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19th Century Prints and Multiples

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Period: 19th Century
Les Lorettes - Original Lithograph by Paul Gavarni - 1841
Located in Roma, IT
Amusing original colored lithograph with pouchoir details. Beautiful satiric illustration by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier, 1804- 1866), from...
Category

Modern 19th Century Prints and Multiples

Materials

Lithograph

Green Finch - Etching by Johann Friedrich Naumann - 1840
Located in Roma, IT
Green Finch is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stu...
Category

Modern 19th Century Prints and Multiples

Materials

Etching

Hummingbird Lithograph
Located in New York, NY
Gould, John and Richard Bowdler Sharpe. A Monograph of the Trochilidae, or Family of Hummingbirds. London, 1849-61. This plate: Orthorhynchus Ornatus. Original lithographs hand-co...
Category

19th Century Prints and Multiples

Materials

Paper

Dancing Class - Original etching, Signed
Located in Paris, IDF
Paul RENOUARD Dancing Class - "Classe du Premier Quadrille", 1893 Original etching Signed in pencil On Japan paper 32 x 48 cm (c. 12.5 x 19 inch) INFORMA...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Etching

Fukuroi Dejaya No Zu - Orignal Woodcut by Utagawa Hiroshige - 1833
Located in Roma, IT
Fukuroi Dejaya No Zu (An Outdoor Tea Stall at Fukuroi), is a beautiful color woodblock print on paper, the plate n. 28 from the series Fifty-three Stations Along the Tokaido (Tokai...
Category

19th Century Prints and Multiples

Materials

Paper, Woodcut

Les Contes Drolatiques - Rare Book Illustrated by G. Doré - 1861
Located in Roma, IT
Les Contes Drolatiques is an original modern rare book written by Honoré de Balzac (1799 – 1850) and illustrated by Gustave Doré (Strasbourg, 1832 – 23 January 1883) in 1861. Publis...
Category

Modern 19th Century Prints and Multiples

Materials

Paper, Etching

Ancient Ships - Lithograph - 1862
Located in Roma, IT
Ancient Ships is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the la...
Category

Modern 19th Century Prints and Multiples

Materials

Lithograph

Hamburg - Amerika Linie original vintage travel poster
Located in Spokane, WA
Original Hamburg - Amerika linie, Hamburg America Line vintage travel by ship antique poster. Art Deco time frame vintage poster for traveling by cruise...
Category

Art Deco 19th Century Prints and Multiples

Materials

Lithograph

Retriever Crossed with a Setter
Located in Columbia, MO
Retriever Crossed with a Setter 1887 Etching 3 x 5
Category

Naturalistic 19th Century Prints and Multiples

Materials

Etching

Paris - Cirque de L'Imperatrice, French lithograph, 1861
By Felix Benoist
Located in Melbourne, Victoria
'Cirque de l'Imperatrice aux Champs-Elysses', tinted lithograph by Felix Benoist (1818-1896). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa S...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Lithograph

Foke-Luste-Hajo, Seminole Chief: Antique Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Foke-Luste-Hajo, A Seminole Chief, No. 84", published by Rice, Rutter & Co. ...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Lithograph

Celtic-Byzantine, French antique 19th century Racinet art design print
Located in Melbourne, Victoria
'Celtic-Byzantine - Celtico-Byzantin - Keltisch-Byzantinisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. ...
Category

French School 19th Century Prints and Multiples

Materials

Lithograph

Slow and Steady, Vanity Fair legal chromolithograph of a judge, 1900
Located in Melbourne, Victoria
Vanity Fair legal portrait of Justice Gainsford Bruce. Sir Leslie Matthew Ward was a British portrait artist and caricaturist who over four decades painted 1,325 portraits which wer...
Category

Victorian 19th Century Prints and Multiples

Materials

Lithograph

Renoncule des marais (Buttercup), French botanical flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818. Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840) From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category

Victorian 19th Century Prints and Multiples

Materials

Engraving

Man with the Dragon - Woodblock Print by Utagawa Toyokuni I - 1800 ca
Located in Roma, IT
Man with the Dragon is a superb color woodbloock print on rice-paper, realized by the great master of ukiyo-e print, Utagawa Toyokuni I (1769-1825) Depicti...
Category

19th Century Prints and Multiples

Materials

Paper, Woodcut

Peaches, Nectarines: George Brookshaw's 19th C. Framed Hand-colored Aquatint
Located in Alamo, CA
George Brookshaw's (1751-1823) beautiful "Peaches, Nectarines" hand colored aquatint engraving, plate 38 from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. The pale green and peach-colored peaches and the pink and green flowers lie on a rich dark brown-colored background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...
Category

Academic 19th Century Prints and Multiples

Materials

Aquatint

A Portrait of a Pensive Woman in a Head Scarf: An Etching by George Rhead
Located in Alamo, CA
This is an etched portrait of a pensive woman wearing a detailed cloth head scarf by George Woolliscroft Rhead (1854-1920). It may be entitled "A Fisher Wife", but this can not be co...
Category

Old Masters 19th Century Prints and Multiples

Materials

Etching

Lesser Moddy and Moddy Tern, antique sea bird chromolithograph print, 1889
Located in Melbourne, Victoria
'Lesser Moddy and Moddy Tern' Chromolithograph from Gracius Broinowski's 'The Birds of Australia' , 1887-1891. Gracius Joseph Broinowski (1837-191...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Lithograph

Figure along Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Figure along Nile is an modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is from the watercolors realized by the artist during a trip to Eg...
Category

Modern 19th Century Prints and Multiples

Materials

Lithograph

La Mode de Paris, French late 19th century colour fashion illustration engraving
Located in Melbourne, Victoria
'La Mode de Paris' Wood-engraving with original hand-colouring. French 1870s fashion illustration, from a series called 'La Mode de Paris'. Signed in ...
Category

Victorian 19th Century Prints and Multiples

Materials

Engraving

After Paul Fourdrinier - 19th Century Engraving, The Ruins of Palmyra I
Located in Corsham, GB
This architectural drawing showcases the intricate details of a classical column and entablature, emphasising the ornate pediment and decorative frieze. The original plate was made ...
Category

19th Century Prints and Multiples

Materials

Engraving

Sweet-scented Lachenalia. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Lachenalia Fragrant - Sweet-scented Lachenalia' Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Engraving

19th century color lithograph figures cemetery willow tree memorial headstone
Located in Milwaukee, WI
The present hand-colored lithograph was produced as part of the funeral and mourning culture in the United States during the 19th century. Images like this were popular as ways of remembering loved ones, an alternative to portraiture of the deceased. This lithograph shows a man, woman and child in morning clothes next to an urn-topped stone monument. Behind are additional putto-topped headstones beneath weeping willows, with a steepled church beyond. The monument contains a space where a family could inscribe the name and death dates of a deceased loved one. In this case, it has been inscribed to a young Civil War soldier: William W. Peabody Died at Fairfax Seminary, VA December 18th, 1864 Aged 18 years The young Mr. Peabody probably died in service for the Union during the American Civil War. Farifax Seminary was a Union hospital and military headquarters in Alexandria, Virginia. The hospital served nearly two thousand soldiers during the war time. Five hundred were also buried on the Seminary's grounds. 13.75 x 9.5 inches, artwork 23 x 19 inches, frame Published before 1864 Inscribed bottom center "Lith. & Pub. by N. Currier. 2 Spruce St. N.Y." Framed to conservation standards using 100 percent rag matting and TruVue Conservation Clear glass, housed in a gold gilded moulding. Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...
Category

Romantic 19th Century Prints and Multiples

Materials

Watercolor, Lithograph

Middle Ages, French antique 19th century Racinet art design lithograph print
Located in Melbourne, Victoria
'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...
Category

French School 19th Century Prints and Multiples

Materials

Lithograph

French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris. 250mm by 320mm (sheet)
Category

Renaissance 19th Century Prints and Multiples

Materials

Lithograph

A Family of Moorhens & Lilly Pad: A 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Gallinula Chloropus" (Moorhen) by John Gould, published in his "Birds of Great Britain", published in London between 1862 and 1873. The print, which was drawn by Gould and Henry Richter and lithographed by Walter & Cohn, depicts a family of Moorhens, including two adults and six babies in a beautiful landscape. The adults are in the water and the babies are lying on the leaves a flowering lilly pad. This striking Gould hand-colored moorhen family lithograph is augmented with gum-arabic paint. The sheet measures 14.88" high and 21.75" wide. It is in excellent condition, other than a spot in the upper portion of the right margin and two small spots at the edge of the lower margin on the left. The original descriptive text pages from Gould's 19th century publication are included. There are several other unframed Gould hummingbird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Lithograph

Albuca Minor - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Albuca Minor' Original copper-line engraving with original hand-colouring. From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude Michel M...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Engraving

The Lady Dunlin With Her Hand Fan - Original Lithograph by J.J Grandville - 1852
Located in Roma, IT
The Lady Dunlin With Her Hand Fan is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published ...
Category

Modern 19th Century Prints and Multiples

Materials

Paper, Lithograph

Grizzly Bear
Located in New York, NY
Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate CXXXI. Philadelphia, J.T. Bowen, ca. 1856. Excellent ...
Category

19th Century Prints and Multiples

Materials

Paper

Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...
Category

Victorian 19th Century Prints and Multiples

Materials

Lithograph

Electricity by Ignatius Taschner, Art Nouveau lithograph, 1897
Located in Chicago, IL
Lithograph of Ignatius Taschner’s Electricity, published as Plate 95 in Gerlach’s Allegorien by Gerlach & Schenk, Vienna. This artwork arrives accompanied by a certificate of authenticity. Allegorien-Neue Folge...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Lithograph

Cymbidium Eburneum, antique orchid botanical lithograph print, 1859
Located in Melbourne, Victoria
'Cymbidium Eburneum – The Ivory Cymbidium' Orchid lithograph with original hand-colouring , 1859, by Walter Hood Fitch (1817-1892). 25cm by 15.5cm (sheet...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Lithograph

1896 original lithography by Armand Rassenfosse Salon des cent
Located in PARIS, FR
In the heart of 19th-century Paris, the art scene flourished with an unparalleled vibrancy, attracting connoisseurs and creators from around the globe. One pivotal event that capture...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Lithograph, Paper

Diseases of the Ovary - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Diseases of the Ovary is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atl...
Category

Modern 19th Century Prints and Multiples

Materials

Lithograph

Greek Theatre - Lithograph - 1862
Located in Roma, IT
Greek Theatre is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the la...
Category

Modern 19th Century Prints and Multiples

Materials

Lithograph

BROOKSHAW. A Pair of Melons: White Seed'd Rock and Silver Rock Mellon
Located in London, GB
Pair of aquatints with stipple-engraving, printed in colours and finished by hand, made for Brookshaw's most famous work "Pomona Britannica" or a "Collection of the Most Esteemed Fru...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Engraving, Handmade Paper, Aquatint

Woman at the Tub (Femme au tub)
Located in Bournemouth, Dorset
Henri de Toulouse-Lautrec (1864–1901) Woman at the Tub (Femme au tub) lithograph, 213/275, signed in print Image: 48.5 x 62.5 cm Frame: 69.5 x 81.5 cm Henri Toulouse-Lautrec (1...
Category

Realist 19th Century Prints and Multiples

Materials

Lithograph

La Source dans les Bois - Lithograph by Henri Fantin-Latour - 1898
Located in Roma, IT
Autographie (Calcography on paper transfer and Lithograph). Beautiful Proof in sanguine on China paper. In Excellent conditions and full margins. Ref. Cat. Hédiart-Mason n.139; Jo...
Category

Modern 19th Century Prints and Multiples

Materials

Lithograph

Le Roi Peste (The Plague Kings) - Etching by James Ensor - 1895
Located in Roma, IT
The Plague Kings is an original etching on the Japanese paper, realized by James Ensor in 1895, signed on the plate and dated, unique state, with the second signature on the reverse ...
Category

Surrealist 19th Century Prints and Multiples

Materials

Etching

Japanese Accessories - Woodcut after Utagawa Kunisada - Late-19th century
Located in Roma, IT
Japanese Accessories is a Woodcut print realized in the first half of the 19th century by Utagawa Kunisada. Good condition. This wonderful modern artwork represents Japanese acce...
Category

Modern 19th Century Prints and Multiples

Materials

Woodcut

'Babylone d'Allemagne' original lithograph poster by Henri de Toulouse-Lautrec
Located in Milwaukee, WI
'Babylone d'Allemagne' or 'German Babylon' is an original lithograph poster by the lauded artist of the Art Nouveau style Henri de Toulouse-Lautrec. This is the second poster that La...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Paper, Lithograph

The Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
The Nile is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt betwe...
Category

Modern 19th Century Prints and Multiples

Materials

Lithograph

Kaka Parrots, Antique New Zealand Bird Parrot Chromolithograph, circa 1895
Located in Melbourne, Victoria
Kaka Parrots - chromolithograph from an English natural history series. 200mm by 135mm (image) 255mm by 165mm (sheet)
Category

Victorian 19th Century Prints and Multiples

Materials

Lithograph

Columnar-chived Ixia, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Ixia Columnaris - Columnar-chived Ixia' Native of Cape of Good Hope. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', ...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Engraving

Veduta Generale del Tempio della Sibilla... - by L. Rossini - 1824
Located in Roma, IT
Veduta Generale del Tempio della Sibilla, e Ponte della Cascata di Tivoli Image dimensions: 61x45 cm. From the series “Le antichità de’ contorni di Roma (...)” an artist's proof with...
Category

Old Masters 19th Century Prints and Multiples

Materials

Etching

The Pig - Original Lithograph on Paper - 1880 ca.
Located in Roma, IT
The Pig is an original Modern artwork realized by an anonymous artist in 1880 ca. Original lithograph on Paper. Good Conditions. Passepartout: 34 x 49 The artwork represents a Pi...
Category

Modern 19th Century Prints and Multiples

Materials

Lithograph

Portrait of Adolph Menzel - Etching by Giovanni Boldini - 1897
Located in Roma, IT
Portrait of Adolph Menzel is a magnificent drypoint realized by Giovanni Boldini in 1897. Reference: Buzzoni / M. Toffanello, Museo Giovanni Boldini, G...
Category

Modern 19th Century Prints and Multiples

Materials

Drypoint, Etching

Henry Searle, rower, Vanity Fair rowing portrait chromolithograph, 1889
Located in Melbourne, Victoria
'H Searle, Professional Champion Sculler of the World'. Vanity Fair rowing portrait of Henry Searle (1866-1889), an Australian sculler who raced in...
Category

Victorian 19th Century Prints and Multiples

Materials

Lithograph

Astronomy, Plate 120 from Gerlach's Allegorien, Vienna Secession lithograph
By Hanus Schwaiger
Located in Chicago, IL
Allegorien-Neue Folge was a serialized publication of artworks by a group of Viennese artists and students beginning in 1897. Martin Gerlach, its publisher, was inspired by the new rise of modernist design in Vienna and selected those who were demonstrating a new command of the style to contribute works to the series, including Gustav Klimt, Koloman Moser, Carl Otto Czeschka, and Hanus Schwaiger. Each plate explores a different theme or collection of topics, such as dance, astronomy, electricity, and graphic arts, which brought a new aesthetic of design to the traditional allegory genre. Stone lithograph of Hanus Schwaiger’s Astronomie, published as Plate 102 in Gerlach’s Allegorien...
Category

Vienna Secession 19th Century Prints and Multiples

Materials

Lithograph

Waterfall on Fordingdale beck, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Waterfall on Fordingdale beck, at the foot of Hawes Water' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman...
Category

Naturalistic 19th Century Prints and Multiples

Materials

Engraving, Aquatint

Wakana (Gengjie) - Original Woodcut Print by Utagawa Kunisada - 1850s
Located in Roma, IT
Wakana (Gengjie) is an original modern artwork realized by Utagawa Kunisada in 1850s. Woodcut print Oban yokoe format From the series "Sono sugata yukari no utsushie" (Faithful im...
Category

Modern 19th Century Prints and Multiples

Materials

Woodcut

Mr. Bunny Eating A Big Carrot - Lithograph by J.J Grandville - 1852
Located in Roma, IT
Mr. Bunny Eating A Big Carrot is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Ma...
Category

Modern 19th Century Prints and Multiples

Materials

Paper, Lithograph

Actor Iwai Hanshiro as a Samurai by Utagawa Toyokuni I - Early 19th Century
Located in Roma, IT
Actor Iwai Hanshiro as a Samurai is an artwork realized by Utagawa Toyokuni (1769-1825), in the early 19th Century Color woodcut, signed or inscribed in the top right and bottom lef...
Category

Modern 19th Century Prints and Multiples

Materials

Woodcut

Snipe - Mixed Colored Woodcut Print - 1870
Located in Roma, IT
Snipe is a modern artwork realized in 1870. Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name of the bird printed in plate. This work is part of a print su...
Category

Modern 19th Century Prints and Multiples

Materials

Woodcut

Return (Art Nouveau - Woman, Greyhound and Boat) - Original lithograph, 1897
Located in Paris, IDF
Georges de FEURE (1868 - 1943) Return,1897 Original lithograph Printed signature, as issued 1897/98 Printed on paper Vélin (wove) Size 40 x 31 cm (c. 16 x 12") INFORMATION : Publis...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Lithograph

Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 190 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...
Category

Old Masters 19th Century Prints and Multiples

Materials

Etching, Aquatint

1896 original poster by Armand Rassenfosse Salon des cent
Located in PARIS, FR
In the heart of 19th-century Paris, the art scene flourished with an unparalleled vibrancy, attracting connoisseurs and creators from around the globe. One pivotal event that capture...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Paper, Lithograph, Linen

Pisces-The Fish
Located in Fairlawn, OH
Pisces From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calendarium as published ...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Lithograph

The Mouse - Original Lithograph by Paul Gervais - 1854
Located in Roma, IT
The Mouse is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published...
Category

Modern 19th Century Prints and Multiples

Materials

Lithograph

Internationale Kunst Ausstellung, Dresden
Located in London, GB
Osmar Schindler, (German 1867-1927), Internationale Kunst Ausstellung, Dresden, 1897 Lithograph, signed (in the plate) (middle right), 96cm x 75cm (100...
Category

Art Nouveau 19th Century Prints and Multiples

Materials

Paper, Lithograph

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