France. The primary paintings of Haessle by Frederick Ted Castle. Introduction by Jean-Yves Bainier 1994 Chateau du Grand Jardin, Joinville France. In memory of the body Text by David Shapiro. Interview by Marc Vaudey. In French/English . ISBN 2-910695 -026 1994 Chateau du Grand Jardin, Joinville France. Edition of 200 exemplary 1995 Centre Europeen d’Action Artistiques Contemp., Strasbourg , France Text by Gilbert Lascault. Interview by Jean-Yves Bainier. ISBN -2-910036-12 X Hard cover. In French and English. 1995 HAESSLE 30 ans de peinture. Monograph 145 pages with 70 pages Full color reproductions. Editions Alternatives ISBN : 2 86227 095 4 Text by David Shaff, David Shapiro, Jean-Yves Bainier. Interview by Catherine Ulmer. 2008 Haessle, Selected works, M magazine, 15 pages all colors reproductions 2012 Haessle, paintings, Hillwood Art Museum, LIU Post NY. Text by Jonathan Goodman (English), Bernard Zurcher (French) 52 pages, 35, color reproductions 2014 Haessle Paintings, 1983-2013, Korea University Art Museum. Text by Jonathan Goodman (English, Korean) Robert Morgan...

Helen Frankenthaler (after) Frankenthaler (autographedand inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Edward Giobbi In a Landscape #1, from Long Point Gallery Portfolio, 1988 Lithograph on paper with deckled edges Hand signed, numbered 22/3...

Gabrijel Stupica, Slovenian (1913 - 1990) - XIV Olympic Winter Games, Year: 1983, Medium: Poster, Size: 33.5 x 24.25 in. (85.09 x 61.6 cm)

Niagara Ellen Lanyon, American (1926–2013) Date: 1989 Lithograph, signed and numbered in pencil Edition 38/50 Size: 31.5 x 47 in. (80.01 x 119.38 cm)

ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning 1950. The print suite was realized in 1985 in a limited edition of 2500, a...

Liberty is an original lithograph on paper realized by the Italian politician Bettino Craxi in 1989. Original lithograph on paper. Hand-signed in pencil on the lower right corner...

A print by Andy Warhol. “Howdy Doody” is a pop art screenprint in a unique and rare color combination, due to red background. The edition is TP 6/30 and the artwork is signed lower...

RANDOM SELECTION 2 is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid fre...

Victor Vasarely (1906-1997) - Risir Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 47 x 37.5 cm Reference: Catalogue Raisonné Vol I par Pedro Benavides n° ...

Jean-Michel Basquiat, 1985 Limited Edition Artist's Book with Offset Lithographs. Hand signed and numbered by Jean-Michel Basquiat Hand signed and numb...

SONG OF PRAISE is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid free. S...